tag:www.subdotmission.com,2005:/blogs/sub-files?p=2Sub.Files2023-12-07T13:55:20-07:00subdotmission.comfalsetag:www.subdotmission.com,2005:Post/73160412023-12-07T13:55:20-07:002023-12-07T17:54:17-07:00Sub.Mingling: Yoko<p><span style="color:#ffffff;"><i><strong>Written by: Lita Frazier</strong></i></span></p><p><span style="color:#ffffff;">For this Sub.mingling article, Lita Frazier got the chance to speak with some incredible talent rising up in the music scene. </span><a class="no-pjax" href="https://subdotmission.com/?profile=yoko" data-link-type="url"><span style="color:hsl(0, 75%, 60%);">Yoko</span></a><span style="color:#ffffff;">, also known as Emi, strives to recreate the realms that exist in her own mind, and mold them into sonic experiences. Although originally from Tacoma, Washington, the esteemed producer has sculpted her sound from the influences of the Colorado underground scene. The focus of the Denver based Yoko project is to deliver heavy bass and unique soundscapes that evoke movement emotion.</span></p><p><span style="color:#ffffff;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/0b012230c3b37ee264c94a77d7b1e1e783390bcb/original/september-29-202310344109361-vanwinklephoto.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_orig justify_inline border_" /></span></p><div dir="auto"><span style="color:#ffffff;"><meta charset="utf-8"></span></div><hr><p dir="ltr"> </p><p dir="ltr"><span style="color:#ffffff;"><strong>What gave rise to the name Yoko and the story behind your project?</strong></span></p><p dir="ltr"><span style="color:#ffffff;"><i>The name “Yoko” was originally inspired by Yoko Ono and her transformative lens in the art world way back when. I always thought she was a bit odd and widely misunderstood by the masses, and I felt the same about producing such a niche style of electronic music. The actual name Yoko is Japanese so it’s also a nod to my Japanese heritage.</i></span></p><p dir="ltr"> </p><p dir="ltr"><span style="color:#ffffff;"><strong>You recently had a Tour with Contra and have also been touring to numerous locations all over the United States, what are some of your favorite places you have played and visited thus far?</strong></span></p><p dir="ltr"><span style="color:#ffffff;"><i>It’s hard to narrow it down because I truly enjoy all the places I get to play, however, I think my top three so far would have to be Flagstaff/Phoenix AZ, Austin TX, and San Francisco CA. The crowds and energies in all these places have been so awesome and welcoming, and I have yet to have any bad food experiences! If I had to pick my favorite crowd this year it would have to be the lovely people in Flagstaff and Phoenix, they know how to have a great time.</i></span></p><p> </p><p dir="ltr"><span style="color:#ffffff;"><strong>You have had many impressive collabs come out with some formidable talent such as Veil, Skinny Limbs and Jabbs. Is there anyone in particular you would like to collaborate with in the future?</strong></span></p><p dir="ltr"><span style="color:#ffffff;"><i>If I’m allowed to shoot for the moon here, I’d have to say Thought Process, Smigonaut, Keota, and CloZee. I think the blends would be quite interesting.</i></span></p><p> </p><p dir="ltr"><span style="color:#ffffff;"><strong>Over the course of your development, what have been your most important instruments and tools (In the DAW and in real life) that have helped you progress this far?</strong></span></p><p dir="ltr"><span style="color:#ffffff;"><i>Learning how to build patches from the bare bones up has been the biggest thing for me. Once I was able to understand the fundamentals of all of my favorite sounds, and more specifically the ins and outs of synths, it allowed me to see sound design in a whole different light. Phaseplant is my go-to, and being able to experiment with such heavy and diverse post-processing tools like RIFT has made the art of producing 100x more exciting for me.</i></span></p><p> </p><p dir="ltr"><span style="color:#ffffff;"><strong>Can you talk about a breakthrough project, event and/or performance in your career? Why does it feel special to you?</strong></span></p><p dir="ltr"><span style="color:#ffffff;"><i>I think my breakthrough project is on the horizon, I just finished my second Album and it focuses on a sound that I always dreamed of attaining. It feels so special to me because I truly never thought I had such a musical vernacular as this inside me. In terms of breakthrough performances, I’d have to say my set at Sonic Bloom this year was my career highlight. Being surrounded by my closest friends and playing for my current hometown/largest fanbase in the D’OM was honestly such an electrifying feeling I’ll never forget. </i></span></p><p> </p><p dir="ltr"><span style="color:#ffffff;"><strong>Congratulations on being recently added to the Sub.mission roster!</strong></span></p><p dir="ltr"><span style="color:#ffffff;"><strong>What do you hope to hope to accomplish henceforth with your project and what new music should we be excited to hear from you in the future?</strong></span></p><p dir="ltr"><span style="color:#ffffff;"><strong>Anything else you'd like to add?</strong></span></p><p dir="ltr"><span style="color:#ffffff;"><i>Thank you! It’s honestly surreal being a part of such a talented roster. I have looked up to all of the Sub.mission artists for years and to be right next to them now is insane to me. I have high hopes that this next album is going to make some waves in our niche music scene, so stay tuned for the end of the year because my team and I have curated the next chapter of the Yoko project and you won’t want to miss a beat.</i></span></p><p dir="ltr"> </p><p dir="ltr"><span style="color:#ffffff;"><strong>Follow Yoko: </strong></span><a class="no-pjax" href="https://linktr.ee/itsyokomusic" data-link-type="url"><span style="color:#ffffff;"><strong>https://linktr.ee/itsyokomusic</strong></span></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/72623012023-08-24T10:28:25-06:002023-08-24T10:29:32-06:00Spoonbill Unveils Cinematic Prelude for Upcoming Album Drop & Nationwide Tour<p><i>Written by Max Vanegas </i></p><p dir="ltr">In the forests outside of Northeast Melbourne, high up in his mountain-top nest, a producer by the name of Spoonbill weaved together a stunning musical odyssey that transcends genres and stifles even the most astute of music taxonomists. The forthcoming album, <i>Mosaic Shuffle</i>, features an emulsion of electronica, bass, beats, and downtempo, all powdered with the Australian songbird’s trademark flavor.</p><p dir="ltr">While the full album is set to release on September 8th, fans recently got a preview of the LP with a pair of textured, and multi-layered singles that shine a bright light on Spoonbill’s ever-evolving talent.</p><p dir="ltr"> </p><p><span><strong><img src="https://lh5.googleusercontent.com/aCBDqUXQyVTqabMj6bAwr6thQlOvDj2Kiddcwho0OctsQNp8p04Xf0nqnTxMPJp7f0UIwJaHCA_YdeIAZiOT2HHtLD6UnYwcNSmrQvwe9ba79tkTu1-NI2-YuZTO2aidk9P_Sawqs-FkbZnuSpGxRls" class="size_l justify_center border_" height="361" width="576" /></strong></span></p><p> </p><p>The first preview from the LP, “Mirari,” leads with a <i>Tinkerbox</i>-esque intro before dropping into an array of daring horns and fuzzy synthesizers that bob and weave like a pair of toads chasing each other through a creek. </p><p> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="OREpYNMERtI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/OREpYNMERtI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p style="text-align:center;" dir="ltr"> </p><p dir="ltr">While the track’s depth reveals itself in the brass section, Spoonbill makes it shine with those minimal elements that you hardly notice. The warbled bass stabs and glittering bells left dangling beneath those boastful trumpets are just a few elements that do a lot with a little.</p><p dir="ltr">This past week, fans were blessed with the next preview from <i>Mosaic Shuffle</i>, a futuristic vocal number featuring the impassioned chords of The Fret Drifters. </p><p dir="ltr"> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="u-tvn43hwy4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/u-tvn43hwy4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p dir="ltr">Upon examination of The Fret Drifters' discography, it is easy to see why this collaboration makes so much sense. In “Radio Silent,” the gentle acoustic twang provided by the Oregon band meets the cosmic-laced synthesizers of Spoonbill to create a narrative of a space cowboy roaming the galaxy. It’s an epic and cinematic track through and through and we can’t wait to hear it live.</p><p dir="ltr">Fortunately, the wait won’t be much longer as Spoonbill prepares to embark on his first US Tour since Fall 2019 in three short weeks. </p><p dir="ltr"> </p><p dir="ltr"><span style="color:#000000;"><span><img src="https://lh3.googleusercontent.com/jmBgbZgUTDMgCSNDL3pMgswNQRXRdGsYMONvreru30k_nFkQNeyk94AL2xti-CJOHZrLV6RwrzMZbl_Qpwzd3aUparSBTluZUfryKtNOUNmJSAd_Kip07X1Q8n5E738iNWbyvkwaJEON3H70lozeD08" class="size_l justify_center border_" height="411" width="329" /></span></span></p><p dir="ltr"> </p><p dir="ltr">Starting things off at Infrasound on 9/16, Spoonbill will then touch down in Portland, Atlanta, Chicago, and several more cities as he brings <i>Mosaic Shuffle</i> and his deep discography of aural wonder to the live stage. </p><p dir="ltr">In conversation with Adam Granata of Alchemy Sessions - the host for the Ohio stop - he praises Spoonbill’s performances as a “big psychedelic carnival party” that he can’t wait to bring to Columbus. Tyler Purcell, the co-founder of Headnod Entertainment and host for the Baltimore stop, claims that Spoonbill “offers a level of novelty to a lineup that few artists can provide.” </p><p dir="ltr"> </p><p dir="ltr"><span style="color:#000000;"><span><img src="https://lh4.googleusercontent.com/eidArzEFtTWSApxm4hsmB-n1aTaVKTIxJJ6HN2EzzkpCtkiWPcOIZwkEuTw00gxtE0Ijx_QvbaTQ9ICnMDyh03qTmp2GHeyc4B2NDy85yPWqsV2x72t5wXVe6aWS3kMWDOkBd3E1nTGTwqDwo6kaRhU" class="size_l justify_center border_" height="391" width="624" /></span></span></p><p dir="ltr"> </p><p dir="ltr">Wherever he may fan his feathered motifs, you can rest assured that Spoonbill will be providing vibrations from every realm imaginable no matter where he is during this one-month voyage through America.</p><p dir="ltr">Keep up with Spoonbill in the links below to make sure you don’t miss any of the climactic dates that await.</p><p> </p><h2 style="text-align:center;" dir="ltr"><strong>Follow Spoonbill:</strong></h2><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://www.spoonbill.net.au/"><u>Website</u></a> | <a class="no-pjax" href="https://www.facebook.com/spoonbillsound"><u>Facebook</u></a> | <a class="no-pjax" href="https://twitter.com/spoonbillsound"><u>Twitter</u></a> | <a class="no-pjax" href="https://www.instagram.com/spoonbillmusic/"><u>Instagram</u></a> | <a class="no-pjax" href="https://soundcloud.com/spoonbill"><u>SoundCloud</u></a> | <a class="no-pjax" href="https://subdotmission.com/?profile=spoonbill-3"><u>Sub.mission Profile</u></a></p><p> </p><p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/72514612023-08-03T10:32:18-06:002023-08-03T10:34:12-06:00Sub.Mingling: Phaeleh <p dir="ltr"><i>Written by Kathy Weygandt</i></p><p dir="ltr"><span>One of bass music and garage’s most prolific contributors, UK producer Phaeleh embarks on his North American tour this August following the release of his latest album, </span><i>A New Day. </i><span>Spanning an impressive range of crisp garage rhythms, vibrant breakbeats, and meditative dubstep that draw the listener into the dreamlike world of his productions, </span><i>A New Day</i><span> effortlessly carries the intensity of cinematic stoicism across delicate threads of guitar melodies and ambient storytelling.</span></p><p dir="ltr"><span>Ahead of the tour, Phaeleh has provided a glimpse into the mindstate surrounding </span><i>A New Day,</i><span> and a few of the techniques and influences that shape his sound and live performances.</span></p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/78839a8702fc728d69eabfded59cab0e88a12227/original/phaeleh1.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr"><strong>You’ve toured North America quite a few times. What do you hope to accomplish on the dancefloor on a tour like this? What parts of your sonic personality do you channel most in a performance, and what kind of effect are you trying to have on the audience?</strong></p><p dir="ltr"><i><span>I’m really looking forward to reconnecting with my fans Stateside. There’s been a few albums which have dropped since my last tour in America, so I’m excited about playing a lot of that material alongside some new stuff from my forthcoming EP. I always hope to take the audience on a journey with my sets, and for me it’s a lot more about the emotional journey than having the sickest drops.</span></i></p><p dir="ltr"><i><span>Each show is always different, the vibe, the sound, and the audience will often take you in slightly different directions. Whilst I mostly play originals in my DJ sets they can vary a lot. Some shows I might reach for a lot of my older tracks from around 2006-2009, or go for the most recent stuff fresh from the studio. There can be shows where you know the audience are more up for the ‘classics’, other times I feel safe to just play a load of newer stuff and miss out the obvious tracks.</span></i></p><p dir="ltr"><strong>What sets live music apart as a listening context in your eyes? Is there any sort of magic you feel only happens in a dark room on a sound system?</strong></p><p dir="ltr"><i><span>There’s obviously the physical aspect with music on a soundsystem that most people aren’t going to get at home on earbuds or laptop speakers. Obviously there’s the social aspect of it too, but I tend to get lost in the music with my eyes closed if I’m at a show, so that one is less applicable to me. </span></i></p><p dir="ltr"><i><span>In terms of playing the sets, I enjoy the spontaneous choices you make at a show, which can be informed by how you’re feeling, or someone just distracting you in the moment so you have to think quickly to avoid silence as a track is about to finish. Those moments definitely don’t happen with planned studio based DJ sets.</span></i></p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/df480a989eda78a7446ad805d10f200b3740a531/original/phae2.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr"><strong>You’ve said that some of your biggest musical inspirations include the likes of Brian Eno, Drexciya, Ryoji Ikeda, and Boards of Canada, and your “</strong><a class="no-pjax" href="https://open.spotify.com/playlist/2yGrG28RDIGKaMPa5VDcSD?si=2195230c8eba483d" target="_blank" data-saferedirecturl="https://www.google.com/url?q=https://open.spotify.com/playlist/2yGrG28RDIGKaMPa5VDcSD?si%3D2195230c8eba483d&source=gmail&ust=1691165938771000&usg=AOvVaw32pSVIJ_PIWon6cf1-RSkl"><strong><u>Influences</u></strong></a><strong>” playlist on Spotify features a hefty list of names ranging from LFO and LTJ Bukem to the various aliases of Aphex Twin and Luke Vibert. How do you see these spheres informing ones like the dubstep and garage scenes, and vice versa in the current dance music landscape? What’s the communication like between them?</strong></p><p dir="ltr"><i><span>This is always a funny one, as I wouldn’t say I really have any inspirations these days and have always just been inspired by life, with the music being a reflection of how I’m feeling in a moment.</span></i></p><p dir="ltr"><i><span>I was asked years ago in an interview what I was listening to when I was starting to get more serious about production back around 1999/2000, and I mentioned a lot of those names. That article got referenced on Wikipedia so now everyone thinks I’m regularly listening to those artists, whereas a lot of them I haven’t listened to in over 20 years. The Influences mix I did for Hyponik (which that playlist is based on) was essentially me paying my respects to a lot of those artists I was enjoying when starting out.</span></i></p><p dir="ltr"><i><span>I do generally think all music overlaps and I personally find genres a bit of a silly concept, but do understand that putting things in boxes can help when marketing things. Unless you’re making some noise/sound based experimental/acousmatic music, everyone is using the same notes and rhythms in one form or another, so I just view it all as music. In terms of current music landscapes, I’m so out of the loop I wouldn’t even be able to tell you what was popular at the moment in underground music or elsewhere.</span></i></p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/7cc884ba24353523da15f94c34c4475e1cbdcd9c/original/phae3.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p><strong>A lot of artists have mentioned seeing post-pandemic audiences become a lot more receptive to a broader range of genres and styles. Do you think that’s true?</strong></p><p dir="ltr"><i><span>I'm probably not the person to ask as I haven’t been playing so many shows post-pandemic, and definitely see myself transitioning to just producing in the coming years. My experiences are obviously based in the UK and the common thing I see is a lot less risk taking and much safer lineups as the overheads are so high that putting on a night that doesn't sell out can lead to not doing a night again. I’ve only been to one electronic event since the pandemic, and it felt like all the DJs were playing the same track for 6 hours so it sounds like I’m going to enjoy being back in the States if the audiences are enjoying a diverse range of sounds and DJs feel a lot safer to just do their thing.</span></i></p><p dir="ltr"><strong>You’ve covered a lot of ground with your sound since you started releasing in 2008. Where did you find yourself when making your most recent album, </strong><i><strong>A New Day</strong></i><strong>?</strong></p><p dir="ltr"><i><span>It was a bit of a strange album, as it actually included a lot of older tracks which had been sitting around waiting to be finished for years. Tracks like ‘Need to Feel’ were actually written around the time I had just finished ‘The Cold in You’ in 2011 so it was a strange mix of old and new. But the newer tracks on it were made in early 2022 so I can't really remember what the process was. There was definitely a feeling of looking back in terms of the sound and how the tracklisting was put together and it was the start of me making a lot more 140bpm stuff again.</span></i></p><p dir="ltr"><strong>You’ve mentioned hardware synthesis and instrumentation being a key part of how your sound has evolved over the past few years. Do you have a favorite synth, or a piece of gear you can’t live without?</strong></p><p dir="ltr"><i><span>I've always loved using hardware synths and guitars as I’m old enough to come from a time where software instruments didn’t exist. I've just accumulated a lot more hardware in recent years, so it gets used a lot more than it did on my earlier releases where it was probably more of an even split between hardware and software. I have shifted to mostly using hardware which is more about keeping things interesting and physical. I think if I'm just sitting in front of a screen I'd rather just be playing Mario Kart or Zelda than making music, so using hardware just keeps my focus and engages me a lot more with the music I’m making. My favourite synth is probably the Roland SH-101, but I have a soft spot for all of them in different ways. I also swear by the Silver Bullet made by Louder than Liftoff. It sounds incredible and everything I’m recording goes through it on the way to the computer.</span></i></p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/abb0c009e12b352694394e337141d94783fe2da5/original/phae5.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr"><strong>Finally, if you could recommend one album of your own and one album of someone else’s to a listener to help them get to know you as a musician, what would they be?</strong></p><p dir="ltr"><i><span>For my music, I'll have to go a bit freestyle here and pick one of my ambient albums, ‘Illusion of the Tale’. It's not really a reflection of my sound in any way, but it's my favourite release and the only album of mine I actually listen to and really enjoy.</span></i></p><p dir="ltr"><i><span>In terms of other music, I’m going to go with an obvious one and pick ‘Compro’ by Skee Mask. It’s probably the last electronic album I heard that really grabbed my attention like music did when I was younger and everything was a lot more new and exciting.</span></i></p><p dir="ltr"><span>Whether it’s ambient introspection or hard-hitting beat work, Phaeleh’s imprint on bass music continues to shape the sound of the scene and ignite the imaginations of his audience. </span><i>A New Day </i><span>is available to stream on all major platforms:</span></p><p dir="ltr"><a class="no-pjax" href="https://phaeleh.bandcamp.com/album/a-new-day" target="_blank" data-saferedirecturl="https://www.google.com/url?q=https://phaeleh.bandcamp.com/album/a-new-day&source=gmail&ust=1691165938771000&usg=AOvVaw1RtQb_dggsW3M5ovkwdeQq"><u>https://phaeleh.bandcamp.com/</u></a><wbr><a class="no-pjax" href="https://phaeleh.bandcamp.com/album/a-new-day" target="_blank" data-saferedirecturl="https://www.google.com/url?q=https://phaeleh.bandcamp.com/album/a-new-day&source=gmail&ust=1691165938771000&usg=AOvVaw1RtQb_dggsW3M5ovkwdeQq"><u>album/a-new-day</u></a><span> </span></wbr></p><p dir="ltr"><a class="no-pjax" href="https://soundcloud.com/phaeleh" target="_blank" data-saferedirecturl="https://www.google.com/url?q=https://soundcloud.com/phaeleh&source=gmail&ust=1691165938771000&usg=AOvVaw09OPQFt2WTsGev1Zx-UbAU"><u>https://soundcloud.com/phaeleh</u></a><wbr><span> </span></wbr></p><p>Tickets for the tour are on sale through Phaeleh’s website: <a class="no-pjax" href="https://phaeleh.co.uk/" target="_blank" data-saferedirecturl="https://www.google.com/url?q=https://phaeleh.co.uk/&source=gmail&ust=1691165938771000&usg=AOvVaw3h0IVMuQvAvz9-JwuodJ1k"><u>https://phaeleh.co.uk</u></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/72412062023-07-13T09:12:39-06:002023-07-13T09:33:57-06:0010 Can't Miss Acts at Shambhala Music Festival 2023<p dir="ltr"><i>Written by Julia Condon</i></p><p dir="ltr">On July 21st, thousands of attendees will descend upon the picturesque Salmo River Ranch in British Columbia, Canada for the 24th annual Shambhala Music Festival. Renowned for its attention to music variety, installations, art, and community, Shambhala will host both some of the biggest names in electronic music and talented up and comers from around the world. </p><p dir="ltr">This year’s attendees will be treated to a feast of musical acts at seven different stages. With so many amazing acts to choose from, it can be hard to figure out who to see. Read on for the ten acts not to miss. </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/a753efd54185523e8c1b70533dcf022a9e3fd538/original/shambhala-2023.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr"><strong>Visages</strong> </p><p dir="ltr">140 and drum & bass collective <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=visages" data-link-type="url">Visages</a> creates danceable tracks that cross genre boundaries, drawing inspiration from a variety of musical sources. Members of Alix Perez’s 1985 label, the Toulouse-based collective continues their meteoric rise with a set at Shambhala that’s sure to get people talking.</p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/7a60a805642a73efd7adeb8126bc91e979637642/original/dsc06894-l5wriuhl.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><strong>Alix Perez </strong></p><p dir="ltr">Belgian powerhouse and 1985 label boss Alix Perez has been on the forefront of the global drum and bass scene for over two decades. One of the scene's most respected and competent producers, Perez has been selling out venues around the world, and is sure to draw a crowd of tenured heads and enthusiasts.<span style="color:#000000;"> </span></p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/2c458ec1d96152512367ca43860e89f292caf4cb/original/images-1.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr"><strong>Cartridge</strong></p><p dir="ltr">UK-based dubstep artist <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=cartridge" data-link-type="url">Cartridge</a> has been hard at work for the past few years, producing heavy-hitting collaborations with artists like Strategy and Lampa and pushing out countless works on labels like Deep Dark & Dangerous and Manuka Records. The audience at Shambhala can expect a dark and melodic set that's sure to get the crowd moving.</p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/b7e98182c9ec6e9764878103ced3e7d1f8a99f6b/original/img-2941-c288geva.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><strong>CannaBliss</strong> </p><p dir="ltr">Canadian bass music producer CanaBliss has been busy carving out a name for herself supporting some of the biggest names in the North American scene like Liquid Stranger and GRiZ on tour and releasing music on labels like Wakaan. Her trippy, bassy tracks and crowd-pleasing sets have earned her a spot at some of the world’s most renowned festivals — including this year’s Shambhala. </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/302078a71cfe6d133c6db4d948d09efd303b5981/original/canabliss-sskwan-freak-it.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><strong>Hamdi</strong></p><p dir="ltr">The madman behind dancefloor destroyers like “Counting” and “Skanka,” Hamdi’s electric and recognizable style has cemented him as one of the industry’s most sought after performers. He has played energetic sets to packed out venues across the country, including Colorado's Red Rocks, and is likely to draw a similarly excited crowd at Shambhala. </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/9fb58969f203a180413d2589698cd46e8febcdc7/original/4b2eebf2-b963-11ed-b991-0ee6b8365494-972x597.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><strong>Kursk</strong></p><p dir="ltr">Innamind Recordings label head <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=kursk-2" data-link-type="url">Kursk</a> is certainly one to watch at this year’s Shambhala Music Festival. The New Zealand native has long been a staple in the scene, helping to uplift some of the dubstep scene's most promising up-and-comers on his record label. </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/dfa3a2fe325fc2032c7f5a7fb8b134fb02fe4140/original/innamind-circle-logo-2019-2.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><strong>Mala</strong></p><p dir="ltr">No introduction needed for Croydon's <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=mala-2" data-link-type="url">Mala</a>. The pioneer DJ, mastermind behind DEEP MEDi MUSIK, and co-founder of DMZ is likely to play some of the tracks that have defined dubstep as we know it today — truly a treat for day one dubstep fans and amateur audiophiles alike. </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/3049f20c667f9edffb3985d2bbc6bc86b9d13faf/original/mala-good-stuff.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr"><strong>Monty</strong></p><p dir="ltr">Staple member of Alix Perez’s 1985 label, the talented French producer <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=monty" data-link-type="url">Monty</a> is known for skillfully blending a diverse genres in his produced music and live sets. Weaving halftime, dubstep, drum & bass, and more, Monty has played for audiences around the globe and is sure to lift spirits with his positive and progressive sound at this year’s Shambhala. </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/99f4fe115f390796a14fd05d6857feff5ce57873/original/screenshot-2022-12-13-104506-y15io7fp.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><strong>TF Marz</strong></p><p dir="ltr">A founding member of all:Lo Collective, Denver-based <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=tf-marz" data-link-type="url">TF Marz</a> blends hip hop and bass in his immaculately-mixed sets, dripping with the signature chill all:Lo sound. One to watch both at Shambhala and in the stateside bass scene, TF Marz’s set is sure to bring good vibes.</p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/c0219855537ed05959e0c5c686038e14df4c250f/original/tfmarzpressshot7-c7lq59um.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><strong>Sir Spyro</strong></p><p dir="ltr">London based but internationally recognized and respected, Sir Spyro has been pushing the sounds of grime since the pirate radio days of the 2000s. Known for legendary tunes such as “Topper Top” and “Shadow Boxing”, the Rinse FM resident is fully expected to put on a clinic for gun finger slinging fans.</p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/4811454e23ad36851c35dfe308f9419daa85ee89/original/sir-spyro-photo.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr">Tickets + 2024 RSVP: https://www.shambhalamusicfestival.com</p>subdotmission.comtag:www.subdotmission.com,2005:Post/72376722023-07-06T09:16:02-06:002023-07-06T10:53:19-06:00Sub.Mingling: Distinct Motive<p><i>Written by Alyssa Barnhill</i></p><p dir="ltr">Canadian producer Phil Shore, widely known as <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=distinct-motive" data-link-type="url">Distinct Motive</a>, has been making a significant impact on the bass music scene with his unique and minimalist production style since the group emerged in 2013. Shore has been at the forefront of promoting the original, dub-influenced side of dubstep, captivating audiences across North America and Europe. </p><p dir="ltr">Phil credits his deep appreciation for the genre, to his experiences attending dubstep raves in the UK between 2008 and 2009. Witnessing iconic artists such as Skream, Coki, Caspa, and Rusko in action solidified his affinity for the genre. Through Shore’s deep and uniquely developed approach to dubstep, Distinct Motive has gained recognition in the United States and internationally.</p><p dir="ltr">In this exclusive interview with the Sub.mission blog, Shore offers insights into his musical journey, influences, experiences on the road, and upcoming projects. With a strong connection between the US and Canadian dubstep scenes, he highlights the growing audience for deeper sounds, particularly among the younger generation who have expanded their exploration beyond the heavier sub-genres. </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/7e236b673c5ff14a743a6dccbf8b1f143921cd1b/original/mowupnn5.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><div>
<span class="text-big"><strong>You recently released on Boogie T’s label Drama Club and have seen continued support from artists like Peekaboo and Subtronics. As a veteran of the sound, what are your thoughts on seeing the deeper side of dubstep reach a larger and more mainstream audience in electronic music?</strong></span><br> </div><div>As far as the deeper side of dubstep and reaching larger/mainstream audiences, I'm all for it, I do think it's extremely important for the mainstream promoters to book the artists that have been pushing the sound for a long time. That being said, I've got some insane opportunities to announce coming up this fall. Excited!!! Also - go cop my SNAKES EP on DRAMA CLUB RECORDINGS now. also <a class="no-pjax" href="soundcloud.com/distinctmotive" data-link-type="url">soundcloud.com/distinctmotive</a>
</div><p dir="ltr"><span class="text-big"><strong>You have been touring the US for some time now. What are some differences between dubstep audiences in the US and your homebase in Canada? Would you say there is a deeper connection with the UK origins of the sound in Canada more so than in the states?</strong></span></p><p dir="ltr">DM: I'd say the US and CANADA have pretty much on par when it comes to the vibe & energy, As far as a deeper connection with the uk origins, I feel there is a larger audience for the deeper sounds now then there's ever been. Think about the age group between 19-25 that started with the heavier sounds 5 years ago and have started to explore the deeper bits. It's awesome.</p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/c54ff98109b9f45fdbc3aadddb62fe4e7bfc4d86/original/distinctmotive-amp-shambhala-2019.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>You’re set to go b2b with Khiva at Submersion this October. What is your relationship like with her, with the two of you both being prominent dubstep artists coming out of Canada?</strong></span></p><p dir="ltr">DM: Khiva is a g, the first time we met we went b2b on a Deep Dark and Dangerous boat party in 2017, Since then we've played a slew of shows together and it's always good times! Last B2B set we did was 2019 on the void stage at Outlook Festival in Croatia. A lot of people loved that set. I will say this Submersion set is gonna be a real treat. Super excited to be apart of that - shouts to Ryan for having us.</p><p dir="ltr"><span class="text-big"><strong>As a touring artist, what are some of your go-to restaurants while you’re on the road?</strong></span></p><p dir="ltr">DM: Haha, I was having this conversation with Alix Perez recently, I said McDonalds and he looked at me as if i kicked his cat. To be honest, I don't have the healthiest diet when on the road. Something cheap and cheerful will do. But I do have one question for everyone in the USA, who the hell eats arbys?</p><p dir="ltr"><span class="text-big"><strong>You are making your Bay area debut on August 4th at The Midway. Are there other cities in the US that you haven’t played but would like to play?</strong></span></p><p dir="ltr">DM: San Francisco is somewhere I've always wanted to travel to and it's finally happening! Make sure you SF heads don't sleep on tickets! I'd like to play all the cities that currently throw shows that haven't booked me yet. So many to list!</p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/978264c2666cc909ebbee212fa4be9adfd2d9d5e/original/distinctmotive-21.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>What's the story behind the name Distinct Motive?</strong></span></p><p dir="ltr">DM: The story goes back to 2012 when Distinct Motive was created, originally was 2 members (hi Josh). Basically we sat down and went thru so many names and got a message from Josh saying "yo- Distinct Motive" and that was that. I loved the vibe and the feel of it. The motive is very distinct. Beers, Beats and Bass.</p><p dir="ltr"><span class="text-big"><strong>After taking your sound all over the world, what are some of your favorite sound systems to flex?</strong></span></p><p dir="ltr">DM: #1. 40 HZ sound system in Toronto Ontario Canada, the best sound I've ever played on. Shout out to Jon and Jenn everytime. Check them out at DOCD events in Toronto - insane parties!</p><p dir="ltr">#2. Element 5 Sound System from the Tribal Roots Crew. That rig was violent. my goodness!</p><p dir="ltr">#3. Liquid Dancehall Sound System in Detroit Michigan. Elliot does an amazing job.</p><p dir="ltr">#4. Black Box Denver, the Basscouch. Sooooo gooooood!</p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/4a6451e5fd822a62171c48457fdae53cea728e2f/original/distinctmotive-3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_m justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr">Distinct Motive consistently makes an indelible mark on the bass music scene through his enthralling music and mesmerizing live shows. Their most recent offering, the "Snakes" EP, is a testament to Shore’s ability to seamlessly blend atmospheric elements, profound basslines, and captivating textures, thereby epitomizing the unique sonic identity of Distinct Motive. As he continues to follow his very own distinctive motive, Shore remains an exhilarating presence in the constantly evolving realm of bass music.</p><p dir="ltr">Check out the latest EP and the 2019 Outlook B2B with renowned producer Khiva.</p><p dir="ltr">Links: "Snakes" EP:<a class="no-pjax" href="https://on.soundcloud.com/ZFDKA"> <u>SoundCloud</u></a></p><p>Distinct Motive and Khiva at Outlook:<a class="no-pjax" href="https://soundcloud.com/outlookfestival/distinct-motive-b2b-khiva-outlook2019"> <u>SoundCloud</u></a><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/72306482023-06-22T11:19:22-06:002023-06-23T09:58:38-06:00Collective Spotlight: Hi-Vi Sound System<p><i>Written by Alec Rubman</i></p><p dir="ltr"><span class="text-big"><strong>We sat down with Pat and Dean from Hi-Vi Sound System for a wide ranging conversation on their origins, running a successful sound system, and much more. </strong></span><strong> </strong></p><p dir="ltr">New York’s Hudson Valley, located about 100 miles north of New York City, might not strike many as a hotspot for sound system music, but <strong>HiVi Sound System </strong>has put the community firmly on the map. The stunning design is matched only by the incredible sounds within, and artists like <strong>De-Tü, Ellis Delta, </strong>and <strong>Dubamine</strong> have stepped up to flex some serious bassweight at deployments across the Northeastern United States, along with local events throughout the Hudson Valley region. </p><p dir="ltr"> </p><p><img src="https://scontent-atl3-2.xx.fbcdn.net/v/t39.30808-6/329567574_2301894106658458_1163066167963020972_n.jpg?_nc_cat=101&cb=99be929b-59f725be&ccb=1-7&_nc_sid=730e14&_nc_ohc=5bQ81Qur93gAX_i7bl5&_nc_ht=scontent-atl3-2.xx&oh=00_AfDn7_EGHjvlF4hMCFxEnqrH564yOHwHMMMSU95VCu_phw&oe=6498F10B" class="size_l justify_center border_" alt="No photo description available." /></p><p> </p><p dir="ltr">To learn more about Hi-Vi’s rise to prominence as a shining beacon of American sound system culture, we sat down with <strong>Dean Ruggieri</strong> and <strong>Pat Gubner (aka </strong><a class="no-pjax" href="https://soundcloud.com/tunictunes" data-link-type="url"><strong>Tunic</strong></a><strong>) </strong>to discuss their first experiences with sound systems, how Hi-Vi came into existence, setting up for shows, and much more. Hear what they have to say below!</p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>Let’s start from the very beginning. What was your first exposure to sound systems?</strong></span></p><p dir="ltr"><strong>Pat:</strong> For me, it started with experiencing a home theater system at my high school friends’ house. They had added subwoofers for more low end, and we used to sit there and listen to music for hours on end. Another friend had an uncle who was super into building speakers, and he had a massive system with two highs and dual 15-inch subwoofers. Hearing that changed everything for me and I absolutely fell in love with quality music on quality systems. </p><p dir="ltr"><strong>Dean: </strong>My father had a big room of speakers in our basement growing up, but my journey truly started overseas in when I visited a friend in Catalonia. At the end of the summer, different villages each had festivals with their own sound system for everyone to enjoy. No ticket required. </p><p> </p><p dir="ltr"><span class="text-big"><strong>What sort of music were they playing? </strong></span></p><p dir="ltr"><strong>D: </strong>It was roots and reggae but done in a Spanish style. </p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>How did your love of sound systems eventually translate into starting Hi-Vi?</strong></span></p><p dir="ltr"><strong>P: </strong>As I started going to more events in Brooklyn I met the crew from Jungle Skankin’ Sound Systems. We became good friends and one day I jokingly asked if they had a mini scoop [subwoofer] that I could take off their hands. Eventually, that led to us obtaining our first stack, which was already built and sitting in storage in their warehouse. We got it and designed it with our colors and logo, played our first big show with Dubamine and De-Tü – and then COVID hit. We had our system ready to go but nowhere to play it, which ultimately led to a bunch of family gatherings in the woods near our house where we would set it up and play tunes with close friends. </p><p dir="ltr"><strong>D: </strong>I met Pat at a show at Turks Inn in the city and we realized we didn’t live far from each other. Eventually as things opened back up, we started throwing small one-off events together to show people the system and get them to fall in love with the sound. There’s a town here called Beacon that’s known as “Little Williamsburg” with tons of art galleries and a monthly gallery crawl event called Second Saturdays. We've done a few system showcases there which have been incredible. We’ve been throwing these two night events called Reason & Ruckus in Poughkeepsie as well, our Night of Reason is dedicated to easy listening and educating others on the sound system, and then we let loose at the Night of Ruckus the following day. </p><p dir="ltr"> </p><img src="https://mail.google.com/mail/u/0?ui=2&ik=9fdc8ff42f&attid=0.1&permmsgid=msg-f:1769509500095960974&th=188e8f83dbe6178e&view=fimg&fur=ip&sz=s0-l75-ft&attbid=ANGjdJ8RYMtT3SHbQrt2mQjI2ObopuYDggeszAYguaXYcP9LnVkeazDnqvpDHS0-DP9ohSQ4j156RhbGFyC1RDHgyYP-A6gJ77JNIqpv0dw3aklAYoDfkI5T2I240S8&disp=emb&realattid=188e8f7d22c21a7bfdf2" class="size_l justify_center border_" /><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>You also just expanded your system. What’s that been like?</strong></span></p><p dir="ltr"><strong>P:</strong> It’s been unreal. I had always wanted to do a full system, I had acquired the cables and amps years prior knowing we would eventually upgrade. We asked Jungle Skankin’ to build another version of what we already had, and they used their skills to build a new and improved version for us. Now we can run four subs, four kicks, four mids, and four tops. </p><p dir="ltr"><strong>D: </strong>It’s made a massive difference for sure. As we started playing more events we realized how much harder it would hit if we were able to run two stacks instead of one, and now it’s a reality. Our original system was great, but this has been next level. </p><p> </p><p dir="ltr"><span class="text-big"><strong>What goes into deploying the system? Do you have other people who come in and help out? </strong></span></p><p dir="ltr"><strong>P:</strong> At our core we’re a three person operation: me, Dean, and Lindsay [Ackerman] handle everything for Hi-Vi. Now that we have the full system, we invested in a trailer so we can bring it anywhere within driving distance and we set up and run the system ourselves at every show. But the community really makes it what it is – we’ve got people there before setup and they don’t leave until after we’ve broken it down. Their support is what keeps us going. </p><p dir="ltr"><strong>D: </strong>With our old system we could set it up in less than an hour, but even with our new system it only takes us about an hour to get up and running. We’ve learned a ton and we have so much fun with it when we’re all working together. </p><p dir="ltr"><strong>P: </strong>It’s like Legos for soundboys (laughs) </p><p dir="ltr"> </p><p><img src="https://scontent-atl3-1.xx.fbcdn.net/v/t39.30808-6/331160373_888913875748983_2845861382731876222_n.jpg?_nc_cat=108&cb=99be929b-59f725be&ccb=1-7&_nc_sid=730e14&_nc_ohc=9CBd8MGYK48AX8XWhso&_nc_ht=scontent-atl3-1.xx&oh=00_AfClwF9p_sVlePKmxYkKAg2jwTSQbJYL5YxwYPGU2K8YXg&oe=649A6699" class="size_l justify_center border_" alt="No photo description available." /></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>What are some of your goals for Hi-Vi in the coming months?</strong></span></p><p dir="ltr"><strong>P:</strong> More than anything we just want people to fall in love with the sound the way Dean and I did. Education is a massive part of our mission, we want people to not only experience the sound but understand the deep history of sound system culture. We want to give people in the Hudson Valley an opportunity to hear a system that they may not be able to experience otherwise. Seeing the same people returning to our events is a huge testament to that.</p><p dir="ltr"><strong>D: </strong>We’re always looking to enhance the quality of the experience every time we turn our sound system on. We want to show the community why this is so important to us and giving new artists, creatives, and the people who attend our shows the best experience possible. More of this is always the goal wherever and whenever you see the Hi-Vi system. </p><p> </p><p dir="ltr"><strong>Follow Hi-Vi Sound System:</strong></p><p dir="ltr"><a class="no-pjax" href="https://www.facebook.com/HiViSystem/"><u>Facebook</u></a> | <a class="no-pjax" href="https://www.instagram.com/hivi_soundsystem/?hl=en"><u>Instagram</u></a></p><p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/72232112023-06-08T08:39:09-06:002023-06-08T10:32:07-06:00Sonic Bloom 2023: Where Mountains, Music, and the Milky Way Collide Sub.mission takeover<p><i>Written by Alyssa Barnhill</i></p><p dir="ltr">Sonic Bloom, a Colorado grown Music and Arts Festival, known for its distinctive stages and remarkable lineups, returns for its annual gathering of like-minded audio enthusiasts. Set against the breathtaking backdrop of the San De Cristo mountain range, Sonic Bloom offers attendees the opportunity to immerse themselves in the beauty of the Colorado Mountain scapes during the day and gaze at the unobstructed view of the Milky Way by night. Taking place from June 15th to June 18th, Sonic Bloom guarantees to be an unforgettable experience for music and art lovers. </p><p dir="ltr"> </p><p><img src="https://scontent-atl3-1.xx.fbcdn.net/v/t39.30808-6/350522140_498998812363479_1059876763352153008_n.jpg?_nc_cat=103&cb=99be929b-59f725be&ccb=1-7&_nc_sid=730e14&_nc_ohc=O606MJbrPZwAX8JGj1L&_nc_ht=scontent-atl3-1.xx&oh=00_AfA7_HTzCUUSkIRxSnFr1dwfWVSk_-IPuYQzMB1EHU6zkA&oe=648734AB" class="size_l justify_center border_" alt="May be an image of text that says 'SATURDAY, JUNE 17 SUB.MISSION TAKEOVER MEADOW STAGE TERNION SOUND SICARIA HYROGLIFICS WOLF'D SONIC bιοοή the U××× FIELO HUMMINGBIRD RANCH, CO JUNE15 18, 2023'" /></p><p dir="ltr"> </p><p dir="ltr">Embodied by their motto of "moving people through sound," the Sub.mission team takes over the festival on Saturday night, with artists <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=sicaria" data-link-type="url"><strong>Sicaria</strong></a>, <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=ternion-sound" data-link-type="url"><strong>Ternion Sound</strong></a>, <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=hyroglifics-2" data-link-type="url"><strong>Hyroglyfics</strong></a>, and contest winner Wolf'd. Sicaria, a prominent Sub.mission DJ and acclaimed artist from the UK, expressed her excitement for the festival: "This summer I'm looking forward to getting back onto the festival circuit, especially in North America because they really know how to bring the production and high energy! Sonic Bloom is one that excites me the most because A: I've heard some really good things about the festival and B: there's a lot of artists on the lineup who I've yet to discover so I'd quite like to go check them out and see what they have to offer!”</p><p dir="ltr"> </p><img src="https://scontent-atl3-2.xx.fbcdn.net/v/t39.30808-6/324443654_749462126535636_8956124267430333870_n.jpg?_nc_cat=111&cb=99be929b-59f725be&ccb=1-7&_nc_sid=09cbfe&_nc_ohc=IbtlK2Mx-doAX9Q6C1s&_nc_ht=scontent-atl3-2.xx&oh=00_AfBE4AZ490oRsdv7BiUxoA1KahARKDodkqz9tegrfiPo6w&oe=648711D5" class="size_l justify_center border_" alt="No photo description available." /><p dir="ltr"> </p><p dir="ltr">Ternion Sound also shared their enthusiasm for Sonic Bloom, describing playing alongside the Sub.Mission family as a special experience. “We're about to announce a lot of things this summer that we've been working on for quite some time; music, merch, and more. After only getting a short break from the Yheti "Knew Sound Tour" we'll be back on the road very very soon with exciting projects. Be sure to follow one of the socials to hear about stuff when it is ready to be announced!...Sonic Bloom is a new fest for us and playing with the Sub.Mission family is always a time to hear some amazing music, we are extremely excited. Also, congrats to Wolf'd on winning a spot on the lineup!”</p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/8bc2979ff49c90b0116f8b92acc1d6d495912b40/original/ternion-sound-pdx-4.jpeg/!!/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.jpg" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr">For newcomer and winner of the Sonic Bloom DJ contest, <a class="no-pjax" href="https://linktr.ee/wolfdmusic" data-link-type="url"><strong>Wolf'd</strong></a>, Sonic Bloom represents a significant milestone in his musical journey. As he prepares to make his festival debut at Bloom, he reflects on his journey thus far. Wolf'd said, "Hearing my music on Funktions (in the Black Box) for the first time was probably my favorite part of the whole experience. It’s going to be an incredibly special experience, and I can't wait to showcase all the new tracks I've been working on."</p><p dir="ltr"> </p><p><img src="https://scontent-atl3-2.xx.fbcdn.net/v/t39.30808-6/347233253_1498561093883468_591793359418714390_n.jpg?_nc_cat=111&cb=99be929b-59f725be&ccb=1-7&_nc_sid=8bfeb9&_nc_ohc=sN3j1e_KvMgAX9G9JBF&_nc_ht=scontent-atl3-2.xx&oh=00_AfCjh28QikeVuzSDJ9LbL67YdeDupD_ZxkKiBKCuVZ77Nw&oe=64862F14" class="size_m justify_center border_" alt="May be an image of 1 person" /></p><p dir="ltr"> </p><p dir="ltr">If you're seeking an unforgettable experience filled with new music, the Sub.mission Takeover at Sonic Bloom is not to be missed. The festival offers a unique fusion of nature's beauty and the power of sound, providing an immersive experience that transcends traditional music festivals. The takeover will take place Saturday night at The Meadow from 6:45PM - 11:30PM</p><p dir="ltr"><a class="no-pjax" href="https://sonicbloomfestival.com/" data-link-type="url"><strong>Tickets to Sonic Bloom 2023</strong></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/72188672023-06-01T07:05:58-06:002023-06-01T07:13:37-06:00Sub.Selects: Best of May 2023<h3>Lavier - Simple Questions, Long Answers</h3><p> </p><p><img src="https://f4.bcbits.com/img/a3429971427_16.jpg" class="size_m justify_center border_" /></p><p> </p><p><a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=lavier" data-link-type="url">Lavier</a>'s EP on More Creativity Records is an impressive display of his range in production and sonic imagination. From lush and soulful harmonies on “steelcityboischoir” to hard hitting and punchy basslines on “Choke", Lavier doubles down on his status as one of the scene's hottest rising stars. </p><p><a class="no-pjax" href="https://fanlink.to/lavier-sqla">https://fanlink.to/lavier-sqla</a></p><p> </p><h3>DJ Marky & Solah - Poetry</h3><p> </p><p><img src="https://geo-media.beatport.com/image_size/1400x1400/a9ab9228-185e-4fc1-8902-e9cc36fcb584.jpg" class="size_m justify_center border_" /></p><p> </p><p>The legend from south of the equator, DJ Marky is back with an upbeat summer drum & bass anthem featuring the incredibly talented SOLAH on vocals. The leading line says it best, it speaks to me like poetry.</p><p><a class="no-pjax" href="https://www.beatport.com/release/poetry/4116293">https://www.beatport.com/release/poetry/4116293</a></p><p> </p><h3>Chef Boyarbeatz - Mic Check</h3><p> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/7edb4f3449966f2198cccbd6d9d05daf97980d65/original/image.png/!!/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.png" class="size_m justify_center border_" /></p><p> </p><p>The infamous <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=chef-boyarbeatz-3" data-link-type="url">Chef Boyarbeatz</a> makes his Deadbeats debut with “Mic Check” - a fast and funky tune in the style of nu-skool breaks. Keep your ears open because this one will surely do the rounds at your favorite festivals this summer.</p><p><a class="no-pjax" href="https://deadbeats.lnk.to/MicCheck">https://deadbeats.lnk.to/MicCheck</a></p><p> </p><h3>Keota - Lucy & Luna</h3><p> </p><p><img src="https://f4.bcbits.com/img/a2063534736_16.jpg" class="size_m justify_center border_" /></p><p> </p><p>Leading with unassuming, arcade-like chords, Keota unravels a surprise attack with ‘Lucy & Luna’ that sprawls out on all fours. Put a frown on your face with this lip-bending womper</p><p>https://keotaus.bandcamp.com/track/lucy-luna-check</p><h3> </h3><h3> </h3><h3>Sustance - Perceived Connections </h3><p> </p><p><img src="https://f4.bcbits.com/img/a1638699953_65" class="size_m justify_center border_" alt="Perceived Connections | Sustance | Shogun Audio" /></p><p> </p><p>The latest from Sustance is an expansive journey through his repertoire, diving into deep minimalism as well as soulful and liquid inspirations with an unbelievable list of collaborators including Visages, Pola & Bryson, & Strategy. </p><p><a class="no-pjax" href="https://open.spotify.com/album/0yvxdxwyEfS0eKL2q7qxgr?si=_fDAbrYmT6qlnxja5mKZIg">https://open.spotify.com/album/0yvxdxwyEfS0eKL2q7qxgr?si=_fDAbrYmT6qlnxja5mKZIg</a></p><p> </p><h3>Corrix & Jonah Hodges - Ashwgandha Clock</h3><p> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/6cd1294a463f5dd9f4f00c35ac0c4f1f2d091f18/original/image.jpeg/!!/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.jpg" class="size_m justify_center border_" alt="Stream Corrix x Jonah Hodges - The Ashwagandha Clock by Chrysalis Collective | Listen online for free on SoundCloud" /></p><p> </p><p>Chrysalis Collective is known for their heavy, low-end music that often provokes smoldering and intense moments of sonic stimulation but the track “Ashwganda Clock” has everything from atmospheric sounds, ambient textures, to thick snapping basslines. </p><p><a class="no-pjax" href="https://on.soundcloud.com/ZoMS1">https://on.soundcloud.com/ZoMS1</a></p><h3> </h3><h3>Hullabalo0 - Blue Hour</h3><p> </p><p><img src="https://f4.bcbits.com/img/a0268252700_16.jpg" class="size_m justify_center border_" /></p><p> </p><p>Bounding with bright, ethereal soundscapes, ‘Blue Hour’ takes the centerfold of Hullabalo0’s latest EP, Bassilisk. Presenting a more journey-like motif, ‘Blue Hour’ dives headfirst into an oasis of angelic synths and harmonizing patterns that will leave you scattered.</p><p>https://hullabalo0.bandcamp.com/track/blue-hour</p><p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/72153272023-05-25T09:14:02-06:002023-05-25T09:26:44-06:00Sub.Mingling: Stepping in the Kitchen with Chef Boyarbeatz<p dir="ltr">In the vast and ever-evolving realm of underground bass music, where subgenres, styles, and tempos constantly cycle in and out, <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=chef-boyarbeatz-3" data-link-type="url">Chef Boyarbeatz</a> has emerged as a true maven of sonic artistry. Hailing from Los Angeles, the Chef has captivated the attention of both mainstream aficionados and underground connoisseurs alike with his soul-stirring fusion of bass, heavy breaks and UK-inspired soundscapes. </p><p dir="ltr">With a hefty track record of releases on labels like <a class="no-pjax" href="https://deepdarkdangerous.bandcamp.com/track/steady-slurkin" data-link-type="url">Deep, Dark, and Dangerous</a> and <a class="no-pjax" href="https://www.beatport.com/release/mic-check/4132798" data-link-type="url">Deadbeats</a>, as well as festival appearances at Okeechobee and The Untz, Chef’s kitchen shows no signs of slowing down the pace for the rest of the year. </p><p dir="ltr">We caught up with him to discuss his recent move to Denver, upcoming tour with Pushloop, and the future of his project. Read Below:</p><p> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/417e273295070662600f22347237d514635c1d41/original/chefbmission-33.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><span class="text-big"><strong>You recently moved from LA to Denver. How has the transition been so far, and what differences have you noted between the two music scenes? </strong></span></p><p dir="ltr"><i>It’s only my second day in Denver, so kind of hard to answer, but I’ve been here for various trips. I have been to a couple bass music shows, and the bass music scene here in Denver is almost three times the size of the LA underground. In LA, if you have two promoters throwing a show on the same night, the scene gets split and neither of those shows are gonna sell out if they’re in venues under 1000 capacity. Which is pretty crazy because when I played The Ogden here in Denver, there were like three or four other shows the same night, with the same style, and I was unsure of how we were gonna do. But it was almost sold out, which is fuckin crazy! I remember looking at peoples stories from the other shows and they looked packed out as well- which would not be a thing in LA at all. </i></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>Your EP release with Deep, Dark, and Dangerous took the dubstep scene by storm. What is next for your project as far as production goes? Will you be moving into other styles or tempos?</strong></span></p><p dir="ltr"><i>I have two EPs in the works, both have different styles and BPMs. One of them has a 140 BPM track. One of those EPs is kind of still up in the air, not really sure what’s happening with that one, but I have another one that’s pretty much done that I’m still finalizing which is in the range of like 115 and 128. I’m really hyped on that one. In terms of diversifying my sound, I still have a lot of 140 BPM tracks in the works as well. This year when I was writing demos, I was trying to branch out of the 140 style just because I feel like that’s all I released last year. I’m not trying to get pigeon-holed or anything cus that's never been my thing. I’ve always looked up to Matt Zo’s project in that regard because he’s always done whatever the fuck he wants. I kinda wanna be like that too. People aren’t gonna be expecting one style and then freak out at me when they get another, kinda like the Getter thing with Visceral. So yeah, expect a lot of different shit from me coming out in the future!</i></p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/142035bdcdd0970a5b7a48cca0c92b161b7444a5/original/chefbmission-17.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>From the last year of touring the country and playing for different crews and promoters, what are some of your favorite sound systems? Are there any that are on your bucketlist?</strong></span></p><p dir="ltr"><i>Favorite systems probably have to be the Element 5’s and the Champion Sound rig in Minneapolis. Also the Hennessey's we have in the hometown, LA, with Synchronistic Sound. They just have that shit dialed in. Every show I go to- It’s crispy. As far as systems I haven’t played on, I think the last one on my list is the Intent Audio rig which I’ve heard great things about. Honorable mention to Danley as well. The Danleys at the Wormhole Stage at The Unz were so crisp and dialed in.</i></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>The Flex Coast Tour with </strong></span><a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=pushloop" data-link-type="url"><span class="text-big"><strong>Pushloop</strong></span></a><span class="text-big"><strong> starts at the end of June. What made you and Pushloop come together for this run and what is your relationship like with him?</strong></span></p><p dir="ltr"><i>It made sense with us both being on the same agency. I’ve met him once or twice, and he also helped segway me into Sub.Mission when I was looking for a new agency with my team. I reached out to him and asked about his experience with them, and he just had the most glowing review. He said they were like family and never pressured him into doing anything he didn’t wanna do. I’m happy we were able to pursue that and it worked out in the end. He’s also the nicest dude and I’m really excited to tour with him.</i></p><p dir="ltr"> </p><p><img src="https://pbs.twimg.com/media/FvTpP6NagAIXtjR?format=jpg&name=large" class="size_l justify_center border_" alt="Image" /></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>You joined Sub.Mission a little under a year ago with your team. What was that transition like and how has your experience been so far?</strong></span></p><p dir="ltr"><i>The transition was pretty smooth and quick. Nicole told us that there was room for us. I was very set on moving with my team, and she was very accepting of that which was really cool. It’s only gone up since and they’ve been really good to us!</i></p>subdotmission.comtag:www.subdotmission.com,2005:Post/72091742023-05-15T08:49:18-06:002023-05-15T09:36:59-06:00Sub.Mission Nominated for DJ MAG Best of North America Awards<p dir="ltr"><strong>Vote for Sub.mission in the Best Club Event/Event Series Category! </strong></p><p dir="ltr">Returning for the second time since the COVID-19 Pandemic, DJ Mag celebrates the spectrum of sound across the North American electronic music scene each year with the <a class="no-pjax" href="https://djmag.com/news/dj-mag-best-north-america-awards-2023-voting-now-open"><strong><u>Best of North America Awards</u></strong></a>. Across 18 categories, DJs, Producers, Labels, and Events are honored with nominations for these prestigious awards, and fans across the continent can vote for their favorites to crown the Best DJ, Best Club, and much, much, more. </p><p dir="ltr"> </p><p><img src="https://pbs.twimg.com/media/FvNfpDtX0AEHXkC?format=jpg&name=medium" class="size_l justify_center border_" alt="A dark red category flyer for DJ Mag’s Best Of North America Awards 2023: Best Best Club Event/Event Series nominees" /></p><p dir="ltr"> </p><p dir="ltr"><strong>Sub.mission is honored to be nominated for Best Club Event/Event Series in the 2023 DJ Mag Best of North America Awards! </strong></p><p dir="ltr">We want to thank the incredible community of fans, artists, and staff that help make the .mission possible. We are forever grateful for your support; this would not be possible without you! </p><p dir="ltr">Voting is open from now until <strong>May 17th </strong>at bestofna.djmag.com, and you can vote up to one time for each category. </p><p dir="ltr"><a class="no-pjax" href="https://bestofna.djmag.com/"><u>Follow the link here to vote</u></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/72068722023-05-11T08:41:16-06:002023-05-11T08:52:17-06:00Collective Spotlight: SMACK NYC<p dir="ltr"><i>Written by Rahel Faruque</i></p><p dir="ltr">“Moving People Through Sound, Not Hype” is not only the ethos for Sub.Mission, but a sentiment that we share with collectives around the country that we partner with. Promoters, sound systems, labels, and independent venues lay a foundation for the North American dubstep scene to stand on. The Collective Spotlight series aims to tell the stories of these organizations and how they do what they do.</p><p dir="ltr">This week, we sat down with <a class="no-pjax" href="https://beacons.ai/smacknyc" data-link-type="url">SMACK NYC</a> out of Brooklyn, NY following their recent event with <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=enigma-dubz" data-link-type="url">Enigma Dubz</a> and <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=ox%C3%B3ssi-2" data-link-type="url">Oxossi</a> to discuss past, present and future. Read below</p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/d694782d49dd87801452ad843a78a4307caec9e8/original/smack-logo-37-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>What led you to curating events in NYC?</strong></span></p><p dir="ltr">SMACK was born out of the loss of community. When the pandemic hit the entire scene was flipped on its head and left many of us without our long standing connections. We started SMACK as a way to bring music and art back to our city. We’ve always been deeply rooted in the bass music scene and one of our greatest inspirations is Shambhala Music Festival. </p><p dir="ltr">The sense of community, artistry, and possibility that we felt at those gatherings inspired us to bring artists that would not normally be booked in New York. SMACK was a way for us to introduce new artists and sounds to our community. </p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong> </strong></span></p><p dir="ltr"><span class="text-big"><strong>What are some challenges you face as independent bass music promoters in a large and competitive market like NYC?</strong></span></p><p dir="ltr">There’s no doubt that building a sustainable company in New York can be very challenging. Creating a model that allows us to cover all of our costs and maintain a profit margin can be tricky.</p><p dir="ltr">We pride ourselves on our curation and we strive to create a platform to promote fresh artists and perspectives in NYC. But, sometimes it’s difficult to balance creative direction with the reality of cost. Providing proper sound is always the first step in our process. Venue costs and bar guarantees can be a major obstacle especially in this city. New York is unique due to the sheer amount of options when it comes to events and nightlife; we have to remain flexible and creative to solve problems. </p><p dir="ltr"> </p><p dir="ltr"><img src="https://scontent-iad3-1.xx.fbcdn.net/v/t39.30808-6/336183617_524661113164341_2769454625424189193_n.jpg?_nc_cat=110&ccb=1-7&_nc_sid=0debeb&_nc_ohc=0YuV7Akz4ycAX9B6vd8&_nc_ht=scontent-iad3-1.xx&oh=00_AfA0flrG2FLSMKdPrS3T0bObdeVp05_wx-jR2K8rZ_t_Cg&oe=6461EFEB" class="size_l justify_center border_" alt="May be an image of one or more people, people standing, crowd and text" /></p><p dir="ltr"><br><span class="text-big"><strong>How do you define a successful night?</strong></span></p><p dir="ltr">For us the main sign of a successful night is the energy and reaction from the crowd. Cultivating positive energy within the room is our main motivation. Our focus starts and ends with everyone who buys a ticket. When things are going well there’s no mistaking that feeling; the nods, the daps, the smiles. </p><p dir="ltr">The best nights in our opinion are reflected in the faces on the dancefloor. Before we look at the numbers, there is an unmistakable sense that we got it right. Creating lasting memories has always been our goal. </p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>How important is it to you to collaborate with other collectives in the region?</strong></span></p><p dir="ltr">We view bass music as a tight-knit community that comes together to create a space where like-minded people can collaborate and express themselves. Connecting with other collectives is essential to creating something bigger than us. We have enjoyed teaming up with some incredible collectives like Sweet Sounds, The Rust, Sermon, Heart Beats, Lacuna, Hi-Vi, and many others to build a foundation in the Northeast. It’s important for all of us to work together to envision the future we want to see in bass music. These connections allow us to bring new talent into the scene and deepen the sense of community. </p><p dir="ltr"><br><span class="text-big"><strong>Any words of advice to crews that are looking to start a DIY promotion in their city?</strong></span></p><p dir="ltr">Start local and focus on fostering organic support. Promotion is really about community building and providing an outlet. Also, make sure you are doing it for the right reasons.</p><p dir="ltr"> </p><p><img src="https://scontent-iad3-2.xx.fbcdn.net/v/t39.30808-6/321926838_1317742585675815_1069615207306021002_n.jpg?_nc_cat=105&ccb=1-7&_nc_sid=730e14&_nc_ohc=29kAvhze5QIAX9_gQee&_nc_ht=scontent-iad3-2.xx&oh=00_AfBR4Zh1ua1lpKKKF_UIutwqV9dIwx_u1mhfJ8sJVN1GrQ&oe=6462D310" class="size_l justify_center border_" alt="No photo description available." /></p><p dir="ltr"><br><span class="text-big"><strong>What’s next for SMACK? Any upcoming events you’d like to shoutout?</strong></span></p><p dir="ltr">We’ve got our two year anniversary coming up so keep an eye out!</p>subdotmission.comtag:www.subdotmission.com,2005:Post/72027682023-05-04T07:10:11-06:002023-05-04T07:59:07-06:00Sicaria talks solo ventures and shifts in the industry ahead of Red Rocks debut<p dir="ltr"> </p><p dir="ltr"><i>Written by Amye Koziel</i></p><p dir="ltr">Based in London but internationally recognized and revered, Lou Nour has made significant waves in the global dance music industry and her passion for the genre has made her a heavyweight advocate for lively, chest-rattling 140 bpm sounds. Her early love of music led her to sign up for local dance and musical theatre groups, which helped to shape her on-stage persona today. Her explorations into electronic dance music during her teenage years led her to invest in her first pair of CDJs as a means to escape her university studies. As one half of the imprint Sicaria Sound, Lou and her partner were noted as the undisputed champions of dancefloors worldwide, responsible for exposing dubstep as a culture to an entirely new audience. Now, as a solo artist, Sicaria seeks to carry forth this legacy into her new ventures, having already experienced two solo North American tours and delivering highlight sets at both Basscoast and Shambhala festivals in Canada.</p><p dir="ltr">We sat down for a chat with Sicara ahead of her <a class="no-pjax" href="https://www.axs.com/events/462248/ganja-white-night-5-6-tickets" data-link-type="url">Red Rocks performance</a> to discuss her solo project, love for the music, and challenges she faced during her breakthrough. </p><p dir="ltr"> </p><p><img src="https://d2ljoqkkoec4f6.cloudfront.net/wp-content/uploads/2023/04/14093134/sicaria-portrait-5-545x750.jpg" class="size_m justify_center border_" alt="" height="750" width="545" /></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big">What went into the decision to keep the Sicaria project going?</span></p><p dir="ltr"><i>Well, as you can imagine, after that whole debacle during the pandemic I decided that really that I was going to quit the industry altogether, for personal reasons. But once things started coming back, I really realized, like, how much I love what I do. And I couldn't imagine doing anything else. Like, I tried. I tried different avenues during the pandemic, I tried doing a nine to five, in a sort of creative industry. It was cool, but it was too rigid, and I don't like rigid structure. And then I tried picking up acting classes again, because I used to do musical theater when I was younger. Again, it just didn't feel as natural as music did to me. Then, things came back – I've always loved 140, I've always loved Dubstep and I couldn't imagine playing anything else, let's be honest. It feels the most natural and the most authentic to me. I enjoy it the most, I think that comes across in my sets. I was happy with the direction that we were going in as Sicaria Sound, and I think that's what spurred me on to keep it up – the fact that I wasn't really going to go in any different direction or do anything different musically.</i></p><p> </p><p dir="ltr"><span class="text-big">Was there anything that happened during the pandemic that made you want to turn your back to the industry?</span></p><p dir="ltr"><i>Yeah, I think I just started to see all the negative stuff that we've been going through. For loads of people, what you see online is this portrait of success. Everyone posts their highlight reel, everyone's having a good time. And it felt like we were really privy to that, we were doing the same thing. But actually a lot of people didn't know the things that were happening in the background. Everyone saw the Boiler Room and our career took off from that. But actually, when it came down to the pandemic, I was still in loads of debt. Like I hadn't paid off any of my debt that I accumulated from trying to do music full time, or trying to dedicate myself to music. I also moved back home but I had to share it, my living situation isn't the best. I live in what you determine as like the projects of London and shared a room with my sister. And it felt like I was regressing in life. I'd dedicated my life to music because I loved it, but it felt like it wasn't loving me back in many sorts of ways. It felt like the industry was breaking me. My health, mental health wasn't completely there. I was having a lot of physical health issues that were probably actually a result of the mental health issues. So it just felt like I wouldn't be able to tour sustainably if things were to come back. I was really healing and enjoying the peace. So I was thinking, you know, maybe the whole music industry, music touring thing wasn't for me. But then when things came back, I decided that I could just try and do things a bit differently this time, like, I didn't have to go back and do the same old, same old. Now I don't drink when I'm touring. I don't touch any other substances. I try and keep as much space to myself as possible. And I have actual down days where I don't do anything but recoup.</i></p><p dir="ltr"><i>I think my job now is to not take things so seriously. Like it's all about 100% fun. And if things aren't turning out out to be you know, 100%, then who gives a fuck?</i></p><p> </p><p><img src="https://d2ljoqkkoec4f6.cloudfront.net/wp-content/uploads/2023/04/14093115/sicaria-portrait-4-545x750.jpg" class="size_m justify_center border_" alt="" height="750" width="545" /></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big">Have you noticed any changes in the industry since the COVID pandemic?</span></p><p dir="ltr"><i>I felt like it was so funny because during the pandemic, I think that a lot of DJs decided that they were going to change the way that they work, maybe take on less shows after things came back, like ready to take care of their mental health and put their priorities first so they didn't burn out. And I think a few of us stuck by that. But then I definitely see that a lot of people are funneling themselves back into that whole, like, get the bag regime, you know. In terms of the actual industry, I feel like there's a lot more inclusivity now, which is really, really nice. I feel like after several movements during the pandemic, it opened up a lot of these corporate music spaces’ eyes. And yeah, I'm starting to see a lot more different types of people with different backgrounds getting support, which is amazing.</i></p><p> </p><p dir="ltr"><span class="text-big">In what ways do you think the underground dubstep scene has changed?</span></p><p dir="ltr"><i>Oh, 100%. I'm so glad that you've asked this question. So it's funny, because whenever I come and play in America, the Americans have started to call this type of dubstep, UK dubstep, which is interesting. Because obviously, it's the original form of dubstep, which then got lost and interpreted in many different ways. Before it became mainstream. But it's actually really lovely to hear dubstep get its flowers, you know, especially the original form of it. But yeah, in America, they're starting to say that it's really popping off and like, it's this. They're saying that it's starting to bubble. And I think it might potentially hit the mainstream again in five years time. But we're experiencing the opposite in the UK and Europe, really, whereby, things have kind of moved on. People are mainly into drum and bass and garage. That's kind of the hot genres right now. I think with dubstep, there's a select few acts that are getting booked in the UK, but it doesn't feel like there's a scene anymore, not how it used to be before. And I think that's what we kind of need to focus on. Like bringing that community back. I mean, Denver has an amazing community for dubstep and I think it's time that we started to emulate that in the UK now.</i></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big">Why do you think the deeper and darker style of dubstep resonates with American crowds?</span></p><p dir="ltr"><i>I think it's because they probably grew up with EDM and brostep culture. And this is something new and novel to them. It's something they've not really heard before. And I think you could say the same with any genre, when you've listened to something for so long, that almost kind of gets boring and you’re wanting to find something new. This is something that is new for them, you know. And with this form of dubstep, I think people are starting to realize that you don't need like a sort of huge, grating mid range base, to be able to dance or feel something like you can rely entirely on subs to have a good time, and a good melody line and a good baseline, you know. But yeah, I think they're just finding something new and you know, kind of gravitating towards that.</i></p><p dir="ltr"> </p><p><img src="https://images.discovery-prod.axs.com/2022/12/ganja-white-night-tickets_05-07-23_17_63a4c0af31dfa.jpg" class="size_l justify_center border_" alt="Ganja White Night 5/7 tickets in Morrison at Red Rocks Amphitheatre on Sun, May 7, 2023 - 4:00PM" /></p><p> </p><p>Catch Sicaria alongside Eazybaked, Kumarion, and Ganja White Night<a class="no-pjax" href="https://www.axs.com/events/462248/ganja-white-night-5-6-tickets" data-link-type="url"> this Saturday at Red Rocks Amphitheater!</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/71997932023-04-29T08:15:23-06:002023-04-29T08:19:29-06:00Sub.Selects: Best Releases of April 2023<p><i>Written by Lita Lotus</i></p><p><span class="text-big">XIII - SubMarine</span></p><p> </p><p><img src="https://f4.bcbits.com/img/a3216014189_16.jpg" class="size_m justify_center border_" /></p><p> </p><p>Alix Perez' label '1985' is known for its eclectic array of dubstep and drum and bass releases that we all know and love. This most recent release by SubMarine captures our hearts and minds with this new DnB EP “XIII.” Glimmering melodies and crisp yet crunchy basses, every song from this release allows us on a journey of discovery to find ourselves through movement of sound. <br>From stretched reeces to glitchy sexy vocals, this EP truly encompasses such a beautiful yet heavy feeling that has you yearning for more. <br><br><a class="no-pjax" href="https://submarine1985.bandcamp.com/album/xiii" target="_blank" rel="nofollow" data-saferedirecturl="https://www.google.com/url?q=https://submarine1985.bandcamp.com/album/xiii&source=gmail&ust=1682860631259000&usg=AOvVaw1cZz1IFPur246nN9tnAtmS">https://submarine1985.</a><wbr><a class="no-pjax" href="https://submarine1985.bandcamp.com/album/xiii" target="_blank" rel="nofollow" data-saferedirecturl="https://www.google.com/url?q=https://submarine1985.bandcamp.com/album/xiii&source=gmail&ust=1682860631259000&usg=AOvVaw1cZz1IFPur246nN9tnAtmS">bandcamp.com/album/xiii</a><br><br><span class="text-big">Pull Me In - Woven Thorns</span><br> </wbr></p><p><img src="https://f4.bcbits.com/img/a1308515333_16.jpg" class="size_m justify_center border_" /></p><p> </p><p>Prepare to be transported into the shadowy realm with Woven Thorns' "Pull Me In" EP, released on Deep, Dark and Dangerous. Drawing from a broad range of influences, this LA-based producer has put together an EP that offers listeners a taste of both rawness and refinement. Weaving together gritty beats, biting percussion, overwhelming bass and ethereal vocals, Woven Thorns creates a sound that is uniquely hers. With “Pull Me In,” Woven Thorns showcases her project's dark roots, cementing her place in the world of dubstep on this unforgettable journey to another realm.<br><br><a class="no-pjax" href="https://deepdarkdangerous.bandcamp.com/album/pull-me-in" target="_blank" rel="nofollow" data-saferedirecturl="https://www.google.com/url?q=https://deepdarkdangerous.bandcamp.com/album/pull-me-in&source=gmail&ust=1682860631259000&usg=AOvVaw2_qy440GWPGVYakQPT1VEZ">https://deepdarkdangerous.</a><wbr><a class="no-pjax" href="https://deepdarkdangerous.bandcamp.com/album/pull-me-in" target="_blank" rel="nofollow" data-saferedirecturl="https://www.google.com/url?q=https://deepdarkdangerous.bandcamp.com/album/pull-me-in&source=gmail&ust=1682860631259000&usg=AOvVaw2_qy440GWPGVYakQPT1VEZ">bandcamp.com/album/pull-me-in</a><br><br><span class="text-big">All Mixed Up Vol. 2 Compilation</span></wbr></p><p> </p><p><img src="https://f4.bcbits.com/img/a2235458840_16.jpg" class="size_m justify_center border_" /></p><div style="-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;caret-color:rgb(34, 34, 34);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-decoration:none;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;"> </div><div style="-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;caret-color:rgb(34, 34, 34);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-decoration:none;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;"> </div><div style="-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;caret-color:rgb(34, 34, 34);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-decoration:none;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;">
<span style="color:#ffffff;">Conveying divergent sound, The WiddFam releases their All Mixed Up Vol. 2 Compilation. </span><br><span style="color:#ffffff;">This compilation consists of some of the most diverse remixes of WiddFam tracks that have been released to date. These remixes not only take you into the minds eye of many of these producers ruminations but it shows you how outside of the box one can go with the stems handed to them. From switching genres completely to creating the most original sound within a remix, every artist touches on something new and special within this anthology. </span><br><br><a class="no-pjax" href="https://widdfam.bandcamp.com/album/all-mixed-up-vol-2-remix-compilation" target="_blank" rel="nofollow" data-saferedirecturl="https://www.google.com/url?q=https://widdfam.bandcamp.com/album/all-mixed-up-vol-2-remix-compilation&source=gmail&ust=1682860631259000&usg=AOvVaw0xYsCESDGWCRSOCTl1qP5K">https://widdfam.bandcamp.com/</a><wbr><a class="no-pjax" href="https://widdfam.bandcamp.com/album/all-mixed-up-vol-2-remix-compilation" target="_blank" rel="nofollow" data-saferedirecturl="https://www.google.com/url?q=https://widdfam.bandcamp.com/album/all-mixed-up-vol-2-remix-compilation&source=gmail&ust=1682860631259000&usg=AOvVaw0xYsCESDGWCRSOCTl1qP5K">album/all-mixed-up-vol-2-</a><wbr><a class="no-pjax" href="https://widdfam.bandcamp.com/album/all-mixed-up-vol-2-remix-compilation" target="_blank" rel="nofollow" data-saferedirecturl="https://www.google.com/url?q=https://widdfam.bandcamp.com/album/all-mixed-up-vol-2-remix-compilation&source=gmail&ust=1682860631259000&usg=AOvVaw0xYsCESDGWCRSOCTl1qP5K">remix-compilation</a><br><br><span class="text-big" style="color:#ffffff;">Be Done Soon - EN7ROPY</span><span style="color:#ffffff;"> </span></wbr></wbr>
</div><div style="-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;caret-color:rgb(34, 34, 34);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-decoration:none;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;"> </div><p><img src="https://f4.bcbits.com/img/a0085733274_16.jpg" class="size_m justify_center border_" /></p><div style="-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;caret-color:rgb(34, 34, 34);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-decoration:none;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;">
<br><span style="color:#ffffff;">Coal Mine Sound has been on the rise with their Denver based label by bringing noteworthy music from some of the biggest Up and Comers in the scene.</span><br><span style="color:#ffffff;">They continue to shine with their most recent release from EN7ROPY called "Be Done Soon".</span><br><span style="color:#ffffff;">This release, including a luscious track collaboration with Solfire, encompasses the true roots of the culture with a dubwise new era feel.</span><br><span style="color:#ffffff;">Pulsating with beautiful arps, innovative sound design, and boundless basslines, EN7ROPY allows us to explore the real essence of the underground.</span><br><br><a class="no-pjax" href="https://en7ropy.bandcamp.com/album/en7ropy-guru-ep-cms014" target="_blank" rel="nofollow" data-saferedirecturl="https://www.google.com/url?q=https://en7ropy.bandcamp.com/album/en7ropy-guru-ep-cms014&source=gmail&ust=1682860631259000&usg=AOvVaw320cLh9VLROMadXcK4wGXj">https://en7ropy.bandcamp.com/</a><wbr><a class="no-pjax" href="https://en7ropy.bandcamp.com/album/en7ropy-guru-ep-cms014" target="_blank" rel="nofollow" data-saferedirecturl="https://www.google.com/url?q=https://en7ropy.bandcamp.com/album/en7ropy-guru-ep-cms014&source=gmail&ust=1682860631259000&usg=AOvVaw320cLh9VLROMadXcK4wGXj">album/en7ropy-guru-ep-cms014</a><br><br><span class="text-big" style="color:#ffffff;">No Sleep - The Widdler</span></wbr>
</div><div style="-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;caret-color:rgb(34, 34, 34);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-decoration:none;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;"> </div><div style="-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;caret-color:rgb(34, 34, 34);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-decoration:none;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;"> </div><p><img src="https://f4.bcbits.com/img/a4104363922_16.jpg" class="size_m justify_center border_" /></p><div style="-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;caret-color:rgb(34, 34, 34);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-decoration:none;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;"> </div><div style="-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;caret-color:rgb(34, 34, 34);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-decoration:none;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;">
<br><span style="color:#ffffff;">Crawling out of the murky depths comes The Widdler with one of his darkest releases to date, 'No Sleep' coming out on The WiddFam. As we work our way through this collection, we find ourselves falling down the rabbit hole of the warped mind from the legend himself. Conjuring creeping sinister vocals, tenebrous reverb and pulsating basslines, we are caught in a vortex of this stormy Cosmic Darkness.</span><br><br><a class="no-pjax" href="https://widdfam.bandcamp.com/album/no-sleep-ep-wddfm037" target="_blank" rel="nofollow" data-saferedirecturl="https://www.google.com/url?q=https://widdfam.bandcamp.com/album/no-sleep-ep-wddfm037&source=gmail&ust=1682860631259000&usg=AOvVaw3HFuZUEUJdFT2NluB0AXVI">https://widdfam.bandcamp.com/</a><wbr><a class="no-pjax" href="https://widdfam.bandcamp.com/album/no-sleep-ep-wddfm037" target="_blank" rel="nofollow" data-saferedirecturl="https://www.google.com/url?q=https://widdfam.bandcamp.com/album/no-sleep-ep-wddfm037&source=gmail&ust=1682860631259000&usg=AOvVaw3HFuZUEUJdFT2NluB0AXVI">album/no-sleep-ep-wddfm037</a> </wbr>
</div>subdotmission.comtag:www.subdotmission.com,2005:Post/71929862023-04-19T08:24:55-06:002023-04-19T12:27:07-06:00Mungo’s Hi Fi Talks Reggae Roots and Sound System Culture Ahead of 4/20 Show in Denver<p><i>Written by Max Vanegas</i></p><p dir="ltr">In today’s swirling amalgam of electronic music genres, it can be difficult to remember our roots. While many of us know who and what can be attributed to the formation of dubstep, there are several people who don’t know that the genre we know and love came from reggae and a subgenre of reggae called dub.</p><p dir="ltr">While the evolution of our beloved genre takes many shapes, there is one crew still keeping it real and emanating an OG style that has defined sound system culture today.</p><p dir="ltr">The selectors we speak of are none other than <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=mungos-hi-fi"><u>Mungo’s Hi Fi</u></a>, a group formed by a pair of Scottish fellows named Tom Tattersall and Doug Paine who wanted to do something different and introduce a new sound to Glasgow and Great Britain. </p><p dir="ltr"> </p><p dir="ltr"><span style="color:rgb(0,0,0);"><span><img src="https://lh5.googleusercontent.com/MIIhzPPMsbYFa8X7bPHLT-omuobKXGoY7p_od0Qc93UINwEle6Nk5MDmAu2n0ZGLlINiomSAntxfoKFeBipkmJebiPnpnpypAUT8YmE56vfYRnW-JHclK9FljlOyjjQOO1ezqqSNMLAnRxmgx1T1r-0" class="size_l justify_center border_" height="377" width="565" /></span></span></p><p dir="ltr"> </p><p dir="ltr">Now in their 23rd year of existence, Mungo’s Hi Fi can be credited with forming the reggae and dub scene in the UK with multiple studio releases and notable collaborations with reggae legends. One legend they’ve worked with is Bristol’s Eva Lazarus, an aggressive and in-your-face MC who retains a level of class that exceeds most vocalists associated with the thrashings of bass music.</p><p dir="ltr">This Thursday, we are elated to be welcoming both Mungo’s Hi Fi and Eva Lazarus for our <a class="no-pjax" href="https://events.blackboxdenver.co/e/mungos-hifi-apr20/tickets"><u>show on 4/20</u></a> with local support Seen and Bad Example at The Black Box.</p><p dir="ltr">With so much anticipation ahead of our holiday event, we decided to sit down with Jeremy Joly of Mungo’s Hi Fi to talk about the proliferation of the group, favela renegades in Brazil, sound system culture, and more.</p><p dir="ltr"> </p><p dir="ltr"><span style="color:rgb(0,0,0);"><span><img src="https://lh6.googleusercontent.com/Wzg4vAi1tNn464QV_o_rD5vFCcoimHl_KyL5kGpZH_0gTi5Nakf6Alm8_bVfmxhcgZQTplZhhCvxerxiy6i9GOff7Fgev0sZEYGBHmx49rHrFMtwEcIEo8Odx-bX-ry2gBddB6O9jf8QHDapklL4_T8" class="size_m justify_center border_" height="344" width="222" /></span></span></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>Welcome back to Denver! How does it feel to be returning to The Black Box?</strong></span></p><p dir="ltr">Thank you! We’re really excited to be back and especially to be bringing Eva to the States with us for the first time!</p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>You’ve been working with Eva Lazarus for years now. How did that collaboration originally start and what keeps it going?</strong></span></p><p dir="ltr">Eva was performing on the same night as us at a club in Bristol - I was blown away by her performance and went to speak to her after the show about linking up. When we started recording it was obvious that our musical directions matched really well and that we both liked experimenting with all kinds of bass music.</p><p> </p><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://open.spotify.com/track/1sNt9WVNw1USRIQX8CsFBT?si=61d09d8d0881436a"><u> “Babylon Raid” ft. Eva Lazarus</u></a></p><p> </p><p><span style="color:rgb(0,0,0);"><span><img src="https://lh4.googleusercontent.com/lfIUcrFY5cKUCeNTd0QUnE77OCSFBdJEp8QfJ5UaIGSwLYbppz1RF1mdlROV6mJ2jQfNKXPlbNEROzgFVe5K_Q_BqsU1oAKilzNOawMRxqjlo0u9jJBosDyAIIw1Rfj-s-1_PtSmlsHyQRhHMMmeIlY" class="size_l justify_center border_" height="280" width="388" /></span></span></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>So you’re kicking off a big US tour with the show in Denver. What do you love about playing in the States?</strong></span></p><p dir="ltr">We love playing in the States because we fill a musical gap somewhere between Reggae/Dub/Dancehall and dance music and it feels like that's a crossover that is appreciated by audiences in the US. The crowds in the States always bring a vibe!</p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>Over the course of four days (4/20-4/23), you will be playing in a club, a theater, and a warehouse. How do differing environments like these impact your sets, if at all?</strong></span></p><p dir="ltr">The type of venue doesn’t impact our sets as much as the style of night that the promoter is running. Some promoters run nights that might be more roots-oriented, others more of a party vibe so we might lean more towards a musical direction if it seems right. On this tour with Eva, we’ll be showcasing all kinds of styles from Roots to 140 bpm.</p><p dir="ltr"> </p><p><span style="color:rgb(0,0,0);"><span><img src="https://lh3.googleusercontent.com/V7kwo5dzj3AKKCMV_kuCnFuuAI89nLOl1UO17xEKeacNZs8UPVCk1rSJ2q5kf4hGfi_2r37__DQpmZOBd9erV77pkHa5s1ceETaGGv9On_Miehd4DrIh5t0bKANXX8WJ569Wt71NBNGioP2_m8Mm-Hg" class="size_l justify_center border_" height="470" width="470" /></span></span></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>What artists or music contributed to you getting “bit by the reggae bug,” so to speak?</strong></span></p><p dir="ltr">My Dad had a Bob Marley CD that I used to listen to growing up. As a kid, I also loved UK Reggae and Ska bands like UB40 and The Specials. In my last year at school, someone gave me a cassette mixed by Andrew Weatherall which was all King Tubby and Prince Jammy tracks and that tape opened my mind to the world of Dub! </p><p> </p><p dir="ltr"><span class="text-big"><strong>The </strong><i><strong>Listening Bug</strong></i><strong> EP turns 10 this year. When it comes to production, what has changed and what has stayed the same since then?</strong></span></p><p dir="ltr">We still use the concept of mixing Jamaican-inspired sounds with other musical influences to try and make fresh and original productions. We keep a close eye on what's happening in other underground music and sometimes bring in those influences to our tracks. We are experimenting with African and Brazilian beats in some recent productions and have worked with several African vocalists in the last few years. I would like to think our technical production skills have improved in the last 10 years too! </p><p dir="ltr"> </p><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://open.spotify.com/track/01Q2cFQT8zvty6XvYQOpoG?si=9a0e9568f3ce43c3"><u> “Jump Up Quickly” from Listening Bug EP</u></a></p><p> </p><p dir="ltr"><span class="text-big"><strong>What was it like working with legends like Mighty Diamonds and Max Romeo?</strong></span></p><p dir="ltr">Our work with Max Romeo was done remotely and I’m looking forward to meeting him in person someday! Working in the studio with artists like the Mighty Diamonds, Wailing Souls, Johnny Clarke, and Sugar Minott was both exciting and daunting - It can feel overwhelming recording a track with singers who have made classic records but I think they could see we had a real passion for the music and they were keen to help us out and work together.</p><p> </p><p dir="ltr"><span class="text-big"><strong>We are incredibly downhearted to hear about the recent passing of Jah Shaka. What was it like working with him and what influence did he have on Mungo’s Hi Fi?</strong></span></p><p dir="ltr">Yes, very sad news. Seeing Jah Shaka play for the first time was a huge inspiration. It opened our eyes to the spiritual side of Dub sessions and made us want to release music and build our own sound system. We were blessed to have Jah Shaka playing on our sound a few times and he continued to inspire us in the way he selected music and the dedication he had to his message.</p><p> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="NW-9Ryjiaq8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/NW-9Ryjiaq8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p style="text-align:center;" dir="ltr"><a class="no-pjax" href="https://www.youtube.com/watch?v=NW-9Ryjiaq8"><u>Video embed - Jah Shaka Birmingham 2022</u></a></p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>How do you innovate and keep things new in a genre while still staying true to the roots that built it? Is there a point where “tradition” should be abandoned or stretched?</strong></span></p><p dir="ltr">We try and imagine what the future of the music will sound like and then make it how we imagine it to be! We keep on top of new music technology and experiment with new sounds as well as using old-school studio techniques to keep a richness in the sound. For young audiences to connect with our music they need to feel an affinity with the vocalists that we work with. We try to work with vocalists that have a flow and lyrics that sound current and are relatable to our younger fans.</p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>I recently have been investigating sound system culture in a place I never thought it existed - India. Are there any places that you’ve come across in your travels or careers where the culture took you by surprise?</strong></span></p><p dir="ltr">We were in Brazil a few years ago and some friends took us to a Favela in Sao Paolo that was a couple of hours away from the city centre. We got off the bus, walked round a corner and there were 3000 people in the street dancing to a sound system that was playing reggae and dancehall out of a derelict restaurant! Such an amazing vibe.</p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>What are some sound systems you are a fan of today?</strong></span></p><p dir="ltr">Jah Shaka was my favorite roots sound! I really like OBF from France and the way they explore new sounds within Sound System culture. Numa Crew in Italy are a very talented collective of producers and DJs and they always bring fresh sounds. I love Deep Medi nights too - even though they’re not strictly a sound system they play like a futuristic dub sound system.</p><p dir="ltr"><a class="no-pjax" href="https://events.blackboxdenver.co/e/mungos-hifi-apr20/tickets"><u>Join us on Thursday</u></a> as we celebrate the memory of Jah Shaka, the legacy of Mungo’s Hi Fi, and the evolution of sound system culture at the best place in the world - The Black Box.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/71925022023-04-18T11:23:41-06:002023-04-19T08:40:34-06:00Low & High and Sub.Mission join forces in Minneapolis to celebrate the underground<p dir="ltr"><i>Written by Julia Condon</i></p><p dir="ltr">A place notorious for its long and bitter winters, Minneapolis breeds some of the most resilient, dedicated music fans. Among cities like Denver and Chicago, Minneapolis is carving out its place as a rising bass music Mecca. </p><p dir="ltr">For industry pioneers like Jake Whaley, talent buyer and owner at <a class="no-pjax" href="https://www.lowhighpresents.com" data-link-type="url"><strong><u>Low & High</u></strong></a>, now is the time to tap into the city’s rich opportunity to curate the events Minneapolis fans crave, in turn putting Minneapolis on the map for bass music fans nationwide. </p><p dir="ltr">On April 21, fans will be treated to a very special Sub.Mission takeover at The Pourhouse Downtown in Minneapolis. Underground heavy hitters <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=kursa" data-link-type="url"><strong><u>Kursa</u></strong></a>, <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=enigma-dubz" data-link-type="url"><strong><u>Enigma Dubz</u></strong></a>, <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=distinct-motive" data-link-type="url"><strong><u>Distinct Motive</u></strong></a>, <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=chef-boyarbeatz-3" data-link-type="url"><strong><u>Chef Boyarbeatz</u></strong></a>, and <a class="no-pjax" href="https://subdotmission.com/artist-roster?profile=medicine-place" data-link-type="url"><strong><u>Medicine Place</u></strong></a> will bring their distinctive sounds to the prohibition-style venue for one talent-packed Friday night event. </p><p dir="ltr">In preparation for the event, we spoke to Jake about the Minneapolis music scene, Low & High’s relationship with Sub.Mission, and what to expect at the upcoming Sub.Mission takeover. Read on for the interview. </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/879ed51d3d8a1533575f1a342569dc168d4f82fa/original/submission-square-v2.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"> </p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>For those who aren’t familiar, can you explain what Low & High is and what you do?</strong></span></p><p dir="ltr">Low & High (L&H) is the missing puzzle piece that was lost under the couch in your living room 6 months ago only to be found when you needed it most. L&H serves as a three tier system that stretches across curated experiences, artist management, and our record label. We try our best not to limit our creative mindsets by exploring all of these avenues equally. </p><p dir="ltr"><span class="text-big"><strong>Can you describe your relationship with Sub.Mission?</strong></span></p><p dir="ltr">In an industry that is so heavily overrun with egos, popularity contests, and hype, Sub.Mission acts as a lighthouse amongst the storm and has welcomed me with open arms. Over 50% of our bookings have gone through Sub.Mission due to a large collection of their agents and artists sharing the same passion for sound, not hype which is a godsend in this industry. I can only hope that our relationship continues to flourish and grow over the years just as it has since we started working together in 2021.</p><p dir="ltr"><span class="text-big"><strong>What can the audience expect from this show?</strong></span></p><p dir="ltr">The objective with this takeover was to recreate the type of experience that you would see 5-10 years ago. I often think about when I first started going to shows back in 2014 and the lineups were all headliners top to bottom. If you weren’t there at doors you’d be missing some of the best of the best. Arguably, every single name on this lineup is a headliner and is actively touring the US/EU.</p><p dir="ltr">On top of the lineup being over the top, we called in some reinforcements with production leads Champion Sound and Interstellar Lighting. Both of which will be debuting brand new deployments that have never been seen before in this space. We’ve gone the extra mile to add extra space on the dance floor for adequate appreciation of the sounds and systems being run. To top it all off, we will be showcasing a nice array of both Sub.Mission and Low & High merch on site as well.</p><p dir="ltr"><span class="text-big"><strong>What makes the Minneapolis music scene special?</strong></span></p><p dir="ltr">Minneapolis has such an appreciation for live music. Promoters here are constantly showing fans appreciation for their dedication. On any given weekend you can find multiple shows taking place featuring different genres. </p><p dir="ltr">Earlier this month we had potentially the worst snowstorm we had experienced all season. It was one of those storms your parents tell you about from the 80s that knocked out power, shut down highways, and kept everyone locked inside. Yet somehow the Minneapolis scene prevailed and hundreds of people joined together in a warehouse with bins stacked and Oldgold b2b Commodo b2b Hebbe b2b Wraz b2b Hypho with Hypho on MC duties. The drive home took me nearly 90 minutes when it should have been 15.</p><p dir="ltr"><span class="text-big"><strong>Any other upcoming events you’d like to plug?</strong></span></p><p dir="ltr">The entire initiative behind what we do is to inspire creatives and welcome new faces.</p><p dir="ltr">We host our free/no cover OVERLOWD series at The Exchange once a month featuring some of our favorite selectas. The first two shows in this series were Hypho & Wraz. Coming up on May 11th, we have Molokai coming to treat Minneapolis proper with another free, no cover event in an attempt to welcome new faces to our community.</p><p dir="ltr"><a class="no-pjax" href="https://www.etix.com/ticket/p/2336882/submission-with-kursaenigma-dubz-and-more-minneapolis-the-pourhouse-downtown"><strong><u>Get your tickets to the Sub.Mission takeover at The Pourhouse in Minneapolis on April 21 here. </u></strong></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/71910002023-04-15T12:25:19-06:002023-04-19T08:33:41-06:0016 years of Sub.Mission: A Not-So-Brief History<p dir="ltr"><i>Written by Alec Rubman</i></p><p dir="ltr"><span class="text-big"><strong>As we celebrate our 16th anniversary on April 8th, we’re stepping back in time to look at the events and moments that shaped Sub.mission. </strong></span></p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/a0f1b1fba7865189f214d647a550a8b4d94808cd/original/340881066-234654839116131-3242753049530239304-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr">It all started when we fell in love with dubstep. The thumping bass, dark rooms, and tight-knit community surrounding the genre caught us in an ironclad trap and never let us go. “Sound, not hype” became our mantra, and as we fell deeper and deeper down the rabbit hole, we knew we had to bring these incredible sounds to our home in Denver, Colorado. </p><p dir="ltr">In 2007, Sub.mission was born, and everything changed. What started as a group of friends wondering if people would like dubstep quickly became much, much more. Now, 16 years later, our mission of bringing authentic dubstep to Denver and moving people through sound, not hype, has not wavered. We are incredibly grateful to our community for making our dreams come true. </p><p dir="ltr">Celebrate Sub.mission’s 16 year anniversary with us as we look back on the biggest moments in our history!</p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>2007: Year 1</strong></span></p><p dir="ltr">Sub.mission 01 featured Nick Argon, founder of Argon Records which, at the time, was the only dubstep label in America. With iconic releases from the likes of Matty G, Clouds, Babylon System, J:KENZO and Tes La Rok, Nick lived and breathed American dubstep. It was a no-brainer to bring him out for our inaugural event. </p><p dir="ltr">Building on the success of our first show, we brought Parson, KRADDY, Djunya, Antiserum, and Roommate to Denver along with a renegade stage at Sonic Bloom Music Festival. By October, we had built enough of a following to bring legendary selectors DJ Hatcha and Benga to our city. In a truly full-circle moment, Hatcha and Benga played at Benders, known today as The Black Box. </p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>2008: Year 2</strong></span></p><p dir="ltr">Well, it turns out people loved dubstep! For our first event of year two, we brought out dubstep godfather Joe Nice who is largely responsible for pioneering the genre here in America. We also found a permanent home: after throwing shows at whatever venue would have us, we moved our operation to the basement of Club Vinyl just outside of Downtown Denver. </p><p dir="ltr">We continued to book our friends from the west coast on the forefront of the sound, and celebrated our 1 year anniversary with The Babylon System. That July, we were offered the main room at Beta on Wednesday nights, and brought back DJ Hatcha for our grand opening followed by JusWan and Distance. Unfortunately, our time at Beta was short-lived (the room was not sound-treated and neighbors weren’t all too happy with the amount of bass rattling the walls,) and we soon moved to the Beatport Lounge where we opened with HeadHunterz (aka Addison Groove) as well as TheOthers, Noad D, Dz, and a return from Antiserum. After a year and a half of lugging around our system, we felt truly blessed to have a permanent home system from Funktion One!</p><p dir="ltr">Year two also saw us redouble our efforts into booking artists from across the pond. Dubplate culture was alive and well: in order to hear certain tunes, we had to book certain artists! A small group of us took the lead, and soon we were flying over artists along with crates of records to avoid questioning at customs. It was a vibe! </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/b3e7e4887d2713de987fd42c1820375299374494/original/336175118-735956661570216-7819690120277136572-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><span class="text-big"><strong>2009: Year 3</strong></span></p><p dir="ltr">In year 3, we really saw momentum pick up. This year marked the first where we brought headliners from outside the country to play our sold-out monthly events including DZ, Reso and JSuave, Emalkay and Claw, Starkey, 16bit and Broken Note, Kutz and N-Type! We also began a relationship with Cervantes’ Masterpiece Ballroom, where we hosted shows with Mala, Rusko (LIVE), and unveiled Bass Invasion with Skream, MaryAnn Hobbs, and Caspa. We even ended the year with the first-ever Excision play! </p><p dir="ltr">To have 1000+ people dancing at our events in just a few short years was nothing short of magical. We found ourselves awed at the opportunity to expose so many to the sound we love, and firmly believed that Denver was well on its way to becoming America’s dubstep capital. </p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>2010: Year 4</strong></span></p><p dir="ltr">We kept things rolling into year 4 as demand for all things dubstep in Denver reached an all-time high. As the only dubstep promoters in the city, we fed the demand with sold-out shows at Cervantes featuring familiar faces like Tes La Rok and Antiserum along with rising stars like Liquid Stranger, The Widdler, and Truth. We planned a massive three-year anniversary party with Joker and Kutz, Datsik, Distance and MRK1, but mother nature had other plans in the form of a volcano eruption. The party went on regardless, and all artists were welcomed back with rescheduled dates. Bass Invasion returned for a two-day event featuring Caspa, Emalkay, The Others, Matty G, Rod Azlan, and Crazy D, followed closely by Plastician’s debut. </p><p dir="ltr">The excitement in the city was palpable: Denver had cemented itself as the dubstep capital, and before long AEG caught wind of what we were doing. That year, we participated in Skylab and Global Dance Event and helped out with shows from Borgore and N-Type. We were still in shock at the attention our sound had gained, but we were fully prepared to ride that wave! </p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>2011: Year 5</strong></span></p><p dir="ltr">As Global Dance and AEG brought our name to the forefront, everyone wanted in. With so much artist demand, we started Electronic Tuesdays at Cervantes’ Other Side aiming to put on talented local artists in our city. Illenium, Jantsen, Dirt Monkey, DMVU, and many other artists got their start on that stage! </p><p dir="ltr">As we continued to throw shows at Cervantes, Oriental, Bluebird, and Ogden Theater, we held our largest independent event: Sub.Circus at Fillmore Auditorium in collaboration with Circus Records. We also increased our festival presence with stages at Global at Red Rocks, Sonic Bloom, and Detroit Electronic Music Festival which today is part of Movement.</p><p dir="ltr">The end of year 5 brought one of the most treasured moments in our history. We hosted our own stage at Decadence in the Colorado Convention Center, and after a lot of blood, sweat and tears to make it happen, we had 95% of the festival capacity in our room at midnight. As Cookie Monsta stood on stage, cueing up “Ginger Pubes” for the New Year’s countdown, we looked out on a sea of 10,000 screaming fans and knew everything was about to change. </p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>2012-2013: Year 6-7</strong></span></p><p dir="ltr">Business was BOOMING! With events almost every day of the week, we booked 484 DJS to headline events over these two years. In addition to our scheduled shows, we threw popup shows with the likes of Caspa, with little to no promotion to highlight our ethos of sound, not hype. </p><p dir="ltr">2013 saw the birth of Sub.mission Talent Agency, which represented the full spectrum of sound. We aimed to grow and develop bass music culture and gain exposure for talented artists in the genre, at a time when a younger generation of artists including 50 Carrot, Solomon, Coffi, D’Jahsta, Sadhu, and Bloodthinnerz began to bless American stages. </p><p dir="ltr">We formed a partnership with the renowned Outlook Music Festival to throw launch parties stateside, and made the trek to Croatia to watch our residents perform. Our 6 year birthday party was hosted in Boppo Skateboard Warehouse by Hank Shocklee from Public Enemy in a massive celebration of the growth of dubstep in Denver. </p><p dir="ltr">In 2013, AEG bought Decadence as corporate presence began to expand through our scene. We remained steadfast in our .mission, however, and began to host our own stages where we placed more emphasis on our signature sound than ever before. </p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>2014-2015: Year 8-9</strong></span></p><p dir="ltr">We heard mutters of “Dubstep is dead” throughout these years, and found it more important than ever to remain true to our beliefs. We ended our relationship with Beta as our .missions diverged, and began to take a more underground approach to our events.</p><p dir="ltr">While we continued to run Electronic Tuesdays at Cervantes, we also held an event the last Friday of every month at Fusion Factory and began a new Saturday monthly titled “Deep, Dark, and Dangerous” featuring cutting-edge artists from around the globe. We threw rooftop sessions at Vinyl all summer long, and brought in names like TroyBoi, Opiuo, and G Jones for each of these events. Shades, Alix Perez, Eprom, and DJ Madd graced the stage at our Fusion Factory afters, and the Denver community showed a clear desire to bring the scene underground. We aligned with our community and took back our sound. </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/322ad6a888d2501c6ddef6cd430725df2025f262/original/337284924-1279769109625311-1528005157220490307-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><span class="text-big"><strong>2016: Year 10</strong></span></p><p dir="ltr">We celebrated this year with a number of incredible bookings across the musical spectrum. Caspa and Rus Ko came together for one night only after so many years, and we brought in the likes of Kahn and Neek, Thelem, Commodo, DJ Youngsta, Ganja White Night, Yheti and many more. We also worked with Shambhala Music Festival on a pre party that included Shades, Truth, and Om Unit. </p><p dir="ltr">While we achieved so much this year, the shining beacon was undoubtedly the introduction of The Black Box. Authenticity, quality, and community had guided us since our inception, and now we finally had a home in which we could bring those ideals to life! We bid goodbye to Electronic Tuesdays at Cervantes with Loefah, and moved our entire operation in-house to begin our next chapter. </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/de0bfda2c22f99f6b9e3f2aa1c0e72338618296e/original/337880437-597900505568773-6246698631043205474-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><span class="text-big"><strong>2017-2018: Year 11</strong></span></p><p dir="ltr">Having The Black Box as our home base brought our .mission to life in a whole new way. Our community now had a place to celebrate each other and the music that brought all of us together, free from the ever-changing landscape of the music industry. Our agency continued to thrive, hosting events across the globe and booking the biggest names in our corner of the scene. Our presence screamed authenticity: with a venue the size of The Black Box, we expected a high level of performance from our artists and a reverence of the music from our crowd. We found that in spades.</p><p dir="ltr">Our first event at The Black Box marked another full circle moment: back in 2004, the first event we ever threw as a team featured ediT. We thought it would be perfect to bring him back to open our new headquarters, and he did so with a bang. Electronic Tuesdays, now hosted at The Black Box, continued to showcase local talent. To celebrate a decade of Sub.mission, we blew the doors off with a host of past and present artists, among them 16bit, Bukez Finezt, Vivek, Youngsta, The Widdler, Sepia, Roommate, Antiserum, and more with Sgt. Pokes on hosting duties. Dubstep in Denver had come home, and it would not be leaving any time soon. </p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>2019: Year 12</strong></span></p><p dir="ltr">If Denver is the Dubstep Capital, then The Black Box became the Dubstep White House. We really hit our stride this year as we curated our venue to truly mesh with our goals and vision for dubstep in America. Electronic Tuesdays were still going strong as we brought in CroyDub for his American debut, along with Cimm, Chef, Mr. K, Sepia, N-Type, Sgt. Pokes, Sicaria Sound, Silkie, and MC Jumanji for our birthday celebration.</p><p dir="ltr">We returned to Outlook Festival and managed to sell out their biggest boat with a massive lineup! While across the pond, we visited Bristol for Round 2 and 3 of the International Bassweight Sessions at Black Swan and Trinity Centre featuring the Firmly Rooted and Green King Soundsystems. After partnering up with Youngsta for our first London event, we ended our International Series with a blowout in Amsterdam. Sub.mission had gone worldwide! </p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>2020: Year 13 </strong></span></p><p dir="ltr">Like everyone else, we had our grand plans for 2020 dashed by the COVID-19 pandemic. After our Electronic Tuesdays session with Wreckno on March 10th, the world shut down and we had to cancel a number of events including our birthday celebration. Though this was far from ideal, we knew we had to keep things moving. </p><p dir="ltr">We pivoted to live-streamed events on Twitch, hosting artists like SIlkie, Sukh Knight, Squarewave, Biome, Sicaria Sound, and J:KENZO. Through the magic of cyberspace, we streamed live headliner sets through the Basscouch sound system with visuals delivered by local colorado talent. We continued our Electronic Tuesdays DJ Battles, inviting listeners from around the globe to help us decide each week’s winners. When it came time to safely reopen, we experimented with a number of methods including socially distanced outdoor shows, with mandatory masks and strict safety protocols. Even in dark times, we found success in collaboration and new forms of connection with our fans and community. </p><p dir="ltr"> </p><p dir="ltr"><span class="text-big"><strong>2022: Year 14-15 </strong></span></p><p dir="ltr">The pandemic underscored the importance of collaboration, communication, and adaptability in the music industry. As we approached these challenges, we gained a renewed appreciation for the importance of these pillars. We reconnected with friends and artists from across the globe, and doubled down on authenticity as a beacon of our .mission. </p><p dir="ltr">As borders opened, we came back strong. Our birthday celebration featured Coki, Cimm, Sukh Knight, Silkie, and Sir Hiss, and we welcomed Alix Perez who leveled the dance when he dropped “Hear That (Boylan + Trends Remix).” We returned to the beautiful Mishawaka Amphitheatre for a Widdler & Pushloop double header as well as Kursa, Ternion, Sound, Wickers Portal and TF Marz. We also hosted the only US System x Innamind event with Vivek and Kursk, and finally booked Skream for his first dubstep set in years, which eventually morphed into Skream b2b Coki thanks to a missed flight. Our return to in-person events could not have been more magical. </p><p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/172838/2d836725f892a518186eaa2d05f745c210a9341c/original/339654861-231540926097381-8936740023904783848-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p dir="ltr"><span class="text-big"><strong>2023: Year 16</strong></span></p><p dir="ltr">Though the year is young, we have not slowed down. We rang in the new year with rising star Chef Boyarbeatz and Oxóssi alongside DJ Madd and Lost City, and pushed forward with shows from Distinct Motive, Kahn, Hijinx, Hyroglifics, and a takeover from Manuka Records featuring Hypho, Amadeo, Grim Sickers and Felixculpah. Our roster continues to grow with Cartridge and Copycatt, and for our Sweet 16 we brought in Bukez Finezt, Commodo, and Om Unit for a massive celebration. Stay tuned for much more to come! </p><p style="text-align:center;" dir="ltr"><i>“After 16 years, we have no plans to slow down. Sub.mission represents a commitment to authenticity, quality, and community in music. It is a reminder that the power of music comes not from hype, but from the music itself and the transformative experiences it creates. Sub.mission is committed to supporting emerging and underground artists who are pushing the boundaries of bass music. We believe that music has the power to bring people together, and we strive to create a space where artists and fans can connect and share their love for music. </i></p><p style="text-align:center;" dir="ltr"><i>We have been working on building out line ups and working with venues across the globe. As an Agency, we have such a strong group of artists on our team and want to do what we can to share their music with the world. Locally, we are working on one off events at The Black Box that will go down in history. We are also looking forward to starting events at a larger new venue that is popping up this winter. Ultimately, we are deeply committed to supporting underground artists and promoting diverse and innovative sounds within the bass music community.” </i></p><p style="text-align:center;" dir="ltr"><span class="text-big">- <strong>Nicole Cacciavillano, Founder, Sub.mission</strong></span></p><p> </p><p dir="ltr">Our success would not be remotely possible without the love and support of our community. From the bottom of our hearts, thank you for supporting Sub.mission for 16 years and for your continued support in the years to come!</p><p dir="ltr"> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/69962782022-06-17T12:44:38-06:002023-12-10T10:40:45-07:00Sub.mission Spotlight: Sonic Bloom<p>After a long, nonconsensual hiatus featuring trials, tribulations and multiple near apocalypses, <br>Sonic Bloom has returned. And with a lineup that has the potential to make up for this hectic <br>misadventure we all unwillingly took part in. From the obvious heavy hitters like Tipper, to the <br>slept-on-far-too-long like Xenolinguist, Sonic Bloom has a lil something for everyone this year. <br>Below we have 5 Sub.Mission artists who will be bringing the heat this weekend. </p>
<p>Templo: Equipped with an eclectic yet diverse sonic arsenal, Templo has been consistently <br>making (air)waves in the niche community we call home, for over 8 years. With releases ranging <br>from heavy hittin honkers to lush and imaginative soundscapes and variations of everything in <br>between. Liam Shea AKA Templo surprises listeners with every new release. His sets are high <br>energy, left field and comprised of an excellent balance of never before heard noggin rockers, <br>complimented by a fresh twist on familiar anthems. For a taste of each end of the Templo <br>spectrum, I suggest checking out the bangin’ Turbo Digital EP, and then cleansing your auditory <br>pallet with the album “For painting Too”, an album originally composed for the talented Denver <br>artist Chris Bohlin. Long Story short, this Colorado native has been a hidden gem amongst our <br>little corner of the world for far too long, and is finally getting the recognition he deserves. Check <br>out Templo is opening the festival on Thursday, on the Bloom Stage at 6pm sharp. </p>
<p>Grymtyme: The Man. The myth. The Atomic Mustache. AS a multi genre maestro equipped with <br>a sound often heralding back to the the roots of electronic music Grymetyme brings an original <br>flavor to many a traditional style. His ability to combine the old school with the new school is <br>second to none. Rockin’ collaborations with the likes of Kursa, Seppa and more, Grymetyme <br>has been a crucial influence in the Denver Scene for over 10 years. As an engineer at the Black <br>Box, he has been instrumental in bringing our favorite artists to our ear holes, allowing him to <br>hone his craft whilst giving back to the community, a trait he embodies in his every day life as <br>well. As a veteran in the scene and a mentor to many (including yours truly), it is with <br>tremendous excitement that I tell you that this will be the first year Grymetyme has played Sonic <br>Bloom. Its about time. Catch the mans from 6-7 on the Meadow Stage, Saturday night. </p>
<p>Duffrey: What can I say about Duffrey that hasn’t already been said? Besides the fact that he <br>may very likely be, the silliest goose. 1/3 of UltraSloth, 100% shredder, the mind melting LoFreq <br>that is Duffrey will more than likely open a portal during his set. As a longtime purveyor of the <br>weird and squishy, Duffrey has become a household name in Colorado over the recent years. <br>Known predominantly as a halftime dweller, his most recent release “Return to Source” is a <br>reality bending excursion into the realms of Drum n Bass, and a welcomed changed to a scene <br>that has long been oversaturated with the formulaic “what works” method of composition. Fresh <br>of tour and back in his home state, Duffrey is certainly one of the most anticipated sets of the <br>weekend. You can catch him at 10:30 - 11:15 at the Yoga dome on Friday. </p>
<p>Kll. Smth: The enigmatic Kristopher Edland AKA kLL sMTH, is a man of many talents. As 1⁄2 of <br>kLL Bill with Mr. Bill and another 1/3 of UltraSloth, the chances you haven’t heard something <br>with his signature style on it are slim if you’re from Colorado. With an amalgamation of Hip hop <br>flips bred with the kLL sMTH sound, his live shows are high energy experiences, with a dash of <br>comedy sprinkled in. This year is the first time he’ll be playing the main stage, and I expect to <br>see the homies out in droves. Mandatory attendance. kLL sMTH takes the stage at 7pm, Friday <br>on the Bloom Stage. <br>UltraSloth: And finally, the shredders three, the slothy boys. As previously mentioned UltraSloth <br>is a trio de force, and their halftime drum n bass has been dominating dance floors since it’s <br>inception. UltraSloth is the musical brain child of the west coast dweller Biolumigen, and our </p>
<p>very own Colorado boys kLL sMTH and Duffrey. I’m not sure how the physiology works out on <br>that one but sometimes you have to pick your battles, so I don’t question these things. Ultrasloth <br>will be shreddin the Hummingbird stage from 2:00 - 3:15 Saturday Night/Sunday morn. </p>
<p>The state of the world, much like my brain probably will be after this weekend, maybe in rough <br>shapes in some ways. But in the act of expression and communal experiences, we help each <br>other process and move past our personal and collective trauma. Sonic Bloom is a phenomenal <br>breeding ground for such things. So take care of each other this weekend, if someones cold <br>give em a blanket, sockless give em some socks, and if youre holdin.. Dont hold out.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/62678592020-03-31T18:40:06-06:002023-12-10T11:15:29-07:00Sicaria Sound 'breaks' in their fresh label Cutcross With The Fracture<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c10f80f1163eb0ffbf4a9618339fb54918862cbb/original/with-the-fracture-art.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>As the global dubstep scene’s standalone curators, naturally <a contents="Sicaria Sound" data-link-label="" data-link-type="url" href="https://soundcloud.com/sicariasound" target="_blank"><span style="color:#e74c3c;">Sicaria Sound</span></a> approached the launch of their own label with exceptional care and deliberation. No caliber of planning, however, could account for the unforseeable timing of the debut drop on their brand new curated label, Cutcross, on Friday. While pandemic outbreak is far from favorable circumstances for pretty much anything, in some bleak way the release arrived in unwitting perfect time: underground music has never so desperately needed a silver lining. </p>
<p>A direct line of offerings from dubstep’s most heavily laced DJs is still a worthwhile cause for celebration. Sicaria Sound’s unmatched arsenal is one irresistible factor of their anomalous status on the genre’s front lines: Producers reign supreme atop the modern electronic music hierarchy. Dubstep follows form, with an exception for genre pioneers grandfathered into continued relevance - and Sicaria Sound. The duo stands as one of underground dubstep’s most visible representatives to the outside world; <a contents="Their program" data-link-label="" data-link-type="url" href="https://soundcloud.com/sicariasound/sets/rinse" target="_blank"><span style="color:#e74c3c;">Their program</span></a> is dubstep’s devoted home on Rinse.FM, on one hand; on the other, they rang in the new decade with a set at Bassnectar’s massive curated New Year’s event.<br> </p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/48bd0b08a30471bb3929827277a76a460fbf168d/original/sicaria-sound-bb1.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>As a lost generation of disillusioned EDM fans migrate underground, Sicaria Sound guides the journey to the groove’s deepest gems. Still, the duo’s most devoted fanbase is the dubstep community themselves. On radio they represent the international scene in all its personalities and forms, with guest mixes from genre heroes, producers on the rise, even local club resident DJs. And when the ladies are on the decks, the global scene is at attention with a notepad: Sicaria Sound is the first source for the next batch of forthcomings, secret dubs, and fresh releases. This reputation for spicy selections distinguishes Sicaria Sound from a sea of producers - but their role in the scene is to direct hungry ears to those producers’ sounds.</p>
<p><em>With The Fracture</em> epitomizes the curators’ penchant for exploring every imaginative angle beheld by 140bpm - and their own personality as DJs. Sicaria Sound’s charisma on the decks exudes from elusive intuition in tune with the vibe. Their thoughtful, thematic selection shines a special aura around the debut EP. Always the educators, Sicaria Sound begins the Cutcross legacy in the same place as so much of modern electronic music: Breaks.</p>
<p><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1153366365/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" style="border: 0; width: 100%; height: 120px;">With The Fracture by E3 Breaks, L U C Y, Sir Rah & Unknown Artist</iframe></p>
<p><a contents="E3 Breaks" data-link-label="" data-link-type="url" href="https://soundcloud.com/e3breaksofficial" target="_blank"><span style="color:#e74c3c;">E3 Breaks</span></a> performs the introductory honors with “Sickle Cell.” Beginning in the fashion of a weighty 140 processional, the track’s militant demeanor is soon interrupted by percussions. The somber moment is invigorated by the spirit of the dance. A certain weight is audibly lifted when the drum patterns familiar from modern music’s mythology make their pronounced entrance. Whether an inherent sonic character, or a relic from collective musical memory, the suggestion beheld by the breaks rings clear: </p>
<p><em>Might as well dance about it…</em></p>
<p><a contents="L U C Y" data-link-label="" data-link-type="url" href="https://soundcloud.com/lucy-music-ma" target="_blank"><span style="color:#e74c3c;">L U C Y</span></a>’s contribution follows in kind. Although framed again in visceral full-frequency wubs, primal percussive frenzy quickly dominates “Edge It” as the UK producer unleashes infectious organized chaos. The track adapts the formative tradition of old-school breakbeats into the future with the dynamic sound design native to modern dubstep, with a nod to the creative space that hides inside the deceptively rigid 140BPM template. </p>
<p><a contents="Sir Rah" data-link-label="" data-link-type="url" href="https://soundcloud.com/sir_rah" target="_blank"><span style="color:#e74c3c;">Sir Rah</span></a> unleashes a vibrant burst of nostalgia with the tastefully retro gem “Dulcet Tear.” The track plays out like a classic film, colorized and remastered in HD. The delightfully minimal bit departs from dubstep’s standard darkness for a playful, uninhibited moment that’s as contagious as COVID-19 - dance out your doom.</p>
<p><em>With The Fracture</em> ends with a mysterious climax. Draped in royal, cinematic shades, and shrouded by shadows, the anonymous finale returns to deep dubstep’s full-bodied incarnation. “Dead End” culminates the EP with a revelatory suggestion. Standing alone, the robust track is a banger, but the three previous tracks draw attention to its subdued percussive backbone. The apparently conventional conclusion is actually true to theme. “Dead End” brings a moral to the EP’s message: in context, it is effectively a tutorial in composition. To create truly innovative, forward thinking music, today’s producers can begin by looking back. </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/778389340&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>Dubstep is inherently a hybrid genre. The sound took shape as the spectre of its creators to scrap the trends of the time and UK nightclub etiquette in favor of their very own consummated vibe. The first release on Cutcross celebrates this spirit. <em>With The Fracture</em> makes an immediate statement to the purpose of the imprint among an admittedly saturated scene. Instead of relying on the weight of artist name power, the release’s gravity is a curative force. </p>
<p>Cutcross promises another compelling channel for Sicaria Sound’s sonic wisdom - and another testament to the symbiotic relationship between DJs, producers, and fans that is the essence of a healthy underground ecosystem.</p>
<p>Purchase CXT001 via Bandcamp: <a contents="https://cutcross.bandcamp.com/album/with-the-fracture" data-link-label="" data-link-type="url" href="https://cutcross.bandcamp.com/album/with-the-fracture" target="_blank"><span style="color:#e74c3c;">https://cutcross.bandcamp.com/album/with-the-fracture</span></a><br>Stream it & more: <a contents="https://linktr.ee/cutcrxss" data-link-label="" data-link-type="url" href="https://linktr.ee/cutcrxss" target="_blank"><span style="color:#e74c3c;">https://linktr.ee/cutcrxss</span></a><br>Follow Cutcross on SoundCloud:<span style="color:#e74c3c;"> </span><a contents="https://soundcloud.com/cutcrxss" data-link-label="" data-link-type="url" href="https://soundcloud.com/cutcrxss" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/cutcrxss</span></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/62243192020-02-22T17:11:08-07:002023-12-10T10:15:55-07:00Catch Lost, Wreckno, Phaeleh, Vivek, & many more at March Electronic Tuesdays<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/fa9fc50f4bfcad67a58144a827321779b85b1bc7/original/marchelectronictuesdays.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br>This March marks a new decade for Sub.mission’s Electronic Tuesdays, and Denver’s longest running weekly electronic music event is looking strong as ever. As always, the best of underground bass music is represented every Tuesday at The Black Box by international, national, and local artists bringing a variety of low end sounds. This month, catch underground dubstep icons <a contents="Lost " data-link-label="" data-link-type="url" href="https://soundcloud.com/disgustingjustin" target="_blank">Lost </a>(3/3), <a contents="Vivek" data-link-label="" data-link-type="url" href="https://soundcloud.com/systemmusic" target="_blank">Vivek</a> and <a contents="Squarewave" data-link-label="" data-link-type="url" href="https://soundcloud.com/squarewavedj" target="_blank">Squarewave</a> (3/24), wonky <a contents="Wreckno " data-link-label="" data-link-type="url" href="https://soundcloud.com/definitelynotwreckno" target="_blank">Wreckno </a>(3/10), multi-genre sweetheart <a contents="Phaeleh " data-link-label="" data-link-type="url" href="https://soundcloud.com/phaeleh" target="_blank">Phaeleh </a>(3/17), and Slug Wife’s rebellious <a contents="Broken Note" data-link-label="" data-link-type="url" href="https://soundcloud.com/brokennote" target="_blank">Broken Note</a> (3/31) respectively headlining the weekly festivities. Get to know all the artists on the month's bill with our playlist below.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/1002580192&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>Don’t forget - Electronic Tuesdays is also Tallboy Tuesdays. PBR Tallboys are $3, and add a shot to the order for $6 total at the bar.</p>
<p>Text “BlackBox” (no quotations) to 91944 to sign up for the text based discount list and receive reduced price entry to most E-Tuesdays.</p>
<p>March 3rd: <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/events/223038275377389/" target="_blank">Facebook </a>|| <a contents="Tickets" data-link-label="" data-link-type="url" href="http://blackboxdenver.ticketfly.com/e/lost-w-dice-man-february-battle-winners-showcase-electronic-tuesdays--91230124759/" target="_blank">Tickets</a><br>March 10th: <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/events/1069289620086579/" target="_blank">Facebook </a>|| <a contents="Tickets" data-link-label="" data-link-type="url" href="http://blackboxdenver.ticketfly.com/e/wreckno-super-future-tooch-electronic-tuesdays--92282779277/" target="_blank">Tickets</a><br>March 17th: <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/events/182683623051295/" target="_blank">Facebook </a>|| <a contents="Tickets" data-link-label="" data-link-type="url" href="http://blackboxdenver.ticketfly.com/e/phaeleh-miraja-parbkreezy-electronic-tuesdays--93392269793/" target="_blank">Tickets</a><br>March 24th: <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/events/2814520061974276/" target="_blank">Facebook </a>|| <a contents="Tickets" data-link-label="" data-link-type="url" href="http://blackboxdenver.ticketfly.com/e/vivek-squarewave-scarien-electronic-tuesdays--92284987883/" target="_blank">Tickets</a><br>March 31st: <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/events/794382961060721/" target="_blank">Facebook </a>|| <a contents="Tickets" data-link-label="" data-link-type="url" href="http://blackboxdenver.ticketfly.com/e/broken-note-denizen-shoebox-electronic-tuesdays--94728295883/" target="_blank">Tickets</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/62156382020-02-14T16:19:09-07:002023-12-10T10:57:07-07:00Go Back 2 Basics (2) with The Widdler and Pushloop<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/35197c3db7e0b2a338b25694381c2e570100e852/original/back2basics2.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>American deep dubstep apostolates The Widdler and Pushloop hit the road again this month for the Back 2 Basics 2 tour across North America. Back 2 Basics is back by popular demand after last year's explosively successful tour. The dynamic duo is on tour until late June, with a few dates yet to be disclosed. Fellow Sub.mission Agency artist <a contents="smith." data-link-label="" data-link-type="url" href="https://www.facebook.com/yourboismith/" target="_blank">smith.</a> will also be joining the artists on select dates. Both The Widdler and Pushloop have plenty of new music to share, and tricks up their sleeves for the forthcoming tour. Follow their pages below for further information, music, live set recordings, and more.</p>
<p>Find out when to catch Back 2 Basics 2 in your city right here. In the meantime, here's a fresh free download from The Widdler to fuel your anticipation...</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/758593336&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>Follow The Widdler on Facebook: <a contents="https://www.facebook.com/thewiddler" data-link-label="" data-link-type="url" href="https://www.facebook.com/thewiddler/" target="_blank">https://www.facebook.com/thewiddler</a><br>SoundCloud: <a contents="https://soundcloud.com/the_widdler" data-link-label="" data-link-type="url" href="https://soundcloud.com/the_widdler" target="_blank">https://soundcloud.com/the_widdler</a><br>Twitch (Live on Wednesdays): <a contents="https://www.twitch.tv/the_widdler" data-link-label="" data-link-type="url" href="https://www.twitch.tv/the_widdler" target="_blank">https://www.twitch.tv/the_widdler</a>\</p>
<p>Follow Pushloop on Facebook: <a contents="https://www.facebook.com/pushloopmusic" data-link-label="" data-link-type="url" href="https://www.facebook.com/pushloopmusic" target="_blank">https://www.facebook.com/pushloopmusic</a><br>SoundCloud: <a contents="https://soundcloud.com/pushloop" data-link-label="" data-link-type="url" href="https://soundcloud.com/pushloop" target="_blank">https://soundcloud.com/pushloop</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/62138162020-02-13T01:51:44-07:002023-12-10T11:12:35-07:00dela Moon & Dr. Apollo Embrace Duality with Suntherapy/Moontherapy<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/43d4283713a99695fcee6150b5f73a88a20d78e3/original/suntherapymoontherapy-art.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Drum and bass experimentalists dela Moon and Dr. Apollo unite to deliver the latest EP on Muti Music, a two-track tribute to the cosmic forces behind the everyday magic of human existence. Although partitioned into two discrete tunes, “Suntherapy” and “Moontherapy” play out as one cohesive and continuous piece of music - cyclically intertwined like the day and the night. The thematically arousing nature of this short EP isn’t limited to its track titles. “Suntherapy” and “Moontherapy” embrace not only the divine duality that they’re named to represent, but the relationships between those states. The distinctions between the high-energy halftime tunes emit from their astute symmetries. “Suntherapy” starts the cycle on a twinkling, rocking note, exuding the type of blue-skied swagger that characterizes the “West Coast” influence in essentially every genre of music. The tune is quite literally uplifting: its elements rise in pitch and intensity, like the sun’s rays as they stretch ever higher above the horizon line.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/980647927&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>“Suntherapy” fades seamlessly into “Moontherapy,” its antithesis. The track is tighter. With less sonic space to bask in, “Moontherapy” embodies a more conventional, ferocious drum and bass vibe. The tune falls in the same places that its counterpart rose, symbolizing a descent into the shrouded mischief of darkness. Like day and night, “Suntherapy” and “Moontherapy” are contrasting landscapes painted from different angles on the same sky. Through this defining metaphor, the release channels the communal power of music as well. The continuity of its tracks is reminiscent of a party that rages through multiple circadian cycles. Manifest sonically as a mesmerizing psychedelic shimmer, the effect is perhaps a nod to dela Moon’s background as an organizer for the hallowed Moontribe gatherings. </p>
<p><em>Suntherapy/Moontherapy</em> is available to purchase and stream via <a contents="Muti Music" data-link-label="" data-link-type="url" href="http://www.mutimusic.com/" target="_blank"><span style="color:#e74c3c;">Muti Music</span></a>. Purchase the release via Bandcamp: <a contents="https://mutimusic.bandcamp.com/album/suntherapy-moontherapy" data-link-label="" data-link-type="url" href="https://mutimusic.bandcamp.com/album/suntherapy-moontherapy" target="_blank"><span style="color:#e74c3c;">https://mutimusic.bandcamp.com/album/suntherapy-moontherapy</span></a></p>
<p><a contents="dela Moon is a Sub.mission Agency artist - follow this link for booking information." data-link-label="" data-link-type="url" href="https://subdotmission.com/artist-roster?profile=dela-moon" target="_blank"><span style="color:#e74c3c;">dela Moon is a Sub.mission Agency artist - follow this link for booking information.</span></a></p>
<p>Follow dela Moon on Facebook: <a contents="https://www.facebook.com/delamoonmusic&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/delamoonmusic" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/delamoonmusic </span></a><br>SoundCloud: <a contents="https://soundcloud.com/delamoonmusic&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/delamoonmusic" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/delamoonmusic </span></a></p>
<p>Follow Dr. Apollo on Facebook: <a contents="https://www.facebook.com/DrApolloMusic&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/DrApolloMusic" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/DrApolloMusic </span></a><br>SoundCloud: <a contents="https://soundcloud.com/drapollo" data-link-label="" data-link-type="url" href="https://soundcloud.com/drapollo" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/drapollo</span></a></p>
<p><a contents="By Amye Koziel" data-link-label="" data-link-type="url" href="https://twitter.com/broziel" target="_blank"><span style="color:#e74c3c;"><span class="font_small">By Amye Koziel</span></span></a></p>
<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/60500572019-12-28T19:47:13-07:002023-12-10T10:56:15-07:00Sub.mission Resident DJ Spotlight: Subliminal<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/bf9d22439243a715e9120a7df4aa3e73001646db/original/subliminal1-opening-night.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>For the international headliners that grace Sub.mission’s stages, Denver’s unusually educated fan base is an impressive component of the unique energy that shrouds the Denver Dubstep experience. The subtle, yet instrumental role that resident DJs play in bringing generation after generation of heads up to speed with the history and the current cutting edge of underground sound system music can’t be underestimated. Decade-plus strong Sub.mission resident and Denver staple Subliminal epitomizes the true power of local DJs for moving people through sound, not hype. </p>
<p>Subliminal’s billing as the local representative for <a contents="Spooky" data-link-label="" data-link-type="url" href="https://soundcloud.com/spookybizzle" style="" target="_blank"><span style="color:#e74c3c;">Spooky</span></a>’s Black Box debut on January 4th (<a contents="tickets" data-link-label="" data-link-type="url" href="http://bit.ly/spooky-jan4-tix" style="" target="_blank"><span style="color:#e74c3c;">tickets</span></a>) shouldn’t be a surprise to anyone who’s been paying attention. In Denver, Subliminal’s name has become synonymous with UK grime. The local staple has opened for grime superheroes including Sir Spyro and D Double E over recent years. At The Black Box, headliners like Commodo and Kahn & Neek highlight an impressive resume of artists he’s played support for. And, regardless of the occasion, Subliminal’s sets are known to spotlight the hottest grime bits of the moment. Mired in relentless double-drops with dubstep bangers, current vocal grime is generally the focus of the seasoned DJ’s high-energy vibe.</p>
<p>Subliminal traces his affinity for UK grime back to the early Southern rap he encountered growing up in Memphis, TN - the first type of music that ever resonated with him. </p>
<p>“UK grime is the only thing that’s close to my original love, Memphis rap, because all US rap pretty much sucks now compared to the Southern gangster rap that I was into,” he explains. “I’d never heard raw ass beats that actually told stories of real shit. It was so raw and hardcore. Grime is the only thing that’s like that anymore.” </p>
<p>Born in 1981, the DJ describes himself as “a dinosaur.” But with age comes experience, and firsthand knowledge for the often overlooked history of underground music. The names that Subliminal cites as his earliest interactions with grime should be familiar to anyone even vaguely initiated to the genre: Wiley, Newham Generals, and Skepta, to list just a few. But, as a Sub.mission resident since 2008, Subliminal has been following - and playing out - the style nearly as long as dubstep itself, which he first discovered by way of drum and bass in 2005.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/284903977&color=%23181315&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>While old-school Southern rap such as Three 6 Mafia served as Subliminal’s introduction to bass-heavy, beat driven music, drum and bass was his initiation to underground electronic music, and the jumping point for his DJ career. In Atlanta, he co-founded a drum and bass night and the label<span style="color:#e74c3c;"> </span><a contents="Forestry Service" data-link-label="" data-link-type="url" href="https://www.discogs.com/label/40608-Forestry-Service-Recordings" target="_blank"><span style="color:#e74c3c;">Forestry Service</span></a>. <a contents="Drawing principle&nbsp;inspiration from drum and bass legend Andy C" data-link-label="" data-link-type="url" href="https://youtu.be/LsmdJITRpE8" style="" target="_blank"><span style="color:#e74c3c;">Drawing principle inspiration from drum and bass legend Andy C</span></a>, Subliminal started off as a vinyl DJ. He recounts a patent scorn for CDJs at the dawn of the digital era, but thanks to the exclusive digital tunes acquired by consequence of operating a label, he came around to the new technology faster than most. Still, Subliminal credits much of his present-day skills on CDJs to his experience on turntables - especially as it relates to beatmatching.</p>
<p>“It was so much harder with vinyl to keep the beat locked on,” he recounts. “It was such a challenge. It was always floating a little back and forth, you’d have to do it <a contents="Caustik " data-link-label="" data-link-type="url" href="https://www.facebook.com/caustikbass/" style="" target="_blank"><span style="color:#e74c3c;">Caustik </span></a>style” - referencing the legacy of a fellow long-time Sub.mission resident - “where you’re not pushing the record as much as just nudging the pitch… It’s just a whole other thing that you don’t really have to do now.”</p>
<p>Unlike many DJs from his era, Subliminal doesn’t participate in vinyl-only elitism. He ultimately believes that CDJs and digital technology enable the fast-paced mixing style that defines his intensity on the decks. Still, he urges young DJs to rely on their headphones rather than the CDJ screen if they hope to advance in the craft. </p>
<p>Especially in the context of sets performed for the dance floor, song selection is at least as important as technical skills, if not moreso. For Subliminal, compelling selection is second nature. His knack for introducing fans to the tunes they don’t yet know that they’re dying to hear is explained by an ear attuned to the more obscure realms of bass music. His status among dubstep’s earliest adopters, stateside or otherwise, is affirmed by history: In 2006, Subliminal brought American icon Joe Nice to Atlanta for the city’s first proper dubstep night. Likewise, his own transition from the diehard drum and bass scene into DJing dubstep is memorialized by a flier billing “Subliminal (Dubstep set).” </p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/3c5bdea7015a182137d01920df80d209005949ad/original/subliminal3-dubstep-set.jpg/!!/undefined/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /></p>
<p>Later, the DJ broke the standard held by Denver’s underground dubstep scene by spicing up the clique’s typically minimal, dungeon-styled selections with the aggressive, heavy-hitting productions of artists like Coki and Kromestar. Although he recalls some skepticism for pushing a sound suspiciously similar to “brostep” - blasphemy at the time - this musical diversity and propensity for excitement eventually proved invaluable to bridging the trench that separated EDM dubstep’s young fans from the genre’s underground tradition. Subliminal was a near-weekly staple of Sub.mission’s Bassic Fridays at Beta Nightclub, a three-year stint during the height of the brostep hype. </p>
<p>These days, Denver is at the center of proper dubstep’s worldwide resurgence. The city hosts a growing fanbase well-versed in all of the genre’s many personalities. Subliminal strives to instill a similar appreciation for grime upon the dance floor.</p>
<p>In a culture obsessed with producers, Subliminal sees his role as “just a DJ” as a strength. Not only does it allow him the freedom to play the tracks he wants to play, regardless of who made them - but the DJ also believes there’s an overlooked value to having someone on stage who’s on the same level with the music as the fans. He expresses pride in his ability to represent other people’s music, adding, “Who the f*ck gives a shit if I made it?” </p>
<p>Moreover, Subliminal simply loves DJing. Unlike many producers, his DJ sets aren’t a means to the ends of gaining exposure for his own music or personal brand. The point of playing out is the thrill of the thing itself. Such purity is passed along to the dance floor in a way that is difficult to qualify but by his beloved status among Denver’s underground music fans. </p>
<p>“DJing is fun to me. It comes naturally. It’s not work for me,” he explains. It’s a well-accepted trope that when the DJ has fun on stage, the crowd follows suit. Although not one to dance on stage (or atop the CDJs), one might describe Subliminal’s subdued, stoic enthusiasm as “contagious” - and incidentally, the DJ is credited for teaching the craft (which he unironically calls “unteachable”) to a slew of Denver DJs (including at least one new-school Sub.mission resident).</p>
<p style="text-align: center;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/track=1740379406/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" style="border: 0; width: 350px; height: 442px;">Subliminal ft. X-TS x FatKidOnFire x Sub.Mission mix by Subliminal ft. X-TS</iframe></p>
<p>Plus, Subliminal lacks whatever motivation possesses most modern artists to seek fame. He’s disinterested in prolific festival bookings, or going on tour. In fact, he points to one key factor to separate himself from today’s typical DJ, and justifies his uncontested passion for the craft: He never pursued DJing as a career path, nor aimed to make money from it. He labels it a “hobby.” It is genuinely a labor of love. </p>
<p>The perspective he embodies is known to bamboozle present-day producers, DJs, and fans alike. But Subliminal is a monument to a time not so long ago when production and DJing weren’t considered synonymous, events were more like parties than concerts, musicians weren’t portrayed as Hollywood-style celebrities, and the term “opening DJ” wasn’t an insult but a respected role. </p>
<p>“Being a local DJ is good enough. Especially in Denver, where it happened to make a difference.” </p>
<p>The “difference” that Subliminal refers to is exemplified by The Black Box. The venue’s underground ethos mirrors his own. This is no coincidence. Having grown with Sub.mission over nearly its entire life course, Subliminal is deeply involved with the club off the decks as well. Regular patrons of The Black Box likely recognize Subliminal from behind the bar, if not from the stage. His foundational position is ideologically symbolic in many ways, including as a model for the role of “resident DJs” in a time when everybody is apparently a DJ. Subliminal’s allegiance to underground music, to the venue, and to each individual event that he plays takes obvious priority over his own name. This attitude, and the endless responsibilities that accompany it, gives meaning to the status of “Sub.mission Resident DJ.”</p>
<p>Next up, catch Subliminal alongside American Grime and The Toddfatha on support for Spooky’s Denver debut on January 4th. Tickets are available now: <a contents="http://bit.ly/spooky-jan4-tix" data-link-label="" data-link-type="url" href="http://bit.ly/spooky-jan4-tix" style="" target="_blank"><span style="color:#e74c3c;">http://bit.ly/spooky-jan4-tix</span></a></p>
<p><span style="color:#e74c3c;"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/fb813f483a3d4c5567c21fb91829b816e60fe3ff/original/jan4-banner.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>
<p>Follow Subliminal on Facebook: <a contents="https://www.facebook.com/subliminal64/&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/&nbsp;" style="" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/subliminal64/ </span></a><br>SoundCloud: <a contents="https://soundcloud.com/sub-liminal-1&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/sub-liminal-1" style="" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/sub-liminal-1 </span></a></p>
<p>Listen to Sub.mission Podcast <a contents="#64" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/978463/podcast-064-subliminal" style="" target="_blank"><span style="color:#e74c3c;">#64</span></a> - <a contents="#110" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/978179/podcast-110-subliminal" style="" target="_blank"><span style="color:#e74c3c;">#110</span></a> - <a contents="#149" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/928024/podcast-149-subliminal" style="" target="_blank"><span style="color:#e74c3c;">#149</span></a> - <a contents="#272" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/1705011/podcast-272-subliminal" style="" target="_blank"><span style="color:#e74c3c;">#272</span></a><span style="color:#e74c3c;"> </span><span style="color:null;">featuring Subliminal</span></p>
<p><em><a contents="By Amye Koziel" data-link-label="" data-link-type="url" href="https://twitter.com/broziel" style="" target="_blank"><span style="color:#e74c3c;">By Amye Koziel</span></a></em></p>1:26:55subdotmission.comtag:www.subdotmission.com,2005:Post/60269462019-12-17T23:24:05-07:002023-12-10T09:53:08-07:00"Deja Vu": Caspa's #B2TU residency flashed Denver back to dubstep's roots<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/43dd5a087d74c03d8a7c16964f0bc200b8dd47b8/original/b2tu-banner-in-the-flesh.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>It’s nearly 3AM on Saturday morning following the final installment of <a contents="Caspa" data-link-label="" data-link-type="url" href="https://www.facebook.com/caspaofficial/" target="_blank">Caspa</a>’s residency at The Black Box. In the aftermath of the one-of-a-kind “Back 2 The Underground” concept, which unfolded in a series of five consecutive full-capacity Fridays, the venue is still abuzz. The club’s security staff hangs patiently around the entryway, having given up on the possibility of shuffling fans out of the building in a timely manner. By now, they know the drill: As in each of the four previous Fridays, Caspa remains on the dance floor indefinitely to chat with each and every fan that approaches him. Tonight, the artist’s eyes shine as he poses for photos, answers questions, and signs every t-shirt and poster presented to him. Among the final stragglers is one young woman who gushes gratitude for Caspa’s inspiration on her own productions. As they hug, he enthusiastically requests that she send over some tracks.</p>
<p>After five straight weeks of performing at the same venue - plus playing additional shows around the country throughout - one might expect the artist’s energy levels to be more in line with the complacent exhaustion of the staff. But Caspa is palpably buzzing on a wholesome, substanceless high.</p>
<p>“This is fun for me,” he says. “This is not work at all. This is fun!”</p>
<p>And - perhaps surprisingly - a member of the security team even speaks up to agree, commenting on how many unfamiliar faces filled the intimate dance floor tonight and on the Fridays before. Something very special went down in this room, and nobody is immune to the excitement.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/45d37c619567c44b8fa68532f59afafb25dfe2f9/original/b2tu-1.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>“Back 2 The Underground is a concept of taking the music back to its original roots, which is a small club, dark room, big sound system,” explains Caspa regarding the spirit behind B2TU, which transpired each Friday from November 15th through December 13th in Denver. His description of the setting where dubstep was born nearly two decades ago is also a spitting image of The Black Box today. Of course, that’s kind of the point.</p>
<p>While Caspa headlined each night of his visionary event, every week’s lineup featured a unique bill of support DJs representative of dubstep’s iconic history and its present state. B2TU highlighted a surreal arrangement of national and international co-headliners: <a contents="Coki" data-link-label="" data-link-type="url" href="https://soundcloud.com/y-u-8" target="_blank">Coki</a>, <a contents="Mesck" data-link-label="" data-link-type="url" href="https://soundcloud.com/mesck" target="_blank">Mesck</a>, <a contents="Dalek One" data-link-label="" data-link-type="url" href="https://soundcloud.com/dalekoneofficial" target="_blank">Dalek One</a> (week one); <a contents="Ternion Sound" data-link-label="" data-link-type="url" href="https://soundcloud.com/ternionsound" target="_blank">Ternion Sound</a>, <a contents="Prophet" data-link-label="" data-link-type="url" href="https://soundcloud.com/prophet_sound" target="_blank">Prophet</a>, <a contents="Six Chakra" data-link-label="" data-link-type="url" href="https://soundcloud.com/six-chakra" target="_blank">Six Chakra</a> (week two); <a contents="Hatcha" data-link-label="" data-link-type="url" href="https://www.facebook.com/hatchadj/" target="_blank">Hatcha</a>, <a contents="2Rip" data-link-label="" data-link-type="url" href="https://soundcloud.com/dj2rip" target="_blank">2Rip</a>, <a contents="Zipse " data-link-label="" data-link-type="url" href="https://soundcloud.com/zipse" target="_blank">Zipse </a>(week three); <a contents="Pushloop" data-link-label="" data-link-type="url" href="https://soundcloud.com/pushloop" target="_blank">Pushloop</a>, <a contents="Matty G" data-link-label="" data-link-type="url" href="https://www.facebook.com/Matty-G-123650194338713/" target="_blank">Matty G</a>, <a contents="Rez " data-link-label="" data-link-type="url" href="https://soundcloud.com/rezdubstep" target="_blank">Rez </a>(week four); <a contents="Sleeper" data-link-label="" data-link-type="url" href="https://soundcloud.com/sleepermusic" target="_blank">Sleeper</a>, and <a contents="Hebbe " data-link-label="" data-link-type="url" href="https://soundcloud.com/hebbe-versteegh" target="_blank">Hebbe </a>(week five). The collection of underground heroes epitomizes Caspa’s idea of “Stacking the lineup as if its a festival.”</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/721694104&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>For Denver’s ultra-devoted population of dubstep heads, Back 2 The Underground did in fact play out like the ideal rendition of a single-weekend festival - in its lineup featuring the underground scene’s most relevant names, and in its refreshing format that allowed us to return to our beds, charge our phones, eat substantial meals, and participate in “real life” during the six-day recovery periods between each installment. But the B2TU vision runs deeper than a simple scene indulgence. The concept was designed to parallel the experience of dubstep’s early days in every conceivable way.</p>
<p>“We used to go to London and it’d be a 100-capacity club, but you’d have like, Mala play, Skream play, me play, Youngsta play,” Caspa recounts. “People would be like, how did you afford this lineup? But its not about the money. People have just come together and worked it out.”</p>
<p>The pioneer’s special relationship with The Black Box, Sub.mission, and Denver dubstep is a well documented testament to the practice of “working it out.” He’s a staple here. During the final moments of B2TU, the artist took to the mic to inform us that the set marked his 11th show at the club over its three year history. </p>
<p>He urged partygoers: “Make sure you support this venue, because it is so important to the music scene,” before launching into the final song of the affair, aptly titled “Family.”</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/174067757&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>Back 2 The Underground embodies the formative .mission of “Moving People Through Sound Not Hype” behind The Black Box itself. The dynamic of the residency poignantly mirrors Sub.mission and The Black Box founder/CEO Nicole Cacciavillano’s recollections of Sub.mission’s early shows, as represented in a previous interview. Notably, although it would be over a year before the conception of B2TU, Caspa participated in <a contents="that conversation" data-link-label="" data-link-type="url" href="https://mixmag.net/feature/denvers-bass-music-community-is-the-site-of-dubsteps-resurrection" target="_blank">that conversation</a> as well.</p>
<p>“Always, every show, my residents would open. All those kids would come early because they wanted to be up front, you know, and they would hear it, and they would get it,” reminisced Nicole, speaking to the role that opening sets and resident DJs played in the development of Sub.mission’s Denver dubstep legacy.</p>
<p>Over the course of B2TU, that throwback too was manifested in the present day. Resident DJs <a contents="CurlyOne " data-link-label="" data-link-type="url" href="https://www.facebook.com/djcurlyone/" target="_blank">CurlyOne </a>(week one); <a contents="Qilin " data-link-label="" data-link-type="url" href="https://soundcloud.com/qilin_music" target="_blank">Qilin </a>and <a contents="Dillard " data-link-label="" data-link-type="url" href="https://soundcloud.com/dillard" target="_blank">Dillard </a>(week two); <a contents="AOWL " data-link-label="" data-link-type="url" href="https://soundcloud.com/aowldubstep" target="_blank">AOWL </a>(week three); <a contents="Synchronicity " data-link-label="" data-link-type="url" href="https://soundcloud.com/synchronicityjustadj" target="_blank">Synchronicity </a>(week four); <a contents="Retina " data-link-label="" data-link-type="url" href="https://soundcloud.com/retinadubs" target="_blank">Retina </a>and <a contents="Bean " data-link-label="" data-link-type="url" href="https://soundcloud.com/alan_bean" target="_blank">Bean </a>(week five) conducted the parties’ sacred opening ceremonies. Each Friday night the music started for an empty dance floor that would fill out dramatically during the event’s first hour. For some of these locals, B2TU was especially significant as a rare opportunity to share their respective, intimate relationships with dubstep to the crowds of insatiable fans who lined up at the box office hours before the event to secure tickets to the sold-out shows. As one of the resident openers myself, B2TU marked the most energetic and well-attended set of my DJ career. In an effort to tribute to the now irrevocably engrained “west coast” flavor that Matty G originally brought to the genre over a decade ago, I fused hip-hop tracks with fresh productions and throwback tunes from the soundtrack to my own initiation into underground dubstep several years ago. Upon the conclusion of his residency, Caspa himself affirmed my approach.</p>
<p>“Its about playing the spectrum of dubstep, showing people that there’s more to it than this or that. The sound has A, B, C… all the way to Z. I want people to feel comfortable playing anything here,” says Caspa. </p>
<p>He describes an attitude - a creative freedom, an artistic versatility - central to dubstep’s invention that constitutes the enduring spirit of the sound. The genre’s origin story was relayed on week three by Hatcha, who is credited for coining the term “dubstep.” Hatcha’s history set began with old-school UK psytrance and garage - just like dubstep itself.</p>
<p>Caspa chronicles the adventure as “a whirlwind,” adding that “I feel like I could do another five weeks, easy!” - a sentiment evidenced by his vibrant energy in the wake of week five. But for fans who witnessed B2TU in its totality, the experience of each individual Friday was profoundly memorable in its own right.</p>
<p>“Each one was my favorite for completely different reasons,” reported a fan who attended all five nights.</p>
<p>I couldn’t have said it better myself. Every moment of B2TU was a unique treasure. With such consistently massive lineups, the notion of taking a week off was a non-option. And at no point did yet another night of Caspa’s curation feel redundant - especially when I looked around the dance floor to observe the ecstatic bass-faces worn by masses of young recruits as they experienced the sounds of the underground, some for the very first time.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/bbe7e95058ab92af839b3bc7e6d6c7f54ed66740/original/b2tu-2.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Denver is privileged by Caspa’s specific relationship with the city, but fans based elsewhere need not feel excluded. The inaugural B2TU residency at The Black Box served as an experiment to test-run the concept for its nationwide launch. The artist is plotting to take B2TU on tour, in a fashion similar to 2014’s “500” tour of intimate venues across North America.</p>
<p>“This is a stepping stone. Next year I’m gonna tour around America,” Caspa confides with a giddy grin. “Literally, I want to take the underground and tour it around the states. Hook a sound system on the back of a bus. Just go into a club, rip out the sound, put my sound in and roll it out. That’s the plan.”</p>
<p>As one of dubstep’s founding fathers, Caspa’s contemporary career is driven by his genuine, heartfelt devotion to sharing the pure, passionate experience that the genre was born from with a modern generation of electronic music fans. By that criteria, B2TU’s pilot at The Black Box represents yet another resounding success for the artist, and for the sound. But the vision lends itself to another interpretation, too. In this alternative version of the original UK heads’ characteristic old-school nostalgia, Caspa didn’t simply recreate the past. Years from now, Denver fans will reminisce about how they, too, participated in the history of the genre.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2262508e00b8dbebce2d8fb5c4608b73d93c56ac/original/b2tu.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Follow The Black Box on Facebook to stay in the loop about upcoming events: <a contents="https://www.facebook.com/TheBlackBox5280" data-link-label="" data-link-type="url" href="https://www.facebook.com/TheBlackBox5280/" target="_blank">https://www.facebook.com/TheBlackBox5280</a><br>Official Website: <a contents="https://blackboxdenver.co" data-link-label="" data-link-type="url" href="https://blackboxdenver.co/" target="_blank">https://blackboxdenver.co</a><br> </p>
<p><a contents="By Amye Koziel" data-link-label="" data-link-type="url" href="https://twitter.com/broziel" style="" target="_blank"><em>By Amye Koziel</em></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/59665462019-11-20T00:17:19-07:002023-12-10T11:04:24-07:00Sub.mission Podcast #289: Kursa<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7c18374ef0476d2c9efa5e00e5cb6e89080096ea/original/kursa289.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Slug Wife poster boy Kursa skips onto the decks with a special session for the latest Sub.mission Podcast. This week's mix includes everything we expect from the dynamic artist, and more: tons of new music from the Slug Wife fam and Kursa himself - low end flavors from around the BPM spectrum - thoughtful, cinematic interludes between explosive bursts of energy between chill, colorful vibes - and a tracklist brimming with unknown "IDs".</p>
<p>Denver, Kursa's here to celebrate his <em>H i. T e k. L o. F i.</em> album on Saturday. Tickets: <a contents="http://bit.ly/nov23-tix" data-link-label="" data-link-type="url" href="http://bit.ly/nov23-tix" target="_blank"><span style="color:#e74c3c;">http://bit.ly/nov23-tix</span></a></p>
<p>Follow Kursa on Facebook: <a contents="https://www.facebook.com/Kursa.music/" data-link-label="" data-link-type="url" href="https://www.facebook.com/Kursa.music/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/Kursa.music/</span></a><br>SoundCloud: <a contents="https://soundcloud.com/kursauk" data-link-label="" data-link-type="url" href="https://soundcloud.com/kursauk" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/kursauk</span></a></p>
<p><em>Tracklist:</em><br>Bama (The Village Poet) - Nothingness<br>Kursa - ID<br>Reso - Loshun<br>Monophobe & Karma Art - Dimitri<br>Kursa - Danger<br>Kursa - ID<br>Integrate - Definitive<br>Kursa X Lone Drum - Syruped<br>Kursa - PIK EM UP<br>KING BREAK - ID<br>KING BREAK - ID<br>KING BREAK - ID<br>FatGyver (Fanu) - All That Rain<br>Lord Folter - Laissez-Faire<br>Mad Zach - Strangeloop<br>Fracture - Sci-Fi Tramp<br>Ascent - The Maw<br>Monophobe & Karma Art - Quirky<br>Kursa - The Good Old Days<br>Kursa - Dustika<br>Skope - Regretz (Kursa’s still playing the V1 VIP)<br>Kursa - Skin Flute<br>Kursa - Kuro<br>Touchy Subject - Shudder</p>32:38subdotmission.comtag:www.subdotmission.com,2005:Post/59606842019-11-14T13:29:50-07:002023-12-10T11:01:16-07:00Sub.mission Podcast #288: LSN<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/49f380c131d9bcc45dde28f190f7e80b3cd7c6cf/original/podcast288-lsn.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>In anticipation for their upcoming Canadian tour in February, Sub.mission Agency artists and dubstep favorites LSN spun up a special mix full of unreleased and forthcoming tracks from the trio themselves and friends.</p>
<p>Dates are still available for LSN's Canadian tour - contact Emily.Ferwerda@subdotmission.com</p>
<p>Follow LSN on Facebook:<a contents="&nbsp;https://www.facebook.com/LSNaudio/" data-link-label="" data-link-type="url" href="https://www.facebook.com/LSNaudio/" target="_blank"> <em><span style="color:#e74c3c;">https://www.facebook.com/LSNaudio</span></em></a><br>SoundCloud: <em><a contents="https://soundcloud.com/lsn-uk" data-link-label="" data-link-type="url" href="https://soundcloud.com/lsn-uk" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/lsn-uk</span></a></em></p>
<p> </p>
<p>Tracklist:</p>
<p>LSN - AI (Forthcoming Artikal Music) <br>Quasar – Dub Speech (Artikal Music) <br>LSN – Twin Dub (Dub) <br>Sabab – Youthman Dub (Artikal Music) <br>DMVU – Sippin’ Skooma (Encrypted Audio) <br>Cartridge – Cashmere (Forthcoming Albion Collective) <br>Juss B – Kream (Dub) <br>Jay Kenzo – Deadbull (Forthcoming Artikal Music) <br>Cartridge – Sacred Scrolls (Forthcoming Albion Collective) <br>Argo – Quelle Vie (Forthcoming Vantage Records) <br>Glume & Phossa – Yucatan (Encrypted Audio) <br>Sabab – Piercing White Light (Dub) <br>LSN – 573 (Dub) <br>LSN – Fundamentals (Dub) <br>Sabab – Dub Techniques (Dub) <br>Feonix – Is It Raining In PYC? (Nomine Sound) <br>LSN – Spirit Dub (Forthcoming Artikal Music) <br>LSN x Leon Switch – Untitled (Dub) <br>LSN – Gone (Artikal Music) <br>DPRTNDRP – Huli (Dub) <br>LSN – Focus Life Energy (Dub) <br>LSN – Greenlaning (Dub) <br>Sukh Knight & Mystry – Suckaz (Daku Records) <br>LSN – Tuned In (Dubplate Outtake)</p>44:13subdotmission.comtag:www.subdotmission.com,2005:Post/59434262019-10-29T22:37:48-06:002023-12-10T11:12:59-07:00Sub.mission Podcast #287: Resonata<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7ad2fd5a75c5e1af9f05407ec75ff682fe4e1610/original/resonata287.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Ready to explore a new flavor of bass music? Virginia artist Resonata is in the mix for this week's podcast, which is devoted to spreading the spirit of wave. The DJ put plenty of care to showcase the finest of the fledgling genre, which is characterized by colorful, emotive synths and often draws influence from a range of styles and BPMs.</p>
<p>Follow Resonata on Facebook: <em><a contents="https://www.facebook.com/ResonataOfficial/" data-link-label="" data-link-type="url" href="https://www.facebook.com/ResonataOfficial/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/ResonataOfficial/</span></a></em><br>SoundCloud: <em><a contents="https://soundcloud.com/resonata" data-link-label="" data-link-type="url" href="https://soundcloud.com/resonata" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/resonata</span></a></em></p>
<p> </p>
<p><strong>Tracklist:</strong></p>
<p>Celestial - Ectoplasm <br>Klimeks - Dreamscape 95 <br>Resonata x TIGEREYES - Anomaly <br>hyperforms - SURREAL (feat. Planet V) <br>DIVINE - Mercy <br>Clams Casino - Crystals <br>Deadcrow x HNRK - program_failure <br>INDEB - They Don’t Want Us to Succeed <br>LUDICY - Place Beyond <br>METAHESH - Out of Time (feat. Goldy) <br>c a l i c r y - lalala <br>Whispa - Shinobi Flow <br>Harukasuka - Strain (feat. yedgar & emotegi) <br>RELLIM - sauce <br>Sleep Well - Esprit Coupe <br>TW1GZ - LOST <br>Skeler x Juche - Proxima <br>WHITE KATANA - DORIS (feat. NOAH B) <br>Pholo x Kareful - Atlantis <br>Jato - Never <br>M!NGO - Cool Like Felix <br>Stohou - Hollow <br>NOAH B - Dreamblade (Just Connor Remix) <br>M!NGO - 26 Grand <br>Sorsari - Patterns <br>Skit x Kareful - Lotus <br>Skeler x Ytho - Limit <br>Glacci x Hasta - Pastel <br>Vacant x Aesthetic Kid - Know <br>blank body - CHLORINE <br>Angelboy - Razorwire Lips <br>Carnage x Lil Pump - iShyne (brothel. x KIN Flip) <br>Deadcrow - T-800 <br>NVRLUV - Breathe <br>NVRLUV - Limit <br>Sorsari - The Great Construct (Deadcrow Remix) <br>Barnacle Boi - Gossip <br>Skeler - Arcadia</p>55:57subdotmission.comtag:www.subdotmission.com,2005:Post/59367502019-10-23T15:47:03-06:002023-12-10T10:00:59-07:00Sub.mission Podcast #286: Dopel<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/da91f3404ab459003b178a2ef0bdc2ac34642c05/original/podcast286-dopel.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Follow Dopel on Facebook:<em><span style="color:#e74c3c;"> </span><a contents="https://www.facebook.com/Dopeldub" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dopeldub" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/Dopeldub</span></a></em><br>SoundCloud: <a contents="https://soundcloud.com/dopel" data-link-label="" data-link-type="url" href="https://soundcloud.com/dopel" target="_blank"><em><span style="color:#e74c3c;">https://soundcloud.com/dopel</span></em></a></p>
<p> </p>
<p><em>Tracklist</em>:</p>
<p>Whisper - Dopel x Bass Buddha (57omen Records) <br>Parasite 6 - Ternion Sound <br>Motion Sickness - Dalek One <br>Prr (The Maker Bootleg) - EVA808 <br>Smash That VIP (instrumental) - Benton x N-Type <br>Pemex (The Maker Bootleg) - Fat Nick x Shakewell <br>Talkin' - Bass Buddha x Dopel (Background Noise) <br>Dino Dub - Dopel (Unreleased) <br>Dovetail - Ternion Sound <br>Lurkin' - Enigma Dubz <br>Interstellar - SpaceJail <br>Fall Back (Abstrakt Sonance Remix) - Dryman X Denoir Ft. Scrufizzer <br>The Phantom - ColtCuts <br>Skanks (Enigma Dubz Remix) - DECiBEL Feat. Flowdan <br>Pot Cookies - Pushloop <br>Loose Pimp - Distinct Motive <br>Tunnel Vision - Dalek One <br>Jude's Kingdom - Dopel (Unreleased) <br>Mist - Wraz. <br>Flying Saucer - Vibe Emissions <br>The Eyes - Enigma Dubz <br>Loonz - Ternion Sound <br>Jah Sword ft. Werd2Jah (Pushloop Remix) - Basiclee</p>44:14subdotmission.comtag:www.subdotmission.com,2005:Post/58972772019-09-18T18:41:58-06:002023-12-10T11:09:54-07:00Sub.mission Podcast #285: NotLö<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0e460633a2d53d59c015b31538c41c41071df159/original/podcast285-notlo.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Denver artist NotLö is in the spotlight for the latest Sub.mission podcast. The rising producer fuses dubstep's many strains and styles with future bass and experimental influences to craft a sound that is both deep and energetic. Her mix showcases her own original tracks and collaborations alongside a collection of new underground names. Keep an eye out for NotLö's name on some massive upcoming lineups.</p>
<p>Follow NotLö on Facebook: <strong><a contents="https://www.facebook.com/NotLoBassMusic/" data-link-label="" data-link-type="url" href="https://www.facebook.com/NotLoBassMusic/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/NotLoBassMusic/</span></a></strong><br>SoundCloud: <a contents="https://soundcloud.com/notlobassmusic" data-link-label="" data-link-type="url" href="https://soundcloud.com/notlobassmusic" target="_blank"><span style="color:#e74c3c;"><strong>https://soundcloud.com/notlobassmusic</strong></span></a></p>
<p> </p>
<p>Track List: </p>
<p>NotLö - ID </p>
<p>NotLö & Vindiz - ID </p>
<p>NotLö & shwiLLy- Keep it OG </p>
<p>DRTY HBTZ - Locked up (clip) </p>
<p>NotLö & Sky Suite - Culture </p>
<p>Engix - Phases </p>
<p>goldwire - 3am </p>
<p>NotLö - ID </p>
<p>Kaskade - Angel on My Shoulder (Mize Remix) </p>
<p>Mize - Grounded </p>
<p>Mr. Wizvrd - Work That </p>
<p>Murkury- Shadow Self </p>
<p>NotLö - It B Like Dat </p>
<p>Boyo & Yvga - Spvce Cadet </p>
<p>NotLö - Conception </p>
<p>NotLö - Serendipity </p>
<p>NotLö - cheebuh </p>
<p>NotLö - Malfunction </p>
<p>NotLö - ID </p>
<p>Fryar - Numb </p>
<p>Hastur - H E X E D </p>
<p>NotLö - Ethereal </p>
<p>Mize - In The Back </p>
<p>NotLö & Hastur - ID </p>
<p>NotLö - Escape</p>44:49subdotmission.comtag:www.subdotmission.com,2005:Post/58806532019-09-04T14:56:53-06:002023-12-10T10:12:27-07:00Sub.mission Podcast #284: Gahlaktus<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0eb74c2de49c8989e67ee88fef008c6247325f3a/original/podcast284-gahlaktus.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Denver's Gahlaktus is a talented producer in his own right, but the well-rounded artist flexes his exceptional skills as a DJ for our 284th podcast. Gahlaktus delivers a smooth and timely mix of dubstep's most current gems. It's a testament to his intuition as a selector, and a snapshot of this moment in the sound: for fans focused on attuning their radar to the genre's underground edge, this episode is a must-listen.<br><br>Follow Gahlaktus on Facebook: <a contents="https://www.facebook.com/GahlaktusDubz/" data-link-label="" data-link-type="url" href="https://www.facebook.com/GahlaktusDubz/" style="" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/GahlaktusDubz/</span></a><br>SoundCloud: <a contents="https://soundcloud.com/gahlaktusdubstep" data-link-label="" data-link-type="url" href="https://soundcloud.com/gahlaktusdubstep" style="" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/gahlaktusdubstep</span></a></p>
<p> </p>
<p><span style="color:null;">Tracklist:</span></p>
<p>oxossi & samba - orbitals<br>3wa - protect ya neck<br>grawinkel - struggle<br>3wa - blackbird<br>borg - fight dub<br>3wa - encanto<br>rygby - spook em<br>roklem & sebalo - sabotage<br>grundy - duppy remix<br>mxve - murda dem (chief kaya remix)<br>dalek one - skincrawler<br>panix - didley dub<br>ourman - heliopolis<br>khromi - dakota<br>aowl - sensual(v1)<br>warz - amp vip<br>chief kaya & drew's theory - jetlag<br>ceiva - death walk<br>dbridge - fashion dread<br>khonsu - listen up<br>mikrodot - more life<br>barrett. & gahlaktus - below the valley</p>44:23subdotmission.comtag:www.subdotmission.com,2005:Post/58733472019-08-28T16:30:54-06:002023-12-10T10:20:58-07:00Sub.mission Podcast #283: Eddy Seven<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/727ce8d4775d56891c68d7ba7da0ab58a57493ed/original/podcast283-eddy-seven.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Eddy Seven is back for the latest edition of the Sub.mission Podcast. The <a contents="Uprise Audio" data-link-label="" data-link-type="url" href="https://www.facebook.com/UpriseAudio/" target="_blank"><span style="color:#e74c3c;">Uprise Audio</span></a> badman put together a mix of brand new bangers to celebrate his addition to the Sub.mission Agency roster. Check it out only right here.<br><br>Follow Eddy Seven on Facebook: <a contents="https://www.facebook.com/SevenDubstep/" data-link-label="" data-link-type="url" href="https://www.facebook.com/SevenDubstep/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/SevenDubstep/</span></a><br>SoundCloud: <a contents="&nbsp;https://soundcloud.com/seven-dubstep" data-link-label="" data-link-type="url" href="https://soundcloud.com/seven-dubstep"><span style="color:#e74c3c;"> https://soundcloud.com/seven-dubstep</span></a></p>57:43subdotmission.comtag:www.subdotmission.com,2005:Post/58570202019-08-13T18:20:25-06:002023-12-10T10:12:28-07:00Sub.mission Podcast #282: Sense Impression<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/262c5ea682bb63991b903f459010a7cc4eb7a3dd/original/podcast282-sense-impression.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Colorado Springs based producer Sense Impression is in the spotlight for the latest installment of our series. The rising bass music wizard shares his twisted and refined take on dubstep in this hour-long mix of mostly original tunes.<br><br>Follow Sense Impression on Facebook: <strong><a contents="https://www.facebook.com/SenseImpression/" data-link-label="" data-link-type="url" href="https://www.facebook.com/SenseImpression/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/SenseImpression/</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/sense-impression" data-link-label="" data-link-type="url" href="https://soundcloud.com/sense-impression" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/sense-impression</span></a></strong></p>
<p> </p>
<p>Tracklist:</p>
<p>1. Sense Impression - Axiom -- Future Follower Records <br>2. Oliver Tree - Aien Boy (Hertz Bootleg) -- Dub <br>3. Spacejail - Unscripted (Sense Impression Remix) -- Dub <br>4. SP:MC - Launch Code -- Tempa <br>5. Sense Impression - From the Edge -- Subgarden Free DL <br>6. Borg - Flower Scum Fuck -- Dub <br>7. Sense Impression - Deep Beneath -- Dub <br>8. Sense Impression - Continuum -- Future Follower Records <br>9. Sense Impression - Forcefield -- Dread or Dead Records <br>10. Six Chakra - Bloodbath -- Spook <br>11. Sense Impression - ID?? <br>12. Sense Impression - Clockwork Orange Bootleg -- Free DL <br>13. Icicle - Noughties Riddim -- Sentry Records <br>14. To Ane E Lo Memo Sexteto - Nena (Kromestar Remix) -- Soul Jazz Records <br>15. Sense Impression - Criss Cross -- Dub <br>16. Divion - Black Temple (Sense Impression Remix) -- Keep Deep Free DL <br>17. Mikrodot x Vibe Emissions - No Prejudice -- A 40 Oz Collective <br>18. Sense Impression - Operating Table -- Dub <br>19. Sense Impression - Unhinged (Six Chakra Remix) -- Dub <br>20. Sense Impression - Counterbalance -- AE Free DL <br>21. Sense Impression - Tracers -- Free DL <br>22. Sense Impression - Footsteps -- Dub <br>23. Grundy - Amish Country -- Free DL <br>24. Kromestar, F-One - The End -- Together as One Recordings <br>25. Sense Impression - Surveillance -- Subgarden Free DL <br>26. Sense Impression - ID?? <br>27. Six Chakra - Bass Education -- Dub <br>28. Sense Impression - Decouple -- Dub <br>29. Sense Impression - Malfunk -- Dub <br>30. RDG - Commander -- New World Audio <br>31. Sense Impression - ID?? <br>32. Sense Impression - Swivel -- Ghouls Free DL <br>33. Die By The Sword - Avowal -- Spook <br>34. Sense Impression - Phantom -- Dub</p>1:00:06subdotmission.comtag:www.subdotmission.com,2005:Post/58342012019-07-24T14:28:36-06:002023-12-10T11:09:08-07:00Sub.mission Podcast #281: LB<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2c44c51db0bcde52cb23bf1189f77382b2a2e899/original/podcast281-lb.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p> </p>
<p>Straight out of California, expert selector LB is in the mix for the latest of the Sub.mission podcast series. The <strong><a contents="Heavy Traffic Recordings" data-link-label="" data-link-type="url" href="https://www.facebook.com/heavytrafficrecordings" target="_blank"><span style="color:#e74c3c;">Heavy Traffic Recordings</span></a><span style="color:#e74c3c;"> </span></strong>boss lady flexes a unique flavor of colorful deep dubstep in her mix spotlighting many American artists and Heavy Traffic releases. For more from LB, tune into the Heavy Traffic radio show Saturday evenings on <strong><a contents="Sub.FM" data-link-label="" data-link-type="url" href="https://www.sub.fm" target="_blank"><span style="color:#e74c3c;">Sub.FM</span></a></strong>.</p>
<p> </p>
<p>Tracklist:</p>
<p>Dub Speech - QUASAR <br>Run the Table - BASICLEE <br>Indighosts - INDIGO CHILD <br>The Method (of Madness) - KHIVA <br>Known Suspects - CASPA x THELEM <br>IOK - GLUME & THE GREYS <br>Irazu - JLEON <br>Drones Squardron - SPLIT <br>Purple Pyramid - RAMSEZ (EGO DEATH VIP) <br>Work - BAYALIEN SOUND SYSTEM <br>Like a Hawk - J:KENZO ft FLOWDAN <br>Backchat - THELEM <br>Monk Style - THE MAKER <br>Castle Dub - WEVAMAN <br>Skel Bones - SAULE <br>Look Alive Bootleg - AxH <br>King of Ghost - DAYZERO <br>Bad Trip - KROME & TYPE <br>Tripping on Grass - PUSHLOOP <br>Prrr - EVA808 (THE MAKER BOOTLEG) <br>Xasuj - JLEON <br>So Long - AxH & DAYZERO (Out now on HEAVY TRAFFIC RECORDINGS) <br>Vision Dub - KHONSU <br>Sound System - RADIKAL GURU ft CIAN FINN (NUMA CREW RMX) <br>Creepin' Piano - MATTY G</p>1:05:55subdotmission.comtag:www.subdotmission.com,2005:Post/58268542019-07-16T18:38:06-06:002023-12-10T10:52:02-07:00Sub.mission Podcast #280: Jen Esé<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e6e8f0817f99ea4f69a5fdc806ea0f1ac449b6fc/original/podcast280-jen-ese.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p> </p>
<p>Bass babe Jen Esé is on the decks for the latest installment of the Sub.mission Podcast. A purveyor of dubstep's harder, more energetic experimental styles, Jen Esé brings the party wherever she plays. Watch for her on local collective<strong><span style="color:#e74c3c;"> </span><a contents="Artzn Co" data-link-label="" data-link-type="url" href="https://www.facebook.com/ArtznCo/" target="_blank"><span style="color:#e74c3c;">Artzn Co</span></a><span style="color:#e74c3c;">'</span></strong>s lineups at The Black Box and beyond.<br><br>Follow Jen Esé on Facebook: <strong><a contents="https://www.facebook.com/PetriesDead" data-link-label="" data-link-type="url" href="https://www.facebook.com/PetriesDead" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/PetriesDead</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/jen-ese" data-link-label="" data-link-type="url" href="https://soundcloud.com/jen-ese" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/jen-ese</span></a></strong></p>37:17subdotmission.comtag:www.subdotmission.com,2005:Post/58068452019-06-27T23:06:47-06:002023-12-10T10:33:57-07:00Dalek One x Khonsu- Bringin 88 Back [Exclusive Free Download]<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f9eb17ee5ffd7b3664dc656c06f45034e5ff3601/original/88art.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>Sub.mission Agency artist Dalek One and Sub.mission Resident Khonsu join forces to bring us "Bringin 88 Back" as an exclusive free download.</p>
<p><strong><a contents="WAV Download" data-link-label="" data-link-type="url" href="https://www.dropbox.com/s/6stacl017gaozs8/Dalek%20One%20x%20Khonsu%20-%20Bringin%2088%20Back%20%28Mv1%29%20%281%29.wav?dl=0" target="_blank"><span style="color:#e74c3c;">WAV Download</span></a></strong></p>
<p>Follow Dalek One on Facebook: <strong><a contents="https://www.facebook.com/DalekOne" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/DalekOne</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/dalekoneofficial" data-link-label="" data-link-type="url" href="https://soundcloud.com/dalekoneofficial" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/dalekoneofficial</span></a></strong></p>
<p>Follow Khonsu on Facebook: <strong><a contents="https://www.facebook.com/KhonsuMusic" data-link-label="" data-link-type="url" href="https://www.facebook.com/KhonsuMusic" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/KhonsuMusic</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/khonsumusic" data-link-label="" data-link-type="url" href="https://soundcloud.com/khonsumusic" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/khonsumusic</span></a></strong></p>5:15subdotmission.comtag:www.subdotmission.com,2005:Post/58051392019-06-26T15:10:30-06:002023-12-10T10:12:28-07:00Sub.mission Podcast #279: Mayhem<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/4241f91cc136d4d9f73f7a9e6db971dc76547430/original/podcast279-mayhem.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>We're shaking up the style in this week's podcast with a rare drum and bass mix from Atlanta's Mayhem. Today, Mayhem is best known for his trap, heavy dubstep, and future bass productions; the artist can be credited as one of EDM trap's founding fathers. Recently, Mayhem returned to his roots to celebrate the 8 year anniversary of Georgia's iconic <strong><a contents="Torch DNB" data-link-label="" data-link-type="url" href="https://www.facebook.com/torchdnb/" target="_blank"><span style="color:#e74c3c;">Torch DNB</span></a></strong>. His set spans the genre's vast stylistic spectrum, featuring many of the sound's most formative tracks weaved together in smooth, three-deck blends. This is a must-listen mix for any bass music heads - we are honored by the opportunity to share it with you.<br><br>Follow Mayhem on Facebook: <strong><a contents="https://www.facebook.com/mayhemslr" data-link-label="" data-link-type="url" href="https://www.facebook.com/mayhemslr" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/mayhemslr</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/mayhem" data-link-label="" data-link-type="url" href="https://soundcloud.com/mayhem" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/mayhem</span></a></strong></p>52:06subdotmission.comtag:www.subdotmission.com,2005:Post/57985762019-06-21T15:49:24-06:002023-12-10T11:15:45-07:00MiKrodot x Vandull - Sub.mission [Exclusive Free Download]<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/5a3595c3061b447025ab1f9d631e39882f70f327/original/freebie2.jpg/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_center border_" /></p>
<p>Sub.mission Agency artist MiKrodot and UK grime MC Vandull team up to deliver the custom grime love letter "Sub.mission," available as a free download exclusively right here.</p>
<p><strong><a contents="WAV Download" data-link-label="" data-link-type="url" href="https://www.dropbox.com/s/ncxst4lbdan9hv1/MiKrodot%20x%20Vandull%20-%20Sub.mission%20%28v.4%29.wav?dl=0" target="_blank"><span style="color:#e74c3c;">WAV Download</span></a></strong></p>
<p><br>Follow MiKrodot on Facebook: <strong><a contents="https://www.facebook.com/mikrodot.music" data-link-label="" data-link-type="url" href="https://www.facebook.com/mikrodot.music"><span style="color:#e74c3c;">https://www.facebook.com/mikrodot.music</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/mikrodot" data-link-label="" data-link-type="url" href="https://soundcloud.com/mikrodot"><span style="color:#e74c3c;">https://soundcloud.com/mikrodot</span></a></strong><br><br>Follow Vandull on Facebook: <strong><a contents="https://www.facebook.com/vandulliza/" data-link-label="" data-link-type="url" href="https://www.facebook.com/vandulliza/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/vandulliza/</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/vandulliza" data-link-label="" data-link-type="url" href="https://soundcloud.com/vandulliza" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/vandulliza</span></a></strong></p>3:49subdotmission.comtag:www.subdotmission.com,2005:Post/57778402019-06-18T20:35:42-06:002023-12-10T09:45:17-07:00Sub.mission Podcast #278 Karnage<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d199e0fd7bcf54eb75057e6dc5d98beaad928871/original/podcast278-karnage.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>Hailing all the way from Japan, DJ and producer Karnage is in the mix for the latest installment of the Sub.mission Podcast. A resident of the infamous <strong><a contents="Back To Chill" data-link-label="" data-link-type="url" href="https://www.facebook.com/backtochilltokyo/" target="_blank"><span style="color:#e74c3c;">Back To Chill</span></a></strong> crew, and co-curator of the <a contents="Vomitspit " data-link-label="" data-link-type="url" href="https://www.facebook.com/vomitspitjp/" target="_blank"><strong><span style="color:#e74c3c;">Vomitspit</span></strong> </a>label, Karnage is now known as an icon for underground dubstep's global diaspora. The artist shows off his stuff in a mix packed with dubs, exclusives, and lots of fresh vocals from <strong><a contents="Rider Shafique" data-link-label="" data-link-type="url" href="https://soundcloud.com/rider-shafique" target="_blank"><span style="color:#e74c3c;">Rider Shafique</span></a></strong>.</p>
<p>Follow Karnage on Facebook: <strong><a contents="https://www.facebook.com/mynameiscarnage" data-link-label="" data-link-type="url" href="https://www.facebook.com/mynameiscarnage/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/mynameiscarnage</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/karnagejp" data-link-label="" data-link-type="url" href="https://soundcloud.com/karnagejp" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/karnagejp</span></a></strong></p>
<p> </p>
<p>Tracklist:</p>
<p>1. Karnage & Rider Shafique - Facing Inner Struggle (Dubplate)<br>2. Cyclopian - Jammed (Forthcoming Vomitspit)<br>3. Karnage & Rider Shafique - Hardened Hearts (Dubplate)<br>4. Dayzero & MC Jumanji - Finesse (Dubplate)<br>5. Karnage - Oblitus (Forthcoming)<br>6. Karnage & Rider Shafique - Haul & Pull (Runouts)<br>7. Karnage - Kefka's Revenge (Encrypted)<br>8. Higher Brothers ft Rich Brian - Zombie (88rising)<br>9. Dayzero & Karnage - Over Soul (Dubplate)<br>10. Samba - Snake Egos (Dubplate)<br>11. Karnage & Rider Shafique - Survival (Runouts)<br>12. Karnage - Bayside Shakedown VIP (Dubplate)<br>13. Samba & Chokez - Boo (Dubplate)<br>14. Dayzero, Karnage & Rider Shafique - Bad Energy (Dubplate)<br>15. Dayzero - Saruin Stage VIP (Dubplate)<br>16. Karnage & Rider Shafique - No Saints (Dubplate)<br>17. Karnage - Untitled (Dubplate)<br>18. Trends & Boylan vs. Jin Dogg & Over Kill - Norman Bates vs. Psycho (Karnage Bootleg) (Dubplate)<br>19. Dayzero - King of Ghost (Dubplate)<br>20. Rhythm & Sound - Best Friend (Retina Version) (Dubplate)<br>21. Bukkha ft Killa P - Badda Den Dem (Dubplate)<br>22. Dayzero & Karnage - Esturkl (Vomitspit)<br>23. Nosq,Stizzla & Eater - Schlachthaus feat.Vanta Black(Karnage Remix) (Forthcoming Vomitspit)<br>24. Karnage - Garrote Vil (Dubplate)<br>25. Genghis - Leecher (Small But Hard Recordings)<br>26. Trisicloplox - Violent Mass (Dubplate)<br>27. Karnage - Hym to the Dismal World (Dayzero & Karnage VIP) (Forthcoming Vomitspit)<br>28. Karnage & MarkIV - Vena ft Tina Marie (Trisicloplox Remix) (Vomitspit)<br>29. Argo - Bench Theme (Dubplate)<br>30. MF Doom - Vomitspit (Rhymesayers Entertainment)</p>54:56subdotmission.comtag:www.subdotmission.com,2005:Post/57898502019-06-14T16:47:26-06:002022-05-22T14:05:26-06:00Squarewave - Wobblers Vol. 2 [Exclusive Free EP]<p><iframe allow="autoplay" frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/802812021%3Fsecret_token%3Ds-SI1YR&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>Who's ready to wobble? Sub.mission Agency artist Squarewave has blessed us with a special gift. We're excited to unveil the <em>Wobblers Vol. 2</em> EP, available as a free download exclusively from Sub.mission. The six-track EP twists around bass music's low-end contours and BPMs in an exciting, aggressive sound system adventure. Download each tune via the links below.</p>
<p>Can't get enough? Check out Squarewave's label <strong><a contents="New World Audio" data-link-label="" data-link-type="url" href="https://soundcloud.com/nwa-uk" target="_blank"><span style="color:#e74c3c;">New World Audio</span></a></strong> for plenty more expertly curated bangers.</p>
<p>1. <strong><a contents="Novichok&nbsp;" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/1742249/novichok" target="_blank"><span style="color:#e74c3c;">Novichok </span></a></strong><br>2. <strong><a contents="Weak Spot" data-link-label="" data-link-type="url" href="http://subdotmission.com/track/1742263/weak-spot" target="_blank"><span style="color:#e74c3c;">Weak Spot</span></a><span style="color:#e74c3c;"> </span></strong><br>3. <strong><a contents="The Shuttle" data-link-label="" data-link-type="url" href="http://subdotmission.com/track/1742265/the-shuttle" target="_blank"><span style="color:#e74c3c;">The Shuttle</span></a><span style="color:#e74c3c;"> </span></strong><br>4. <a contents="Monkey Bass&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/track/1742266/monkey-bass" target="_blank"><strong><span style="color:#e74c3c;">Monkey Bass</span></strong> </a><br>5.<strong><a contents=" Legacy" data-link-label="" data-link-type="url" href="http://subdotmission.com/track/1742267/legacy" target="_blank"><span style="color:#e74c3c;"> Legacy</span></a><span style="color:#e74c3c;"> </span></strong><br>6. <strong><a contents="Sniffer Dogs&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/track/1742269/sniffer-dogs" target="_blank"><span style="color:#e74c3c;">Sniffer Dogs </span></a></strong></p>
<p><span style="color:null;">Follow Squarewave on Facebook: </span><strong><a contents="https://www.facebook.com/squarewavedj" data-link-label="" data-link-type="url" href="https://www.facebook.com/squarewavedj%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/squarewavedj</span></a></strong><br><span style="color:null;">SoundCloud: </span><strong><a contents="https://soundcloud.com/squarewavedj" data-link-label="" data-link-type="url" href="https://soundcloud.com/squarewavedj%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/squarewavedj</span></a></strong></p>subdotmission.comtag:www.subdotmission.com,2005:Post/57869172019-06-11T19:40:39-06:002023-12-10T10:10:26-07:00Sub.mission Podcast #277: OldGold<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/412355c457b238193f492abf5d7b0efd251b8270/original/podcast277-oldgold.png/!!/b:W10=.png" class="size_l justify_center border_" /><br>Texas based DJ, producer, and curator OldGold slides into the mix for this week's edition of the Sub.mission Podcast. Known as the man behind the innovative <strong><a contents="Silent Motion" data-link-label="" data-link-type="url" href="https://soundcloud.com/silentmotionrec" target="_blank"><span style="color:#e74c3c;">Silent Motion Records</span></a></strong>, OldGold comes packing serious unreleased heat from many of dubstep's new-school sweethearts. With an ear like a crystal ball, OldGold spins a tale of the genre's future fortunes. For Denver fans, it is an exciting teaser to the artist's set at The Black Box this Saturday, 6/15, at our official Shambhala pre-party.</p>
<p><br><span style="color:null;">Follow OldGold on Facebook: </span><strong><a contents="https://www.facebook.com/OldGoldBass" data-link-label="" data-link-type="url" href="https://www.facebook.com/OldGoldBass" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/OldGoldBass</span></a></strong><br><span style="color:null;">SoundCloud: </span><strong><a contents="https://soundcloud.com/oldgoldbass" data-link-label="" data-link-type="url" href="https://soundcloud.com/oldgoldbass" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/oldgoldbass</span></a></strong></p>
<p>Tickets for the event featuring OldGold, Vivek, Khonsu, and the Sub.mission Residents are available now: <strong><a contents="http://bit.ly/shambhala-preparty-denver" data-link-label="" data-link-type="url" href="http://bit.ly/shambhala-preparty-denver%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B%E2%80%8B" target="_blank"><span style="color:#e74c3c;">http://bit.ly/shambhala-preparty-denver</span></a></strong></p>
<p> </p>
<p>Tracklist:</p>
<p>Deafblind - Force Mass Motion (DUB)<br>DPRTNDRP - UBER<br>Ourman - Bad Things (Forth. Silent Motion)<br>Saule - Zeroes (DUB)<br>Xakra x Klippee - Squad Car (Forth. Sublimate Records)<br>Khonsu - ??? (DUB)<br>Ourman - Sahara (Forth Silent Motion)<br>Abstrakt Sonance - Sit Down (Forth Silent Motion)<br>Ramsez - EZ Riding (DUB)<br>Darkimh - Clarity (Silent Motion 009)<br>Fill Spectre - Fire Dance (Forth. Silent Motion)<br>Taiko - ???? (DUB)<br>OldGold - Bantu Tape (Forth. Versed Records)<br>Ternion Sound - Gravity Train (DUB)<br>Zygos - Direkt (TRSK006)<br>Kloudmen - ???? (DUB)<br>Diggerz - ???? (DUB)<br>LAS - Tic (??? Remix) (DUB)<br>Samba - Snow (ENV015)<br>Abstrakt Sonance - Smokin’ Blunts (Forth. Sentry Records)<br>Trisicloplox - Cafe Blank (DUB)</p>45:00subdotmission.comtag:www.subdotmission.com,2005:Post/57868402019-06-10T15:54:48-06:002023-12-10T10:12:28-07:00Sub.mission Resident DJ Spotlight: Khonsu<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d75a07b6210fb904f10c8ff15ae7213a17e5c236/original/khonsu-etues.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><span style="color:null;"><em><span class="font_small">By</span></em></span><a contents="By Amye Koziel" data-link-label="" data-link-type="url" href="https://twitter.com/broziel" target="_blank"><span style="color:null;"><em><span class="font_small"> </span></em></span><span style="color:#e74c3c;"><em><span class="font_small">Amye Koziel</span></em></span></a></p>
<p>If you’re tapped into the musical workings of the modern deep dubstep community, Khonsu has surely caused a blip on your radar. Over recent years, the genre has blossomed to worlds beyond the UK basements it was born from, and Khonsu is among the imaginative young producers pushing the genre’s new wave. </p>
<p>In the past two years alone, the Colorado-based artist has released solo EP’s on renowned labels <strong><a contents="FatKidOnFire" data-link-label="" data-link-type="url" href="http://www.fatkidonfire.com/label/fkofd033/" target="_blank"><span style="color:#e74c3c;">FatKidOnFire</span></a></strong>, <strong><a contents="Wheel &amp; Deal" data-link-label="" data-link-type="url" href="https://soundcloud.com/wheelanddealrecords/sets/khonsu-ep" target="_blank"><span style="color:#e74c3c;">Wheel & Deal</span></a></strong>, and <strong><a contents="Anti-Vision" data-link-label="" data-link-type="url" href="https://duploc.com/av001" target="_blank"><span style="color:#e74c3c;">Anti-Vision</span></a></strong>. As one of 2019’s new additions to the Sub.mission Resident DJ roster, Khonsu is also stepping up to the decks in a major way. As his personal sound continues its impressive evolution, so too does his growing presence as one of Denver dubstep’s favorite DJs.</p>
<p><iframe allow="autoplay" frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/578201721&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>Like many of the genre’s current torch-bearers, Khonsu looks to dubstep’s original tradition for inspiration for his tunes. </p>
<p>“A huge portion of my sound and style is directly influenced by artists like Vivek, Mala, Distance, and most of the OG’s. I was pretty much introduced to dubstep and bass music through these artists,” he says. </p>
<p>Since the start of his residency mere months ago, Khonsu has opened for Mala at The Black Box as part of the night’s resident tag set, and performed at the Sub.mission 12 Year Anniversary featuring the Croydub crew. This Saturday, he’s back on support for OldGold and Vivek at the official Shambhala Festival Pre-Party. Not too shabby, for an artist who still refers to himself as a “bedroom producer.” </p>
<p>“I honestly find it insane, being able to open for people like OldGold and Vivek. It may sound lame but I’m a pretty shy bedroom producer, so being able to play and open for the people I have looked up to is pretty unreal to me.”</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/119f63c01386dedb71f0703b87c06f3f3c6081c9/original/jun15-sham.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Today, electronic music is often exemplified by god-status celebrity DJs, and many young aspirants DJ and produce in pursuit of fame. Humble and level headed, Khonsu is not one of these artists. The Sub.mission motto of “Moving people through sound, not hype” is an idea he takes to heart. Khonsu’s attachment to the underground sound is forged from genuine love. </p>
<p>Khonsu describes his status as a Sub.mission resident DJ as an honor: “To me, being a Sub.mission resident is about being part of a team. Being from Texas originally, I remember hearing about the Black Box and Sub.mission and being so inspired by how forward thinking everyone is, and how incredible it is that there are so many like-minded people all pushing the community forward.” </p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/619201755&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe><br> </p>
<p>Khonsu spreads this authentic enthusiasm like a contagion through his sets. As a DJ, his approach is pure. Rather than his own ego, Khonsu enjoys playing to the dance floor. </p>
<p>“When it comes to my sets, I never really try to stick to one specific genre or sound. I definitely take into consideration who else is playing that night and what I can do to set a vibe. I usually start my sets off with some lower energy tunes so I can build me set up rather then trying to mix into a ‘Banger’ that the DJ before me finished with.”</p>
<p>This kind of mindful fluidity is also the trademark of Sub.mission resident tag sets. In these b2b’s, the resident DJs bring their own unique flavors to the dance. The bonus challenge lies in blending the individual styles into one seamless, coherent set. </p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/405240528&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>Khonsu considers himself a producer before a DJ; to him, DJ’ing is a way to share the music he loves & makes with an audience hungry to hear it. But his skills on the decks, and his attitude towards the craft, set a shining example for any producer aiming to impress a crowd through their sets. </p>
<p>As to tips for up-and-coming artists, Khonsu’s advice is simple, but wise: </p>
<p>“It’s super cliche, but just be yourself. You never really know what will happen or how it will happen, but if you just have fun and enjoy every moment, I think that’s all you can do. Just be true to yourself and your vision.” </p>
<p>Don’t miss Khonsu performing alongside Vivek and OldGold this Saturday, June 15th, at The Black Box for<strong><span style="color:#e74c3c;"> </span><a contents="Denver’s official Shambhala Pre-Party" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/325251391442664/" target="_blank"><span style="color:#e74c3c;">Denver’s official Shambhala Pre-Party</span></a></strong>. Tickets are available online:<strong><a contents=" http://bit.ly/shambhala-preparty-denver" data-link-label="" data-link-type="url" href="http://bit.ly/shambhala-preparty-denver" target="_blank"> <span style="color:#e74c3c;">http://bit.ly/shambhala-preparty-denver</span></a></strong></p>
<p><em>Follow Khonsu on Facebook: <strong><a contents="https://www.facebook.com/KhonsuMusic" data-link-label="" data-link-type="url" href="https://www.facebook.com/KhonsuMusic" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/KhonsuMusic</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/khonsumusic" data-link-label="" data-link-type="url" href="https://soundcloud.com/khonsumusic" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/khonsumusic</span></a></strong></em></p>
<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/57776912019-06-04T16:02:43-06:002022-05-19T06:11:56-06:00Sub.mission Podcast #276 Kryptic Disciple<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7dc869f7a59d657d072cc0e27ac9b422af7db64c/original/kryptic-disciple-276.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p><br>We are honored to introduce Kryptic Disciple for the 276th mix in the Sub.mission Podcast series. Representing our friends from <strong><a contents="SubSequential " data-link-label="" data-link-type="url" href="https://www.facebook.com/SubSequentialMPLS/" target="_blank"><span style="color:#e74c3c;">SubSequential </span></a></strong>in Minneapolis, MN, the DJ put together a seamless mix of new and old favorites from dubstep producers around the world. Denver fans, don't miss Kryptic Disciple performing at The Black Box for the <strong><a contents="SubSequential takeover" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/2034210146874217/" target="_blank"><span style="color:#e74c3c;">SubSequential takeover</span></a></strong> this Saturday, 6/8.<br><br>Follow Kryptic Disciple on Facebook: <strong><a contents="https://www.facebook.com/pg/KrypticDisciple" data-link-label="" data-link-type="url" href="https://www.facebook.com/pg/KrypticDisciple" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/pg/KrypticDisciple</span></a></strong><br>Soundcloud: <strong><a contents="https://soundcloud.com/krypticdisciple" data-link-label="" data-link-type="url" href="https://soundcloud.com/krypticdisciple" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/krypticdisciple</span></a></strong></p>
<p><br><br>Tracklist:</p>
<p>Trisicloplox - Ache <br>Juss B - Pull It Back <br>Nicky Boy Floyd - Combining Form <br>Kahn - Over Deh So <br>D-Operation Drop - Know Yourself <br>Asylum - Always Love <br>D-Bridge - Digital Dread <br>District - Street Knowledge <br>Nomine - Stomp <br>Radikal Guru - Empire Dub (Glume Remix) <br>Causa & Shu - Dubhelmet <br>Dalek One & Shu - Mumble Dub <br>Causa - Tiger Style <br>Rez - Resistance <br>Muttley - Make Me <br>Binary & Dalek One - Shackled <br>Gisaza - Vampire <br>Sleeper & Thelem - Squeeze Off <br>Abstrakt Sonance - Goin In <br>Ago - Zero Shift <br>LAS & Mikael - Outlaw <br>SkintDisco & FLO - Radio Friendly Duploc Shifter <br>Ago - So I Smoke <br>Glume - Thug (FLO Remix) <br>Samba - Sadist (Chokez Remix) <br>Ourman - Discrete <br>Ternion Sound - Loft Dub <br>Samba & Chokez - Ghastly <br>SkintDisco - Uno Bush (Glume & Phossa Remix) <br>Juss B - Sandman <br>207 - Wet Bandits <br>∆ - III <br>Glume & Sepia - Skateland Dub <br>Bengal Sound - Corners <br>Felix - Valley</p>subdotmission.comtag:www.subdotmission.com,2005:Post/57778132019-06-03T01:11:30-06:002021-09-14T06:44:28-06:00Slug Wife welcomes Skope with the Beneath EP [Review]<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/92e9bb65cb9aa70aafcb178161867081fe5e72a9/original/skope-beneath.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><span class="font_small"><em>By <strong><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="https://twitter.com/broziel" target="_blank"><span style="color:#e74c3c;">Amye Koziel</span></a></strong></em></span></p>
<p>UK artist <a contents="Skope " data-link-label="" data-link-type="url" href="https://soundcloud.com/SkopeUK" target="_blank"><strong><span style="color:#e74c3c;">Skope</span></strong> </a>joins the Slug Wife family with the fourteenth release from the momentous collective, the <em>Beneath </em>EP. Featuring five songs spanning in tempo from 87 to 150BPM, <em>Beneath </em>builds on Slug Wife’s forward thinking, genre bending reputation to showcase Skope’s precision and imagination as an experimental bass music producer.</p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/629106537&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p><em>Beneath </em>opens with “No0ne” - a tender yet tenacious track paced at 140BPM. The tune’s crunchy, stuttering low end beat hits hard enough to satisfy the headbangers among us, yet “No0ne” is deceptively minimal. Skope’s sophisticated use of pause and space elevates the tune, as do the melodic ambient tones that gently backdrop the contagious beat. The result is a thoroughly sexy song that begs to be let loose on the dance floor. </p>
<p>Skope’s signature halftime style is showcased in the drippy, meandering title track “Beneath” and the following cinematic moment, “Regretz.” Skope isn’t simply a producer, but a musical composer; both tunes spotlight his elegant touch for writing complete songs rather than single drops. Still, the tracks drop hard. Skope flexes his sound design skills in the detailed second drop of “Beneath” especially, where the pervasive middle eastern melody is briefly disintegrated by an intense breakdown of mechanical flicks and whirls. And “Regretz” constitutes the EP’s grittiest, funkiest moment, with a sound evocative of the artist’s work on the notable UK label <strong><a contents="Inspected" data-link-label="" data-link-type="url" href="https://soundcloud.com/skopeuk/sets/skope-control-tower" target="_blank"><span style="color:#e74c3c;">Inspected</span></a></strong>. </p>
<p><em>Beneath </em>climaxes with its fourth track, “Hollow.” Truly uncategorizable as far as genre is concerned, the tune meshes the heavy neuro aesthetic typical of halftime with the rolling percussive anxiety of full-speed drum and bass, to create a track that feels much faster than 150BPM. The orchestral introduction and recurring accents give “Hollow” a sheen of epicness, as if the soundtrack to the chase scene in an action movie. </p>
<p>The gem of the EP is its final track, “Divided.” Winding down noticeably from the release’s abrasive energy, the 132BPM glitch-garage track concludes <em>Beneath </em>with a sense of closure. Mellow and sentimental, “Divided” weaves silken layers of immersive pastel tones into a pensive denouement reminiscent of KOAN Sound.</p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/628002195&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>Skope’s <em>Beneath </em>EP is available on June 4th from Slug Wife. Preview/purchase the relase on Bandcamp: <strong><a contents="https://music.slugwife.com/album/beneath" data-link-label="" data-link-type="url" href="https://music.slugwife.com/album/beneath" target="_blank"><span style="color:#e74c3c;">https://music.slugwife.com/album/beneath</span></a></strong></p>
<p> </p>
<p>Follow Skope on Facebook: <strong><a contents="https://www.facebook.com/skopeuk/" data-link-label="" data-link-type="url" href="https://www.facebook.com/skopeuk/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/skopeuk/</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/skopeuk" data-link-label="" data-link-type="url" href="https://soundcloud.com/skopeuk" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/skopeuk</span></a></strong><br>Follow Slug Wife on Facebook: <strong><a contents="https://www.facebook.com/SLUGWIFE/" data-link-label="" data-link-type="url" href="https://www.facebook.com/SLUGWIFE/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/SLUGWIFE/</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/slugwife" data-link-label="" data-link-type="url" href="https://soundcloud.com/slugwife" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/slugwife</span></a></strong></p>subdotmission.comtag:www.subdotmission.com,2005:Post/57729002019-05-29T17:10:46-06:002023-12-10T10:03:22-07:00Sub.mission Podcast #275 Sektah<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f099405980ced7114031b09a7dd8949aa331daea/original/sektah275-2.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Local staple Sektah steps up for today's installment of the Sub.mission podcast with a statement to make. Often recognized as one of Colorado's hardest riddim DJs, the artist is ready to transcend his reputation and represent dubstep's full spectrum styles. Sektah's latest mix leads an adventure through the genre's many sounds and incarnations, from its minimal and melodic depths into experimental new-school interpretations, original "pre-riddim" classics, and finally - of course - a wave of riddim to showcase the seasoned DJ's diversity and potential. Peep the tracklist below, and tune into Sektah's exclusive mix right here.</p>
<p>Follow Sektah on Facebook: <strong><a contents="https://www.facebook.com/Sektahdubs/" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/Sektahdubs/</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/sektahdubs" data-link-label="" data-link-type="url" href="https://soundcloud.com/sektahdubs" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/sektahdubs</span></a></strong></p>
<p> </p>
<p>Tracklist:</p>
<p>Brownz- Koi <br>Requake - Music Of The Spheres <br>ColtCuts, Pushloop, & Dalek One - Desert Merchants <br>ID - ID <br>Pushloop - Broken Murals <br>The Widdler - Clamity <br>Haana - Brym Al Mar (Diamond Saints Remix) <br>Joker - Boat <br>ENiGMA Dubz - Star Gazing <br>ID - ID <br>Flowdan - Horror Show Style (The Widdler Remix) <br>ID - ID <br>Requake - Protagonist <br>MRK1 - I Got Too <br>Skeptical - Chain Reaction <br>Reso - The Essence <br>Dalek One - Im A Badman <br>J:Kenzo - The Roteks Ultrasonic (VIP) <br>Ternion Sound - Verify Me (Black Box VIP) <br>Samba - Malignant (Bukez Finezt Remix) <br>50 Carrot - WMD <br>ID - ID <br>Megalodon - Everybody Runs (Ft. D-E-Velopment) <br>BadKlaat & Requake - Oracle <br>Egoless - Global <br>Kaiju - Sloth <br>ColtCuts - The Vihaan <br>Dalek One - ID <br>ID - ID <br>Bukez Finezt - Disgusting Me <br>Monxx & Herobust - Giant Squiddim (Herbobust VIP) <br>Peekaboo - Wrecking Ball <br>OG Nixin - California Style <br>Chibs - Grunka <br>Grym - Catch Up <br>Ganon & Ivory - Drunk Zelda (Ivory ‘Drunkzuo’ Flip) <br>Excision & Datsik - Swagga’ (Point.Blank Remix) <br>Ganon - Reditus <br>ID - ID <br>Algo - Cumquat <br>ID - ID <br>Nexu5 - ID <br>ID - ID <br>ID - ID <br>Wiggum - ID <br>Mastadon - Get Ready <br>ID - ID <br>Kleavr, Tantrum & Akronym - Off The Goop <br>Pouya & Ghostmane X Mastadon - 1000 Death Rounds <br>Eptic - Ready 2 Die <br>Midnight Tyrannosaurus - Mutation <br>ID - ID <br>Chibs, Codd Dubz & Geotrix - Toasted <br>Solomon & Taurus Scott - Vega <br>INFEKT - The Don <br>Nutty P - Gods Plan <br>$UICIDEBOY$ - That Time We Went To Walmart In Memphis (Feat. Ghost)</p>1:19:24subdotmission.comtag:www.subdotmission.com,2005:Post/57545822019-05-14T15:35:22-06:002022-05-18T06:24:13-06:00Sub.mission Podcast #274 Tetrad<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1b511fc1028c111f1e27a2e361033d4c03e5ce06/original/podcast274-tetrad.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>We're proud to unveil Sub.mission Podcast #274 featuring Tetrad. The California-based DJ and producer has always been a stateside steward for the international sound. His mix for the podcast is a journey through unreleased dubstep made around the globe - including more than a few tasty bits from the talented producer himself. Dive right into the mix exclusively via Sub.mission.<br><br>Tetrad on Facebook:<a contents="https://www.facebook.com/pg/tetrad.la" data-link-label="" data-link-type="url" href="https://www.facebook.com/pg/tetrad.la" target="_blank"> <strong><span style="color:#e74c3c;">https://www.facebook.com/pg/tetrad.la</span></strong></a><br>SoundCloud: <strong><a contents="https://soundcloud.com/tetrad_la" data-link-label="" data-link-type="url" href="https://soundcloud.com/tetrad_la" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/tetrad_la</span></a></strong></p>
<p> </p>
<p>Tracklist:</p>
<p>J:Kenzo - Kingston Hot (ZamZam Sounds)<br>Nytrikz & Vexxe - Tunisia (Dub)<br>Tetrad - Kinetic (Dub)<br>Ahkur - Lenore’s Song (Dub)<br>Ramsez - Foolin’ Around (Dub)<br>Tetrad - Strapped (Dub)<br>Ahkur - Stick to Your Guns (Dub)<br>Barrett - Scorch’d (Dub)<br>Oxossi - No War (Dub)<br>Tetrad - Impaler (Dub)<br>SkintDisco - Stella (Ceiva Remix) (Silent Motion)<br>Tetrad - Efektdub (Dub)<br>????? - Just Past The Tree Line (Forthcoming Silent Motion)<br>Tetrad - 2Drop (Dub)<br>Retina - Rock Dust (Dub)<br>Tetrad - Turn 1 (Headland Remix VIP) (Dub)<br>Tetrad - Samos (Foundation Audio)<br>Ahkur - Muti (Dub)<br>????? - Confused (Forthcoming Silent Motion)<br>Headland - Camino (Forthcoming Innamind)<br>Tetrad - Tools (Wiley Vocal) (Dub)<br>Le Lion - Tribe (Dub)<br>Tetrad - Wat (Dub)<br>Chief Kaya x Ahkur - 47th Chamber (Dub)<br>Tetrad - Back Up (Dub)<br>Oxossi - Love Thyself (Dub)<br>OldGold x Tetrad x Ramsez - Missing Suspects (Dub)<br>Tetrad x Ahkur - Dunwich (Dub)<br>Ahkur - Vox Dub (Dub)<br>Grim - Fruitlands (Dub)<br>Tetrad - Simulacra (After Dark Music)<br>Tetrad - Syntax (Dub)<br>Krook x The Greys x Tetrad - Skinwalker (Foundation Audio)<br>Tetrad x Ahkur - Catacombs (After Dark Music)</p>1:06:49subdotmission.comtag:www.subdotmission.com,2005:Post/57478102019-05-08T18:55:32-06:002023-12-10T09:51:27-07:00Sub.mission Podcast #273 Pinch<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c674177e5a800b970e49c6daf8fe64db471656b4/original/pinch-press-2019-2.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Deep dubstep and experimental dance music pioneer Pinch steps up with the plates for the latest mix in the Sub.mission Podcast series. The UK legend & <strong><a contents="Tectonic Recordings" data-link-label="" data-link-type="url" href="https://www.facebook.com/TectonicRecordings/" target="_blank"><span style="color:#e74c3c;">Tectonic Recordings</span></a></strong> curator shows off his unique, genre-transformative style of techy 140 in the hour-long mix, released just in time for his impending North American tour. Here's where you can catch Pinch this month:</p>
<p>May 10 Brooklyn NY Knitting Factory <br>May 11 SF F8 <br>May 14 Denver Black box <br>May 17 Hesperus CO One Vibration<br><br>Pinch on Facebook: <strong><a contents="https://www.facebook.com/pg/PinchTectonic" data-link-label="" data-link-type="url" href="https://www.facebook.com/pg/PinchTectonic" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/pg/PinchTectonic</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/dj-pinch" data-link-label="" data-link-type="url" href="https://soundcloud.com/dj-pinch" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/dj-pinch</span></a></strong></p>
<p> </p>
<p><strong>Tracklist:</strong><br>1. Vort ‘Rainfall’ <br>2. Logos & Mumdance ‘Zoned In’ <br>3. Addison Groove ‘Monday Night, To Da Club’ <br>4. The Bug Ft. Jamakabi ‘Wickest Dub’ <br>5. Boylan ‘No Sleep’ <br>6. Icicle ‘Shout Me’ <br>7. Drone ‘Scorpion Tail’ <br>8. Special Request ‘SP4NN3RD’ <br>9. Ipman ‘Buddy Rich’ <br>10. Dismantle ‘Bodied’ <br>11. Boylan ‘Gozer’ <br>12. Mumdance x Pinch x Riko Dan ‘Riko Time’ <br>13. Siete Catorce ‘Ano’ <br>14. DPRTNDRP ‘Kokolo’ <br>15. Saule ‘Zeroes’ <br>16. Sir Hiss ‘Gbeto’ <br>17. Siete Catorce ‘Dia’ <br>18. Szare ‘Cut With Glass’ <br>19. Martyn ‘Recon’ <br>20. Dalton ‘Side Effects’ <br>21. Boofy ‘Ledge VIP’ <br>22. Drone ‘Lucid Dream’ <br>23. Loefah / Killa P ‘Leng System (Pinch Special)’</p>51:51subdotmission.comtag:www.subdotmission.com,2005:Post/57224612019-04-16T23:10:37-06:002022-09-21T01:46:10-06:00Sub.mission Podcast #272 Subliminal<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/383cbcf570182feeee38f4e408f6da4364b2e926/original/subliminalpodcast.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Veteran Sub.mission Resident DJ Subliminal returns for the 272nd installment of the Sub.mission podcast with his direct support set for Coki at The Black Box last month. Known for his aggressively banger-centric selection and affinity for double drops, Subliminal laid down 90 minutes of grimey sauce to warm up the E-Tuesdays crowd for the headliner. The dance floor took it so well, the Denver DJ had to share the moment with the masses.</p>
<p>Follow Subliminal on Facebook: <strong><a contents="https://www.facebook.com/subliminal64" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/subliminal64</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/sub-liminal-1" data-link-label="" data-link-type="url" href="https://soundcloud.com/sub-liminal-1" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/sub-liminal-1</span></a></strong></p>1:27:58subdotmission.comtag:www.subdotmission.com,2005:Post/57222662019-04-16T18:22:32-06:002021-12-17T00:44:31-07:00Free Download: Hatcha vs. Cato - Bleeding Soul<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7a5fdf71d643a9118a24a6c094091372b9df0501/original/hatcha-vs-cato.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br>Sub.mission Agency Artist <a contents="Hatcha " data-link-label="" data-link-type="url" href="https://soundcloud.com/djhatcha" target="_blank"><span style="color:#e74c3c;"><strong>Hatcha</strong></span> </a>releases his track with <strong><a contents="Cato " data-link-label="" data-link-type="url" href="https://soundcloud.com/cato" target="_blank"><span style="color:#e74c3c;">Cato </span></a></strong>entitled "Bleeding Soul" exclusively via Sub.mission. Grab your free download right here!</p>4:50subdotmission.comtag:www.subdotmission.com,2005:Post/57136862019-04-09T18:20:11-06:002023-12-10T09:53:40-07:00Sub.mission Podcast #271: The Maker<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a847af219f7c968bcda5b0399b21ddc4eaabd9e5/original/pocast271-themaker.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Sub.mission Podcast #271 comes in blazin' with a mix from The Maker - the twisted alter-ego of <strong><a contents="SpaceJail" data-link-label="" data-link-type="url" href="https://soundcloud.com/spacejail" target="_blank"><span style="color:#e74c3c;">SpaceJail</span></a></strong>, next week's Electronic Tuesdays headliner. The Maker has quickly built a name for himself with his sinister & sophisticated brand of deep dubstep in a style spawned explicitly from the UK tradition, but bearing plenty of experimental quirks. The Maker is also responsible for emerging bass music label <strong><a contents="Anti-Vision" data-link-label="" data-link-type="url" href="https://soundcloud.com/antivisionrec" target="_blank"><span style="color:#e74c3c;">Anti-Vision</span></a></strong>. His mix plays out haunted house style, in a maze of dark corners complete with monsters waiting to leap from them. As always, don't forget to fire up your sub when you dive into this low-end tour.<br><br>Follow The Maker on Facebook: <strong><a contents="https://www.facebook.com/themakerdub/" data-link-label="" data-link-type="url" href="https://www.facebook.com/themakerdub/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/themakerdub/</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/themakerdub" data-link-label="" data-link-type="url" href="https://soundcloud.com/themakerdub"><span style="color:#e74c3c;">https://soundcloud.com/themakerdub</span></a></strong></p>1:01:00subdotmission.comtag:www.subdotmission.com,2005:Post/57059152019-04-03T15:04:04-06:002022-02-16T23:22:52-07:00Sub.mission Podcast #270: ETHER<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2e882c4fb8d24bbb9a46a4949b1d4d307a1e89fe/original/ether-270.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Denver staple ETHER returns to the Sub.mission Podcast for episode #270. A leader among dubstep's darker, weirder new wave, the Colorado artist has been producing for over a decade, and his expertise shows - not only in his original tracks, but a sense of curation that the true cutting edge of the genre. ETHER's mix includes tracks from CO contemporaries like Trisicloplox, Sectra, and Dalek One, international artists emerging from across the globe, and even a moment from his techno-ish alter-ego, <strong><a contents="Ulmo" data-link-label="" data-link-type="url" href="https://soundcloud.com/ulmo2099" target="_blank"><span style="color:#e74c3c;">Ulmo</span></a></strong>. Enjoy the journey...<br><br>Follow ETHER on Facebook: <strong><a contents="https://www.facebook.com/ether.official.music" data-link-label="" data-link-type="url" href="https://www.facebook.com/ether.official.music/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/ether.official.music</span></a></strong><br>SoundCloud: <a contents="https://soundcloud.com/etherbeetz" data-link-label="" data-link-type="url" href="https://soundcloud.com/etherbeetz"><strong><span style="color:#e74c3c;">https://soundcloud.com/etherbeetz</span></strong></a></p>
<p> </p>
<p>Tracklist:</p>
<p>Traces - Scorched </p>
<p>Dalek One - Wire Tap </p>
<p>Ulmo - Odium (RUFUS! Remix) </p>
<p>Diggerz - Curious (Zygos Remix) </p>
<p>Chendah - Lawo (Imajika Remix) </p>
<p>SBK - Failure at Launch </p>
<p>ETHER - Delphi </p>
<p>Binary - Kill You </p>
<p>Reso - Smashed Up </p>
<p>ETHER - VOIIID </p>
<p>Sectra - Teeth Clenched Tightly </p>
<p>Trisicloplox - Kage Onna </p>
<p>ETHER - Villain </p>
<p>RUFUS! - Confined </p>
<p>Dayzero - Symbolic meaning </p>
<p>Causa & Shu - Dubhelmet </p>
<p>Berrik - Extermination </p>
<p>Malleus - Buried Under The House </p>
<p>Malleus & Fill Spectre - She Saw The Whole Thing</p>45:46subdotmission.comtag:www.subdotmission.com,2005:Post/56858842019-03-19T16:42:54-06:002022-05-18T10:12:26-06:00Sub.mission Podcast #269: Ind33p<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/b29554bd9c4f37408a339c7c56cbba2f12bfc733/original/ind33ppodcast.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br><br>Sub.mission Resident DJ Ind33p steps up to the decks for the latest edition of the Sub.mission Podcast. Both a brilliant DJ and a skilled producer, Ind33p has plenty of material to showcase in his mix - from his precise & energetic mixing style, to original tracks from himself and his friends. The Colorado Springs resident is represented by <a contents="1337 Management" data-link-label="" data-link-type="url" href="https://www.facebook.com/The1337mgmt/" target="_blank">1337 Management</a> - for booking info, contact Sarah@1337mgmt.com. <br><br>Ind33p will share his tracklist once the mix reaches 50 reposts on <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/ind33p" target="_blank">SoundCloud</a>. Follow him there and on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/pg/IND33PDUBSTEP">Facebook </a>to join the cause! Be sure to catch Ind33p participating in Sub.mission Residents Tag Sets at The Black Box this spring.</p>56:10subdotmission.comtag:www.subdotmission.com,2005:Post/56780522019-03-12T16:56:48-06:002022-09-08T21:49:18-06:00Sub.mission Podcast #268: Compa<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/dc8d23f61228f993a6d0d879d5340ec621ff7cc4/original/compapodcast.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>The Sub.mission Podcast goes international yet again with a mix from Sub.mission Agency artist Compa. The UK DJ and producer is among dubstep's most prominent names, with releases on the iconic Deep Medi Musik label and a penchant for playing silky smooth vinyl sets. He's back on the decks for this week's podcast, overflowing with tracks you've never heard before from some of your favorite artists. No tracklist on this one, so listen closely...</p>
<p>Follow Compa on Facebook: <a contents="https://www.facebook.com/compauk/" data-link-label="" data-link-type="url" href="https://soundcloud.com/compauk" target="_blank">https://www.facebook.com/compauk/</a><br>SoundCloud: <a contents="https://soundcloud.com/compauk" data-link-label="" data-link-type="url" href="https://soundcloud.com/compauk">https://soundcloud.com/compauk</a></p>46:48subdotmission.comtag:www.subdotmission.com,2005:Post/56726532019-03-07T17:02:07-07:002023-12-10T10:07:54-07:00Course Sign-Ups Now Open at The Black Box Studio<p>The Black Box is more than just a concert venue or a nightclub. The sound system club was created as a headquarters for the underground music community, with local artists at the heart of the movement. Tucked inside in the venue, The Black Box Studio is equipped with state-of-the-art audio technology and all of the resources that DJs and producers need to take their art to the next level. </p>
<p>We are proud to unveil <strong><a contents="The Black Box Studio course catalogue" data-link-label="" data-link-type="url" href="https://blackboxdenver.co/sign-up-for-classes" target="_blank"><span style="color:#e74c3c;">The Black Box Studio course catalogue</span></a></strong> for the coming spring. Studio offerings include classes in DJ’ing, production, sound design, and live visuals for students of all abilities and experience levels. Led by accomplished artists and members of The Black Box family, these courses are designed to address the individual needs and goals of all participants, whether you’re a touring artist or a curious novice.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/89f9ed5e70e802149b17b872efdeb6303f8034e2/original/dsc-6141.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>“We’re aiming to break down the technical barriers that prevent beginners and some self-taught students from jumping into the studio to be creative,” says <strong><a contents="Aimerie" data-link-label="" data-link-type="url" href="https://www.facebook.com/aimeriemusic/" target="_blank"><span style="color:#e74c3c;">Aimerie</span></a></strong>. The experienced Ableton instructor will be teaching the 8-week beginners’ course starting in April. </p>
<p>“Somewhere out there, a future producer has a brilliant idea that they don’t know how to get out of their head and into the digital format.” </p>
<p>Aimerie’s beginner class feeds into intermediate & advanced segments taught by <strong><a contents="Sleeper" data-link-label="" data-link-type="url" href="https://www.facebook.com/SleeperCrucialRecs/" target="_blank"><span style="color:#e74c3c;">Sleeper</span></a></strong>. Sleeper will also instruct intermediate/advanced sound design courses. Intro to Sound Design will be led by Denver’s own <strong><a contents="Craftal" data-link-label="" data-link-type="url" href="https://www.facebook.com/craftalmusic/" target="_blank"><span style="color:#e74c3c;">Craftal</span></a></strong>. <strong><a contents="Sign-ups for their 8-week sessions" data-link-label="" data-link-type="url" href="https://blackboxdenver.co/8-week-sessions" target="_blank"><span style="color:#e74c3c;">Sign-ups for their 8-week sessions</span></a></strong>, plus Live Visuals with Black Box VJ <strong><a contents="B1n4ry" data-link-label="" data-link-type="url" href="https://www.facebook.com/b1n4ryArt" target="_blank"><span style="color:#e74c3c;">B1n4ry</span></a></strong>, are open now. Courses begin in April.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/408f291d747286a96c9efa47603b750471ac6249/original/dsc-7648.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Additional <strong><a contents="one-on-one sessions" data-link-label="" data-link-type="url" href="https://blackboxdenver.co/1-1-sessions" target="_blank"><span style="color:#e74c3c;">one-on-one sessions</span></a></strong> from the area’s most prolific musicians are also available starting this spring. Touring DJ/producer and Sub.mission Agency artist <strong><a contents="DigitalVagabond" data-link-label="" data-link-type="url" href="https://www.facebook.com/DigitalVagab0nd/" target="_blank"><span style="color:#e74c3c;">DigitalVagabond</span></a></strong> is tasked with teaching one of The Black Box Studio’s most valuable offerings: one-on-one DJ’ing lessons using CDJs/Rekordbox. For producers hoping to gain more gigs and step up their careers, this opportunity is not to be overlooked. Turntablism lessons will be led by acclaimed DJ and Slug Wife artist <strong><a contents="Lone Drum" data-link-label="" data-link-type="url" href="https://www.facebook.com/Lonedrumofficial/" target="_blank"><span style="color:#e74c3c;">Lone Drum</span></a></strong>. </p>
<p>For a complete list of course offerings and private instructors, check out the <strong><a contents="Studio" data-link-label="" data-link-type="url" href="https://blackboxdenver.co/the-black-box-studio" target="_blank"><span style="color:#e74c3c;">Studio</span></a></strong> page of The Black Box website. The first round of classes kicks off in just a month, so be sure to secure your spot now. Space is limited.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/56606492019-02-26T15:21:48-07:002023-12-10T10:08:17-07:00Sub.mission Podcast #267: Cord<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/085ab2cb87eeac92f6eab28acd85c160a715293a/original/cord-267.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br>This week's edition of the Sub.mission Podcast features veteran DJ and Denver dubstep staple Cord. Originally from New Mexico, Cord has functioned as a fixture in the Colorado bass community for longer than many of its fans have been alive. The seasoned curator and scene activist is a champion for up-and-coming local DJs and producers: along with his <strong><a contents="Bassment Sessions show on Subtle.FM" data-link-label="" data-link-type="url" href="https://www.mixcloud.com/cord-music/" target="_blank"><span style="color:#e74c3c;">Bassment Sessions show on Subtle.FM</span></a></strong>, which spotlights Colorado's underground bass music artists in guest mixes every week, Cord created the <strong><a contents='"Colorado Collective" mix series' data-link-label="" data-link-type="url" href="https://soundcloud.com/liminationunderground/sets/colorado-collective-ft-cord" target="_blank"><span style="color:#e74c3c;">"Colorado Collective" mix series</span></a></strong> featuring tunes exclusively from mile-high producers. A talented producer himself, Cord's <em>Cold </em>EP is available now via<a contents=" Bandcamp" data-link-label="" data-link-type="url" href="https://cordmusic.bandcamp.com/releases" target="_blank"> <strong><span style="color:#e74c3c;">Bandcamp</span></strong></a>.</p>
<p>Follow Cord on Facebook: <strong><a contents="https://www.facebook.com/pg/cordmusic" data-link-label="" data-link-type="url" href="https://www.facebook.com/pg/cordmusic" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/pg/cordmusic</span></a></strong><br>SoundCloud: <strong><span style="color:#e74c3c;">https://soundcloud.com/cord1</span></strong></p>
<p><em>Want to contribute a mix to the Sub.mission Podcast series? Email amye.broziel@subdotmanagement.net for details, or <strong><a contents="contact us via Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/subdotmission" target="_blank"><span style="color:#e74c3c;">contact us via Twitter</span></a></strong>.</em></p>
<p> </p>58:45subdotmission.comtag:www.subdotmission.com,2005:Post/56438772019-02-14T18:09:09-07:002022-05-25T02:07:29-06:00Release Review: Distance - Awaken EP [Chestplate]<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/58c012fca1ba8986deec4628894b1676daa76af7/original/awaken-ep.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><a contents="By Amye Koziel" data-link-label="" data-link-type="url" href="https://twitter.com/broziel" target="_blank"><span style="color:#e74c3c;"><em><span class="font_small">By Amye Koziel</span></em></span></a></p>
<p>New releases on Chestplate are always an occasion, and the 45th release from the iconic label from head honcho Distance himself is an extra special treat for the dubstep world. The four-track <em>Awaken </em>EP - out Friday, 2/15 - builds on everything we’ve come to expect from both Distance and the Chestplate imprint to deliver a little bit more.</p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/558858792&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>The most immediately noticeable, stand-out aspect of the <em>Awaken </em>EP is its release art. The trippy, multi-colored depiction of a mutant being (woke?) is a jarring contrast to the muted, mostly greyscale style featured across the rest of the release catalogue. The alien-esque art isn’t even contained by the typical circle used across underground dance genres, presumably to denote a “proper” release. </p>
<p>The break from the time-honored aesthetic convention comes briefly as a surprise - but not exactly a disappointment. As dubstep’s fan base expands and the music evolves, isn’t it about time we split from traditions that have become tropes, cliches, and symbols of underground elitism? </p>
<p>For some old-school devotees, the use of actual colors may strike as blindingly dramatic… but rest assured, dubsteppers: the <em>Awaken </em>EP is unmistakably the work of the pioneer producer who we know and love. The art does set the tone poignantly for the EP’s title track, “Awaken.” The high-energy anthem features familiar low-end grit, juxtaposed with vibrant, Joker-esque synths. It’s the perfect introduction for the journey about to unfold, rumbling with a musical thesis common across all four tracks. The <em>Awaken </em>EP is a quintessential Distance release, with a pronounced new-school twist.</p>
<p>The next track, “Equate,” solidifies the impression that Distance’s signature sound is here to stay. The tune is a straight-up testament to Chestplate’s cultivated sound, complete with the growling, marching bassline beat associated with classic tunes from Distance himself and other older releases on the label. </p>
<p>Still, the artist’s sound is hardly stagnant. Distance remains highly active in the underground scene. Emerging artists and smaller labels are regularly featured on the <strong><a contents="InDepth radio show" data-link-label="" data-link-type="url" href="https://soundcloud.com/indepthradio" target="_blank"><span style="color:#e74c3c;">InDepth radio show</span></a></strong>, which he co-hosts with Darkside. His immersion in the new-wave sphere takes audible form across the <em>Awaken </em>EP. DJs will inevitably recognize the “loose” style of percussions upon the first play of “Equate”: the slightly off-center hits are majestic and drama-inducing, but (forgivably) infuriating in the mix.</p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/419133028&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>This theme escalates along with the EP’s overall energy in “Rotation.” Phrasing tricks aside, the track is distinctly classic in character, especially in its grainy, mid-bass roar. But the metallic melodic motifs highlighted in “Awaken” resurface in “Rotation,” accentuated by hard-hitting hoodrat snares. It’s this sonic momentum, plus the new-wave-old-school vibe, that solidifies the entire EP’s staple status on dance floors worldwide.</p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/567355002&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>The EP comes back around with its final track, “Settling Scores.” Both simplistic and climactic, the tune is punctuated with traditional grime-styled hits and sweeping cinematic tones. “Settling Scores” builds, then ends rather abruptly - leaving us in suspense as to what’s to come next from Distance and his label. </p>
<p>The <em>Awaken </em>EP is available digitally and physically via Chestplate this Friday, 2/15.<strong><span style="color:#e74c3c;"> </span><a contents="Purchase it via Bandcamp now" data-link-label="" data-link-type="url" href="https://djdistance.bandcamp.com/album/awaken-ep" target="_blank"><span style="color:#e74c3c;">Purchase it via Bandcamp now</span></a></strong>.</p>
<p>Follow Distance on Facebook: <strong><a contents="https://www.facebook.com/Distanceofficial/" data-link-label="" data-link-type="url" href="https://www.facebook.com/Distanceofficial/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/Distanceofficial/</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/distance" data-link-label="" data-link-type="url" href="https://soundcloud.com/distance" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/distance</span></a></strong><br>Follow Chestplate on Facebook: <strong><a contents="&nbsp;https://www.facebook.com/Chestplate-267307096647968/" data-link-label="" data-link-type="url" href="https://www.facebook.com/Chestplate-267307096647968/" target="_blank"><span style="color:#e74c3c;"> https://www.facebook.com/Chestplate-267307096647968/</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/chestplate" data-link-label="" data-link-type="url" href="https://soundcloud.com/chestplate" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/chestplate</span></a></strong></p>subdotmission.comtag:www.subdotmission.com,2005:Post/56400212019-02-13T03:12:20-07:002023-12-10T09:59:12-07:00Sub.mission Podcast #266: Jam PRD<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/9b4d003486d14c189bbc4707586eb60f1e36b06d/original/podcast-266-jam-prd.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>The Sub.mission Podcast goes international once again with today's mix from Northampton, UK DJ and producer Jam PRD. Also known for his heavy dubstep productions, the artist whipped up an exclusive UK grime mix especially to share with us stateside. Jam PRD has plenty of mischief in the making: as well as brand new dubstep and grime productions, the artist is working on a fresh alias under his initials, J.W., and launching his own label ARD MUSYK. Word on the street says we'll be seeing Jam PRD in the States again later this year - so keep an eye out!<br><br>No tracklist for this mix - we recommend you listen closely.<br><br>Follow Jam PRD on Facebook: <em><a contents="https://www.facebook.com/JAMPRD/" data-link-label="" data-link-type="url" href="https://www.facebook.com/JAMPRD/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/JAMPRD/</span></a></em><br>Twitter: <em><a contents="https://twitter.com/JAMPRD" data-link-label="" data-link-type="url" href="https://twitter.com/JAMPRD" target="_blank"><span style="color:#e74c3c;">https://twitter.com/JAMPRD</span></a></em><br>SoundCloud: <em><a contents="https://soundcloud.com/jamprd" data-link-label="" data-link-type="url" href="https://soundcloud.com/jamprd" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/jamprd</span></a></em></p>40:54subdotmission.comtag:www.subdotmission.com,2005:Post/56290342019-02-05T18:03:46-07:002022-05-30T05:41:35-06:00Sub.mission Podcast #265: Faith In May<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0d32bde5f4b2eb3423c55ca048f5dcff81f337e7/original/faithinmaypodcast.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Denver DJ, promoter, and budding producer Faith In May takes over the decks for this week's installment of the Sub.mission podcast series. The leader of emerging event company <em><a contents="Artzn Co" data-link-label="" data-link-type="url" href="https://www.facebook.com/ArtznCo/" target="_blank"><span style="color:#e74c3c;">Artzn Co</span></a></em>., Faith In May is one of Colorado's greatest advocates for local talent. When he's not busy organizing Sub.Sessions at The Black Box, the artist is hard at work digging for tunes from producers you've probably never heard of before. Like his sets, Faith In May's podcast mix is a unique journey through bass music's underground. Check out Podcast #265 exclusively right here. <br><br>Follow Faith In May on Facebook: <em><a contents="https://www.facebook.com/pg/faithinmay" data-link-label="" data-link-type="url" href="https://www.facebook.com/pg/faithinmay" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/pg/faithinmay</span></a></em><br>SoundCloud: <a contents="https://soundcloud.com/faithinmay" data-link-label="" data-link-type="url" href="https://soundcloud.com/faithinmay" target="_blank"><span style="color:#e74c3c;"><em>https://soundcloud.com/faithinmay</em></span></a><br><br>Tracklist:<br><br>1.Raise Spirit - The Temple </p>
<p>2.Dawn Wall - Rain God </p>
<p>3.Humanature First Light </p>
<p>4.Faith in May - Incline </p>
<p>5.Monrroe - Winter’s Touch </p>
<p>6.Monrroe - Fleeting Love </p>
<p>7.Dualistic & Subsequent ft. Ella - Sunrise </p>
<p>8.Blu Mar Ten ft. Seba - Hunter (Whiney Remix) </p>
<p>9.Dawn Wall - I See U </p>
<p>10.Blue Marble - Feel Good </p>
<p>11.Mohican Sun - Don't Wait </p>
<p>12.Dawn Wall - Blinded </p>
<p>13.Jus Jack & Speed Limits - All Falls Down (Dualistic Remix) </p>
<p>14.Friction ft. Josh Barry - Freak </p>
<p>15.Edlan ft Emy Perez - Shadow </p>
<p>16.Bert H & High N Sick - Find Me (Vip) </p>
<p>17.Current Value - Scenario </p>
<p>18.Nemea - Three (Dualistic Remix) </p>
<p>19.Aperio - Seattle Sunrise </p>
<p>20.Aperio - Nostalgia </p>
<p>21.Bert H & High N Sick - Keiko</p>1:03:01subdotmission.comtag:www.subdotmission.com,2005:Post/56221712019-01-31T19:16:20-07:002022-05-22T14:06:53-06:00Sub.mission Podcast #264: Sweetprince<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2c78339fc888fd5a2bc9c5fdb7d929db6af458e0/original/sweetprince-264.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>As one of The Black Box's all-star bartenders, Sweetprince's debut on the Sub.mission Podcast only makes sense. Podcast #264 showcases the Denver-based DJ and producer's unique style of bassline-influenced dance music. When he moved from Chicago to Denver, the artist brought a bit of the city's legendary love for house music with him: Sweetprince's productions draw inspiration from elements of house, bassline, grime, and even dubstep - at least in his motivation to make 140BPM music to mix with his friends. Spurred to the decks by his love of the game and the endless instigations of his DJ friends, Sweetprince is a force of genuine, playful energy guaranteed to make you dance.<br><br>Follow Sweetprince on Facebook: <em><a contents="https://www.facebook.com/Sweetprinceofficial/" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sweetprinceofficial/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/Sweetprinceofficial/</span></a></em></p>
<p><br>Tracklist:<br>Too much conversation- Sammy Virgi sweetprince flip<br>Bloodtone-King Kong<br>Ghxtly-isolation<br>Blast up teh tingz- sweetprince J<br>akaia- I don’t want to wait<br>Sludgetimer- bangfest<br>Loyal-djLu10<br>Wake the dead- kill kill kill<br>Big beat- beat beat<br>Hype hype -skyrunner<br>Master blue- wavy d<br>Badboi - clap your hands say yeah (crystal tomagachi)<br>Pow-sweetprince<br>Balenciaga- sweetprince<br>Baby baby-sweetprince X djLu10</p>
<p> </p>
<p> </p>42:22subdotmission.comtag:www.subdotmission.com,2005:Post/56223092019-01-31T18:40:57-07:002022-07-28T07:21:57-06:00Sub.mission Welcomes New Resident DJs Khonsu, Retina, Synchronicity, and Thanom<p>Underappreciated as they may be, local DJs are the backbone of any healthy scene. Sub.mission understands this better than anyone: now an international brand, Sub.mission began as a local crew. Its resident DJs have always been leaders on the .mission of moving people through sound, not hype. </p>
<p>2019 promises to be the biggest year yet as far as headliners are concerned, but Denver hasn’t forgotten about its devoted locals. This year, Sub.mission continues the decade-long tradition of resident tag sets to open our most anticipated Denver shows - and the resident DJ roster is expanding. We’re thrilled to introduce Colorado selectors Khonsu, Retina, Synchronicity, and Thanom as the newest Sub.mission resident DJs.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/997819e8b78ffe2e01daf80c6c67cb3f9b207e97/original/newresidents.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p> </p>
<h4 style="text-align: center;">Khonsu</h4>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/69f69bf9980e721404125929d7efc7b3ceccd654/original/khonsu-resident.jpg/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/KhonsuMusic/" target="_blank"><span style="color:#e74c3c;">Facebook</span></a><span style="color:#e74c3c;">/</span><a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/khonsumusic" target="_blank"><span style="color:#e74c3c;">SoundCloud</span></a></em></p>
<p>Colorado DJ and producer Khonsu may be young, but already the artist is exceptionally decorated. His release resume includes solo EP’s on <em><a contents="Wheel &amp; Deal Records" data-link-label="" data-link-type="url" href="https://soundcloud.com/wheelanddealrecords/sets/khonsu-ep" target="_blank"><span style="color:#e74c3c;">Wheel & Deal Records</span></a><span style="color:#e74c3c;">, </span><a contents="Anti-Vision" data-link-label="" data-link-type="url" href="https://soundcloud.com/duploc/premiere-khonsu-thuggin" target="_blank"><span style="color:#e74c3c;">Anti-Vision</span></a></em>, and <em><a contents="FatKidOnFire" data-link-label="" data-link-type="url" href="https://soundcloud.com/duploc/premiere-khonsu-ghetto" target="_blank"><span style="color:#e74c3c;">FatKidOnFire</span></a></em>; recently Khonsu played on direct support for Khiva at The Black Box. His passion for dubstep and refined ear for the sound shines through the rising DJ’s one-of-a-kind sets. Khonsu is just getting warmed up - Sub.mission is proud to play a part in this talented artist’s budding career.</p>
<h4 style="text-align: center;"><span style="color:null;">Retina</span></h4>
<h4><span style="color:null;"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a5b4a0be0a0c70ddcbb4a6bf9baac3aa639e3508/original/retina-resident-forreal.jpg/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_center border_" /></span></h4>
<p style="text-align: center;"><br><em><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/retinadubs/" target="_blank"><span style="color:#e74c3c;">Facebook</span></a><span style="color:#e74c3c;">/</span><a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/retinadubs" target="_blank"><span style="color:#e74c3c;">SoundCloud</span></a></em></p>
<p>For many years, Retina has stood as a staple on Sub.mission’s dance floors. Few artists or fans have experienced as many dubstep sets as this new resident, and on the decks, it shows: the DJ knows how to build a set. As a producer, Retina follows Denver dubstep’s divergent tradition of bending rules and breaking expectations to re-invent the genre as we know it. His newest release on Noctem is forthcoming on March 1st - also tune into the <em><a contents="Trampled EP" data-link-label="" data-link-type="url" href="https://soundcloud.com/silentmotionrec/retina-trampled-ep-jan-12th" target="_blank"><span style="color:#e74c3c;">Trampled EP</span></a></em> on Silent Motion and <em><a contents="his recent Sub.mission podcast." data-link-label="" data-link-type="url" href="https://subdotmission.com/news/blog/sub-mission-podcast-244-retina" target="_blank"><span style="color:#e74c3c;">his recent Sub.mission podcast.</span></a></em></p>
<h4 style="text-align: center;">Synchronicity</h4>
<h4 style="text-align: center;"><a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/retinadubs" target="_blank"><span style="color:null;"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/334675f7349c3078293b388136d6a74a9a02968e/original/synchronicity-resident.jpg/!!/undefined/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_center border_" /></span></a></h4>
<p style="text-align: center;"><em><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/synchronicityjustadj/" target="_blank"><span style="color:#e74c3c;">Facebook</span></a><span style="color:#e74c3c;">/</span><a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/synchronicityjustadj" target="_blank"><span style="color:#e74c3c;">SoundCloud</span></a></em></p>
<p>Before she ever touched the decks, Synchronicity served as a member of the Sub.mission promo team and a writer for <em><a contents="outlets including FatKidOnFire" data-link-label="" data-link-type="url" href="https://medium.com/all-things-fatkidonfire/keeping-things-subliminal-b2529baa452a" target="_blank"><span style="color:#e74c3c;">outlets including FatKidOnFire</span></a></em><span style="color:null;">. </span>As a new initiate to the 140 sound, Synchronicity made a religious point to be the first on the dance floor every Tuesday night: her obsession with dubstep and the DJ’s craft was cultivated by these early sets from friends and locals, namely the Sub.mission resident DJs. The resident DJs mentored her on (and off) the decks, and after years of practice, Synchronicity couldn’t be more honored to join their ranks. Today, the writer/DJ is also Sub.mission’s social media manager. Her goal for her DJ career is still to educate as many people as possible to genuine underground sounds, and to be the best local selector that Denver ever saw. Check out Sub.mission podcasts <em><a contents="#221" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/1345574/podcast-221-synchronicity" target="_blank"><span style="color:#e74c3c;">#221</span></a></em> & <em><a contents="#247" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/1521990/podcast-247-synchronicity" target="_blank"><span style="color:#e74c3c;">#247</span></a></em>, and her <em><a contents="latest mix on Elemental Arts FM" data-link-label="" data-link-type="url" href="https://soundcloud.com/elemental-arts-fm/elemental-arts-presents-dj-synchronicity" target="_blank"><span style="color:#e74c3c;">latest mix on Elemental Arts FM</span></a></em>.</p>
<h4 style="text-align: center;">Thanom</h4>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/037fb2e126423c0e223e615b74916b74252372ec/original/thanom-resident.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><em><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/thanomdubs/" target="_blank"><span style="color:#e74c3c;">Facebook</span></a><span style="color:#e74c3c;">/</span><a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/thanom-dubs" target="_blank"><span style="color:#e74c3c;">SoundCloud</span></a></em></p>
<p>Thanom’s standing as a Sub.mission resident DJ is intuitive, and thoroughly well-deserved. The DJ and producer has been billed with countless legends on The Black Box main stage, including Truth, Youngsta, N-Type, and many more. His understated charisma, unique selection, and ultra-smooth mixing have won the artist a devoted following among Denver’s dubstep community. A talented producer in his own right, Thanom’s motivation as a DJ is simple: he loves to play good tunes on a good sound system. Listen to Thanom’s <em><a contents="Sub.mission podcast" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/895133/podcast-161-thanom" target="_blank"><span style="color:#e74c3c;">Sub.mission podcast</span></a></em>, and stay tuned to events from his own crew, <em><a contents="Diverse Culmination" data-link-label="" data-link-type="url" href="https://www.facebook.com/DIVERSECULMINATION/" target="_blank"><span style="color:#e74c3c;">Diverse Culmination</span></a></em>.</p>
<p> </p>
<p><strong>Catch </strong>the new residents going B2B before De-Tu and Distance at the Electronic Tuesdays 8-year anniversary this week. Be sure to check out the rest of the Sub.mission resident DJ roster below, and never stop supporting your local DJs. </p>
<p>Bean: <em><a contents="https://www.facebook.com/beandubstep/&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/beandubstep" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/beandubstep/ </span></a></em><br>Caustik: <em><a contents="https://www.facebook.com/caustikbass/&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/caustikbass/&nbsp;" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/caustikbass/ </span></a></em><br>CurlyOne: <em><a contents="https://www.facebook.com/djcurlyone/&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/djcurlyone" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/djcurlyone/ </span></a></em><br>Dillard: <em><a contents="https://www.facebook.com/Dillard/&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/Dillard/ </span></a></em><br>Ind33p: <em><a contents="https://www.facebook.com/IND33PDUBSTEP/&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PDUBSTEP" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/IND33PDUBSTEP/ </span></a></em><br>Subliminal: <em><a contents="https://www.facebook.com/subliminal64/&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/subliminal64/ </span></a></em><br>Trisicloplox: <em><a contents="https://www.facebook.com/Trisicloplox-489894318168082/" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trisicloplox-489894318168082/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/Trisicloplox-489894318168082/</span></a></em></p>
<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/56075722019-01-22T15:22:32-07:002022-01-12T03:36:51-07:00Sub.mission Podcast #263: Krook<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/31b32a33e492344a8649665afb15ad6de5662e43/original/podcast-264-krook.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>This week's installment of the Sub.mission Podcast features Brooklyn-based DJ and producer Krook. Hot off his Juno chart-topping <strong><a contents="Get Checked EP" data-link-label="" data-link-type="url" href="https://foundationaudio.bandcamp.com/album/get-checked-ep-fa034" target="_blank"><span style="color:#e74c3c;"><em>Get Checked</em> EP</span></a></strong> on Foundation Audio, the artist is loaded with even more original fire. If you're not yet familiar with Krook, you're about to be - check out the producer's exclusive mix right here.<br><br>Follow Krook on Facebook: <strong><a contents="https://www.facebook.com/krooknoise/" data-link-label="" data-link-type="url" href="https://www.facebook.com/krooknoise/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/krooknoise/</span></a></strong><br>SoundCloud: <strong><span style="color:#e74c3c;">https://soundcloud.com/krooknoise</span></strong><br><br><span style="color:null;"><em>Interested in contributing a mix to the Sub.mission Podcast? Email amye.broziel@subdotmanagement.net.</em></span></p>
<p><br><br>Tracklist:<br><br>1) Krook x The Greys x Tetrad - Skinwalker [Foundation Audio] </p>
<p>2) Krook - Mutiny [The Gradient Perspective Recordigs] </p>
<p>3) Krook x Avow91 - Callé [forthcoming Stygian Noise Recordings] </p>
<p>4) Krook - Unsettled [KROOK001 on Bandcamp] </p>
<p>5) Gi Major - Maladapt (Krook Remix) </p>
<p>6) Krook - Splitter [Foundation Audio] </p>
<p>7) Krook - Get Checked [Foundation Audio] </p>
<p>8) Dalek One x Khonsu - Chant of the Tribal King (Krook Remix) [Forthcoming] </p>
<p>9) Krook - Bacterial Bath [KROOK001 on Bandcamp] </p>
<p>10) Alexisonfire - You Burn First (Krook 140 Vocal Edit) [Dub] </p>
<p>11) Mesck - Doomsayer (Krook Remix) [Bandcamp] </p>
<p>12) Krook - Amon [Noctem] </p>
<p>13) Krook - Binding [forthcoming Stygian Noise Recordings] </p>
<p>14) A-0 x Viberous - Hitman (Krook Remix)[UPA] </p>
<p>15) Krook - The World [Bandcamp] </p>
<p>16) Krook - Glasstray [Dub] </p>
<p>17) Krook x A-0 - Tidal [forthcoming Stygian Noise Recordings] </p>
<p>18) Krook - Bunnage [Dub] </p>
<p>19) Krook - Modelo Dub [KROOK001 on Bandcamp] </p>
<p>20) Krook - Kask [Noctem] </p>
<p>21) Krook - Ugly Butter [KROOK001 on Bandcamp] </p>
<p>22) Krook - Shredded VIP [Dub]</p>48:10subdotmission.comtag:www.subdotmission.com,2005:Post/55971892019-01-17T15:16:59-07:002022-05-20T05:22:23-06:00Sub.mission Podcast #262: Sortof Vague<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/5f3d5c3625c3439eb3071cd833a8a464e714d537/original/podcast262sortofvague.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br><br>The latest installment of the Sub.mission podcast features a mix from Sub.mission Agency artist Sortof Vague. Hailing from Boulder, CO, Sortof Vague is one of Colorado's most versatile DJs, and an accomplished producer in his own right. For this mix, the DJ put together an hour of bass music spanning the genre spectrum from halftime to dubstep to drum and bass. Sortof Vague's podcast provides the perfect complement to The Black Box's signature vibe - check out the full tracklist below.<br> <br>Follow Sortof Vague on Facebook: <strong><a contents="https://www.facebook.com/pg/SortofVague" data-link-label="" data-link-type="url" href="https://www.facebook.com/pg/SortofVague" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/pg/SortofVague</span></a></strong><br>SoundCloud: <strong><a contents="https://soundcloud.com/sortof-vague" data-link-label="" data-link-type="url" href="https://soundcloud.com/sortof-vague" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/sortof-vague</span></a></strong></p>
<p> </p>
<p>Tracklist:</p>
<p>Joker - Head Top <br>Doctor Jeep - Snorin' <br>Sweepa - Morse Code [intro] <br>Skream - Phatty Drummer <br>2562 - Channel Two <br>Drazel - Dirty Harry (Skwig Remix) <br>Oakin - Dub Attitude [intro] <br>Joker - The Vision <br>Navigators - ID <br>Jafu - Woozy <br>Dotworks - Kong <br>Sanctuary - Surge <br>Loxy & Resound - Purity <br>Om Unit - Dreadcomms <br>Doctor Jeep - Laff Trakk (Fixate Remix) <br>Doctor Jeep - Natural Selection [intro] <br>Kabuki - Whiplash <br>Navigators - ID <br>Navigators - ID <br>Skeptical - Void <br>Greazus - Braise <br>Bredren - City Clan <br>DJ Madd - Square Crabz <br>DJ Madd - Level Di Vibes [drums] <br>Loxy & Isotone - Ancients (Skeptical Remix) <br>Hidden Turn - Passing <br>Stray - Thumbprint <br>Hendy - What Herby Said <br>Eprom - Oksana <br>Navigators - ID <br>Detox Unit - ID</p>56:39subdotmission.comtag:www.subdotmission.com,2005:Post/55905202019-01-10T17:46:27-07:002019-01-10T17:46:27-07:00Seppa releases "I Take It Back" via Wonk#ay Records Bandcamp<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f08276d5e0ecd01e37783b2e32a8024ecde0c03b/original/seppa-i-take-it-back.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Our friend & Slug Wife family Seppa released "I Take It Back" today as a name-your-price single via Bandcamp. Equal parts gritty and funky, the track encapsulates Seppa's infectious new-school sound system style. Seppa bears Sub.mission's official seal of endorsement: keep an ear to this rising artist, and an eye on his pages for big things to come.<br><br><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/556761333&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe><br><br>Download via Wonk#ay Records Bandcamp: <strong><a contents="https://wonkayrecords.bandcamp.com/track/i-take-it-back" data-link-label="" data-link-type="url" href="https://wonkayrecords.bandcamp.com/track/i-take-it-back" target="_blank"><span style="color:#e74c3c;">https://wonkayrecords.bandcamp.com/track/i-take-it-back</span></a></strong><br><span style="color:null;">Follow Seppa on SoundCloud: </span><strong><a contents="https://soundcloud.com/seppamusic" data-link-label="" data-link-type="url" href="https://soundcloud.com/seppamusic" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/seppamusic</span></a></strong><br><span style="color:null;">Facebook:</span><strong><span style="color:#e74c3c;"> </span><a contents="https://www.facebook.com/SeppaUK/" data-link-label="" data-link-type="url" href="https://www.facebook.com/SeppaUK/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/SeppaUK/</span></a></strong></p>subdotmission.comtag:www.subdotmission.com,2005:Post/55867772019-01-08T22:31:19-07:002022-05-30T09:39:05-06:00Sub.mission Podcast #261: Endigo<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/9d083e8fc8729d33f5a5e8ab347cb2862ed83309/original/podcast261endigo.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br>California based DJ and producer Endigo steps up to the decks for this week's edition of the Sub.mission podcast. A veteran of the genre, Endigo is among dubstep's most underrated dons. The artist's expert ear is showcased in his hour-ish long mix, featuring some older gems, plenty of new releases, and adeptly placed originals from the producer himself. If you're not familiar with Endigo, check out his <a contents="Bandcamp " data-link-label="" data-link-type="url" href="https://iamendigo.com/" target="_blank"><span style="color:#e74c3c;"><strong>Bandcamp</strong></span> </a>for releases and <strong><a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/iamendigo/vulpine" target="_blank"><span style="color:#e74c3c;">SoundCloud</span></a></strong> for a free download of the tune "Vulpine." </p>
<p>Follow Endigo on Facebook: <strong><a contents="https://www.facebook.com/iamendigo/" data-link-label="" data-link-type="url" href="https://www.facebook.com/iamendigo/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/iamendigo/</span></a></strong></p>
<p>Tracklist: <br>1. D-Operation Drop - Less Smell <br>2. Sleeper - Ginger Root <br>3. Biome - Solstice <br>4. Commodo - Rikers <br>5. Saule - Crypt <br>6. Geode - Oblong <br>7. Lurka - Refresher (Gantz Remix) <br>8. Egoless - Bubble Beat <br>9. Causa - Are We <br>10. Kloudmen - Djurö <br>11. Samba - Malignant (Bukez Finezt Remix) <br>12. EshOne - Petroglyphs <br>13. Endigo - Vulpine <br>14. Kwizma - Carbon <br>15. Commodo - Daytona <br>16. D-Operation Drop - Don't Breathe (Wayfarer Remix) <br>17. Saule - World 8 <br>18. Ternion Sound - Mataafa <br>19. Karma - Bluefoot <br>20. Deskem - Protect You <br>21. TMSV & Van Dam - Qanun Fodder <br>22. Khonsu - Run Tha Dub <br>23. Endigo - Salem <br>24. Sleeper - Kaya <br>25. Ahkur & Delicquenzy - Ominous <br>26. Endigo (ft. Chega) - Away</p>1:01:10subdotmission.comtag:www.subdotmission.com,2005:Post/55852752019-01-07T16:53:08-07:002022-05-20T08:57:06-06:00Sub.mission Agency Expands to Europe<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c58ce06b7be26481b634c624289158669174e2da/original/sub-agency.png/!!/b:W10=.png" class="size_l justify_center border_" /></p>
<p>For years, the Sub.mission Agency has taken pride in bringing the best underground artists from around the world to cities across America. Now, the Agency is thrilled to announce its expansion to Europe. Beginning this spring, artists from the Sub.mission Agency roster are available for bookings overseas. </p>
<p>These days, dubstep is an international affair, and North America has produced the DJs and producers to prove it. Sub.mission Agency artists like <strong><a contents="Abstrakt Sonance" data-link-label="" data-link-type="url" href="https://subdotmission.com/artist-roster?profile=abstrakt-sonance" target="_blank"><span style="color:#e74c3c;">Abstrakt Sonance</span></a></strong>,<strong><span style="color:#e74c3c;"> </span><a contents="Pushloop" data-link-label="" data-link-type="url" href="https://subdotmission.com/artist-roster?profile=pushloop" target="_blank"><span style="color:#e74c3c;">Pushloop</span></a></strong>, <strong><a contents="Subtle Mind" data-link-label="" data-link-type="url" href="https://subdotmission.com/artist-roster?profile=subtle-mind-2" target="_blank"><span style="color:#e74c3c;">Subtle Mind</span></a></strong>, <strong><a contents="Ternion Sound" data-link-label="" data-link-type="url" href="https://subdotmission.com/artist-roster?profile=ternion-sound" target="_blank"><span style="color:#e74c3c;">Ternion Sound</span></a></strong>, and <a contents="The Widdler " data-link-label="" data-link-type="url" href="https://subdotmission.com/artist-roster?profile=the-widdler" target="_blank"><strong><span style="color:#e74c3c;">The Widdler</span></strong> </a>have been making waves in the deep dubstep game worldwide; all will be available for bookings via international agent Jack Haigh. </p>
<p>“After years of supporting the direction and values as an artist and a team member, I have decided to push further and help Sub.Mission grow into a base for artists in Europe,” says Jack, a long-time supporter and member of Sub.mission’s worldwide family. </p>
<p>“Sub. has been working with Jack for some time, and it just makes sense now to solidify the bond and bring the Americans to Europe. Like everything, we like to take our time and make sure we do it right,” says Nicole Cacciavillano, head agent and CEO of Sub.mission. Following the first CNCPT Collective x Sub.mission UK event and a successful Sub.mission boat party at Outlook Festival 2018, Nicole has also devoted her energy to organizing a string of international events. This month alone, Sub.mission teams up with <strong><a contents="CNCPT Collective" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/272372723620429/" target="_blank"><span style="color:#e74c3c;">CNCPT Collective</span></a><span style="color:#e74c3c;"> </span></strong>and <a contents="Contact " data-link-label="" data-link-type="url" href="https://www.facebook.com/events/498428944003518/" target="_blank"><strong><span style="color:#e74c3c;">Contact</span></strong> </a>for two unique, one-of-a-kind shows, as well as <strong><a contents="True Soldiers Productions" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/298418447446973/" target="_blank"><span style="color:#e74c3c;">True Soldiers Productions</span></a></strong> in Amsterdam to top off an explosive international start to 2019.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c31301eb3d36b62469b5a28dd82c031e35269589/original/sub-euro-image.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Jack is equally enthused for the opportunities that the Agency expansion will bring: “The success of our collaboration with CNCPT last year in Bristol proved that connectivity can work across the continent's and that it's time to support our team both sides of the pond.” </p>
<p>European promoters, <strong><a contents="check out the full Sub.mission Agency roster here" data-link-label="" data-link-type="url" href="https://subdotmission.com/artist-roster" target="_blank"><span style="color:#e74c3c;">check out the full Sub.mission Agency roster here</span></a></strong> - and be on the lookout for tours from America’s most prominent dubstep artists starting this year.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/55796322019-01-03T14:30:20-07:002023-12-10T10:08:17-07:00Sub.mission Podcast #260: Antiserum<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/bf337f3a4212c33c61ccabf20985b8d9eb63bc26/original/antiserum-residency-kick-off.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>If there’s any single artist deserving the title of Resident DJ for America’s bass music scene, Antiserum is undeniably the one. The California-based DJ and producer penetrated EDM’s stratosphere through his status as a trap music kingpin - but Antiserum’s roots run deep underground, and to this day, the pioneer’s allegiance lies with the sound. </p>
<p>Antiserum’s mission activated over a decade ago, when he introduced America to the UK dubstep movement via DIY sound system parties in San Francisco. Alongside musical cohorts Roommate and Matty G, Antiserum was the first to bring the underground sound stateside. At these early events, the aggressive, heavier, West Coast-influenced “American Dubstep” sound came to life, and the country’s 140bpm diaspora was born: the start of Sub.mission was directly inspired by the music and experience provided by those nights. </p>
<p>Commercial “brostep” and the EDM explosion catalyzed an unforeseeable paradigm shift for electronic music in America. Still, as the widespread scene separated from its underground roots, Antiserum emerged once again as an artistic innovator. Playing to the party spirit that dubstep awoke in its first generation of EDM-infatuated American fans, Antiserum was among the early producers blending familiar hip-hop elements with dramatic drops and potent sub-bass to spearhead the “Trap” movement that swept the masses next. Through tracks like “Brick Squad Anthem” with Mayhem, Antiserum’s influence was seminal. Once again, the artist wasn’t only ahead of the trends. He broke the trend open, brought it to the fans, and shaped the trajectory of a now-massive music scene. </p>
<p>As a bass music OG and verifiable pioneer, Antiserum’s experience amounts to unimaginable crates, contents containing the story of sound system music in America and beyond. Antiserum assumes his role as a Black Box resident with a history to share. By bringing the best of bass music’s every rendition to The Black Box, the artist steps up as an educator and mentor for a newly-sentient underground scene. </p>
<p>Antiserum kicks off his quarterly residency on Jan. 5th with a celebration of dubstep in its purest form. Joining his journey through the roots of the sound are Sub.mission resident DJs Ind33p, Thanom, and Subliminal, each armed with a personal lore to unleash. Tickets for the event are available now: <strong><a contents="http://bit.ly/antiserum-kickoff-tix" data-link-label="" data-link-type="url" href="http://bit.ly/antiserum-kickoff-tix" target="_blank"><span style="color:#e74c3c;">http://bit.ly/antiserum-kickoff-tix</span></a></strong></p>
<p> </p>
<p><strong><span style="color:null;">Tracklist:</span></strong><br> </p>
<p>1. Luke Envoy - Gamma </p>
<p>2. Loefah - Disko Rekah </p>
<p>3. Dj Quest & Eskmo - Speakers Corner (Antiserum & Eskmo remix) </p>
<p>4. Joker & Jakes - 3klane </p>
<p>5. 16 bit - In The Death Car </p>
<p>6. Benga - Crunked Up </p>
<p>7. Jakes - Rock The Bells </p>
<p>8. Giant - Party Starter </p>
<p>9. Emalkay - Explicit </p>
<p>10. Benga - 26 Basslines </p>
<p>11. Caspa & The Others - Well 'ard </p>
<p>12. Joker - Purple City </p>
<p>13. Emalkay - Fabrication </p>
<p>14. Chasing Shadows - It Was Written</p>
<p> </p>14:53subdotmission.comtag:www.subdotmission.com,2005:Post/55712652018-12-27T17:42:40-07:002021-08-22T09:12:07-06:00Sub.mission Podcast #259: Wriza<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e2735a406f1f4bd3aba246cab02675787ca9cdfb/original/wrizapodcast.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>We're excited to announce Wriza as the newest addition to the Sub.mission Agency. The artist whipped up a mix to introduce himself to all of you - get to know the fresh member of the Sub.mission family right here.<br><br>Follow Wriza on Facebook: <strong><a contents="https://www.facebook.com/wrizamusic/" data-link-label="" data-link-type="url" href="https://www.facebook.com/wrizamusic/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/wrizamusic/</span></a></strong><br><span style="color:null;">SoundCloud: </span><strong><a contents="https://soundcloud.com/wrizamusic" data-link-label="" data-link-type="url" href="https://soundcloud.com/wrizamusic" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/wrizamusic</span></a></strong><br><span style="color:null;">For bookings, email Corey.Pfaff@subdotmission.com</span></p>
<p>Tracklist:<br>Wriza - Alan Watts Intro<br>Drake - We Made it ft. Soulja Boy (Wriza Bootleg) (Unreleased)<br>Wriza - Paranoidd / Absoul - Terrorist Threats ft. Danny Brown & Jhene Aiko<br>Wriza - Career Day (Unreleased)<br>Wriza - Tickled (Unreleased)<br>Childish Gambino - This is America (Measly Flip)<br>Levitate x Macntaj - War Ready<br>Wriza x WORMZ - Let It Breathe VIP (Unreleased) / Eminem - Venom<br>Foreign Beggars - LDN ft. Alix Perez (Wriza Bootleg) (Unreleased)<br>Wriza - Digital Flare<br>Wriza - Desert Dwellings (Unreleased)<br>Wriza - Rigor Mortis (Unreleased)<br>Wriza - Is It?<br>Mystic Grizzly - Divine Encounters<br>Wriza - Dreamcatcher (Unreleased) / Rich Boy - Throw Some D’s<br>WORMZ x Notorious Conduct - Dope Slanga (Unreleased) / Yung Joc - It’s Goin Down<br>Wriza - Rise Up (Unreleased)<br>Adair - Know Me / Butch Clancy x A-1 - P&B ft. A-1<br>Wriza x Refrakt - Distant Horizon (Unreleased) / Mac Miller - Conversation pt. 1<br>Wriza - Duffle (Unreleased)<br>Mersiv - Drop That Beat (Unreleased)<br>Calvin Hobbes - Inhibitions<br>Wriza - I Like That (Unreleased)<br>Opalyte - Butane (Unreleased) / Earthgang - Meditate ft. J.I.D.<br>Wriza - Recoil (Unreleased)<br>Wriza x Mersiv - Lost In Routine (Unreleased) / Danny Brown - Lie4 (Shades Bootleg)<br>Wriza - Left Wanting<br>Wriza x Opalyte - The Pressure Ft. Knat Turner<br>5 & A Dime x Peekaboo - Make Em’ Bounce<br>A$AP Ferg - Plain Jane (Wriza Bootleg)<br>Mad Zach - Brootle / Childish Gambino - One Up<br>FiYah x Patches O’Malley - Frisson (Unreleased)<br>Refrakt - Airplane Mode (Unreleased) / Erik The Architect - P.U.T.A._Stacey is the Bride<br>Nicki Minaj - Chun Li (Wriza x Knat Turner Bootleg) (Unreleased)<br>Johnny Polygon - Price on Your Head</p>
<p><br><br> </p>59:01subdotmission.comtag:www.subdotmission.com,2005:Post/55633162018-12-20T19:00:40-07:002021-08-26T04:38:16-06:00Release Review: Dayzero - Sunday On Spaceship/Down By Law [Sentry Records]<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/16468045010b9bba42b195463e56a9dcc188b809/original/sen008.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p><a contents="By Amye Koziel" data-link-label="" data-link-type="url" href="https://twitter.com/broziel" target="_blank"><span style="color:#e74c3c;"><em><span class="font_small">By Amye Koziel</span></em></span></a></p>
<p>Dubstep is evolving. Once a niche, hybrid sound hardly known beyond its clique of UK creators, the genre is now a vastly rooted worldwide diaspora - still rooted to its underground soul, but driven by a new generation of musical imaginations emerging from around the globe. </p>
<p>Hailing from Japan, Dayzero is one such artist pushing creativity in the maturing genre. A resident of Japan’s iconic collective <strong><a contents="Back To Chill" data-link-label="" data-link-type="url" href="https://www.facebook.com/backtochilltokyo/" target="_blank"><span style="color:#e74c3c;">Back To Chill</span></a></strong>, Dayzero is leading figure in new-wave dubstep’s distortion movement: he represents the disruptive style alongside Karnage as a co-founder of their label<strong><span style="color:#e74c3c;"> </span><a contents="Vomitspit" data-link-label="" data-link-type="url" href="https://vomitspitjp.bandcamp.com/" target="_blank"><span style="color:#e74c3c;">Vomitspit</span></a></strong>. Dayzero rose onto the scene’s radar via releases on notably forward-thinking imprints like Encrypted Audio and Deep Dark & Dangerous. His newest EP on Youngsta’s Sentry Records follows up a solo release on N-Type’s Wheel & Deal to proclaim not only the producer’s place among electronic music’s elite, but also the progression of underground dubstep as a legitimate genre as it seeps out of Croydon basements and into the future.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/476522868&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>Sentry008 includes two tracks from Dayzero: “Sunday On Spaceship” and “Down By Law.” The EP’s A-side is a low-range growler featuring a gritty bassline reminiscent of the “dungeon” aesthetic that shaped deep dubstep’s signature sound. As the subfrequent skankers’ beat lurks familiarly forward, the track builds through subtle (but crisp) sound system layers and a disjointed, sometimes discordant melody to summon otherworldly space within the voluminous track. </p>
<p>“Sunday On Spaceship” plays with the expectations established across the genre’s history, but beneath its loose melody and unconventional percussive accents, the tune maintains a classic feel: it is audibly an updated continuation to the old-school dubstep canon. But Dayzero diverges from the distinctly UK style on the record’s B-side. </p>
<p>“Down By Law” plays out as a natural progression of the track before - these tunes can be appreciated as one complete piece of music. But the composition’s second part amplifies the alien unorthodoxy that only laces the A-side. Tethered more to its idiosyncratic melody than any cohesive or predictable beat, “Down By Law” embodies an experimental energy that rings with Encrypted Audio’s now-notorious influence. While unmistakably a dubstep production in structure and etymology, Dayzero toys with the 140 template to atypical effect. “Down By Law” seems to have more in common with tracks like <strong><a contents="DMVU’s paradigm-shattering anthem “Bloccd”" data-link-label="" data-link-type="url" href="https://soundcloud.com/deepdarkdangerous/dmvu-bloccd" target="_blank"><span style="color:#e74c3c;">DMVU’s paradigm-shattering anthem “Bloccd”</span></a></strong> than any of the genre’s original classics. Contagious, but not contrived, the tune carries crossover appeal for a greater bass music scene always searching for surprises. </p>
<p>Dayzero’s EP marks the eighth release on Youngsta’s <strong><a contents="Sentry Records" data-link-label="" data-link-type="url" href="https://sentryrecords.bandcamp.com/" target="_blank"><span style="color:#e74c3c;">Sentry Records</span></a></strong>. Even so early in the label’s fledgling life, the EP is a clear fit on the imprint boasting releases like <strong><a contents="the debut of Gramz" data-link-label="" data-link-type="url" href="https://soundcloud.com/gramzgully/dip-dip-potato-chip-sentry-records" target="_blank"><span style="color:#e74c3c;">the debut of Gramz</span></a></strong>, Sleeper’s experimental alter-ego. Youngsta’s voice as a curator rings out with this release: rather than re-hashing the “good ol’ days,” the originator remains committed to the creative progression of the sound. Sentry’s catalogue already includes artist representation from well beyond the UK’s borders. Youngsta’s embracement of the genre’s global status is optimistic as its movement continues to spread: dubstep will always need its elders to keep it anchored to its roots. </p>
<p>And it is refreshing to see the genre’s pioneers fostering genuine underground sounds. As long as there’s light to shine on producers like Dayzero as they spill their souls on the buttons, dubstep’s reign over electronic music’s cutting edge won’t end anytime soon.</p>
<p><em>Sentry008 is available on 12/21: <a contents="https://sentryrecords.bandcamp.com/album/sunday-on-spaceship-down-by-law" data-link-label="" data-link-type="url" href="https://sentryrecords.bandcamp.com/album/sunday-on-spaceship-down-by-law" target="_blank"><span style="color:#e74c3c;"><strong>https://sentryrecords.bandcamp.com/album/sunday-on-spaceship-down-by-law</strong></span></a><br>Follow Sentry Records on Facebook: <a contents="https://www.facebook.com/SentryRecords/" data-link-label="" data-link-type="url" href="https://www.facebook.com/SentryRecords/" target="_blank"><strong><span style="color:#e74c3c;">https://www.facebook.com/SentryRecords/</span></strong></a></em></p>
<p><em>Follow Dayzero on Facebook: <a contents="https://www.facebook.com/iamdayzero/" data-link-label="" data-link-type="url" href="https://www.facebook.com/iamdayzero/" target="_blank"><strong><span style="color:#e74c3c;">https://www.facebook.com/iamdayzero/</span></strong></a><br>SoundCloud: <a contents="https://soundcloud.com/dayzero_jp" data-link-label="" data-link-type="url" href="https://soundcloud.com/dayzero_jp" target="_blank"><span style="color:#e74c3c;"><strong>https://soundcloud.com/dayzero_jp</strong></span></a></em></p>subdotmission.comtag:www.subdotmission.com,2005:Post/55597042018-12-18T17:25:02-07:002023-12-10T11:04:24-07:00Sub.mission Podcast #258: Sin7<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2f85c187cc3bb78e64bd3f26772015cca4cffaaf/original/podcast258sin7.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>This week's edition of the Sub.mission Podcast features a mix from Denver selector Sin7. Raised by Sub.mission's dance floors, Sin7 constantly keeps an ear to the global dubstep scene. His selections reflect not only new releases, but forgotten gems from throughout the genre's history, and big tracks from Colorado's underground. As a pure DJ, Sin7 is skilled at building a vibe and keeping the dance floor on its toes. Sin7 also curates Sin7 & Friends, a monthly event at The Black Box.<br><br>RSVP to Sin7 & Friends - 12/20: <strong><a contents="https://www.facebook.com/events/330735914388090/" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/330735914388090/" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/events/330735914388090/</span></a></strong><br><span style="color:null;">Follow Sin7 on Facebook: </span><strong><a contents="https://www.facebook.com/pg/Sin7Dubstep" data-link-label="" data-link-type="url" href="https://www.facebook.com/pg/Sin7Dubstep" target="_blank"><span style="color:#e74c3c;">https://www.facebook.com/pg/Sin7Dubstep</span></a></strong><br><span style="color:null;">SoundCloud: </span><strong><a contents="https://soundcloud.com/s-i-n-7" data-link-label="" data-link-type="url" href="https://soundcloud.com/s-i-n-7" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/s-i-n-7</span></a></strong></p>
<p> </p>46:43subdotmission.comtag:www.subdotmission.com,2005:Post/55475082018-12-13T14:15:55-07:002018-12-13T15:23:12-07:00Sub.mission Podcast #257: Repulsion<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/38c9693974a5ab8669187599486ea5d22cc705d7/original/podcast257repulsion.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Follow Repulsion on Facebook: <a contents="https://www.facebook.com/repulsionmusic/" data-link-label="" data-link-type="url" href="https://www.facebook.com/repulsionmusic/" style="" target="_blank">https://www.facebook.com/repulsionmusic/</a><br>SoundCloud: <a contents="https://soundcloud.com/repulsion-1997" data-link-label="" data-link-type="url" href="https://soundcloud.com/repulsion-1997" target="_blank">https://soundcloud.com/repulsion-1997</a><br>Bookings: Max.Kipperman@subdotmission.com</p>
<p>00:00 - Vandull - Shakira (NGVibez Version) [FREE] <br>01:22 - Seraph - Locusts [DUB] <br>02:58 - Repulsion - Nani (nova Remix) [DUB] <br>04:20 - Blurred Signs, Kercha & Dub Killer - Casscade [DUB] <br>05:43 - ??? - ??? <br>06:37 - The Widdler - Rubber Bong (Hertz Remix) (Vocal Edit) [DUB] <br>8:01 - nova - ??? [DUB] <br>8:55 - NGVibez - F'ed [DUB] <br>09:50 - Tetrad & Ahkur - ??? [DUB] <br>11:12 - Counterfeit Rainbow - Hollowed [DUB] <br>12:07 - Chad Dubz - WTF [DUBSTAR] <br>13:29 - AD, Curzed & SUBFILTRONIK!!! - Evil Ryu (CITOBOR VIP) [DUB] <br>14:33 - Repulsion - Star Mark [FORTHCOMING ???] <br>15:29 - Rumble - Round One [DUB] <br>16:51 - Le Lion - Ashes and Dust [DUB] <br>17:46 - Repulsion - Uh Oh [DUB] <br>19:08 - Repulsion - Spawn Point One [FORTHCOMING ???] <br>20:58 - Seraph - Magic Beast [DISQUIET MIND] <br>22:20 - Repulsion - At Any Given Moment [FORTHCOMING ???] <br>23:42 - Malleus - Body Heat [FKOF] <br>25:05 - Reaction - Jelly Brain [SUBQUAKE AUDIO] <br>26:27 - Seraph & Repulsion - Untitled [FORTHCOMING ???] <br>28:17 - ??? - ??? <br>29:12 - Parrotice - Sleeping Inside Us (DJ Variant Remix) [DUB] <br>30:47 - AxH - Dubplate Champion (Abstrakt Sonance Remix) [GOURMETBEATS] <br>31:59 - Grundy - Kill Em' On A Riddim (feat. Vandull) [FORTHCOMING ???] <br>32:51 - BADDYS - Green Goblin [FREE] <br>34:27 - VATIK - Re-Dub [DUB] <br>35:35 - Delicquency - Untitled [DUB] <br>36:58 - Cluekid - Tachyon Field (Cranky Wasp) [VINYL VIGILANCE] <br>38:20 - Aki. - Mammoth Dub [SUBSTANTIAL AUDIO] <br>39:42 - Repulsion - Irvine's Eye [DUB] <br>40:36 - Aztek - New Dehli Truck [FREE] <br>42:00 - Repulsion - Ladies, Please! [FORTHCOMING ???] <br>43:22 - nova - Red Alert [DUB] <br>44:44 - Concious Pilot - ??? [DUB] <br>46:07 - ENiGMA Dubz - Dirty South (ARtroniks Remix) [DUPLOC] <br>47:01 - Repulsion - What Cat [FORTHCOMING ???] <br>48:24 - Bukez Finezt - Who's On The Throne (DESKEM Remix) [FREE] <br>49:19 - The Greys & Repulsion - Hazy [DUB] <br>50:41 - Pacific Numen & Repulsion - Untitled [DUB] <br>52:01 - Repulsion - Berserker System Offline [FORTHCOMING ???] <br>52:58 - Repulsion - You Failed! [DUB] <br>54:20 - Karnage - ??? [DUB] <br>55:42 - Wolf Camo & Repulsion - Swear [FORTHCOMING ???] <br>57:05 - Skream - What Did He Say? [FREE] <br>58:27 - Concious Pilot - 1995 VIP [DUBLINE RECORDS] <br>59:31 - Repulsion - What Happened [UNRELEASED BEAT] <br>01:00:38 - Repulsion - Zzzz [UNRELEASED BEAT] <br>01:01:52 - Repulsion - visual Novel [UNRELEASED BEAT]</p>1:03:16subdotmission.comtag:www.subdotmission.com,2005:Post/55513352018-12-12T16:27:44-07:002023-12-10T10:06:03-07:00Agency Announcement: Hatcha<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/075c5f8ff213340048d70e9709901616b9acefd1/original/hatchaannounce.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>The Sub.mission Agency is ecstatic to announce Hatcha as the newest addition to our roster. As one of dubstep's original pioneers and a long time friend of Sub.mission, Hatcha's place on the agency is only natural. The Croydon-based DJ and producer played a formative role in shaping the UK dubstep sound over a decade ago; today, he continues to move the genre forward through his live sets and productions. Hatcha's enduring passion for dubstep and its fans establishes the artist as a lasting figurehead for the genre, and a favorite among fans across the world.</p>
<p>For booking information, contact Corey.Pfaff@subdotmission.com<br><br>Follow Hatcha on Facebook: <a contents="https://www.facebook.com/hatchadj/" data-link-label="" data-link-type="url" href="https://www.facebook.com/hatchadj/" style="" target="_blank">https://www.facebook.com/hatchadj/</a><br>SoundCloud: <a contents="https://soundcloud.com/djhatcha" data-link-label="" data-link-type="url" href="https://soundcloud.com/djhatcha" style="" target="_blank">https://soundcloud.com/djhatcha</a></p>
<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/55475062018-12-10T17:54:37-07:002022-09-19T03:44:25-06:0012/29: Dark Tantrums, Ternion Sound, & Sub.mission Residents @ The Black Box<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/fdf5e98b4d68f6316cdc5076b0d579314eb78fa0/original/darktantrums.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Not every new beginning means starting from scratch. On December 29th, we celebrate traditions forged by time passed before diving headfirst into the future. The final 140BPM bassweight event of 2018 features the revival of a historic Denver dubstep ritual - the return of the past year’s MVP’s - and one last Black Box debut performance to wrap up another amazing year of moving people through sound, not hype. </p>
<p>Tickets for Dark Tantrums, Ternion Sound, and Sub.mission Resident DJs are available now: <strong><a contents="http://bit.ly/darktantrums-ternion-tix" data-link-label="" data-link-type="url" href="http://bit.ly/darktantrums-ternion-tix" style="" target="_blank"><span style="color:#e74c3c;">http://bit.ly/darktantrums-ternion-tix</span></a></strong></p>
<h4><span style="color:null;">Sub.mission Residents: Bean B2B Caustik B2B Dillard B2B Trisicloplox</span></h4>
<p>Since day one, resident DJs have formed the musical foundation of the Sub.mission movement. These selectors are more than simply producers or performers. They are educators, activists, and mentors to the young artists & fans they inspire. No headliner knows The Black Box, Basscouch, or the Denver dubstep dance floor as intimately as the local residents. On 12/29, Bean, Caustik, Dillard, and Trisicloplox unite as one to resurrect the tradition of resident tag sets started back in the day. </p>
<p>Individually, each of these DJs possesses a sonic personality of their own. Familiarize by following the links below. </p>
<p>Bean: <strong><a contents="https://subdotmission.com/track/968655/podcast-177-bean&nbsp;" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/968655/podcast-177-bean" style="" target="_blank"><span style="color:#e74c3c;">https://subdotmission.com/track/968655/podcast-177-bean </span></a></strong><br>Caustik: <strong><a contents="https://subdotmission.com/track/978258/podcast-099-caustik&nbsp;" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/978258/podcast-099-caustik&nbsp;" style="" target="_blank"><span style="color:#e74c3c;">https://subdotmission.com/track/978258/podcast-099-caustik </span></a></strong><br>Dillard: <strong><a contents="https://soundcloud.com/therust/rusted-rhythms-vol-24-dillard" data-link-label="" data-link-type="url" href="https://soundcloud.com/therust/rusted-rhythms-vol-24-dillard" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/therust/rusted-rhythms-vol-24-dillard</span></a><span style="color:#e74c3c;"> </span></strong><br>Trisicloplox: <strong><a contents="https://soundcloud.com/stylssmix084/stylss-mix-084-trisicloplox" data-link-label="" data-link-type="url" href="https://soundcloud.com/stylssmix084/stylss-mix-084-trisicloplox" style="" target="_blank"><span style="color:#e74c3c;">https://soundcloud.com/stylssmix084/stylss-mix-084-trisicloplox</span></a></strong></p>
<h4><span style="color:null;">Ternion Sound</span></h4>
<p>Denver dubstep is a personal ordeal for breakout Minnesota trio Ternion Sound, and Denver already holds the Sub.mission Agency artists dear. Despite making their Black Box debut only months ago, the return of Ternion Sound ranks as one of the most anticipated performances of 2018. In the studio, the producers have been busy: this year alone, they’ve released on Silent Motion, Chestplate, Artikal Music UK, and duploc, twice - first digitally, <strong><a contents="the next forthcoming on vinyl 1/29/19" data-link-label="" data-link-type="url" href="https://soundcloud.com/duploc/duplocv002-ternion-sound-verify-me-vip" style="" target="_blank"><span style="color:#e74c3c;">the next forthcoming on vinyl 1/29/19</span></a></strong>. Their tracks are routine subjects for the rewind treatment by Colorado locals and international headliners alike, on any given Tuesday night. Still, bangers as they may be, the individual tunes pale in comparison the energy Ternion Sound unleashes on the decks. Their passion for the spreading the .mission is amplified for the group’s second-hometown crowd. Selections from their last set included a “Denver VIP” of CO producer Dalek One’s track “Mumble Dub,” among many exclusive treats. </p>
<p>Ternion Sound talked dubstep, DJ’ing, and the Sub.mission movement with <strong><a contents="LostinSound" data-link-label="" data-link-type="url" href="https://www.facebook.com/lostinsound.live" style="" target="_blank"><span style="color:#e74c3c;">LostinSound</span></a></strong> on their last visit. Check out the feature length interview below. </p>
<p><iframe allowfullscreen="true" allowtransparency="true" frameborder="0" height="315" scrolling="no" src="https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2Flostinsound.live%2Fvideos%2F225338208068718%2F&show_text=0&width=560" style="border:none;overflow:hidden" width="560"></iframe></p>
<h4>Dark Tantrums</h4>
<p>Any stateside appearance from Dark Tantrums is a precious occasion. The Croydon-based badman hasn’t played in Denver since Sub.mission’s 8th birthday in 2015. Since then, the producer has racked up releases on labels including duploc, Circle Vision, New World Audio, Biscuit Factory Records, and Artikal Music UK. The laundry list of labels run by dubstep’s most respected artists & curators speaks volumes to Dark Tantrum’s place at the heart of the sound. </p>
<p>A prodigy of Kromestar, Dark Tantrums arrived on 140 terrain by way of drum and bass. By 2012, the producer had already earned dubstep’s greatest honor: <strong><a contents="an EP on Deep Medi" data-link-label="" data-link-type="url" href="https://soundcloud.com/dark_tantrums/unborn-deep-medi" style="" target="_blank"><span style="color:#e74c3c;">an EP on Deep Medi</span></a></strong>. Dark Tantrums is a leader among dubstep’s lowkey dons. His Black Box debut is not to be taken lightly. </p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/514236903&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<h4>Tickets: <a contents="http://bit.ly/darktantrums-ternion-tix" data-link-label="" data-link-type="url" href="http://bit.ly/darktantrums-ternion-tix" style="" target="_blank"><span style="color:#e74c3c;">http://bit.ly/darktantrums-ternion-tix</span></a><br>RSVP: <a contents="http://bit.ly/darktantrums-ternion-fb" data-link-label="" data-link-type="url" href="http://bit.ly/darktantrums-ternion-fb" target="_blank"><span style="color:#e74c3c;">http://bit.ly/darktantrums-ternion-fb</span></a>
</h4>
<p><strong><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="https://www.twitter.com/broziel" style="" target="_blank"><span style="color:#e74c3c;"><em><span class="font_small">Amye Koziel</span></em></span></a></strong></p>
<p> </p>
<p><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/55430662018-12-06T19:37:06-07:002020-11-24T05:51:27-07:00Release Review: LSN - Systematic EP [Artikal Music UK]<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ca9ca1f85cfdd3b9757a9e1caca73ac9acc5a841/original/systematic-ep.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><a contents="By Amye Koziel" data-link-label="" data-link-type="url" href="https://twitter.com/broziel" style="" target="_blank"><span style="color:#c0392b;"><em><span class="font_small">By Amye Koziel</span></em></span></a></p>
<p><br><strong>LSN </strong>continues their low-end crusade with their latest release on Artikal Music UK. In some ways, the <em>Systematic </em>EP is a quintessential release from the prolific dubstep trio; in others, the EP is quite different from what we’ve come to expect from the group. Unmistakably anchored to dubstep’s musical and ideological tradition, LSN’s <em>Systematic </em>EP is an intuitive fit on J:Kenzo’s iconic imprint. The release is available 12/7/2019 via the Artikal Music <strong><a contents="Bandcamp" data-link-label="" data-link-type="url" href="http://bit.ly/artikal-bandcamp" style="" target="_blank"><span style="color:#c0392b;">Bandcamp</span></a></strong>.</p>
<p>LSN’s most recognizable signature may be Simetra’s haunting vocals, but lately the trio’s experimental impulse has been on central display. Recent releases - notably the <strong><a contents="Control Pt. 2 EP on Uprise Audio" data-link-label="" data-link-type="url" href="https://upriseaudio.bandcamp.com/album/control-ep-pt-2" style="" target="_blank"><span style="color:#c0392b;"><em>Control Pt. 2</em> EP on Uprise Audio</span></a></strong> - purposefully push expectations and genre boundaries via alternative BPMs and styles. But the <em>Systematic </em>EP is almost meta-dubstep: each of the four 140BPM tracks highlights formational themes from dubstep’s history, both lyrically and in their instrumental production.</p>
<p>In typical LSN fashion, <em>Systematic </em>is unusually vocal-centric compared to dubstep’s expected instrumentalism. But this EP also includes prolific guest vocalists on two of its tracks. The EP’s title track, “Systematic,” features Warrior Queen alongside LSN’s own Simetra. Within a song structure more typical of modern lyrical music, Warrior Queen’s verse and Simetra’s refrain create a dialogue that epitomizes the role of underground music in today’s consumerist, media-saturated culture. Simetra’s chorus is both thematically profound, and contagiously singable:<em> “Systematic brainwash tactic…”</em></p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/537890688&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>The verbal motif continues through “Reality,” featuring one of dubstep’s favorite conscious MC’s, Rider Shafique. Shafique’s lyrics are a very direct allusion to the genre’s “dub” roots, but are also sure to resonate with dubstep’s youthful modern audience, who’s fresh disillusionment to the society that raised them likely contributes to the appeal of the dark underground sound. Lines like <em>“Slaves to a system that’s corrupt and dirty”</em> re-iterate and reflect the lyrical message in “Systematic.” Through their heavy vocal emphasis, these tunes make dubstep’s heart, soul, and sense of consciousness accessible to its new generation of fans - a counterpoint (and a complement) to the obsession with innovation shared by the digital era’s artists and fans, as well as LSN themselves.</p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/534782829&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>On another relase, “Gone” might be the easy centerpiece, with its raw, intimate energy and potent crossover potential. Simetra’s chopped, airy vocals add a special sparkle to the track’s gritty vibe and dancefloor-ready momentum: “Gone” is the type of creative banger most audibly associated with LSN’s place in the scene today.</p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/428549658&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>But on an EP that places substantial lyricism at its core, the opening track, “Join Em,” stands out. The immersive, wonky, new-wave gunfinger-blazer isn’t totally instrumental. “Join Em” includes a comically profound sample sure to resonate with DJs and especially promoters today. The source of this sample is unknown to us, but I wonder if it, too, is a subtle reference to sound system music’s history.</p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/388371755&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>On a surface level, the musical value of <em>Systematic </em>requires no justification. The EP is a coherent collection of four standalone tracks, each boasting prolific radio & live set play that is likely to continue beyond the release date. It is undeniably a top-tier dubstep EP: but the self-awareness of themes explored throughout the release give depth to what that means. The lyrics themselves paint conscious acknowledgement to dubstep’s underground ethos, which is especially important in a time when the genre’s growth in popularity outpaces its tradition. As rising musical authorities in a scene undergoing an unprecedented international rebirth, LSN’s stated commitment to its roots is impressive and, in a lofty, big-picture type of way, incredibly important.</p>
<p><strong>Buy/stream the Systematic EP: </strong><a contents="http://bit.ly/artikal-bandcamp" data-link-label="" data-link-type="url" href="http://bit.ly/artikal-bandcamp" style="" target="_blank"><span style="color:#c0392b;">http://bit.ly/artikal-bandcamp</span></a><br><strong>LSN on Facebook: </strong><a contents="https://www.facebook.com/LSNaudio/" data-link-label="" data-link-type="url" href="https://www.facebook.com/LSNaudio/" style="" target="_blank"><span style="color:#c0392b;">https://www.facebook.com/LSNaudio/</span></a><br><strong>SoundCloud: </strong><a contents="https://soundcloud.com/lsn-uk" data-link-label="" data-link-type="url" href="https://soundcloud.com/lsn-uk" style="" target="_blank"><span style="color:#c0392b;">https://soundcloud.com/lsn-uk</span></a></p>
<p><strong><span style="color:null;">Check out LSN's installment of the</span><span style="color:#e74c3c;"> </span><a contents="Sub.mission Podcast " data-link-label="Sub.mission Podcast" data-link-type="page" href="/sub-mission-podcast" target="_blank"><span style="color:#e74c3c;">Sub.mission Podcast </span></a><span style="color:null;">below.</span></strong></p>1:45:49subdotmission.comtag:www.subdotmission.com,2005:Post/55396212018-12-05T17:12:30-07:002021-11-25T00:41:05-07:00Sub.mission Podcast #256: Drifter Angle<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/4f08021dbd6a1901af891cbb4e8173ac202fdc4b/original/podcast256drifterangle.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Upon his win in the monthly Electronic Tuesdays Winners Showcase battle, Drifter Angle recorded a smooth, spooky mix for the Sub.mission Podcast. Drifter Angle doesn't only deal in dubstep: check out his SoundCloud for mixes in many different genres from the Denver DJ.<br><br>Drifter Angle:<br>Facebook- <a contents="https://www.facebook.com/DrifterAngle" data-link-label="" data-link-type="url" href="https://www.facebook.com/DrifterAngle" target="_blank">https://www.facebook.com/DrifterAngle</a><br>SoundCloud- <a contents="https://soundcloud.com/drifterangle" data-link-label="" data-link-type="url" href="https://soundcloud.com/drifterangle" target="_blank">https://soundcloud.com/drifterangle</a><br><br>Primer - Untitled [Rarefied] <br>LFK - Blur (Hitman Remix) [Cat Friendly Records] <br>Ceiva - Power Surge [DUB] <br>Traces - Knowledge [DUB] <br>Thundaklap - Odd Beliefs [FREE DL] <br>Moonstones - Inland [Crucial Recordings] <br>Quasar - Bernie's Shovel [SUB garden] <br>Ghetts ft. Brutal - Don't Phone Me (Roklem & Sebalo bootleg) [FREE DL] <br>Whatley - scope lock [SELF RELEASED] <br>Vermin x Repulsion - What's The World Coming To? [DUB] <br>Ceiva x Phossa - Back of the Lab [SELF RELEASED] <br>Deadline - Circling Back [DUB] <br>Ego Death x Hitman - Ancient Rituals [DUB] <br>Traces - Drop [SELF RELEASED] <br>D Double E ft. Skepta - Nang [Bluku Music] <br>Hebbe - Sixes and Sevens [Cue Line Records] <br>Sepia - Instinct [Infernal Sounds] <br>Gaze Ill - Mist [Cue Line Records] <br>Dalek One - Torture [Version Collective] <br>MoWoG - Ancient Folks [SUB garden] <br>Chokez - Mango Skank [CNCPT Collective] <br>Bengal Sound - Silence Soundboy [White Peach Records] <br>Opus - Voyager [Instigate Recordings] <br>Malleus - Switchblade [SELF RELEASED] <br>Taiko - In My Way [White Peach Records] <br>SkintDisco x Hitman - Closed Statik [DUB] <br>B1t Crunch3r x Ceiva x Moonchild x Thromb - Legion [DUB] <br>Major Oak - Medjay [Version Collective] <br>Father - Hands [Awful Records]</p>47:22subdotmission.comtag:www.subdotmission.com,2005:Post/55296702018-11-28T15:42:30-07:002021-09-14T03:29:04-06:00Sub.mission Podcast #255: Rumblejunkie<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/44ae0c3e2c14b4b26e0c41498358f5c0939dcb4c/original/podcast255rumblejunkie.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br><br><br>Rumblejunkie is a long-time Sub.mission resident DJ, so we're thrilled to unveil his latest mix on our podcast. Podcast #255 features a refreshing selection of lesser-known tracks from well-known and underground artists alike in the realm of dubstep and beyond - as well as a few originals from the artist himself. Check out the mix exclusively via Sub.mission.<br><br>Follow Rumblejunkie:<br>Facebook: <a contents="https://www.facebook.com/rumblejunkiedubstep" data-link-label="" data-link-type="url" href="https://www.facebook.com/rumblejunkiedubstep" target="_blank">https://www.facebook.com/rumblejunkiedubstep</a><br>SoundCloud: <a contents="https://soundcloud.com/rumblejunkie" data-link-label="" data-link-type="url" href="https://soundcloud.com/rumblejunkie" target="_blank">https://soundcloud.com/rumblejunkie</a></p>
<p><br>Tracklist:</p>
<p>1 The Offering Distance & J Kenzo<br>2 Arrival PEEKABOO<br>3 Secret Society Pushloop<br>4 Elephant Kombat Rufus!<br>5 Inari Yuto & R!OT<br>6 Get In the Flow DJ Hybrid<br>7 Chronograph Amoss<br>8 Big Truck Rumblejunkie<br>9 Times of the Essence Djunya<br>10 Burnt Oak Cimm<br>11 Chic Ivy Lab<br>12 Mirrorgate Rumblejunkie<br>13 Assembler Mefjus<br>14 Templar III Lewis James<br>15 Got It Rumblejunkie<br>16 Groilla Simple Technique<br>17 The Pack The Upbeats & Truth<br>18 Deface Razlom<br>19 No One Else Kumarachi<br>20 Pistol Grip (Dj Madd remix) Subreachers<br>21 Pistol Grip Subreachers<br>22 Trinity OX7GEN<br>23 Do It Again (feat. Armanni Reign) Bensley<br>24 Physically Mefjus<br>25 Shock Balatron<br>26 Ozymandias Rumblejunkie<br>27 Culture Shock Sound TLZMN<br>28 Bullet in da Pen Stagga & Magugu</p>53:30subdotmission.comtag:www.subdotmission.com,2005:Post/55295952018-11-27T14:44:58-07:002023-12-10T10:20:51-07:00Agency Announcement: Salty<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8b14115ab1116ba49fac97a74a8603cb287a505e/original/salty-press.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>The Sub.misson Agency is proud to announce the latest addition to its expanding roster of underground artists. Hailing from Georgia, USA, Salty is already an established staple on bills across the American south. His thick, wobbly brand of deep dubstep emulates the musical movement spearheaded by artists like The Widdler - and this breakthrough producer is just getting started. Salty contributes a unique flavor to the diverse agency lineup, and we're excited for where his artist adventure leads.<br><br>Salty on Facebook: <a contents="https://www.facebook.com/SaltyDubstep" data-link-label="" data-link-type="url" href="https://www.facebook.com/SaltyDubstep/" target="_blank">https://www.facebook.com/SaltyDubstep</a><br>SoundCloud: <a contents="https://soundcloud.com/sal-t-dubstep" data-link-label="" data-link-type="url" href="https://soundcloud.com/sal-t-dubstep" target="_blank">https://soundcloud.com/sal-t-dubstep/</a><br><br>To book Salty in your city, contact max.kipperman@subdotmission.com.</p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/389194449&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/55235102018-11-23T00:09:32-07:002022-05-16T02:23:12-06:00Event Preview: Agency Showcase ft. Emalkay, TMSV, Mesck, & Sectra - 11/24<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/59c6457f2da8059b0329d3151f604167b39e3918/original/24-nov.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>This Saturday the Sub.mission Agency returns to The Black Box with yet another powerhouse lineup custom tailored especially for the hometown crowd. This edition of the showcase series spotlights dubstep’s diversity and musical breadth: <a contents="Sectra" data-link-label="" data-link-type="url" href="https://www.facebook.com/sectramusic/" target="_blank"><strong>Sectra</strong></a>, <a contents="Mesck" data-link-label="" data-link-type="url" href="https://www.facebook.com/mesckmusic/" target="_blank"><strong>Mesck</strong></a>, <a contents="TMSV" data-link-label="" data-link-type="url" href="https://www.facebook.com/tmsvmusic/" target="_blank"><strong>TMSV</strong></a>, and <a contents="Emalkay" data-link-label="" data-link-type="url" href="https://www.facebook.com/emalkayofficial/" target="_blank"><strong>Emalkay</strong></a> each bring their own unique flavors to the realm of 140 (and beyond).<br><br><a contents="Tickets for this event are available now." data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1776669?utm_medium=ampOfficialEvent&utm_source=fbTfly" target="_blank">Tickets for this event are available now.</a></p>
<h4><a contents="Sectra" data-link-label="" data-link-type="url" href="https://soundcloud.com/sectra" target="_blank">Sectra</a></h4>
<p><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2185224558/size=large/bgcol=ffffff/linkcol=333333/tracklist=false/artwork=small/transparent=true/" style="border: 0; width: 100%; height: 120px;">You Don&#39;t Know What Pain Is by Sectra</iframe></p>
<p>Boasting releases on labels including Deep Dark & Dangerous, Encrypted Audio, and Denver’s own FringeWorthy, newly-dubbed Denver local Sectra is swiftly becoming a Black Box favorite. As a producer, Sectra draws equal influence from metal, noise, and genres beyond as he does dubstep itself. His approach to sound system music is distorted, demonic, and physically immersive on the dance floor. </p>
<p> </p>
<h4><a contents="Mesck" data-link-label="" data-link-type="url" href="https://soundcloud.com/mesck" target="_blank">Mesck</a></h4>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/443124411&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>As one of the most recognizable American names in dubstep, Mesck is a consistent force on the decks. The seasoned producer’s release catalogue reflects not only prowess, but personality on the buttons: labels including Chestplate, Crucial Recordings, and most recently Trusik each make uniquely fitting homes for Mesck’s music. The artist’s energy for dubstep’s many modern creative renditions is contagious in his DJ sets. Expect an assault of massive tunes from under the radar artists (and under-the-radar tunes from massive artists), as well as plenty of original material by the producer himself.</p>
<p> </p>
<h4><a contents="TMSV" data-link-label="" data-link-type="url" href="https://soundcloud.com/tmsv" target="_blank">TMSV</a></h4>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/431454747&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>Since his E-Tuesdays debut this summer, multi-genre mastermind TMSV has unleashed two massive dubstep EPs on Innamind Recordings and White Peach Records - and we suspect that’s only the tip of the iceberg. As one of bass music’s most well-rounded producers, TMSV also emerges today as a self-aware leader for the future of sound system music. He co-hosts the<strong> <a contents="WIP podcast" data-link-label="" data-link-type="url" href="https://soundcloud.com/thepodcastwip" target="_blank">WIP podcast</a></strong>, a discussion-based project that has thus far featured Joe Nice and Om Unit as guests, and promises to explore the subconscious underpinnings of the electronic music scene with unprecedented depth.</p>
<p> </p>
<h4><a contents="Emalkay" data-link-label="" data-link-type="url" href="https://soundcloud.com/emalkay" target="_blank">Emalkay</a></h4>
<p><iframe allow="autoplay" frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/647507355&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p>One of dubstep’s earliest “household names,” Emalkay is still going strong and true. Today, the artist possesses a refreshed vision for his high energy-low frequency signature sound. The DJ recently launched his EMX mix series, meant to spotlight his favorite gems to rise from the ever-expanding bass music landscape - and highlight the relevance of DJs as curators in the current scene.</p>
<p><em><a contents="RSVP to the event on Facebook," data-link-label="" data-link-type="url" href="https://www.facebook.com/events/300323000783564" target="_blank"><strong>RSVP to the event on Facebook</strong>,</a> and<strong> <a contents="follow Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/" target="_blank">follow Sub.mission</a></strong> to stay up to date on agency happenings, events and more.</em></p>
<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/55217762018-11-21T17:47:31-07:002023-12-10T10:19:41-07:00Sub.mission Podcast #254: Barrett.<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1f5b2eda1021ddbf59fd7795c16cfe087e6cbd28/original/podcast254barrett.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>DJ and producer Barrett. Is yet another Denver-based face of dubstep’s future. Following the release of the <em>No Mercy</em> EP on Silent Motion Records, the artist put together an exclusive mix to showcase his dark, divergent style. As well as unreleased tracks from himself, Barrett’s podcast includes tunes from dubstep’s new wave of innovators, including plenty of fellow Colorado names. </p>
<p>Check out Barrett’s EP release via <strong><a contents="Bandcamp" data-link-label="" data-link-type="url" href="https://silentmotionrecords.bandcamp.com/album/no-mercy-ep" target="_blank">Bandcamp</a></strong>, and catch him on the bill with Juss B at Electronic Tuesdays next week, 11/27.<br><br>Facebook: <a contents="https://www.facebook.com/Barrettmusic" data-link-label="" data-link-type="url" href="https://www.facebook.com/Barrettmusic/" target="_blank">https://www.facebook.com/Barrettmusic</a><br>SoundCloud: <a contents="https://soundcloud.com/barrett_dubstep" data-link-label="" data-link-type="url" href="https://soundcloud.com/barrett_dubstep" target="_blank">https://soundcloud.com/barrett_dubstep</a></p>
<p> </p>
<p><em>Tracklist:</em> </p>
<p>Egoless - Avent (Deep Medi 100) </p>
<p>Old Gold - Gooose (Sure State 001) </p>
<p>Karnage & MarkIV - Witch Doctor (ENC 007) </p>
<p>Dj Variant - Cliche Recipe (Forthcoming) </p>
<p>Teffa X Zygos - Direkt (Dub) </p>
<p>Trisicloplox- Malic Acid (EA: Old Testament) </p>
<p>Sectra - IAIHHM (ENC016) </p>
<p>Darkimh - Flowjam (Silent Motion EP009) </p>
<p>B-say - Scalping (Forthcoming Instigate Records) </p>
<p>Gantz - Spry Sinisters (Deep Medi 78) </p>
<p>Retina - As I Tread This (Dub) </p>
<p>LFK - Blur (Darkkraqqen Remix) (Blur EP) </p>
<p>Khonsu - Asphyxiation (Dub) </p>
<p>Whatley - Space Florida (Dub) </p>
<p>Dayzero - Gun Pop (???????) (Dub) </p>
<p>Barrett. - Foresight (Dub) </p>
<p>Samba - F’n (CRUCIAL 009) </p>
<p>Sectra - You Don’t Know What Pain Is (Fringeworthy) </p>
<p>Retina - The Art of Abandoning Yourself (Dub) </p>
<p>Barrett. - Definition of One’s Self (Dub)</p>31:05subdotmission.comtag:www.subdotmission.com,2005:Post/55121352018-11-13T20:15:49-07:002023-12-10T10:06:03-07:00Sub.mission Podcast #253: MiKrodot<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/767ad58407cc8ff070fc49364a54c4faef0b2f3b/original/podcast253mikrodot.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Sub.mission Agency artist MiKrodot just hit 6,000 followers on SoundCloud, and he whipped up a fresh mix of original productions and collaborations to celebrate. The Minnesota-based producer has been making waves across America and beyond with his deep and wonky style of dubstep. Follow the artist on <strong><a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/mikrodotdubz" target="_blank">Facebook </a></strong>and <strong><a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/mikrodot" target="_blank">SoundCloud</a></strong>, and check out his mix right here - available for free download.</p>
<p><br><em>Tracklist:</em></p>
<p>MiKrodot - ID </p>
<p>MiKrodot - ID </p>
<p>MiKrodot - Badmon Sound </p>
<p>MiKrodot - Temple </p>
<p>Grime Theory x MiKrodot - The Real </p>
<p>Durandal x MiKrodot - Unkindled </p>
<p>MiKrodot - Aztec Gold </p>
<p>MiKrodot - Sub Soldier </p>
<p>MiKrodot - Soundboy Killah </p>
<p>Chief Kaya x MiKrodot - Way of Life </p>
<p>MiKrodot - Fiyah </p>
<p>MiKrodot - Jah Love </p>
<p>MiKrodot - Free Spirit </p>
<p>MiKrodot - ID </p>
<p>MiKrodot x Prophet - Destiny </p>
<p>MiKrodot - DNA </p>
<p>MiKrodot - Be Positive </p>
<p>MiKrodot x ??? - ID </p>
<p>MiKrodot - Level The Vibes </p>
<p>MiKrodot - Cosmic Ting </p>
<p>MiKrodot - Exploration of Space </p>
<p>Durandal x MiKrodot - Impulse </p>
<p>Chief Kaya x MiKrodot - Inner Peace </p>
<p>MiKrodot x Prophet x Six Chakra - Empty The Mind </p>
<p>MiKrodot x Prophet - Conjure </p>
<p>MiKrodot - Spirit Wolf </p>
<p>Cluekid - Weed Smokers (MiKrodot Bootleg) </p>
<p>Chief Kaya x MiKrodot - Power of Sound </p>
<p>Durandal x MiKrodot - Dystopia</p>1:01:46subdotmission.comtag:www.subdotmission.com,2005:Post/54338322018-10-29T10:48:07-06:002022-09-22T09:25:51-06:00Agency Annoucement: Addison Groove<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d584537d68f3750020e16fe322aa237000fc2753/original/flyer1307776830.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p> </p>
<p>The <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/" target="_blank">Sub.mission</a> agency welcomes multifaceted producer Addison Groove to its ever-strengthening roster of talented artists spanning all sounds, styles, moods and influences. First rising onto the dance music's spotlight as dubstep artist Headhunter, Addison Groove derives influences from his jungle, hardcore and deep dubstep roots to create a unique style that blends juke, footwork and booty house; captivating audiences around the globe with his authenticity. </p>
<p>Standing as the juke-infused alter-ego of Headhunter, Bristol-born <a contents="Addison Groove " data-link-label="" data-link-type="url" href="https://www.facebook.com/addisongroove/" target="_blank">Addison Groove </a>has become notorious for conjuring up a unique mixture of juke, footwork and booty house; melting together the 808-derived percussion of juke with high-pitched toms, rapid-fire samples and Chicago’s South Side influences, then slowing it down to weighty, UK bass speeds. Calling on his deeply ingrained bass music roots, Addison Groove infuses his footwork productions with undertones of jungle, hardcore and deep dubstep. With the release of “Footcrab” with Swamp 81 in 2010, Addison Groove made it clear that his idiosyncratic sound boasted impeccable timing and rich applications of footwork, resulting in an all around addicting and novel musical style. </p>
<p>Following the release of his debut album Transistor Rhythm on Modeselektors' 50 Weapons imprint in 2012, Addison Groove has only continued to prove his unique musical magnetism, consistently drawing fans and industry members to his productions and club nights. Addison Groove has carried his distinct sound onto a myriad of releases since then, through labels such as Hyperdub, Swamp 81, Tectonic and Gutterfunk and captivating audiences around the globe playing sets at noteworthy festival, club nights and platforms, like on Boiler Room, Rinse FM and BBC1.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/408943509&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/53618822018-09-24T12:36:30-06:002018-09-24T15:53:12-06:00Agency Annoucement: K.L.O<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/40bab1dcfa0c1fed260bed1cbf2caab192cf4043/original/37862872-2070896613130714-5408935573240938496-o.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p> </p>
<p>The <a contents="Sub.Mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/" target="_blank">Sub.Mission</a> agency is pleased to welcome to its continuously growing roster of internationally revered artists a phenomenal trio from the <a contents="Slug Wife" data-link-label="" data-link-type="url" href="https://www.facebook.com/SLUGWIFE/" target="_blank">Slug Wife</a> camp: <a contents=" K.L.O" data-link-label="" data-link-type="url" href="https://www.facebook.com/KLOnoise/" target="_blank">K.L.O</a>, composed of independent acts <a contents="Kursa" data-link-label="" data-link-type="url" href="https://www.facebook.com/Kursa.music/" target="_blank">Kursa</a>, <a contents=" Lone Drum" data-link-label="" data-link-type="url" href="https://www.facebook.com/Lonedrumofficial/" target="_blank">Lone Drum</a> and <a contents="Osmetic" data-link-label="" data-link-type="url" href="https://soundcloud.com/osmetic" target="_blank">Osmetic</a>. </p>
<p> </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/301870884&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe> </p>
<p>Comprised of three artists from the mighty Slug Wife camp, Kursa, Lone Drum and Osmetic have joined forces to create K.L.O; an unstoppable trio of musicians that serve to represent what it means to push stylistic boundaries through the use of creative freedom and musical integrity. Utilizing Kursa’s drive for sonic experimentation, exploration and manipulation coupled with Lone Drum’s efficacy for scratching and turntablism and Osmetic’s affinity for all things old school and attitude laced, K.L.O has been tearing their own path in the bass music scene with an output that is equal parts, cerebral, technical, weighty and carefree. With two full-length releases already under their belt, 2017’s <em>Y</em> and 2016’s <em>Acid Scratch</em>, K.L.O’s catalogue already boasts a seamless marriage between new school bass music and old school technical prowess. </p>
<p> </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/335454627&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe> </p>
<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/54133952018-09-17T10:21:06-06:002022-05-12T17:43:46-06:00Agency Announcement: Youngsta<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/85bcbdfc8aa07b263fd07ee81fc6cf9bed3e3856/original/yunx.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>The <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/" target="_blank">Sub.mission</a> agency welcomes to its roster an artist that has continued to have a irreplaceable impact on the dubstep genre, not only in the molding and shaping of the genre from its initial inception, but equally on the maturation and versatility of today’s dubstep sound. <a contents="Youngsta" data-link-label="" data-link-type="url" href="https://www.facebook.com/youngstatempa/" target="_blank">Youngsta</a> joins the ranks of the agency’s ever-expanding, bass-centric family and carries with him a sound that simultaneously echoes the history of the dubstep genre and the promising future of what’s to come from the global sound years from now. </p>
<p>As one of the pivotal figureheads in dubstep since its inception, Youngsta has spent the better part of his life dedicated to the genre; from picking up DJing at the age of 12 and working at the influential Black Market Records to putting out some of the dubstep's earliest records and playing at scene-defining club nights FWD>> and DMZ as their resident DJ. Youngsta’s career within dubstep spans as far back as the creation of the genre itself, as he first played some of the genre's most beloved and historic anthems while rubbing shoulders with the likes of fellow pioneers such as Skream, Benga and Hatcha. </p>
<p>Fast forward from his earlier days helping shape and mold the core of the dubstep genre itself and Youngsta only continues to play a hugely active role in dubstep's current development. With his frequent appearances on Rinse FM, releases on Tempa, Osiris and Wheel & Deal and the creation of his own imprint, Sentry Records, Youngsta is constantly seen solidifying his rightful place as a figurehead for a new generation of producers. It’s clear that Youngsta’s enthusiasm for the music hasn’t flagged after all this time immersed in the dubstep scene, as he’s continued to push his sound forward.<iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/463135875&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/54243332018-09-13T12:16:40-06:002020-11-25T05:38:38-07:00Agency Annoucement: Reso<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1f49cf6d8ba74ff954a9621dadb5af87a3a546af/original/13010818-1193506290682853-4921948984347891290-n.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>The <a contents="Sub.Mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/" target="_blank">Sub.Mission</a> agency welcomes <a contents="Slug Wife" data-link-label="" data-link-type="url" href="https://www.facebook.com/SLUGWIFE/" target="_blank">Slug Wife</a> family member, <a contents="Reso" data-link-label="" data-link-type="url" href="https://www.facebook.com/resomusic/" target="_blank">Reso</a>, to its ever-growing roster of multifaceted, global artists. Standing as a highly influential producer who continuously concocts forward thinking and technically innovative bass music, Reso shows no signs of slowing his genre defying momentum for years to come. </p>
<p>Blending heightened technological futurism with dancefloor prowess, London’s own Reso continues to fabricate a densely cinematic musical universe that is distinctly of his own creation. With the release of his debut LP Tangram in 2012, Reso has since cemented himself as one of the world’s most forward thinking producers; known for a staggering output that is equally emotive and unique. Standing as a seemingly bottomless pit of musical creativity, Reso never ceases to explore new rhythmic possibilities and effortlessly intricate programming, as he combines a myriad of sounds and stimuli spanning the likes of DnB, dubstep, sci-fi, hip hop and ambient styles, while maintaining a dynamic and intelligent structure. </p>
<p>Reso’s intricate, musically dexterous and genre swerving Drum n Bass creations have outstretched onto the bass music scene, constructing a brave new electronic narrative in the way that timeless artists like Richard D James, Photek, DJ Shadow and A Guy Called Gerald have done for earlier generations. Standing as an integral part of the Slug Wife record label and music crew alongside some of bass music’s finest talents such as Seppa, Kursa and Broken Note, Reso boasts boundary pushing might that we’ve come to know of the producer, yet he continues to unveil an entirely fresh chapter of his sound with each new production. </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/435139776&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/54200522018-09-07T20:53:53-06:002020-11-23T05:09:15-07:00Pinch & Peverelist IN DEEP North American Tour, Compilation Album & Mix!<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/928758099ee3455405f1ff045fe020983c371638/original/pinchpev-tour-2000x2000.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Sub.mission Agency is proud to represent Pinch & Peverelist North American Tour!</p>
<p>The UK has long been a leading light in the advancement of worldwide dance music culture with the city of Bristol being a central pillar throughout. During the early 00’s the dubstep sound emerged from South London, carving a decisive new path and yielding rhythmical mutations that would reverberate globally for years to come. Around this time, Bristol quickly emerged as dubstep’s second city, continuing a bass music legacy, following the footsteps of fellow citizens Massive Attack, Portishead and Roni Size. </p>
<p>Two key figures from this new Bristol movement helped shape much of this direction. A community formed around the many of the activities of Pinch and Peverelist; via their label output on Tectonic and Punch Drunk but also through Pev’s work at Rooted Records store and Pinch’s Subloaded events. </p>
<p>In the years that followed the pair maintained an appetite for new rhythmical forms, as expressed by the continued output of Tectonic, Pinch’s newer label Cold Recordings and Peverelist’s Livity Sound imprint - as well as numerous vital productions for labels including Swamp 81 and Hessle Audio. Tracks like ‘Croydon House’ and ‘Raw Code’ helped lay the foundations of one of the defining sounds of the current UK underground. </p>
<p>This fall brings these two titans of the underground for a series of very special back-to-back DJ sets, representing Bristol and UK soundsystem culture to the fullest. Expect a sonic journey that encompasses a multitude of influences ranging through various shades of techno to dubstep, jungle and grime - rhythms to move your mind and your feet. </p>
<p>September 7th will see a collaborative release, titled 'In Deep', a DJ mix and compilation gathering choice cuts from Pinch & Pev’s respective imprints, showcasing their own productions alongside many highlights from their label rosters. The mix will be available to stream on all major platforms including Spotify and Apple Music as well as a bundle purchase which includes the mix and all the individual tracks featured. </p>
<p>For further information & North America bookings, contact veronica.lamaak@subdotmission.com </p>
<p> </p>
<p><iframe allow="autoplay" frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/496508649&color=%23080808&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true" width="100%"></iframe></p>
<p><strong>Streaming and Purchase Links: <a contents="Bandcamp" data-link-label="" data-link-type="url" href="https://livitysound.bandcamp.com/album/in-deep">Bandcamp</a> | <a contents="Soundcloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/livity-sound/pinch-peverelist-present-in-deep-a-mix">Soundcloud</a> | <a contents="Spotify" data-link-label="" data-link-type="url" href="https://open.spotify.com/album/733LhdEu9ZGS2nEXp2aQZd">Spotify</a> | <a contents="Apple" data-link-label="" data-link-type="url" href="https://itunes.apple.com/gb/album/pinch-peverelist-present-in-deep/1435507657">Apple</a> | <a contents="Deezer" data-link-label="" data-link-type="url" href="https://www.deezer.com/en/album/72504482">Deezer</a> | <a contents="Amazon" data-link-label="" data-link-type="url" href="https://www.amazon.co.uk/dp/B07H4WZGMN/r">Amazon</a> | <a contents="Google" data-link-label="" data-link-type="url" href="https://play.google.com/store/music/album/Pinch_Peverelist_Pinch_Peverelist_Present_In_Deep?id=Bcuuv67n3rhiq5fsh237szwtriu">Google</a> | <a contents="Tidal" data-link-label="" data-link-type="url" href="https://listen.tidal.com/album/94720064">Tidal</a> | <a contents="Juno" data-link-label="" data-link-type="url" href="https://www.junodownload.com/products/pinch-peverelist-pinch-peverelist-present-in-deep/3893783-02/">Juno</a></strong></p>
<p><strong>Tracklist: </strong></p>
<p>Pinch ‘No Justice’ (Tectonic) <br>2. Peverelist ‘Under Clearing Skies’ (Livity Sound) <br>3. Walton ‘Point Blank’ (Tectonic) <br>4. Kowton ‘Shots Fired’ (Livity Sound) <br>5. PHON.O ‘V3R5U5’ (Cold Recordings) <br>6. Forest Drive West ‘Scanners’ (Livity Sound) <br>7. Pinch & Mumdance ‘Strobe Light’ (Tectonic) <br>8. Simo Cell ‘Stop The Killing’ (Livity Sound) <br>9. Walton Feat. Wen ‘Vectors’ (Tectonic) <br>10. Kowton ‘Pea Soup’ (Livity Sound) <br>11. Mumdance & Logos ‘Chaos Engine’ (Tectonic) <br>12. Asusu ‘Sendak’ (Livity Sound) <br>13. Mumdance & Logos ‘Hall Of Mirrors (Perc & Truss remix)’ <br>14. Peverelist & Hodge ’21 Versions’ (Livity Sound) <br>15. Nurve Feat. Caski ‘Brain Sugar’ (Tectonic) <br>16. Via Maris ‘Swarm’ (Livity Sound) <br>17. Hugo Massien ‘Advanced Aerial Threat’ (Tectonic) <br>18. Forest Drive West ‘Escape’ (Livity Sound) <br>19. Pinch & Mumdance ‘Big Slug (Instrumental)’ (Tectonic) <br>20. Randomer & Hodge ‘Simple As’ (Livity Sound) </p>
<p><strong>Social media links: </strong></p>
<p><a contents="www.tectonicrecordings.com&nbsp;" data-link-label="" data-link-type="url" href="http://www.tectonicrecordings.com">www.tectonicrecordings.com </a></p>
<p><a contents="www.livitysound.com" data-link-label="" data-link-type="url" href="http://www.livitysound.com">www.livitysound.com</a> </p>
<p><a contents="www.facebook.com/djpinch&nbsp;" data-link-label="" data-link-type="url" href="http://www.facebook.com/djpinch">www.facebook.com/djpinch </a></p>
<p><a contents="www.facebook.com/peverelist&nbsp;" data-link-label="" data-link-type="url" href="http://www.facebook.com/peverelist">www.facebook.com/peverelist </a></p>
<p><a contents="www.twitter.com/tectonicpinch&nbsp;" data-link-label="" data-link-type="url" href="http://www.twitter.com/tectonicpinch">www.twitter.com/tectonicpinch </a></p>
<p><a contents="www.twitter.com/peverelist&nbsp;" data-link-label="" data-link-type="url" href="http://www.twitter.com/peverelist">www.twitter.com/peverelist </a></p>
<p><a contents="www.instagram.com/livity_sound" data-link-label="" data-link-type="url" href="https://www.instagram.com/livity_sound">www.instagram.com/livity_sound</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/54064622018-08-30T13:55:02-06:002023-12-10T10:03:18-07:00Agency Announcement: Rumpistol <p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/5c1c34c0d602cc26994043a8d36590ca286a35f7/original/21032458-10156541605703989-8217345927030114199-n.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>The <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/" target="_blank">Sub.mission</a> agency welcomes multifaceted Danish producer <a contents="Rumpistol" data-link-label="" data-link-type="url" href="https://www.facebook.com/rumpistol" target="_blank">Rumpistol</a> to its ever-expanding roster of globally renowned musical talents. Wielding a music career that includes, but is not limited to, electronic music production, film score composition and live instrumentation, Rumpistol delivers everything from pure ambient, groovy midtempo, energetic techno, post-dubstep, and liquid drum'n'bass. </p>
<p>Deriving his name from the Danish word for “space,” “room,” and “reverb,” Rumpistol has made it his musical mission to search for all things beautiful and undiscovered. Driven by these two artistic curiosities since the release of his self-titled 2003 debut, Rumpistol has since explored many diverse fields within the electronic music landscape. His melodic and spaced-out music is often hard to categorize but easy to recognize, as his catalog spans the likes of experimental melodic glitch-hop and dubby clicks'n'cuts to the many variations of bass music, including footwork-inspired vocal tracks as well. Since 2003 he has run his own label Rump Recordings, showcasing mainly Danish electronic artists with an ever-expanding catalogue of now thirty-five releases. He has also released on the renowned Berlin-based label Project Mooncircle and Danish Iboga Records. </p>
<p>Rumpistol has had the privilege of showcasing his unique sound across the globe, from the US and Europe to Mexico and Brazil, including venues like Astral Valley (with Tipper & Friends), Boom Festival, Boiler Room UK and MUTEK Montreal. Apart from producing under the name Rumpistol, he also creates scores for film, theatre and contemporary dance while also playing keys and producing for the Gilles Peterson approved Danish supergroup Kalaha. His music has been used at the opening ceremony of the Paralympics in Rio 2016, and in 2017 he won a Danish Music Award Jazz for the album Masala with his band Kalaha.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/348518680&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/54035792018-08-27T15:56:50-06:002018-08-27T16:06:08-06:00New Music Monday: Thelem, Abstrakt Sonance, Perkulat0r, Ishan Sound, Pushloop <p style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/75a092fe0411e81d0c9613c5cd0fe4fc78de43e1/original/sub-agency.png/!!/b:W10=.png" class="size_l justify_center border_" /><br><span class="font_large">For this week's installment of New Music Mondays, we are excited to showcase the sounds of <a contents="Thelem" data-link-label="" data-link-type="url" href="https://www.facebook.com/thelem.music/">Thelem</a>, <a contents="Abstrakt Sonance" data-link-label="" data-link-type="url" href="https://www.facebook.com/AbstraktSonance/?fb_dtsg_ag=AdxGtWZRIR8g3Gczhfk457cn8Zuy_Fob0_OK8H6TSv81Mw%3AAdyuZ9AtKZXbXPRzV1AnZFsWX-BuBL_Vg-KCyJqz9_RddA">Abstrakt Sonance</a>, <a contents="Perkulat0r" data-link-label="" data-link-type="url" href="https://www.facebook.com/Perkulat0r/?fb_dtsg_ag=AdxGtWZRIR8g3Gczhfk457cn8Zuy_Fob0_OK8H6TSv81Mw%3AAdyuZ9AtKZXbXPRzV1AnZFsWX-BuBL_Vg-KCyJqz9_RddA">Perkulat0r</a>, <a contents="Ishan Sound" data-link-label="" data-link-type="url" href="https://www.facebook.com/ishansound/?fb_dtsg_ag=AdxGtWZRIR8g3Gczhfk457cn8Zuy_Fob0_OK8H6TSv81Mw%3AAdyuZ9AtKZXbXPRzV1AnZFsWX-BuBL_Vg-KCyJqz9_RddA">Ishan Sound</a>, and <a contents="Pushloop" data-link-label="" data-link-type="url" href="https://www.facebook.com/pushloopmusic/?fb_dtsg_ag=AdxGtWZRIR8g3Gczhfk457cn8Zuy_Fob0_OK8H6TSv81Mw%3AAdyuZ9AtKZXbXPRzV1AnZFsWX-BuBL_Vg-KCyJqz9_RddA">Pushloop</a>! </span><br><br><br><br><br><br><span class="font_large">Following the release of his massive self-released 'Third Time Lucky' EP', the man like Thelem is back at it again with this exclusive Noiseporn Episode 037 mix! Los Angeles-based Thelem is one of the most innovative talents when it comes to underground bass music and this new mix is a fine demonstration of his sound. Check out this new mix featuring tunes from the Third Time Lucky EP and much more! The 'Brutalist Utopian Tour' featuring Thelem & Perkulat0r will be sweeping North America this upcoming Fall/Winter so be sure to get in touch for bookings to get this tour in a city near you! </span></p>
<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0ac0db63725dc7d7ad07a015047c61104938aa27/original/screen-shot-2018-08-27-at-3-02-09-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" style="text-align: center;" /></span></p>
<p style="text-align: center;"><span class="font_large"><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/483737550&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br><br><br><br>Following a recent ground breaking performance at The Village Stage at this year's Shambhala Music Festival, Canada's very own Abstrakt Sonance has been gaining serious momentum with his original productions and cutting-edge live performances. Take a journey through the realm of Deep, Dark, & Dangerous territories with this Official Shambhala mix and get a taste of the sounds of Abstrakt Sonance! Promoters - Abstrakt Sonance will be making his USA return coming up in October ! Don't pass up the chance to have him flex your local sound systems! <br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/544da3c27dd50c827606cc67b1b1d05fedbd9064/original/screen-shot-2018-08-27-at-3-05-28-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/450475497&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br><br>Up next we have the sounds of Vancouver's very own Perkulat0r coming through with this Official Shambhala Mix Series #18 ! Having made his debut at the highly renowned Village Stage at this year's gathering, Perkulat0r proves why he is one of the sickest talents to emerge from up North. This mix features loads of new and unreleased material that is sure to get you moving from beginning to end and is also up for FREE DOWNLOAD! Bump this mix and be on the lookout for big things to come form Perkulat0r as him and Thelem gear up for a massive run of shows coming your way soon! <br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/84bdadc46ada29a05ad684d88f3df15180648110/original/screen-shot-2018-08-27-at-3-18-50-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/476660622&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br><br>Coming in from a brief production hiatus, Bristol-based Ishan Sound is back in full force with a dance floor banger featuring vocals from none other than Rider Shafique! This deadly duo knocks it out of the park with this tune, titled 'Quick Fast' and quite frankly, you can't expect anything less than top tier productions when you see the names 'Ishan Sound' and 'Rider Shafique' on a project. Check out this tune and be on the lookout for the highly anticipated North American return of Ishan Sound coming up quick fast! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/3fcb8a2a3e1f7610685054c01837f312d8806641/original/screen-shot-2018-08-27-at-3-37-03-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/488100549&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br><br><br>Hailing from the West-Coast, the man like Pushloop has been gaining some massive momentum and this forthcoming release on Heavy Traffic Recordings is sure to shake the airwaves and dance floors alike. These new tunes 'Stereophonic' , 'Dope Slanga' & 'Kinetic Energy' will be the third vinyl release on Heavy Traffic Recordings and we hope you enjoy them as much as we do! Big ups to all of our California family pushing the finest in underground music! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ec675b6a99d15e128d3653edf8b24396b89844c4/original/screen-shot-2018-08-27-at-3-52-02-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /></span><br> </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/479537298&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/54033892018-08-27T13:50:29-06:002020-11-25T03:45:34-07:00Agency Announcement: Vibesquad<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d641dab1c0e3ee63a6b23636e23ba17ac8648864/original/vibesquad-promo-2018-03.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>The Sub.Mission Agency is pleased to bring together artists from around the globe into its robust, bass-centric family. With the addition of VibeSquaD to Sub.Mission’s roster, the agency welcomes his unique perspective on the art of bass music production, comprised of uplifting beats and decades of trained instrumentation. </p>
<p>Since the inception of VibeSquaD in 2007, the music world has witnessed from the producer a multitude of crunkadelic full length album and EP releases, all showcasing his top-notch production skills, signature uplifting sound, and vibrant sonic personality. VibeSquaD’s lush, twenty-plus year background as a trained multi-instrumental musician contributes considerably to his unique perspective on bass music, adding irreplicable melodic sensibility to his productions. Equipped with an ever-expanding output that exudes polyrhythmic textures, rib-rattling bass, soaring synth textures and hard-hitting drum patterns, VibeSquaD’s music has graced the likes of Bassnectar's VaVaVoom tour and Lotus’s 2013 tour. Constantly blurring the lines between breakbeats and bass with a dash of hip-hop, VibeSquaD’s music runs the gamut, from grooving, laid back tempos to ultimate dancefloor detonation. </p>
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<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/53798542018-08-08T16:12:57-06:002018-08-08T16:12:57-06:00Sub.mission Podcast #249: Dopel<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f1a03d028953a1fef7d4de5b1a7ade87d5111bd9/original/dopel249.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>In the wake of his opening set for Vivek & Hebbe at last month's Electronic Tuesdays, Denver DJ Dopel delivers an explosive mix for the latest edition of the Sub.mission podcast. The 30-minute mix flows intuitively through dubstep's many stylistic renditions, showcasing the artist's keen ear and patient touch on the decks. Watch out for plenty of long blends and bangers. <strong><a contents="Follow Dopel on SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/dopel" target="_blank">Follow Dopel on SoundCloud</a></strong>, and stream or download Sub.mission Podcast #249 right here.</p>
<p>Tracklist:</p>
<p>Sleep- The Widdler<br>Sword art - Hebbe<br>Heavy Harry - Bukez Finezt <br>Empire - Form ‘95<br>Exoplanet - Shops<br>Flesh VIP - Muk<br>Civil war - Sleeper x Jamakabi<br>Vol 138 - Siskiyou (Ripped)<br>Disorder - Nebula<br>Mumble Dub - Shu x Dalek One (Pushloop Remix)<br>Fuck All That - Rez<br>It’s Over - Quasar<br>Silhouette - Leon Switch x Truth ft Lelijveld (Pushloop Remix)<br>Smoke Screen - L Nix x Omen UK<br>Pee’s & Bee’s - Feonix x Na-Kika x Enochi<br>Militant sound - Truth (DMVU Remix)<br>Nicodemus -Dubamine ft Blackout<br>Ja (Busted Fingerz Remix)<br>ID-ID</p>30:01subdotmission.comtag:www.subdotmission.com,2005:Post/53771342018-08-06T20:41:14-06:002020-11-23T07:09:44-07:00New Music Monday: Sleeper, Le Lion, Thelem, Kelly Dean, Roommate & More<p style="text-align: center;"><br><span class="font_large">For our next edition of New Music Monday, we are showcasing new tunes/mixes from some of your favorite Sub.mission Agency talents including Sleeper, Durandal, Le Lion, Thelem, Kelly Dean, Roommate, Khiva, Rez & Subtle Mind. The Sub.mission Agency is comprised of a serious batch of talent that is dedicated to pushing the boundaries of underground sound and this week's feature is a fine demonstration of what our acts have been cooking up in the lab! <br><br><br><br>Our first feature is coming at you from none other than Crucial Recordings boss man <a contents="Sleeper" data-link-label="" data-link-type="url" href="https://www.facebook.com/SleeperCrucialRecs/" target="_self">Sleeper</a>! Coming in off of a recent run of shows in Australia & New Zealand, Sleeper has been taking the game by storm! Check out this live recording from performance at Subtle Sound System in Christchurch, New Zealand!<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/de8570e95870c9117fe216b077fb69a90d5827df/original/screen-shot-2018-08-06-at-7-13-18-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><a contents="Sleeper LIVE at Subtle Sound System" data-link-label="" data-link-type="url" href="https://soundcloud.com/sleepermusic/sleeper-subtle-sound-system-christchurch-nz-june-2018" target="_self">Sleeper LIVE at Subtle Sound System</a><br><br><br>Hailing from Salt Lake City, <a contents="Durandal" data-link-label="" data-link-type="url" href="https://www.facebook.com/durandaldubstep/" target="_self">Durandal</a> is one of the most exciting talents shaking up the scene in North America and he's back at it again with his 'Dad Bod Head Nod' compilation featuring all original material to drop on the dance floor or nod out to accordingly! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/42b052e37d7dab2d307facd20aa413d46b5e8d36/original/screen-shot-2018-08-06-at-7-19-47-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><a contents="Dad Bod Head Nod - Durandal" data-link-label="" data-link-type="url" href="https://durandal.bandcamp.com/" target="_self">Dad Bod Head Nod - Durandal</a><br><br><br><br>Widely known for his forward thinking sound design and unique approach to music production, <a contents="Le Lion" data-link-label="" data-link-type="url" href="https://www.facebook.com/leliondub/" target="_self">Le Lion</a>'s 'Architect EP' fully encompasses his diverse sound. Check out this 2 track EP from the Lion himself and be sure to keep an eye out for a North America Tour tentatively scheduled for late November - December! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/32796ab944cf616d698429cb82fda7eb168f0e4e/original/screen-shot-2018-08-06-at-7-29-09-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><a contents="Architect EP - Le Lion" data-link-label="" data-link-type="url" href="https://soundcloud.com/leliondub/sets/the-architect-ep-out-now-on" target="_self">Architect EP - Le Lion</a><br><br>Next up we have the 'Third Time Lucky EP' from <a contents="Thelem" data-link-label="" data-link-type="url" href="https://www.facebook.com/thelem.music/" target="_self">Thelem</a>, released on Chapters! This is a 4 track EP showcasing Thelem's top notch production on each and every tune. This release will catch the ears of music lovers of every spectrum, featuring that hybrid left-field bass style that Thelem has been mastering over the years. This is a 100% independent release and we hope you'll enjoy it as much as we do! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a7db638f317ffc010ea138d92acaa6f856316313/original/screen-shot-2018-08-06-at-7-49-41-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><a contents="Support the Third Time Lucky EP HERE" data-link-label="" data-link-type="url" href="http://smarturl.it/qz45pn" target="_self">Support the Third Time Lucky EP HERE</a><br><br><br>California-based <a contents="Kelly Dean" data-link-label="" data-link-type="url" href="https://www.facebook.com/KellyDeanSound/" target="_self">Kelly Dean</a> recently dropped this new mix on Walsh's Biscuit Factory Records and it's loaded with new and original material from start to finish! 1/3 of super group 'NoTan' along with Leon Switch & Kwizma, the one like Kelly Dean showcases some of the sickest sounds from the underground in this 1 hour journey. Check out the track list featured on this mix and get on that FREE DOWNLOAD! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/3fc8d2cf95068a55f5d1e2b0d826976030877484/original/screen-shot-2018-08-06-at-7-59-59-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><a contents="Biscuit Factory Records 002 - Kelly Dean&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/walsh/biscuit-factory-mix-series-002-kle" target="_self">Biscuit Factory Records 002 - Kelly Dean </a><br><br><br>With a vast musical background as a musician, the man like <a contents="Roommate" data-link-label="" data-link-type="url" href="https://www.facebook.com/roommatedubs/" target="_self">Roommate</a> is one of the most renowned artists on the stateside circuit. His sound is ever evolving as he continues to foster his community in Los Angeles with a multitude of events that bring people together on the dance floor. With sounds ranging from Dubstep, Reggae, Cumbia, Dancehall, Drum & Bass, and more, Roommate always has the fresh sounds for your ears and he's back at it again with this 'Vibration Station 003' Reggae Mix! Roommate's style is perfect for the Summer and this is the perfect mix to vibe to on a sunny day or all year 'round! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/380024a93518cb0a6aec4ce5039c775bb48cc241/original/screen-shot-2018-08-06-at-8-02-57-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><br><a contents="Vibration Station 003 - Roommate&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/roommatedubs/vibration-station-003" target="_self">Vibration Station 003 - Roommate </a><br><br><br><br>Another breakthrough artists on the Deep Dark & Dangerous squad, St. Louis-based <a contents="Rez" data-link-label="" data-link-type="url" href="https://www.facebook.com/rezdubs/" target="_self">Rez</a> has released a 100% original mix following a ground breaking performance at this year's Infrasound Music Festival. Rez has been gaining support from some of the biggest names in the game and he's certainly emerged to be one of the fiercest talents putting St. Louis on the map. Check out this 100% original mix from the man himself and be sure to keep close eyes on the one like Rez! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7037acfcae42cf33d7e0714beb9306a6808f9951/original/screen-shot-2018-08-06-at-8-28-19-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><br><a contents="Deep Dark &amp; Dangerous Mix 028 - Rez&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/deepdarkdangerous/rez-deep-dark-dangerous-mix-028" target="_self">Deep Dark & Dangerous Mix 028 - Rez </a><br><br><br><br><a contents="Subtle Mind" data-link-label="" data-link-type="url" href="https://www.facebook.com/SubtleMindMusic/" target="_self">Subtle Mind</a> has been busy in the lab, working on new material for the masses to enjoy. Here we have a new tune 'Drank the Sun' which features a more speedy, upbeat tempo than the Subtle Mind that we're used to. The soulful vibe of this tune will take you on a journey from beginning to end! Colorado heads - make sure to catch Subtle Mind live and direct at The Black Box tomorrow night for Electronic Tuesdays presented by Sub.mission at The Black Box! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/b3872c16529de11195e941169a5f17a1b134ea56/original/screen-shot-2018-08-06-at-8-34-57-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><a contents="Drank the Sun - Subtle Mind&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/subtlemindmusic/subtle-mind-drank-the-sun-forthcoming" target="_self">Drank the Sun - Subtle Mind </a></span><br><br><br><br><br><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/53771252018-08-06T20:24:15-06:002018-08-06T20:24:15-06:00Hustle Knowledge: Electronic Tuesdays August 2018<p>In Denver, dubstep fans are spoiled: Electronic Tuesdays is basically an endless festival, but you get to sleep comfortably in your bed between your favorite artists’ sets. The sound system celebration continues at The Black Box in August. If you didn’t know, the Lounge is always free for 21+ ($5 under) on Tuesday nights - come support Denver locals and vote in the weekly DJ battle. </p>
<p>Here’s what you need to know about this month’s E-Tuesdays headliners.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/71f6b320c6055767a51914225142f1b8cbfea00a/original/august-etues.jpg/!!/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_center border_none" alt="" /></p>
<p><a contents="8/7 Subaltern Records Showcase ft. Mentha, Taiko, and Subtle Mind" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/1512741062165172/" target="_blank"><span class="font_large">8/7 Subaltern Records Showcase ft. Mentha, Taiko, and Subtle Mind</span></a></p>
<p><strong><a contents="Subaltern Records" data-link-label="" data-link-type="url" href="https://soundcloud.com/subaltern-records" target="_blank">Subaltern Records</a></strong> head honcho <a contents="Mentha " data-link-label="" data-link-type="url" href="https://soundcloud.com/mentha" target="_blank"><strong>Mentha</strong> </a>touches down in Denver with label artists Taiko and Subtle Mind to bless The Black Box with the one-of-a-kind imprint’s dynamic sound. Subaltern’s signature is difficult to describe, but easily distinguished by a vibe: a sensuality that shines even through dubstep’s dark aesthetic. Of course, Mentha comes from overseas to deliver a selection of tunes from beyond Denver’s usual radar. His mile-high debut is not to be missed. </p>
<p>Joining Mentha from over the pond is <strong><a contents="Taiko" data-link-label="" data-link-type="url" href="https://soundcloud.com/taiko_uk" target="_blank">Taiko</a></strong>. The UK DJ/producer has risen to the top tier of contemporary dubsteppers over the past two years via a ceaseless stream of releases on White Peach Records, Deep Dark & Dangerous, FatKidOnFire, and Subaltern. Taiko’s inventive take on the 140 template fuses elements of traditional dubstep and grime through thoughtful composition and a poignant sense of sonic storytelling. His tracks are vibrant and energetic, even in their most pensive moments. On a personal note, Taiko is my favorite producer, and I promise, you don’t want to miss his Denver debut. <strong><a contents="Click here to listen to his mix for the Sub.mission Podcast" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/1424710/podcast-230-taiko" target="_blank">Click here to listen to his mix for the Sub.mission Podcast</a>. </strong></p>
<p><a contents="Subtle Mind" data-link-label="" data-link-type="url" href="https://soundcloud.com/subtlemindmusic" target="_blank"><strong>Subtle Mind</strong></a> also arrives from Los Angeles to round out the Subaltern showcase. The duo may be Subaltern’s token American, but their soulful, jazzy style is a perfect epitomization of the sound that distinguishes the European label. Subtle Mind is a staple of dubstep’s softer side. Their music meets at the juxtaposition of traditional instrumentation and thick sound system textures to bring something as innovative as it is emotional to the table. Check out Subtle Mind’s <strong><a contents="recent release" data-link-label="" data-link-type="url" href="https://soundcloud.com/gourmetbeats/sets/gbwl002" target="_blank">recent release</a></strong> on Joe Nice’s Gourmetbeats imprint for a taste.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/433275360&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
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<p><a contents="8/14: Compa" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/622991921406211/" target="_blank"><span class="font_large">8/14: Compa</span></a></p>
<p>UK DJ/producer <a contents="Compa" data-link-label="" data-link-type="url" href="https://soundcloud.com/compauk" target="_blank"><strong>Compa</strong></a> holds a very special place in the heart of the dubstep scene. The Deep Medi sweetheart earned fast international attention for his silken touch on the turntables as well as his own productions, which range from lurking dungeon meditations to bangers seemingly designed to demand the rewind - a moment that the Sub.mission staple is well familiar with. Let’s just say this talented artist knows how to draw explosive reactions from any crowd. Compa returns to The Black Box on August 14th with a bag full of classic dubplates and hot new records - dubstep heads, be ready to take notes. </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/514800342&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p> </p>
<p><a contents="8/21: Leon Switch, Kelly Dean, and Bukez Finezt" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/1854414991528041/" target="_blank"><span class="font_large">8/21: Leon Switch, Kelly Dean, and Bukez Finezt</span></a></p>
<p>This week’s headliners beg little introduction: a survey of any E-Tuesdays attendees would reveal each of these artists as established Black Box legends. Together, <a contents="Leon Switch" data-link-label="" data-link-type="url" href="https://soundcloud.com/fabric/leon-switch-fabriclive-x-chestplate-mix" target="_blank"><strong>Leon Switch</strong></a> and <strong><a contents="Bukez Finezt" data-link-label="" data-link-type="url" href="https://soundcloud.com/bukezfinezt" target="_blank">Bukez Finezt</a></strong> define the enduring essence of dubstep’s tradition. Their tracks and sets are dark, heavy, and relentless. Today, Leon Switch has eclipsed his duo Kryptic Minds in the genre’s active hierarchy, but he carries on the legacy he began for a new generation of dubstep fans. </p>
<p><strong><a contents="Kelly Dean" data-link-label="" data-link-type="url" href="https://soundcloud.com/kellydean" target="_blank">Kelly Dean</a></strong> may be the newcomer of the trio, but in Denver he too has a glowing reputation. His set at last year’s Bass Invasion excited and stunned a mostly unfamiliar audience. The American artist represents the roots of stateside dubstep as an affiliate of 12th Planet’s iconic label SMOG;<a contents=" his latest EP" data-link-label="" data-link-type="url" href="https://smog.lnk.to/Therapy" target="_blank"> <strong>his latest EP</strong></a> on the label alongside Kwiza also includes a remix from Leon Switch.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/476201262&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p> </p>
<p><a contents="8/28: Hatcha" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/231840560876286/" target="_blank"><span class="font_large">8/28: Hatcha</span></a></p>
<p>UK don and original dubstep pioneer Hatcha returns to E-Tuesdays on August 28th - need I say more? After a streak of US festival appearances, Hatcha is now a household name for a young dubstep community freshly enchanted by the sound he fathered. Still on the decks a generation later, Hatcha’s leading role in dubstep’s history has never been so important, or obviously explosive. We look forward to finding out what surprises he has in store for The Black Box this time. </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/71673066&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/53696252018-08-01T05:21:27-06:002018-08-01T05:21:27-06:00Sub.mission Podcast #248: Cosmonot<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ac9405796b80437a0435250b8236fab00c2557df/original/podcast248cosmonot.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /></p>
<p>Denver DJ Cosmonot only recently made his debut in the Electronic Tuesdays battles (and subsequent winners' showcase), but his edition of the Sub.mission podcast suggests a seasoned DJ behind the decks. Podcast #248 includes a cleverly blended selection of obscure and overlooked tracks alongside dubstep anthems and recent releases. Cosmonot's passion for the sound resonates through the clean & creative 90-minute mix.<br><br>Stream and download Sub.mission Podcast #248 featuring Cosmonot right here, and follow the artist on<strong> <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/cosmonotbassmusic" target="_blank">SoundCloud</a></strong> if you like what you hear.</p>
<p>Tracklist:</p>
<p>ENDIGO - Away (ft. Chega) <br>Envelope - Eros Ft. Hartta <br>AxH - Inokashira <br>DarkElixir & KalnkA - Assassin <br>Bengal Sound - Hum <br>Cyberoptics - Strange Man, White Van <br>Boy Kid Cloud & p0gman - Presha <br>Moody Good - Ziambey feat. Big Narstie <br>Soloman - Bokeh <br>Mr.K & Nausika - Bare Bones <br>AIMERIE - Krietings <br>Sleeper - Oram Mode <br>Murk & Shiva - Akousma ft. Rob <br>KAIJU - Monster jm <br>PUSHLOOP - Midnight Wax <br>MR MT - Invader dub <br>Kwizma - Kailo <br>DubDiggerz - Stomp <br>DISTINCT MOTIVE - Worthy <br>KATCH - Darwin <br>PUGILIST - Saturn <br>Retina - Between The Walls <br>Inside Voice - HeavyWeight <br>ADP - Untitled <br>Bukez Finezt - Soundman Ting <br>JONAH FREED - Guns (feat. Rider Shafique) <br>Taiko - No More <br>Samba - Kami <br>Parrotice - Gassed Out <br>SP:MC - Pondlife <br>B-SAY - Abyss <br>HEBBE - Float Yourself <br>Gisaza - Sandu's Tale <br>Grawinkel - Kill Dem <br>Glume & FLO - Skateland (Sepia Remix) <br>ATMA - Black Mirror <br>Chad Dubz - Stuck In The Loop (Hebbe Remix) <br>Birdy Nam Nam - Jaded Future (Foreign Beggars Remix) <br>Chee - Haze <br>Chase & Status - Eastern Jam <br>16Bit - Frzr9000 <br>Mesck - Dumb This Down (Mesck Bootleg) <br>Samba - SNOW <br>LX One - Kingsland Dub <br>Violinbwoy & Rider Shafique - Find The Way <br>Agnes Obel - Familiar</p>1:33:56subdotmission.comtag:www.subdotmission.com,2005:Post/53682422018-07-30T20:17:07-06:002023-12-10T10:03:18-07:00New Music Monday: Perkulat0r, Smith., DJ Variant, Biome <p style="text-align: center;">For this week's edition of New Music Mondays, we are excited to present new tunes from <a contents="Perkulat0r" data-link-label="" data-link-type="url" href="https://www.facebook.com/Perkulat0r/" target="_self">Perkulat0r</a>, <a contents="Smith" data-link-label="" data-link-type="url" href="https://www.facebook.com/yourboismith/" target="_self">Smith</a>. <a contents="DJ Variant" data-link-label="" data-link-type="url" href="https://www.facebook.com/DjVariant/" target="_self">DJ Variant</a>, and <a contents="Biome" data-link-label="" data-link-type="url" href="https://www.facebook.com/biomemcr/" target="_self">Biome</a>! The sounds of the Sub.mission agency are ever expanding to showcase some of the finest in underground bass music and this week's tunes cover a wide spectrum of styles. Check out these new tunes and make sure to keep tabs on the artists that we are featuring each week! </p>
<p style="text-align: center;">Hailing from up north in Vancouver, the one like Perkulat0r is well known for his diversity as a producer. The first tune that we are featuring from Perkulat0r is 'Kinkao VIP' . Demonstrating his wide range, this tune rides the boundaries of liquid DNB to give listeners an uplifting and euphoric feel from start to finish. Perkulat0r does an exceptional job of maintaining all of the signature elements from the original 'Kinkao' while speeding up the tempo with a melodic DNB twist. Listen <a contents="HERE" data-link-label="" data-link-type="url" href="https://soundcloud.com/perkulat0r/kinkao-vip" target="_self">HERE</a>!<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7284bc68755f59ad581f54711a82f7e96ffceb5e/original/perkkinkao.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /><br> </p>
<p style="text-align: center;">Next up we have Perkulat0r's flip of Ace Hood's tune, 'Passion' . This track showcases the soulful melodies and smooth progressions that we have come to expect from Perkulat0r, combined with Ace Hood's Hip Hop vocal to carry you through the tune. The flow of the track can make dance floors move, or vibe out on a more mellow tip. As he continues to expand his musical background and draw inspiration from several areas, there isn't a single doubt that Perkulat0r is one of the fastest rising talents in the underground and he's definitely one to keep a close eye on! Click <a contents="HERE" data-link-label="" data-link-type="url" href="https://soundcloud.com/c0ffeep0t/ace-hood-passion-perkulat0r-flip" target="_self">HERE</a> to listen! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/4e531fcfaca943a4005991eab2f3206ffc89d5de/original/screen-shot-2018-07-30-at-5-31-55-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /></p>
<p style="text-align: center;">Sticking to the themed Hip-Hop edits, here comes Smith.'s remix of 'What U Gon Do' ! If you've been keeping up with Smith's productions and live sets, you know that he likes to keep his listeners on edge and deliver fresh, cutting edge beats each and every time. This remix was made for the dance floors. It features a heavy bass line that packs a serious punch with a steady bounce that is sure to amplify a dance floor near you. Check it out and be sure to get on that <a contents="FREE DOWNLOAD!&nbsp;&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/yourboismith/madcore-retox-smith-what-u-gon-do-remix-1" target="_self">FREE DOWNLOAD! </a><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/60c5247d216dad84fb3679b3484546dc9f41ebf9/original/screen-shot-2018-07-30-at-7-48-53-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /></p>
<p style="text-align: center;">Having recently made his Denver debut at the Sub.mission Agency Showcase, DJ Variant proved that he is a force to be reckoned with both in the studio and behind the decks as well. Armed with an arsenal of new and original material, DJ Variant is one of the sickest talents to emerge from the underground scene in Atlanta and he's back at it once again with this 'Asha Asha' Remix. The tune carries tribal elements with a signature sub-heavy aesthetic that Variant is well known for in his productions. Check it out <a contents="HERE" data-link-label="" data-link-type="url" href="https://www.junodown%20load.com/products/%20aeom-asha-asha-%20remixes/3823039-02/" target="_self">HERE</a> ! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/67fb6600209eb65bcba43c898335a67fed60496c/original/screen-shot-2018-07-30-at-7-50-30-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /></p>
<p style="text-align: center;">Last but certainly not least, we have the 'Argon EP' from Manchester's very own Biome! Recognized as a true forefather of the UK scene, Biome is a talent that is well versed in a multitude of soundscapes and genres. The 'Argon EP' is a fine demonstration of the various production pallets that Biome has to offer, ranging from his signature 140 bits, to some more upbeat Drum & Bass styles as well. If there's one thing you should know about Biome, it's that you can expect nothing but top tier production value with each of his projects and each tune carries it's very own unique theme. </p>
<p style="text-align: center;">Check out this 5 track EP <a contents="HERE" data-link-label="" data-link-type="url" href="https://biome.bandcamp.com/album/argon-ep" target="_self">HERE</a>! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/cba526bd65654b2f1775c5596cf0f0fa2d95570f/original/biome-argon-ep.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>subdotmission.comtag:www.subdotmission.com,2005:Post/53623312018-07-26T09:10:42-06:002018-07-27T08:17:09-06:00Sub.mission Podcast #247: Synchronicity<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1500c2e7add5f071326d8414c6b38b43eae87be0/original/synchronicity247.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br>Hey, I'm Amye, I go by Synchronicity, and this is my mix. I'm constantly impressed by producers' creative interpretations of the 140 template, so this podcast highlights the versatility of the genre with some unconventional dubstep tracks (and some straightforward dubstep, too!). As usual, the mix includes plenty of Denver-based productions, and releases from my favorite label, White Peach.<br><br>Catch me opening for Cord and Compa at Electronic Tuesdays on 8/14, again in the E-Tuesdays battles on 8/21, and at Meow Wolf in Santa Fe representing LostinSound on 8/24. You can find more mixes from me <strong><a contents="here" data-link-label="" data-link-type="url" href="https://soundcloud.com/synchronicityjustadj" target="_blank">here</a>, </strong>and my Facebook page <strong><a contents="here" data-link-label="" data-link-type="url" href="https://www.facebook.com/synchronicityjustadj/" target="_blank">here</a></strong>.<br><br><br>Tracklist:</p>
<p>Sepia- Pay Attention<br>The Heavy- How you like me now? (Joker remix)<br>Opus- Methodist<br>Otz- Haunting Me<br>Eprom- Transparency<br>Trolley Snatcha- Found Someone<br>Enigma Dubz- Dirty South<br>Parrotice- Grease<br>Cord- Cold<br>Vivek- Asteroids<br>Malleus- The infinite depth of woe<br>Sectra- Rain<br>Taiko- Wings<br>Fill Spectre- Split Karma<br>LSN- Killin me<br>Sectra- Imprisoned<br>Zygos- SUDD (DPRTNDRP remix)<br>ETHER- Ghossst<br>Kali- Grinning at shadows<br>Neffa-T- Tanker<br>ETHER x FIll Spectre- And the flowers will grow from the pieces of their bodies</p>48:02subdotmission.comtag:www.subdotmission.com,2005:Post/53591702018-07-23T18:38:12-06:002018-07-23T18:49:20-06:00New Music Monday: SortOf Vague, Compa, Laika Beats, Pushloop, Khiva, Ternion Sound<p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8815d4a32cf4a9b74d8ba215f8162101b7d3d679/original/agencyyy.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br><br>New Music Mondays is a weekly feature in which we will be sharing new tunes, mixes, and sounds from the Sub.mission Agency talent roster. Our roster<br>features talent that perform a wide variety of sounds and styles and we are looking forward to sharing their latest projects with you through this weekly blog!<br>This week we are presenting music from <a contents="SortOf Vague" data-link-label="" data-link-type="url" href="https://www.facebook.com/SortofVague/" target="_self">SortOf Vague</a>, <a contents="Compa" data-link-label="" data-link-type="url" href="https://www.facebook.com/compauk/" target="_self">Compa</a>, <a contents="Laika Beats" data-link-label="" data-link-type="url" href="https://www.facebook.com/LaikaBeatz/" target="_self">Laika Beats</a>, <a contents="Pushloop" data-link-label="" data-link-type="url" href="https://www.facebook.com/pushloopmusic/" target="_self">Pushloop</a>, <a contents="Khiva" data-link-label="" data-link-type="url" href="https://www.facebook.com/khivamusic/" target="_self">Khiva</a> & <a contents="Ternion Sound!" data-link-label="" data-link-type="url" href="https://www.facebook.com/ternionsound/" style="" target="_self">Ternion Sound!</a></span><br><br> </p>
<p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1474ccd167a07ede5111546a276e575d3a669e2b/original/sortof-vague-image.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_orig justify_inline border_" /></span></p>
<p style="text-align: center;"><br><br><span class="font_large"><a contents="Samsara Beats Mixtapes 014 - SortOf Vague " data-link-label="" data-link-type="url" href="https://soundcloud.com/samsarab/samsara-beats-mixtapes-014-sortof-vague" target="_self">Samsara Beats Mixtapes 014 - SortOf Vague </a><br><br>Boulder-based <a contents="SortOf Vague" data-link-label="" data-link-type="url" href="https://www.facebook.com/SortofVague/" target="_self">SortOf Vague</a> has been making some serious waves throughout Colorado and far beyond. His latest mixtape is out now on <a contents="Samsara Beats" data-link-label="" data-link-type="url" href="https://www.facebook.com/samsarabeats/" target="_self">Samsara Beats</a>! <br>SortoOf Vague is a DJ/Producer that delivers a wide variety of genres's and styles and he caters to bass music lovers of various spectrums. <br>Check out this Half-timey madness and Colorado heads can catch SortOf Vague live and direct at <a contents="The Black Box " data-link-label="" data-link-type="url" href="https://www.facebook.com/TheBlackBox5280/" target="_self">The Black Box </a>this upcoming Thursday! Event Info <a contents="HERE" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/225705698018429/" target="_self">HERE</a> </span><br> </p>
<p style="text-align: center;"><br><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ad1bdad04a311f58697d481eede3f070564cc479/original/screen-shot-2018-07-23-at-5-49-42-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_orig justify_inline border_" /></span></p>
<p style="text-align: center;"><br><span class="font_large"><a contents="CPA Radio Episode 2 - Compa" data-link-label="" data-link-type="url" href="https://soundcloud.com/compauk/sets/cpa-radio" target="_self">CPA Radio Episode 2 - Compa</a><br><br>Next up, we are featuring the sounds of the UK's very own <a contents="Compa" data-link-label="" data-link-type="url" href="https://www.facebook.com/compauk/?ref=br_rs" target="_self">Compa</a>! Here we have his 1 hour long CPA Radio mix episode 2 featuring some of the finest<br>underground bass music. Compa is widely known for his supreme track selection and next level mixing abilities and this mix is the perfect demonstration of<br>Compa's cutting edge style. Keep your eyes peeled and your ears open for more amazing mixes to come from this CPA monthly mix series from Compa!</span><br><br><br> </p>
<p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/40714eca6d76548b267390cabf85da040c2dc267/original/screen-shot-2018-07-23-at-5-55-13-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_orig justify_inline border_" /></span></p>
<p style="text-align: center;"><br><span class="font_large"><a contents="Light In The Darkness EP- Laika Beats&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/laika-beats/sets/light-in-the-darkness-ep-1" target="_self">Light In The Darkness EP- Laika Beats </a><br><br><br>Having emerged as one of the most exciting talents to come out of the Colorado scene in recent years, the man like <a contents="Laika Beats" data-link-label="" data-link-type="url" href="https://www.facebook.com/LaikaBeatz/" target="_self">Laika Beats</a> is back at it with his latest<br>release, 'Light in the Darkness EP' This compilation features 5 original tunes from Laika Beats in which he dives into a multitude of soundcapes including<br>Hybrid Bass, Trap, Hip-Hop, Experimental influences, and much more! Be sure to support this release and keep tabs on the one like Laika Beats! </span><br><br><br> </p>
<p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a17033dde209890c806521514c27fa9503ff448a/original/screen-shot-2018-07-23-at-6-03-11-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_orig justify_inline border_" /></span></p>
<p style="text-align: center;"><br><span class="font_large"><a contents="Ready or Not - Pushloop Bootleg&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/pushloop/the-fugees-ready-or-not-pushloop-bootleg-free-download" target="_self">Ready or Not - Pushloop Bootleg (FREE DOWNLOAD) </a><br><br><br>Whether you are ready or not, <a contents="Pushloop" data-link-label="" data-link-type="url" href="https://www.facebook.com/pushloopmusic/" target="_self">Pushloop</a> has recently dropped his bootleg of The Fugee's timeless classic 'Ready Or Not' up for FREE DOWNLOAD!<br>The slowed down, Reggae influenced dynamic of this Bootleg sets the perfect vibe to zone out to while the melodic instrumental carries you through. Gearing<br>up for a massive run of shows alongside The Widdler for the "Back To Basics Tour' coming this Fall, Pushloop has a lot of new material that you can look<br>forward to and this bootleg is a small preview of what the man has been working up in the lab! </span><br><br><br> </p>
<p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ca0788938a987cb23f96ef9c802261b79c2af84e/original/khivaa.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_orig justify_inline border_" /></span></p>
<p style="text-align: center;"><br><span class="font_large"><a contents="Aphrodite - Khiva" data-link-label="" data-link-type="url" href="https://soundcloud.com/deepdarkdangerous/khiva-aphrodite-ddd035" target="_self">Aphrodite - Khiva</a><br><br>Coming in on her latest Deep, Dark & Dangerous 035 release, <a contents="Khiva's" data-link-label="" data-link-type="url" href="https://www.facebook.com/khivamusic/" target="_self">Khiva's</a> 'Aphrodite' is a tune that shakes dance floors and airwaves alike! <br>Showcasing the deep and ominous vibe that Khiva is known for, Aphrodite packs a mean bass line from start to finish and this tune is a certified banger.<br>Having broken through as one of the fiercest talents on the Deep Dark & Dangerous roster, Khiva's original productions are some of our favorites and there is<br>much to look forward to from this Canadian-based DJ Producer! </span><br><br><br> </p>
<p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/274b67579a8411bbe79b62f9a0c49f9d7640401b/original/ternion.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_orig justify_inline border_" /></span></p>
<p style="text-align: center;"><br><span class="font_large"><a contents="Ternion Sound LIVE at The Black Box&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/ternionsound/ternion-sound-live-at-the-black-box-jun2018" target="_self">Ternion Sound LIVE at The Black Box</a> <br><br>Comprised of Nostalgia, Johny Foreplay, & Apparition, Minnesota-based trio '<a contents="Ternion Sound" data-link-label="" data-link-type="url" href="https://www.facebook.com/ternionsound/?ref=br_rs" target="_self">Ternion Sound</a>' has been making some serious moves over the past year. Their<br>recent set at The Black Box was one of the most anticipated performances that Denver venue has hosted so far and this trio delivered 2 hours of nonstop<br>madness! Having prepared an arsenal of new and exclusive material packed with VIP's and Remixes made just for Denver, Ternion Sound had the crowd<br>going off nonstop. Check out this recording from their live set and be sure to keep tabs on this trio as they continue to pushing boundaries and show no sign of<br>slowing down. </span><br><br><br><br><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/53460872018-07-18T00:00:34-06:002022-05-29T05:01:16-06:00Sub.mission Podcast #246: Glume<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/239990a1a4d35c27c16fa5c6d881187ab2735ae2/original/podcast246glume-copy.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p> </p>
<p>This week's installment of the Sub.mission podcast comes straight out of the UK from Bristol-based artist Glume. One of the fastest rising names in dubstep, Glume has become known for his ethereal approach to sound system music, with a signature style distinguished by his immersively textured tunes. Glume graces us with a very special mix filled with exclusively unreleased material from himself and other emerging international dons.</p>
<p>Check out the podcast right here, and follow Glume on <strong><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/pg/glumeuk" target="_blank">Facebook</a></strong> and <strong><a contents="Soundcloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/glumeuk" target="_blank">SoundCloud</a></strong> for more from the artist.</p>
<p> </p>
<p><em>Tracklist</em>:</p>
<p>Malleus - ID (Dub) <br>Mr K - Haze (Dub) <br>Soukah - You can’t run much faster (Dub) <br>ID - ID (Dub) <br>Malleus - Dragging the lake (Dub) <br>Samba - ID (Dub) <br>Traces & Dedw8 - Psychopath (Dub) <br>Phossa - ID (Dub) <br>Argo - Keje (Dub) <br>Glume & Phossa - Apogee (Dub) <br>Oxossi - Saut dans le vide (Dub) <br>Taiko - Mana pool (Dub) <br>Saule - Lockscrew (Dub) <br>Glume & Phossa & Ghidorah - Buried (Dub) <br>Glume - Shriek (Dub) <br>Glume & Phossa - ID (Dub) <br>Glume & Phossa - Superfly (Dub) <br>Glume & Phossa - Pariah (Dub) <br>Glume & Phossa - ID (Dub) <br>Glume & Phossa - ID (Dub) <br>Glume & Phossa - Bat country (Dub) <br>Glume - Thug VIP (Dub) <br>Glume - Pyre (Dub) <br>Soukah & Phossa - Through the walls (Dub) <br>Samba - Kings (Dub) <br>Headland - Mod sod (Dub) <br>Argo - LNTC (Dub) <br>Mesck - ID (Dub) <br>Cardi B - Bodak yellow (Glume bootleg) (Dub) <br>Darkraqqen & Mani - Run & hide (Mesck remix) (Dub) <br>Bazzi - Mine (Koma bootleg) (Dub) <br>Glume - Orangecoat (Dub)</p>53:24subdotmission.comtag:www.subdotmission.com,2005:Post/53424172018-07-12T13:15:34-06:002023-12-10T09:46:34-07:00Artist Spotlight: Khiva<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7d65d184954df39c5434714f9095d98a14c84b19/original/30530668-1758203217599219-3230640280831000576-n.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /></p>
<p>Aiming to sonically convey the passion that lies within her listeners somewhere far beneath a visible reality, Khiva’s output strives to bring to the surface that which lives deeply rooted. Finding her true love within sonic sculptures and utilizing emotionally fueled, and often dramatic, bass music as the focal point, this Canadian-based producer and DJ specializes in low frequency soundscapes and charging, contrasting beats in hopes of invoking a true sensory experience in the listeners that taps into the unseen world.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/466921542&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>With a current monthly show on London-based radio station Subtle FM, a slew of noteworthy upcoming festival appearances, such as Infrasound, Outlook and Shambhala, and two releases on Deep Dark and Dangerous entitled <em>In The Quiet </em>and <em>Fresh Cut Love/Aphrodite</em> this recent Sub.Mission agency signee is known for bringing a contagious energy that knows no genre boundaries, no matter the medium.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/362757468&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/53391742018-07-10T22:10:42-06:002020-11-25T03:22:20-07:00Sub.mission Podcast #245: FR0Z+WR3CK<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/380aacd7269871cb0d3c707ef742efeaf76ed0ff/original/podcast-245-fr0z-wr3ck.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>Denver DJ FR0z+WR3CK is on the decks for this week’s Sub.mission podcast. The local selector is among Sub.mission’s most devoted, and his passion for bass music shines through his sets. FR0Z+WR3CK adopts his own unique approach to mixing tracks. He’s a master of double (even triple!)- drops, and his touch for blending bangers into totally new creations defines a personal DJ’ing style that is all his own. </p>
<p>Check out FR0Z+WR3CK’s contribution to the mix series here, and <strong><a contents="follow the artist on Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/froztydubz/" target="_blank">follow the artist on Facebook</a></strong> to stay in the loop. Denver fans, catch FR0Z+WR3CK at <strong><a contents="Stomping Ground Thursdays at The Black Box on 8/9" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/398099130702812/" target="_blank">Stomping Ground Thursdays at The Black Box on 8/9</a>.</strong></p>
<p> </p>
<p><em>Tracklist:</em><br>Repulsion- Sun Light Maggot <br>Whatley- Space Florida <br>Retina- The Voors Head Device <br>SkintDisco- Desert March <br>Trisicloplox- Block This <br>Beanzo- Idolum <br>Barrett- Haki <br>Taiko- Fu##y <br>Khiva- Pure <br>Kloudmen- I (Dalek One Remix) <br>DMVU- Bloccd <br>Shlump- Alien Technology <br>Khonsu x Ceiva- Security Protocol <br>Jang- Malt Liqour Skank <br>Hebbe- Badman Riddim <br>Rasper- Sardine <br>Ternion Sound- Top Tier <br>Repulsion- Nani <br>J:Kenzo- Cross Polarity <br>Samba- Malignant (Sleeper Remix) <br>16Bit- FRZR9000 <br>Goth Trad- Sinker <br>Toasty- The Knowledge <br>Bukez Finezt- Under Control <br>Kaiju- Creeper <br>Benga x Coki- Night (D2 Bootleg)</p>33:07subdotmission.comtag:www.subdotmission.com,2005:Post/53390472018-07-10T11:06:13-06:002018-07-10T11:06:13-06:00Event Preview: Bukez Finezt - 7/12<p>Dubstep’s resident madman returns to The Black Box this Thursday, July 12th. An innovator of the 140 template and one of bass music’s most loved imaginations, <strong><a contents="Bukez Finezt" data-link-label="" data-link-type="url" href="https://soundcloud.com/bukezfinezt" target="_blank">Bukez Finezt</a></strong> is notoriously unpredictable. Still, one thing is for sure: this artist will throw down a set like you’ve never heard before.</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/36370318f9fe0285e96b06baf08c9d4508a81cd2/original/bukez-banner.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p>As a dubstep producer, Bukez Finezt’s tunes span the genre’s stylistic spectrum. His release repertoire ranges from Deep Medi to Disciple: a testament to his versatility, and his universal status as sound system royalty. Bukez’s reputation reaches beyond dubstep, too. His unreleased track “CRAK PYPEZ” was recently featured on Noisia’s radio show.</p>
<p><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/456776595&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br> </p>
<p>Bukez’s set at the Sub.mission 10 year anniversary was an unbridled explosion of subfrequent energy. His DJ sets are as diverse as his discography, and his personality on the decks is known to enchant dance floors worldwide. The Denver favorite builds a bridge from dubstep’s storied history into the future of the sound through his astute selection and eye for engaging a crowd. Thursday’s event promises not only a party, but a proper education.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/396095037&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p> </p>
<p>Tickets for Thursday’s show are available now: <strong><a contents="https://ticketf.ly/2ybx7v0" data-link-label="" data-link-type="url" href="https://ticketf.ly/2ybx7v0" target="_blank">https://ticketf.ly/2ybx7v0</a></strong></p>
<p><strong><a contents="RSVP to the event on Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/260376184700127/" target="_blank">RSVP to the event on Facebook</a></strong>, and check out <a contents="this post " data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/photos/a.392454222369.168882.66338637369/10156527344687370/?type=3&theater" target="_blank"><strong>this post</strong> </a>to enter to win an epic prize package from the artist.</p>
<p><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://www.twitter.com/broziel" target="_blank"><span class="font_small"><em>Amye Koziel</em></span></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/53332102018-07-05T19:25:22-06:002018-07-08T08:44:16-06:00Artist Spotlight - SlugWife: Broken Note, Kursa and Seppa <p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/068ac1492e8afc8d38f344dbf2d1313be0c9a272/original/27337075-425199354578496-1830507680654672937-n.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /></p>
<p>Standing as both a record label and a crew comprised of deeply nurtured artists, <a contents="Slug Wife" data-link-label="" data-link-type="url" href="https://www.facebook.com/SLUGWIFE/" target="_blank">SlugWife</a> has been carefully crafted to push its collective, unique sound to the bass loving masses. Composed of some of bass music’s finest talents: <a contents="Reso" data-link-label="" data-link-type="url" href="https://www.facebook.com/resomusic/" target="_blank">Reso</a>, <a contents="Seppa" data-link-label="" data-link-type="url" href="https://www.facebook.com/SeppaUK/" target="_blank">Seppa</a>, <a contents="Kursa" data-link-label="" data-link-type="url" href="https://www.facebook.com/Kursa.music/" target="_blank">Kursa</a> and <a contents="Broken Note" data-link-label="" data-link-type="url" href="https://www.facebook.com/brokennote/" target="_blank">Broken Note</a>, SlugWife practices first and foremost musical integrity and respect for the fundamental role artists play in the world of music; as the collective strongly believes that each one of its artists should be treated as an independent entity, yet entirely equal. By allowing each producer to rightfully retain full creative freedom in their work, SlugWife has set out to continuously break boundaries in music production and encourage more to follow suit. For the SlugWife collective, it’s all about fun without compromise and a heavy emphasis on groundbreaking music that moves its listeners. </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/392163684&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>Broken Note has stood at the forefront of well-crafted, bass heavy music for over a decade now. Known for expertly folding cinematic sound design, towering bass, aggressive beats informed by heavy metal, layered distorted leads and staggering rhythms, Broken Note’s output continues to demonstrate an incredibly tight vision that has only improved with time, across tempos and throughout sonic landscapes. </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/295509773&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>Kursa’s output emanates a fresh sonic world where anything is possible: time and sound are eligible for bending, shaping and manipulating in an infinite number of ways, making his music irreplicable within the scene. As one of the founding pioneers of the Neurohop genre, Kursa is constantly driven by experimentation for all things musically untapped; always managing to deliver something exciting and original without compromising virtue. </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/327733858&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>Seppa has proven himself a steadfast figure when it comes to musical creativity in electronic music fueled by experimentation, creative malleability and meticulous personal standards. Wielding staggering sound design prowess and a knack for aggressive arrangements, Seppa continues to progress forward not only within his own sound but the genre as a whole, as his style intelligently fuses half-time drum and bass with hip-hop rhythmic motifs and neuro textures. </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/428351262&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/53301782018-07-04T15:09:41-06:002018-07-04T15:09:41-06:00Sub.mission Podcast #244: Retina<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8a1fc43d48e758b55ba24a4b048551e51ee9eebd/original/podcast244retina.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br><br>This week’s edition of the Sub.mission podcast features Denver DJ and producer Retina. An alumni of the infamous local “front row crew,” the young artist is well educated on the art of building a set. His mix for Sub.mission starts out dark and dubby, escalating to disruptive, distorted nightmare vibes as it progresses. Retina’s selection highlights his influences as a producer with tracks spanning dubstep’s timeline and plenty of unreleased material from numerous artists weaved seamlessly alongside his own original tunes. </p>
<p><em><a contents="Check out Retina’s EP on Silent Motion Records" data-link-label="" data-link-type="url" href="https://silentmotionrecords.bandcamp.com/album/trampled-ep" target="_blank">Check out Retina’s EP on Silent Motion Records</a></em>. If you’re in Colorado, catch Retina’s set at <em><a contents="Stomping Ground Thursdays at The Black Box on 8/2" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/183013685721296/" target="_blank">Stomping Ground Thursdays at The Black Box on 8/2</a></em>.<br><br>Track list:</p>
<p>Jah-T - Lick The Pipe Peter Pt 4 <br>Tetrad - Almighty (Dub) <br>Soukah - 13th Cha (Dub) <br>Scarz - Beep Beep (Dub) <br>Retina - Stepping Stones (Forthcoming Bare Bones) <br>OxÛssi - Don't Bitch <br>Mikael - Sandwell <br>Karma - Terrorist <br>Ghetts - Slumdog Millionaire <br>Ind33p - Authorization (Dub) <br>Dalek One - Elements <br>Boofy - Dead Stylus <br>Ago - Flashin' <br>Akcept - Cut It <br>LAS - Your Eyes <br>Chad Dubz - Under the Influence (Mr. K Remix)(Dub) <br>Retina - Meddle Last (Dub) <br>Scarz - Egg Black (Dub) <br>Sleeper - Burn Finger Dub <br>SubFiltronik - Wrong Line <br>Tetrad - Samos (Dub) <br>Mesck - The Veil <br>Krook - Shredded <br>ETHER - Ghossst (Dub) <br>Gleb Choutov - Raubkunst (Dub) <br>Atrium Carceri - Frosted Snowflakes <br>Malleus - Aokigahara <br>Trisicloplox - Pit of Wrung <br>Retina - The Process of Decomposition (Forthcoming) <br>Retina - Sullen <br>Retina - ...And She Fell Through the Floor (Dub) <br>Malleus - The Taste of Mildew (Dub) <br>Dalek One x Koma - Deep in the Crease (Dub) <br>Trisicloplox - Duum (Dub) <br>Retina - There It Lies (Dub) <br>Retina - To Watch Yourself Sleep (Dub) <br>Pharmakon - Nakedness Of Need <br>Trisicloplox - Monolith (Dub) <br>Malleus - Dragging the Lake (Dub)</p>1:00:51subdotmission.comtag:www.subdotmission.com,2005:Post/53276882018-07-02T05:39:50-06:002018-07-02T19:44:35-06:00Hustle Knowledge: Electronic Tuesdays July 2018<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/88f7b6b9e1ed8d3f3ce31b93ae87335ec7bfca54/original/july-etuesdays-monthly.jpg/!!/b:W1sic2l6ZSIsImxhcmdlIl1d.jpg" class="size_l justify_center border_" /></p>
<p>An especially exciting month of Electronic Tuesdays is upon us, and Denver is in for more than one treat. This five-Tuesday July features four Denver debuts alone. Read on to get to know this month’s Electronic Tuesdays headliners.</p>
<p><br><a contents="7/3: Innamind Recordings Showcase ft. Headland, Ago, Karma, &amp; Kursk" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/223739231551179/" target="_blank"><strong><span class="font_large">7/3: Innamind Recordings Showcase ft. Headland, Ago, Karma, & Kursk</span></strong></a></p>
<p><a contents="Innamind Recordings" data-link-label="" data-link-type="url" href="https://soundcloud.com/innamindrecordings" target="_blank">Innamind Recordings</a>, headed by Kursk, stands today as an indisputable staple of dubstep’s contemporary canon. Conceived in 2012, Innamind quickly emerged as one of the genre’s most universally beloved labels. With releases from artists like LAS, Quest, Gantz, and Epoch (as well as E-Tuesdays performers Headland, Ago, and Karma), the label’s catalogue defines “proper dubstep” for the genre’s current generation. </p>
<p>As producers, each artist on the bill possesses his own subtle, yet distinctive flair: Karma is known for preserving the “dub” in dubstep through his twisted references to roots music; Ago’s touch for conventional composition brings a unique flavor to the dance floor - but the main thrill of this event is in not truly knowing what we’re in for. With four dubplate-laden DJs on decks, and the Denver debuts of both Ago and Headland, we can only reasonably expect to hear a lot of crazy music that’s never touched our ears before. One thing is certain: This Tuesday night, the dance floor will be packed.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/428747283&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p> </p>
<p><a contents="7/10: TMSV" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/1981107835538207/" target="_blank"><span class="font_large"><strong>7/10: TMSV</strong></span></a></p>
<p>It’s been a long while since <a contents="TMSV " data-link-label="" data-link-type="url" href="https://soundcloud.com/tmsv" target="_blank">TMSV </a>has played in Denver. Known to dubstep for his EPs on Artikal Music, the artist has since been featured on labels like Perfect Records and Cosmic Bridge with releases that skew towards faster BPMs. A multi-genre talent, TMSV bridges the contentious divide between dubstep and drum and bass in both his mixes and productions. The sophisticated musician has also revealed a conscientious & well-informed personal perspective on bass music and the surrounding scene as co-host for the discussion-based WIP Podcast. TMSV dictates a purposeful presence in the realm of underground bass music, and he is sure to live up to it on the decks.</p>
<p><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/428557746&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p> </p>
<p><a contents="7/17:&nbsp; Slug Wife Takeover ft. KLO, Reso, &amp; Kursa (Shambahala Pre-Party)" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/2160877173929239/" target="_blank"><span class="font_large"><strong>7/17: Slug Wife Takeover ft. KLO, Reso, & Kursa (Shambahala Pre-Party)</strong></span></a></p>
<p>Electronic Tuesdays hosts Denver’s official Shambahala pre-party on the 17th. The <a contents="Slug Wife " data-link-label="" data-link-type="url" href="https://soundcloud.com/slugwife" target="_blank">Slug Wife </a>collective takes over The Black Box for this very special triple-occasion. As if that’s not exciting enough, <a contents="KLO " data-link-label="" data-link-type="url" href="https://soundcloud.com/kloofficial" target="_blank">KLO </a>and <a contents="Reso " data-link-label="" data-link-type="url" href="https://soundcloud.com/reso" target="_blank">Reso </a>will be joined by <a contents="Kursa " data-link-label="" data-link-type="url" href="https://soundcloud.com/kursauk" target="_blank">Kursa </a>for yet another epochal Denver debut. Tickets for this event will fly, <a contents="so snag yours now." data-link-label="" data-link-type="url" href="https://www.ticketfly.com/event/1717344-slug-wife-takeover-denver/" target="_blank">so snag yours now.</a></p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/442344708&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p> </p>
<p><a contents="7/24: Vivek &amp; Hebbe" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/2013922462011552/" target="_blank"><span class="font_large"><strong>7/24: Vivek & Hebbe</strong></span></a></p>
<p>A rare lineup if there ever is one, <a contents="Vivek " data-link-label="" data-link-type="url" href="https://soundcloud.com/viveksystem" target="_blank">Vivek </a>and <a contents="Hebbe " data-link-label="" data-link-type="url" href="https://soundcloud.com/hebbe-versteegh" target="_blank">Hebbe </a>join forces for a night engineered to make up for everything we miss out on as dubstep fans living in America. As the founder of the UK’s iconic <a contents="System" data-link-label="" data-link-type="url" href="http://www.wearesystem.co.uk/" target="_blank">System</a> night and label of the same name, Vivek is a prophet for the sanctity of sub-frequencies. His approach to production DJ selection, and curation celebrates proper sound systems and the supernatural powers they bestow. If you’re not familiar with Vivek’s music or the System imprint, there’s only one way to get acquainted: this isn’t music you can listen to on laptop speakers. If you don’t know, you’ll only find out in the dance. </p>
<p>Hebbe also makes his Denver debut tonight. The Dutch producer has recently exploded into the global scene with massive releases on labels like Duploc, Artikal Music, and Crucial Recordings. He’s among the most frequently requested dubstep artists to perform at The Black Box. We can’t wait to find out what the artist can do in the dance.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/408994650&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p> </p>
<p><a contents="7/31: Babylon System" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/685856035078840/" target="_blank"><span class="font_large"><strong>7/31: Babylon System</strong></span></a></p>
<p>July concludes with the return of <a contents="Babylon System" data-link-label="" data-link-type="url" href="https://soundcloud.com/thebabylonsystem" target="_blank">Babylon System</a>. Formed in 2006, the pioneering partnership between California OGs Roommate and No Thing is among the earliest cornerstones of the American dubstep scene. The duo’s aggressive, West Coast-influenced rendition of the UK dubstep sound set the mold for the style that continues to characterize the country’s role in the genre’s global evolution. </p>
<p>Babylon System makes their appearance in observance of their recent vinyl release on Heavy Traffic Recordings, designating the duo as members of a small and shrinking club of genre forefathers who remain active today. The event is a precious opportunity to glimpse the timeline of U.S. dubstep in its totality.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/345421124&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://www.twitter.com/broziel" target="_blank"><span class="font_small"><em>Amye Koziel</em></span></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/53079382018-06-20T19:39:56-06:002018-06-20T19:39:56-06:00Sub.mission Agency Releases: Abstrakt Sonance, Variant, Rez, AxH, Ternion Sound, Mikrodot & Prophet & Babylon System <p style="text-align: center;"><br>The <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/" target="_self">Sub.mission</a> Agency talent roster has been cranking out some massive releases and this week we're showcasing some of our favorites! Featuring: <a contents="Abstrakt Sonance" data-link-label="" data-link-type="url" href="https://www.facebook.com/AbstraktSonance/" target="_self">Abstrakt Sonance</a>, Babylon System (<a contents="Roommate" data-link-label="" data-link-type="url" href="https://www.facebook.com/roommatedubs/" target="_self">Roommate</a> + No Thing) , <a contents="DJ Variant" data-link-label="" data-link-type="url" href="https://www.facebook.com/DjVariant/" target="_self">DJ Variant</a>, <a contents="AxH" data-link-label="" data-link-type="url" href="https://www.facebook.com/axhbeats/" target="_self">AxH</a>, <a contents="Ternion Sound" data-link-label="" data-link-type="url" href="https://www.facebook.com/ternionsound/" target="_self">Ternion Sound</a>, <a contents="Rez" data-link-label="" data-link-type="url" href="https://www.facebook.com/rezdubs/?ref=br_rs" target="_self">Rez</a>, & Mikrodot + <a contents="Prophet" data-link-label="" data-link-type="url" href="https://www.facebook.com/prophetsounds/" target="_self">Prophet</a>! <br>Check out these new sounds and make sure to show your support! <br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/86bad8764a38e0c51e3a8fb6ba643e27dfaec8c3/original/screen-shot-2018-06-20-at-6-31-28-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_none" alt="" /><a contents="Abstrakt Sonance&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/AbstraktSonance/" target="_self">Abstrakt Sonance </a><br>Fall Back Remix <br><br>SOUNDCLOUD LINK:<br>(FREE DOWNLOAD)<br><a contents="https://soundcloud.com/abstraktsonance/fallback" data-link-label="" data-link-type="url" href="https://soundcloud.com/abstraktsonance/fallback" style="" target="_self">https://soundcloud.com/abstraktsonance/fallback</a><br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/48bf9792a2c90a303d204d74a53c5bf96967c6ea/original/babylon-system-image.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_none" alt="" /><br>Babylon System <br>(<a contents="Roommate" data-link-label="" data-link-type="url" href="https://www.facebook.com/roommatedubs/" target="_self">Roommate</a> + No Thing)<br>Heavy Traffic 002<br><br>LISTEN/PURCHASE:<br><a contents="https://www.whitepeachrecords.com/dubstep/htrv002" data-link-label="" data-link-type="url" href="https://www.whitepeachrecords.com/dubstep/htrv002" style="" target="_self">https://www.whitepeachrecords.com/dubstep/htrv002</a><br><br><br> </p>
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<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/074b9dfa1e1e40d47f6531fe7afc5cee6c15818c/original/lucy-ep-image.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" style="text-align: center;" /></p>
<p style="text-align: center;"><br><a contents="DJ Variant" data-link-label="" data-link-type="url" href="https://www.facebook.com/DjVariant/" style="" target="_self">DJ Variant</a><br>Lucy EP<br>Heavy Traffic 007<br><br>LISTEN/PURCHASE:<br><a contents="https://heavytrafficrecordings.bandcamp.com/album/lucy-ep" data-link-label="" data-link-type="url" href="https://heavytrafficrecordings.bandcamp.com/album/lucy-ep" style="" target="_self">https://heavytrafficrecordings.bandcamp.com/album/lucy-ep</a></p>
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</ul>
<p style="text-align: center;"><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0b626af5f1d943949f08452b6f7e210c15dc55cb/original/axh-tokyo-ep.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /><br><a contents="AxH&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/axhbeats/" style="" target="_self">AxH </a><br>Tokyo EP <br>Boka Records <br><br>LISTEN/PURCHASE: <br><a contents="http://smarturl.it/BOKA048" data-link-label="" data-link-type="url" href="http://smarturl.it/BOKA048" style="" target="_self">http://smarturl.it/BOKA048<br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/026fef3119544f836932a296112bce7bf01e07da/original/screen-shot-2018-06-20-at-6-30-41-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /></a><a contents="Ternion Sound&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/ternionsound/" target="_self">Ternion Sound </a><br>RENRAKU Sample Pack<br><br>SOUNDCLOUD LINK:<br><a contents="https://soundcloud.com/ternionsound/sample-pack-ternion-sound-third-wave-dubstep-renraku" data-link-label="" data-link-type="url" href="https://soundcloud.com/ternionsound/sample-pack-ternion-sound-third-wave-dubstep-renraku" style="" target="_self">https://soundcloud.com/ternionsound/sample-pack-ternion-sound-third-wave-dubstep-renraku</a><br><br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/776ac580c3277fa5ac893047c747f5e09936c032/original/rez-ep.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /><br><a contents="REZ" data-link-label="" data-link-type="url" href="https://www.facebook.com/rezdubs/?ref=br_rs" style="" target="_self">REZ</a><br>The Valley EP<br>Deep, Dark & Dangerous<br><br>LISTEN/PURCHASE:<br><a contents="https://deepdarkdangerous.bandcamp.com/album/rez-the-valley-ep-ddd033" data-link-label="" data-link-type="url" href="https://deepdarkdangerous.bandcamp.com/album/rez-the-valley-ep-ddd033" style="" target="_self">https://deepdarkdangerous.bandcamp.com/album/rez-the-valley-ep-ddd033<br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/069fc8811f4fc0d1ecaa5ab5d5c34eb180be7efb/original/mikrodot-prophet-ep.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /></a><a contents="Mikrodot" data-link-label="" data-link-type="url" href="https://www.facebook.com/mikrodotdubz/" target="_self">Mikrodot</a> & <a contents="Prophet" data-link-label="" data-link-type="url" href="https://www.facebook.com/prophetsounds/" target="_self">Prophet</a> ft. SixChakra<br>Pupils EP<br>Abysmal Entities<br><br>LISTEN/PURCHASE: <br><a contents="https://soundcloud.com/abysmalentities/sets/mikrodot-x-prophet-pupils-ep" data-link-label="" data-link-type="url" href="https://soundcloud.com/abysmalentities/sets/mikrodot-x-prophet-pupils-ep" style="" target="_self">https://soundcloud.com/abysmalentities/sets/mikrodot-x-prophet-pupils-ep</a><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/53027702018-06-18T14:06:36-06:002022-08-08T22:09:52-06:00Agency Announcement: Andreilien <p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2387c105f2787ea87794ee9dea639d61753042c3/original/dsc06226-1.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /></span><br><br><span class="font_regular">The <a contents="Sub.Mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/" target="_self">Sub.Mission</a> Agency is pleased to introduce the newest member of its ever-expanding family, <br><a contents="Andreilien" data-link-label="" data-link-type="url" href="https://www.facebook.com/Andreilien/" target="_self">Andreilien</a>. With the addition of Andreilien’s sound onto Sub.Mission’s roster, the agency is widening its <br>already broad reaches by highlighting the impact of cerebral, west coast trip hop beats within the global <br>bass music scene. <br><br>Standing as a staple in the west coast bass music scene for the better part of a decade, Andrei Olenev <br>first grabbed the attention of the masses with his project “<a contents="Heyoka" data-link-label="" data-link-type="url" href="https://soundcloud.com/heyokaofficial" target="_self">Heyoka</a>,” which earned him slots on festival <br>stages around the world. Over the last five years, however, he has been producing and performing under <br>the name “Andreilien,” which boasts Andrei’s distinct musical style: a solid foundation of deep sub bass <br>and heavy psychedelic inspiration. His early influences in downtempo and dub are combined seamlessly <br>with his current sound that accentuates the energy of midtempo dance floor genres, helping create a very <br>unique sound that combines relentless baselines, hip hop rhythms and dub vibes, all sitting atop a <br>bedrock of trip hop. <br><br>SOUNDCLOUD LINK: <a contents="https://soundcloud.com/andreilien/sets/fragment" data-link-label="" data-link-type="url" href="https://soundcloud.com/andreilien/sets/fragment" target="_self">https://soundcloud.com/andreilien/sets/fragment</a><br><br> <br>As Heyoka, Andrei released his first EP in 2008 entitled Space Case and has since released many <br>albums and EPs through San Francisco’s Muti Music; a leading name in the glitch hop and bass music <br>scene. As his newly incepted moniker Andreilien, Andrei has continued to develop his sound, culminating <br>in his latest Fragment release. Over the years, Andreilien has maintained a heavy club and festival tour <br>schedule, with performances booked at noteworthy North American festivals like Symbiosis, Sonic Bloom, <br>Burning Man and Lightning in a Bottle as well as many international festivals and clubs. Further seeking <br>to expand his repertoire, Andrei has been continually working to develop a multimedia project with original <br>Visionary and 3D art to create full sensory fractal journey, which he plans on touring with in the future. <br><br><br>SOUNDCLOUD LINK: <a contents="https://soundcloud.com/andreilien/algorithm-minimix" data-link-label="" data-link-type="url" href="https://soundcloud.com/andreilien/algorithm-minimix" target="_self">https://soundcloud.com/andreilien/algorithm-minimix</a></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/52982172018-06-15T15:26:24-06:002023-12-10T10:03:18-07:00Artist Spotlight - Emalkay <p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f83af901d5d7a29e4e79d52cd86958c57068d769/original/press-i0a3779wb.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>
<p style="text-align: center;"><br><br><span class="font_regular">Assembling not only years of expansive, technical production prowess but also deeply rooted influences <br>spanning the likes of grime, garage, reggae, and drum and bass, <a contents="Emalkay" data-link-label="" data-link-type="url" href="https://www.facebook.com/emalkayofficial/" target="_self">Emalkay</a> has engraved an undeniable <br>mark within the global dubstep scene. First releasing garage tracks in the early 2000s on his own Morphic <br>Sounds imprint in 2005, <a contents="Emalkay" data-link-label="" data-link-type="url" href="https://www.facebook.com/emalkayofficial/" target="_self">Emalkay</a> shifted sonic gears in 2006 after signing to dubstep label <a contents="Boka Records" data-link-label="" data-link-type="url" href="https://www.facebook.com/bokarecords/" target="_self">Boka Records</a> <br>in 2006; resulting in a slower, darker, and more tense sound with earth shattering bass and spacious <br>arrangements. Emalkay then made his debut on <a contents="Caspa's" data-link-label="" data-link-type="url" href="https://www.facebook.com/caspaofficial/" target="_self">Caspa's</a> notorious <a contents="Dub Police" data-link-label="" data-link-type="url" href="https://www.facebook.com/dubpoliceofficial/" target="_self">Dub Police</a> label with the roaring 2009 <br>single "Explicit." This career milestone was then followed and trumped by the release of two infectious <br>and historic anthems "When I Look at You" and “Fabrication;” boasting addictive, future-leaning <br>cinematics and stirring, textured bass. During this critical period in his career, Emalkay quickly surfaced <br>as a favorite among dubstep DJs and fans alike for a slew of original tracks that boasted equally <br>suspenseful and impactful flare. Emalkay’s output has since deemed him a brilliant and exciting staple <br>within dubstep’s global sound. <br><br>SOUNDCLOUD LINK: <a contents="https://soundcloud.com/emalkay/emalkay-fabrication&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/emalkay/emalkay-fabrication" target="_self">https://soundcloud.com/emalkay/emalkay-fabrication </a><br><br>Throughout his extensive career, Emalkay has teamed up with the likes of scene heavy hitters such as <br>Caspa, The Glitch Mob and Rod Azlan and released on platforms such as UKF, Dub Police, GetDarker <br>and Rampage. Aside from cranking out monumental, genre-defining tracks during pivotal moments during <br>dubstep’s growth and evolution, Emalkay has always defined his sound by constantly refusing to <br>categorize himself by anything other than his own musical evolution and standards. He has only <br>continued to break new ground and move forward with each and every track he makes, while always <br>declining the invitation to settle or conform. <br><br>SOUNDCLOUD LINK: <a contents="https://soundcloud.com/emalkay/emalkay-caspa-tomorrow" data-link-label="" data-link-type="url" href="https://soundcloud.com/emalkay/emalkay-caspa-tomorrow" target="_self">https://soundcloud.com/emalkay/emalkay-caspa-tomorrow</a></span><br><br> </p>
<p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1da390a48f40b7030465c4d2bd6ee2dc94035f9d/original/press-i0a3648wcrop.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/52683892018-06-13T11:58:10-06:002023-12-10T11:15:29-07:00Agency Announcement: Bloodline (DJ Hatcha x DJ Youngsta)<p style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/60576a1c3f7e2aef622b4abae9fdb300c61e5cbd/original/hatcha-youngsta-bloodline-28.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br><br><a contents="Bloodline" data-link-label="" data-link-type="url" href="https://www.facebook.com/BloodlineLDN/" target="_self">Bloodline</a><br>(<a contents="DJ Hatcha" data-link-label="" data-link-type="url" href="https://www.facebook.com/hatchadj/" target="_self">DJ Hatcha</a> x <a contents="DJ Youngsta" data-link-label="" data-link-type="url" href="https://www.facebook.com/youngstatempa/" target="_self">DJ Youngsta</a>) <br><br>The <a contents="Sub.Mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/" target="_self">Sub.Mission</a> agency is pleased to introduce the newest addition to its already impressive army of artists: the mighty dubstep duo known as <a contents="Bloodline" data-link-label="" data-link-type="url" href="https://www.facebook.com/BloodlineLDN/" target="_self">Bloodline</a>. As the moniker to the side project of two of dubstep’s pioneering figures, <a contents="Youngsta" data-link-label="" data-link-type="url" href="https://www.facebook.com/youngstatempa/" target="_self">Youngsta</a> and <a contents="Hatcha" data-link-label="" data-link-type="url" href="https://www.facebook.com/hatchadj/" target="_self">Hatcha</a>, <a contents="Bloodline" data-link-label="" data-link-type="url" href="https://www.facebook.com/BloodlineLDN/" target="_self">Bloodline</a> consolidates the strengths of two of the genre’s trailblazers into one impossibly fresh supergroup fit for the caliber of the current state of the sound. Although Youngsta and Hatcha need no introduction, we’d like to highlight just how big of an impact that both of these artists have had not only on the molding and shaping of the genre from its initial inception, but their currently felt influences on the mature and multifaceted state of today’s dubstep sound. As Sub.Mission welcomes Bloodline as an exceptional addition to the agency, we can’t help but look forward to the impossibly bright future that’s to come when the biggest dubstep powerhouse in America joins forces with two of the biggest names in the global dubstep scene. </p>
<p style="text-align: center;">As one of the pivotal figureheads of dubstep since the very beginning, <a contents="Youngsta’s" data-link-label="" data-link-type="url" href="https://www.facebook.com/youngstatempa/" target="_self">Youngsta’s</a> career spans as far back as the scene-defining club night FWD>> as the resident DJ who first played some of the genre's most beloved and historic anthems. He continued to play a hugely active role in dubstep's development with his frequent appearances on Rinse FM; helping to expose talented new artists. Youngsta also stands as a highly decorated producer in the scene as well, with releases on Tempa, Osiris and Wheel & Deal as well as owning his own imprint, Sentry Records; solidifying his rightful place as a figurehead for a new generation of producers. </p>
<p style="text-align: center;"><a contents="Hatcha" data-link-label="" data-link-type="url" href="https://www.facebook.com/hatchadj/" target="_self">Hatcha</a>, who has been recognized by Mixmag as “one of the greatest DJs of all time,” can also trace his dubstep lineage back to the original FWD>> lineups alongside fellow resident, Youngsta. Throughout dubstep’s inception and Hatcha’s rise within it, he played a pivotal role it its overall development and vitality, as he graced numerous stages with his coveted bag of dubplates featuring the likes of then-budding producers Benga, Skream, Mala, Coki and Loefah. Since then, Hatcha has gone on to hold down his flagship Kiss 100 show alongside MC Crazy D, DJ across the planet, co-produce with a variety of the scene’s heavyweights and created his own imprint as well called Hatched. </p>
<p style="text-align: center;"><a contents="Bloodline" data-link-label="" data-link-type="url" href="https://www.facebook.com/BloodlineLDN/" target="_self">Bloodline</a> stands as the unification of these two foundational dubstep acts: Youngsta and Hatcha. It’s clear that these two artists have had a massive impact on the life and longevity of the dubstep genre since its inception, with a name that reflects their independently unbroken journeys throughout dubstep’s growth and development. Their Bloodline project boasts a joining of two of dubstep’s most revered and technically gifted DJs as well as influential producers. While they both carry different styles within their own projects, Bloodline fuses their abilities for both DJing and producing; allowing them to touch on every style and mood within the dubstep spectrum as well as reference foundational styles from the earliest dubstep years with an innovative twist fit for today’s ever-evolving scene.<br> </p>
<p style="text-align: center;">Stay Connected!</p>
<p style="text-align: center;"><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/search/top/?q=bloodlineldn" target="_self">Facebook</a> <a contents="Instagram" data-link-label="" data-link-type="url" href="https://www.instagram.com/bloodline_ldn/?hl=en" target="_self">Instagram</a> <a contents="Twitter" data-link-label="" data-link-type="url" href="https://twitter.com/BloodlineLDN" target="_self">Twitter</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/52852842018-06-08T17:00:51-06:002023-12-10T09:59:53-07:00Sub.mission Agency Additions: Emalkay, Opus, Six Sunsets, Ishan Sound & Repulsion <p style="text-align: center;"><br><br><br><br>The Sub.Mission agency is proud to announce the freshest additions to its ever-strengthening <br>roster of talented artists spanning all sounds, styles, moods and influences: <a contents="Emalkay" data-link-label="" data-link-type="url" href="https://www.facebook.com/emalkayofficial/" target="_self">Emalkay</a>, <a contents="Opus" data-link-label="" data-link-type="url" href="https://www.facebook.com/opus.musics/" target="_self">Opus</a>, <a contents="Six&nbsp;Sunsets" data-link-label="" data-link-type="url" href="https://www.facebook.com/sixsunsets/" target="_self">Six <br>Sunsets</a>, <a contents="Ishan Sound" data-link-label="" data-link-type="url" href="https://www.facebook.com/ishansound/" target="_self">Ishan Sound</a> and <a contents="Repulsion" data-link-label="" data-link-type="url" href="https://www.facebook.com/repulsionmusic/" target="_self">Repulsion</a>. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/bbd5c29b46e19102c5078b9d67f0ac3ddc8b8682/original/screen-shot-2018-06-08-at-5-05-12-pm.png/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.png" class="size_m justify_center border_" /><br><br>A brilliant staple within dubstep’s global sound, the historic producer <a contents="Emalkay" data-link-label="" data-link-type="url" href="https://www.facebook.com/emalkayofficial/" target="_self">Emalkay</a> has defined <br>himself by always refusing to categorize himself by anything other than his own musical <br>evolution and standards. With a production history that spans a multitude of genres and <br>timelines, he has only continued to break new ground and move forward with each and every <br>track he makes, while always drawing a flock of eager listeners and inspiring fellow artists alike. <br>While Emalkay first peaked the attention of dubstep fans on a massive scale around the world in <br>2009 with the monstrous release of “When I Look At You,” he has since declined any invitation <br>to settle or conform; constantly looking to progress forward in his sound and further his already <br>impressive sonic evolution. <br><br><a contents="https://soundcloud.com/emalkay/graviton-free-download&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/emalkay/graviton-free-download" target="_self">https://soundcloud.com/emalkay/graviton-free-download </a><br> </p>
<p style="text-align: center;"><a contents="https://soundcloud.com/emalkay/graviton-free-download&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/emalkay/graviton-free-download" style="" target="_self"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0c27521d520497f5a0dfabe841d4e40f203615e0/original/opus-pic.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /></a><br><br><br>This past year has seen the steady rise of <a contents="Opus" data-link-label="" data-link-type="url" href="https://www.facebook.com/opus.musics/" target="_self">Opus</a>; a budding producer who has undoubtedly <br>begun making waves within the dubstep scene for continuously crafting versatile, dynamic heat <br>amidst his ever-evolving, idiosyncratic soundscape. Opus stands as no stranger to engineering <br>a slew of notable beats, thanks to his seemingly intrinsic musical prowess coupled with a knack <br>for reaching far beyond the constructs of conventions and expectations. This sort of ravenous <br>creative mentality has earned Opus releases on Crucial Recordings, White Peach Records and <br>Encrypted Audio, not to mention play support from the likes of scene heavy hitters such as <br>Noisia, Bukez Finezt, Goth-Trad, Sleeper, Commodo, Distance and Jack Sparrow. <br><br><a contents="https://soundcloud.com/opusmusics/opus-newspeak-crucial018&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/opusmusics/opus-newspeak-crucial018" target="_self">https://soundcloud.com/opusmusics/opus-newspeak-crucial018 </a><br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c3ba5ff068593efe73d104172b4a8b25c7b11e6c/original/six-sunsets-photo.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /><br><br><a contents="Six Sunsets" data-link-label="" data-link-type="url" href="https://www.facebook.com/sixsunsets/" target="_self">Six Sunsets</a>, comprised of UK-based producers Drumterror and Ekula, collectively specialize in the <br>art of infectious, bass-centric beats poised to rattle dancefloors across the globe. Since the <br>group’s inception in October 2014, the pair have graced the dubstep world with a host of digital <br>and vinyl releases on platforms such as FatKidOnFire, Banana Stand Sound and Deep, Dark <br>and Dangerous, in tandem with completing a round of European festivals and a debut US tour in <br>2017. Having received play support from the likes of Mala, Rusko, Coki, Caspa and N-Type (to <br>name a few), it’s clear that unrelenting bassweight is the sole philosophy fueling Six Sunsets’ <br>unstoppable sound. <br><br><a contents="https://soundcloud.com/packlondon/premiere-six-sunsets-fever-skank-vip" data-link-label="" data-link-type="url" href="https://soundcloud.com/packlondon/premiere-six-sunsets-fever-skank-vip" target="_self">https://soundcloud.com/packlondon/premiere-six-sunsets-fever-skank-vip</a><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/22aeaff727b1f94bf893bef67a638ec21a8d1855/original/ishan-sound-aug2015-zhou-dark-landscape.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /><br><br><br>Having already graced notable labels such as Young Echo, Tectonic, Hotline Recordings, Peng <br>Sound, ZamZam Sounds and Khaliphonic, <a contents="Ishan Sound" data-link-label="" data-link-type="url" href="https://www.facebook.com/ishansound/" target="_self">Ishan Sound</a> oozes raw and unrelenting low end <br>might that seems to know no bounds. Boasting soundscapes that cover a range of moods; from <br>tough and adrenaline fueled to ominous and mystical, Ishan Sound’s output continuously <br>shatters creative boundaries while never sacrificing integrity or ingenuity. Whether he’s dipping<br>his creative pen into grime influenced beats or forward facing dubstep grooves, this producer’s <br>future seems to be shining brighter than ever. <br><br><a contents="https://soundcloud.com/tectonic-recordings/hodge-ishan-c5&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/tectonic-recordings/hodge-ishan-c5" target="_self">https://soundcloud.com/tectonic-recordings/hodge-ishan-c5 </a><br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e8138c6480b45d297e6dfebd4e5451eecd344929/original/23331351-1938517186368658-9087276832486734300-o.jpg/!!/b:W1sic2l6ZSIsIm1lZGl1bSJdXQ==.jpg" class="size_m justify_center border_" /><br><br>Finding home with labels such as Subquake Audio, Thought Render, Substantial Audio, <br>Sublimated Sounds and Unknown Future, <a contents="Repulsion" data-link-label="" data-link-type="url" href="https://www.facebook.com/repulsionmusic/" target="_self">Repulsion</a> specializes in all things percussive and <br>groovy with influences spanning deep, chill, sample based, Lo-Fi, immersive and atmospheric <br>moods, while never sacrificing energy or low end power. Having started his production journey in <br>2011, Repulsion's sound has since evolved into its own irreplicable entity within the scene, with a <br>continuously growing support system to match his maturation; a healthy and strong progression that <br>shows no signs of stopping. <br><br><a contents="https://soundcloud.com/repulsion-1997/repulsion-gutted-ep-forthcoming-southside-dubstars-uk-030918" data-link-label="" data-link-type="url" href="https://soundcloud.com/repulsion-1997/repulsion-gutted-ep-forthcoming-southside-dubstars-uk-030918" target="_self">https://soundcloud.com/repulsion-1997/repulsion-gutted-ep-forthcoming-southside-dubstars-uk-030918</a><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/52741762018-06-04T04:59:48-06:002023-12-10T10:03:18-07:00Hustle Knowledge: Electronic Tuesdays June 2018<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/22acea423af2f419383a903994553c889240b3e5/original/jun-monthly-0429.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
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<p>This month’s Electronic Tuesdays kick off proper with one of dubstep’s most formative artists. <a contents="Jakes " data-link-label="" data-link-type="url" href="https://soundcloud.com/iamthejakes" target="_blank">Jakes </a>is known as a pioneer of the genre’s wonkier personality. The H.E.N.C.H head honcho is a creator and connissieur of dubstep’s heaviest, headbanger-friendly renditions. His own music and the music released on his seminal label is at the roots of today’s “riddim” movement, and the seasoned DJ’s set promises to showcase the timelessness of the weighty 140BPM sound.</p>
<p>Event Link:<a contents="&nbsp;https://www.facebook.com/events/240542299844909/" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/240542299844909/" target="_blank"> https://www.facebook.com/events/240542299844909/</a></p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/429659553&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
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<p><a contents="Prophet " data-link-label="" data-link-type="url" href="https://soundcloud.com/prophet_sound" target="_blank">Prophet </a>and <a contents="smith." data-link-label="" data-link-type="url" href="https://soundcloud.com/smiththazdope" target="_blank">smith.</a> are two newer names making waves in the broader bass music scene. Both Sub.mission Agency artists, and both American, smith. and Prophet each deliver their own distinct styles heavily influenced by the country’s contemporary electronic music landscape, yet unmistakably anchored to dubstep’s UK-based tradition. Both could be described as “future bass” artists for their respective hybrid approaches to energetic sub-heavy sound system music. June 12th’s show is sure to include moments of depth and meditation, but considering the festive vibes that each energy brings to their productions and DJ sets, when Tuesday night rolls around be sure to have your gunfingers ready.</p>
<p>Event Link: <a contents="https://www.facebook.com/events/516284298773199/" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/516284298773199/" target="_blank">https://www.facebook.com/events/516284298773199/</a></p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/409260627&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/395573436&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
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<p>As the head of <a contents="Critical Music" data-link-label="" data-link-type="url" href="https://soundcloud.com/critical-music" target="_blank">Critical Music</a>, <a contents="Kasra" data-link-label="" data-link-type="url" href="https://soundcloud.com/kasra-critical" target="_blank">Kasra</a>’s set represents more than simply halftime/drum and bass night at Electronic Tuesdays - but a demonstration of the power of musical curation. Kasra isn’t strictly “just a DJ.” <a contents="His own productions" data-link-label="" data-link-type="url" href="https://soundcloud.com/kasra-critical/sets/released-tracks" target="_blank">His own productions</a> are featured among the cutting-edge Critical Music catalouge. However, on the decks, Kasra is absolutely a DJ, concerned more with building a vibe on the dance floor and representing the music he releases than showcasing his own productions. Fans of Critical Music, drum and bass, and the halftime style will hear plenty of tunes tonight that aren’t yet available anywhere else. For fans of artists like Ivy Lab, this night is a must-attend.</p>
<p>Event Link: <a contents="https://www.facebook.com/events/2084930315116093" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/2084930315116093" target="_blank">https://www.facebook.com/events/2084930315116093</a></p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/416504622&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
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<p>June wraps up with the Denver debut of <a contents="SixChakra" data-link-label="" data-link-type="url" href="https://soundcloud.com/six-chakra" target="_blank">SixChakra</a>. The rising American dubstep producer is the young face of Chicago’s growing 140 community. As a staple in today’s international production community, SixChakra’s sound is a relic of dubstep’s future as well as its roots. It is only fitting that the artist’s highly anticipated Electronic Tuesdays appearance takes place alongside local Colorado favorites <a contents="ETHER " data-link-label="" data-link-type="url" href="https://soundcloud.com/etherbeetz" target="_blank">ETHER </a>and <a contents="Myxed Up" data-link-label="" data-link-type="url" href="https://soundcloud.com/myxed-up" target="_blank">Myxed Up</a>. SixChakra will also perform at Infrasound Music Festival in Wisconsin this summer.</p>
<p>Event Link: <a contents="https://www.facebook.com/events/175462926487514/" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/175462926487514/" target="_blank">https://www.facebook.com/events/175462926487514/</a></p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/449590764&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/52158072018-05-03T17:08:23-06:002018-05-03T21:47:38-06:00Event Preview: Goth Trad, Tsuruda, Trisicloplox, & Retina - 5/10<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c23412d5be85aafbcba26945eff36e3114758b2c/original/30127884-10160521263260227-8026181475399368704-o.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /><br>We’re only a week away from <a contents="one of this spring’s most anticipated Sub.mission shows" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/983455861831499" target="_blank">one of this spring’s most anticipated Sub.mission shows</a>. Thursday, May 10th marks the return of <a contents="Goth Trad" data-link-label="" data-link-type="url" href="https://soundcloud.com/goth-trad" target="_blank">Goth Trad</a>. The Japanese DJ and producer is a long-time dubstep staple and pioneer of the genre’s progressing sound. If you caught either of the artist’s previous appearances at The Black Box, you know how special Goth Trad’s sets can be. The smooth selector is a seasoned resident of the world’s most impressive sound systems; his masterful utilization of the Basscouch system amounts to a sinister form of crowd control.<br><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/160663330&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br> </p>
<p>But the 5/10 event promises more than a killer headliner performance. The night boasts one of the most unique and cutting-edge lineups featured in Denver to date. Joining Goth Trad on the bill are <a contents="Tsuruda" data-link-label="" data-link-type="url" href="https://www.facebook.com/tsurudamusic/" target="_blank">Tsuruda</a>, <a contents="Trisicloplox" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trisicloplox/" target="_blank">Trisicloplox</a>, and <a contents="Retina" data-link-label="" data-link-type="url" href="https://www.facebook.com/retinadubs/" target="_blank">Retina</a>: three forward-thinking American artists, each with their own innovative approach to sound system music. This is far from your typical dubstep party - if it can be described as a “dubstep party” at all.<br><br>Anybody familiar with Goth Trad is aware of the artist’s affinity for noisey, industrial-flavored vibes. We got a taste of this dark, convention-baffling sound in his set at Electronic Tuesdays last fall. If you attended the electric performance, <a contents="Trisicloplox’s " data-link-label="" data-link-type="url" href="https://soundcloud.com/trisicloplox" target="_blank">Trisicloplox’s </a>place on Thursday’s lineup makes perfect sense. The Denver producer and Sub.mission DJ is responsible for the most explosive moment I’ve personally experienced in the dance, when the sold-out crowd <a contents="collectively lost their pants" data-link-label="" data-link-type="url" href="https://www.facebook.com/amye.koziel/videos/10155061997664107/" target="_blank">collectively lost their pants</a> to the local hero’s track <a contents="“Iaido,”" data-link-label="" data-link-type="url" href="https://soundcloud.com/encryptedaudio/env009-trisicloplox" target="_blank">“Iaido,”</a> absolutely demanding that the selector pull the record back. Goth Trad has been cutting Trisicloplox tunes to acetate for years now; it seems the world is finally ready for the young producer’s evil, chaotic sound.<br><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/341840894&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br>Fellow Denver artist <a contents="Retina " data-link-label="" data-link-type="url" href="https://soundcloud.com/retinadubs" target="_blank">Retina </a>shares Trisicloplox’s subversive approach to sound system music. As part of the emerging cohort of young producers challenging conceptions of not only dubstep, but music itself, Retina is a natural fit on Thursday’s bill. The artist’s disturbing, distorted style is recently featured on releases from <a contents="Silent Motion Records" data-link-label="" data-link-type="url" href="https://silentmotionrecords.bandcamp.com/album/trampled-ep" target="_blank">Silent Motion Records</a> and Version Collective. As a DJ, Retina possesses unique selection and a special intuition for leading his audience - the kind of touch that can’t be taught. Retina is opening the night, so don’t be late. His main room debut at The Black Box is not to be missed.<br><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/302894923&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br>At first glance, <a contents="Tsuruda’s " data-link-label="" data-link-type="url" href="https://soundcloud.com/tsuruda" target="_blank">Tsuruda’s </a>name seems out of place on a lineup defined by darkness and distortion - but for a comprehensive exploration of bass music’s full spectrum, Tsuruda is the missing link. The future bass producer is known for his energetic and imaginative take on today’s dance music. While Trisicloplox and Retina deal exclusively in shades of black, Tsuruda is a connoisseur of color. His contagious tracks showcase another side of sound system music. His disjointed melodies and captivating rhythmic structure promise to bring out the best of the Basscouch; alongside the night’s other artists, Tsuruda’s set will give total gravity to the power of a proper sound system.<br><br><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/335345251&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br> </p>
<p>May 10th’s event gives us a rare glimpse into the fast-approaching future of sound system music. It’s a melding of creative brilliances and sonic influences that can’t be experienced anywhere else in the world. This is the kind of lineup that truly defines The Black Box’s invaluable role in artistic innovation. Doors open at 9, and don’t be late. This show signals a new chapter in electronic music’s future history. You won't want to miss a minute of it. </p>
<p><strong><a contents="Pre-sale tickets are available now." data-link-label="" data-link-type="url" href="https://ticketf.ly/2JlZet5" target="_blank">Pre-sale tickets are available now.</a></strong><br><br><a contents="by amye koziel" data-link-label="" data-link-type="url" href="https://twitter.com/broziel" target="_blank"><em><span class="font_small">by amye koziel</span></em></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/52103332018-05-01T15:32:18-06:002020-11-25T06:00:58-07:00Hustle Knowledge: Electronic Tuesdays May 2018<p>Denver’s favorite Tuesday tradition continues in May with a month of lineups celebrating dubstep’s past, present, and future. May’s Electronic Tuesdays feature renowned artists and labels from across the globe. Here’s your guide to the stacked month ahead. <a contents="Pre-sale tickets for all events are available via The Black Box website." data-link-label="" data-link-type="url" href="https://blackboxdenver.ticketfly.com/" target="_blank">Pre-sale tickets for all events are available via The Black Box website.</a> <br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a2af5d599fc833cd331efe028ed269a96761f7ae/original/maytues.jpg/!!/b:W10=.jpg" class="size_l justify_center border_" /></p>
<p><br><br><a contents="5/8:&nbsp;Deep Dark &amp; Dangerous Takeover with Truth, Khiva, and Sectra" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/969462166546665/" target="_blank"><strong>5/8: Deep Dark & Dangerous Takeover with Truth, Khiva, and Sectra</strong></a></p>
<p>The <a contents="Deep Dark &amp; Dangerous" data-link-label="" data-link-type="url" href="https://www.facebook.com/deepdarkdanger/" target="_blank">Deep Dark & Dangerous</a> squad returns on May 8th for the next installment of their quarterly label showcase at The Black Box. This time, the revolutionary collective is represented by label bosses <a contents="Truth " data-link-label="" data-link-type="url" href="https://soundcloud.com/truthdubstep" target="_blank">Truth </a>themselves - the explosive dubstep innovators beg no further introduction. DDD producer and selectress <a contents="Khiva " data-link-label="" data-link-type="url" href="https://soundcloud.com/realkhiva" target="_blank">Khiva </a>also makes her Denver debut. Check out her mix for the label below. <br><br>Known for his jagged, convention-toppling take on dubstep, newly appointed local and DDD releasee <a contents="Sectra " data-link-label="" data-link-type="url" href="https://soundcloud.com/sectra" target="_blank">Sectra </a>rounds up the lineup. This uniquely textured night promises a peek into dubstep’s fast approaching future.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/347711898&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br> </p>
<p><a contents="5/15 Crucial Recordings 3 Year Anniversary with Sleeper, Foamplate, Mesck, Kali, and Gawd&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/607699956229348/" target="_blank"><strong>5/15 Crucial Recordings 3 Year Anniversary with Sleeper, Foamplate, Mesck, Kali, and Gawd </strong></a></p>
<p><a contents="Crucial Recordings" data-link-label="" data-link-type="url" href="https://www.facebook.com/CrucialRecordings/" target="_blank">Crucial Recordings</a> touches down in Denver for their first Black Box takeover in celebration of the label’s third anniversary. In three short years, through 17 EP’s, Crucial has twisted dubstep’s trajectory in a vibrant and irrevocable fashion. Headed by genre figurehead and Denver favorite Sleeper, Crucial is largely to credit for the genre’s refreshed imagination and penchant for rule-breaking (not to mention today’s fascination with triplets). </p>
<p>Known for his releases on System Music as well as Crucial, <a contents="Foamplate " data-link-label="" data-link-type="url" href="https://soundcloud.com/foamplate" target="_blank">Foamplate </a>will make his much anticipated Denver debut, alongside <a contents="Sleeper" data-link-label="" data-link-type="url" href="https://soundcloud.com/sleepermusic" target="_blank">Sleeper</a>, <a contents="Mesck" data-link-label="" data-link-type="url" href="https://soundcloud.com/mesck" target="_blank">Mesck</a>, <a contents="Kali" data-link-label="" data-link-type="url" href="https://soundcloud.com/kalidubs" target="_blank">Kali</a>, and <a contents="Gawd" data-link-label="" data-link-type="url" href="https://soundcloud.com/ohhmy-gawd" target="_blank">Gawd</a>.<br><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/303803256&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br> </p>
<p><strong><a contents="5/22: Infernal Sounds with Mantra, Caustik, and eelko&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/129337901244467/" target="_blank">5/22: Infernal Sounds with Mantra, Caustik, and eelko </a></strong></p>
<p>DJs, record collectors, and dubstep obsessors - this one’s for you. The <a contents="Infernal Sounds " data-link-label="" data-link-type="url" href="https://www.youtube.com/channel/UC_47Vhzlwsb2zDKul0tk3kA" target="_blank">Infernal Sounds </a>showcase at Electronic Tuesdays is a very special treat for the true heads. Infernal Sounds is universally hailed as one of the genre’s most iconic labels and promotional platforms. The outlet is defined by its consistently coveted releases from artists like Saule, Darkimh, Causa, Shu, and many more. Label boss Mantra will grace the decks with his presumably bottomless collection of unreleased tracks and exclusives, as well as Infernal Sounds classics. If your most treasured moments in the dance are those spent skanking to tunes you’ve never heard before, this is the night you’ve been waiting for. Tomorrow’s bangers beckon.<br><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/409574795&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br><br><br><a contents="5/29: Biome, Max Mischief, and ETHER" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/892214747647333/" target="_blank"><strong>5/29: Biome, Max Mischief, and ETHER</strong></a><br><br><a contents="Biome " data-link-label="" data-link-type="url" href="https://soundcloud.com/djbiome" target="_blank">Biome </a>is yet another international name that needs little introduction. Boasting releases on labels from Deep Heads to Macabre Unit to Subaltern to Kaizen and so many more, Biome is among dance music’s most diverse innovators. His tracks range from heavy, to serene, to downright disturbing, and often interrupting the 140 template. In fact, Biome is known beyond dubstep for his dark, disjointed techno and other experimental styles. It’s impossible to predict where any set from Biome might lead, but it is always one hell of a journey.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/373016855&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/51588062018-04-01T07:04:29-06:002018-04-01T07:04:29-06:00Hustle Knowledge: Electronic Tuesdays April 2018<p>As always, April’s Electronic Tuesdays lineup showcases underground DJs and producers from around the globe, each ready to bring their own unique flavor of bass music to The Black Box. The music speaks for itself, but while you’re listening, here’s what you need to know about this month’s E-Tuesdays headliners.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/949ddb713cdedb3651ebdb1a8c3997f6f44d127d/original/apr-monthly-0319.jpg" class="size_l justify_center border_" /><br> </p>
<p><strong><a contents="Quest " data-link-label="" data-link-type="url" href="https://www.facebook.com/questantisocial/" target="_blank">Quest </a>& <a contents="Silkie " data-link-label="" data-link-type="url" href="https://soundcloud.com/silkie" target="_blank">Silkie </a></strong>(<a contents="event page" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/2055380594733656/" target="_blank"><em>event page</em></a>)<strong> </strong></p>
<p>Dubstep pioneers (and Denver favorites) Quest and Silkie return to the Basscouch system on 4/3. On the decks, the Antisocial Records and Deep Medi associates are partners in crime. Each boasting deep collections of foundational tracks, unreleased future classics, and especially their own productions, the duo promises to grace Denver with a colorful interpretation of dubstep that often challenges the genre’s dark, sullen reputation.<br><br><em>Silkie - track: Why Not (Antisocial Records)</em><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/334431360&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p><br><em>Mix- Quest for Deep Medi</em><br><iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/bMHBhUir4oA" width="560"></iframe></p>
<p> </p>
<p><a contents="Champion " data-link-label="" data-link-type="url" href="https://soundcloud.com/championdj" target="_blank"><strong>Champion </strong></a><a contents="(event page)" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/414789762278684/" target="_blank">(event page)</a><br><br>Champion hits E-Tuesdays on 4/10 with his fresh, contagiously danceable brand of UK bass music. The London-based DJ and producer is a leader in a new generation of artists refreshing and re-inventing original styles like bassline house, garage, and grime for a today’s low-end-obsessed audience. As a respected global representative for modern UK-rooted sounds, Champion’s DJ sets are defined by innovation, education, and their infectious effect on the dance floor.<br><br><em>Track: Distortion ft. Royal-T</em><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/393899547&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br><em>Mix: RinseFM</em><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/318180522&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br><strong><a contents="Sepia " data-link-label="" data-link-type="url" href="https://www.facebook.com/sepiamusicuk/" target="_blank">Sepia </a>(</strong><a contents="event page" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/438208166609705/" target="_blank"><em>event page</em></a><strong>)</strong><br><br>After opening the Sub.mission 10 year anniversary last April, Sepia is back by popular demand, this time on a bill of his own. The UK-based DJ and producer is among the most exciting (and excited) artists to emerge in today’s dubstep scene. With releases on labels including Deep Dark & Dangerous, White Peach Records, Gourmetbeats, and Infernal Sounds, Sepia’s productions are pervasive - if you don’t know his name, you’re likely familiar with his tunes. On the buttons, the producer’s patient attention to detail and melodic flair define his ever-evolving sound. On the decks, Sepia is a relentless force of personality. His sets reflect a boundless musical appetite and affinity for upturning expectations. Rather than stick to one BPM or genre, Sepia prefers to leave something on the dance floor that wasn’t there when he started - but not at the expense of the dubstep he’s known for.<br><br><em>Track: Pay Attention (White Peach Records)</em><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/312897643&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br><em>Mix: Deep Dark & Dangerous #5</em><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/274564105&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br><br><br><a contents="Bloodline " data-link-label="" data-link-type="url" href="https://www.facebook.com/BloodlineLDN/" target="_blank"><strong>Bloodline </strong></a><a contents="(event page)" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/597210083962343/" target="_blank"><em>(event page)</em></a><br><br>Dubstep’s founding fathers <a contents="Hatcha " data-link-label="" data-link-type="url" href="https://www.facebook.com/hatchadj/" target="_blank">Hatcha </a>and <a contents="Youngsta" data-link-label="" data-link-type="url" href="https://www.facebook.com/youngstatempa/" target="_blank">Youngsta</a> make the Denver debut of their collaborative project to top off April. The name Bloodline suggests the duo’s intent to carry on the genre legacy that they shaped themselves. Expect a non-stop barrage of brand new bangers, familiar classics blended so expertly they may be mistaken for exclusives, and of course the irreplicable energy that always enshrouds these legendary DJs on the decks.<br><br><em>Mix: Youngsta for RinseFM</em><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/384182519&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/51157072018-03-07T08:11:11-07:002021-01-23T00:29:36-07:00Event: 3 Nights with Caspa for 4/20 Weekend + DJ Competition<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1b0de4cd5a3c27fe23cacc878814d18b0e360b9d/original/caspa-420.jpg" class="size_l justify_center border_" /></p>
<p>Sub.mission is excited to welcome <a contents="Caspa " data-link-label="" data-link-type="url" href="https://soundcloud.com/caspaofficial" target="_blank">Caspa </a>back to Denver for three days & nights of festivities to honor 4/20. The explosive dubstep don will play at The Black Box on 4/19 (support from <a contents="Trevor Kelly" data-link-label="" data-link-type="url" href="https://soundcloud.com/trevorkellyproductions" target="_blank">Trevor Kelly</a>), 4/20 (support from <a contents="Youngsta" data-link-label="" data-link-type="url" href="https://soundcloud.com/youngstauk" target="_blank">Youngsta</a>) , and 4/21 (support from <a contents="Peekaboo" data-link-label="" data-link-type="url" href="https://soundcloud.com/peekaboobeats" target="_blank">Peekaboo</a>). <strong><a contents="Tickets for all events are available now" data-link-label="" data-link-type="url" href="https://blackboxdenver.ticketfly.com/search/?q=caspa" target="_blank">Tickets for all events are available now</a></strong>.</p>
<p>The weekend’s agenda also includes a meet and greet/trivia session with Caspa at <a contents="Cheba Hut- Colfax" data-link-label="" data-link-type="url" href="https://www.facebook.com/ChebaHutColfax/" target="_blank">Cheba Hut- Colfax</a> on 4/18 from 6-9 PM. The following night, 4/19, Cheba Hut will unveil their exclusive “Caspa Sub” at an additional meet and greet session from 7-8 PM.<br><br>On 4/20, <a contents="Myxed Up Creations" data-link-label="" data-link-type="url" href="https://www.facebook.com/MyxedUp/" target="_blank">Myxed Up Creations</a> will host an in-store set from Caspa, along with a dab bus in the afternoon from 2-8:30 PM.</p>
<p><em><span class="font_large"><strong>DJs!</strong> Want the opportunity to open for one of bass music’s greatest legends?</span></em> Submit your best mix to the <a contents="Facebook event page " data-link-label="" data-link-type="url" href="https://www.facebook.com/events/1463562133771834/" target="_blank">Facebook event page </a>to be considered for a support set on 4/19 or 4/21.<br><br>For further information & announcements, stay locked to the <a contents="event page" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/1463562133771834/" target="_blank">event page</a> and <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/" target="_blank">Sub.mission</a> on Facebook.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/51153582018-03-07T00:10:55-07:002019-10-30T02:13:52-06:00Party Bus Denver<h2>Enhance a Night Out in Denver</h2>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/792fe3ea873ee49c2aab569d876632dfa3c0aa1e/medium/logo.png" class="size_m justify_left border_" /></p>
<p>Denver is a prime spot to enjoy night life adventures. Whether you're looking for a laid back destination or something high energy, there are tons of options to consider adding to your itinerary and new additions popping up consistently. </p>
<p>When you're planning on enjoying a night out on the town, one of the first things you'll want to figure out will be the logistics. How will you get where you want to go is important, as well as the details of parking and dealing with the quest of finding a designated driver. Sure, swiping to your favorite ride share app is a simple way to take care of transportation, but is that really the best route? </p>
<h2>Professional Denver Transportation </h2>
<p>While ride share services are convenient in the sense that you can press a button and procure transportation within 10 minutes, there are draw backs. First, the drivers for these companies are nearly as qualified as professional chauffeurs. There's a chance that they've never been to where you're going, and that can create confusion or extra time into your itinerary. </p>
<p>Second, it can get pretty costly to order a new ride every time you want to switch up destinations. You don't want to feel limited when there's a directory of fun at your fingertips. Finally, ride share services have limited options when it comes to vehicle selection. Plus, you can't stand up and socialize in a sedan or SUV. A limousine or party bus goes a long way in offering convenience and entertainment for a group. When the cost is split up evenly among all of the passengers, it's an affordable way to ensure safety and comfort for everybody. </p>
<p>So, when a night out in Denver is on your itinerary, be sure to give Party Bus Denver a call. Not only will you have a guaranteed safe ride at the end of the night, but you'll also elevate a regular experience into something much more fun. </p>
<p>Denver Limo Bus </p>
<p>1454 S Benton St </p>
<p>Denver, CO 80232 </p>
<p>(720) 408-7720</p>subdotmission.comtag:www.subdotmission.com,2005:Post/51043322018-02-28T19:09:41-07:002022-04-04T09:51:42-06:00USA Tour Announcement: Mentha & Taiko (Subaltern Records)<p><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1c4b01c663d0bc1db84953912039eb442392459c/original/subaltern-records.jpg" class="size_l justify_center border_" /></p>
<p> </p>
<p>In honor of the label’s fifth anniversary, the Sub.mission Agency is honored to welcome <a contents="Subaltern Records" data-link-label="" data-link-type="url" href="http://subalternrecords.com" target="_blank">Subaltern Records</a> to North America. Since its inception in 2013, Subaltern Records has established its niche in the sound system scene through releases from artists like RDG, D-Operation Drop, and Ago, as well as Taiko and label boss <a contents="Mentha" data-link-label="" data-link-type="url" href="https://www.facebook.com/MenthaMusic/" target="_blank">Mentha</a> who will be representing the imprint on the tour.<br> </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/334558947&color=%23040404&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p>As well as Subaltern, <a contents="Taiko" data-link-label="" data-link-type="url" href="https://book.gigwell.com/agency/sub.mission/artist/taiko" target="_blank">Taiko</a>’s discography includes notable releases on <a contents="White Peach Records" data-link-label="" data-link-type="url" href="https://whitepeach.bandcamp.com/" target="_blank">White Peach Records</a>, <a contents="Albion Collective" data-link-label="" data-link-type="url" href="https://albioncollective.bandcamp.com/album/taiko-splinted-albion002" target="_blank">Albion Collective</a>, and <a contents="Deep Dark and Dangerous" data-link-label="" data-link-type="url" href="https://deepdarkdangerous.bandcamp.com/album/taiko-hush-hush-ddd005-vinyl-digital" target="_blank">Deep Dark and Dangerous</a>. His recent vinyl release, <a contents="FKOFv001" data-link-label="" data-link-type="url" href="https://soundcloud.com/fatkidonfire/taiko-skittles-district-fkofv001-fkof-promo" target="_blank">FKOFv001</a>, marked the premiere of FatKidOnFire’s physical imprint. Taiko’s signature sound twists modern conventions of dubstep and grime to take on a vibrant and unmistakably unique sonic character. Check out Taiko’s mix on the <a contents="Sub.mission podcast" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/1424710/podcast-230-taiko" target="_blank">Sub.mission podcast</a> here.<br><br><a contents="" data-link-label="" data-link-type="url" href="https://subdotmission.com/track/1424710/podcast-230-taiko" target="_blank"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/15c390ab7c4f52c54a62a42a3f439ac688601b9d/medium/podcast-230-taiko.jpg" class="size_m justify_center border_" /></a><br> </p>
<p>Dates for the Subaltern Records tour featuring Mentha and Taiko are available in July 2018. For booking information contact bookings@subdotmission.com.<br> </p>
<p> </p>1:00:00subdotmission.comtag:www.subdotmission.com,2005:Post/51002632018-02-26T16:02:26-07:002022-04-04T09:49:54-06:00Agency Announcement: New Artist Additions<p> </p>
<p>The Sub.mission agency is excited to annouce a fresh wave of diverse additions to our ever expanding agency roster. We’re proud to introduce <a contents="Chad Dubz" data-link-label="" data-link-type="url" href="https://soundcloud.com/chadgotdubz" target="_blank">Chad Dubz</a>, <a contents="Jakes" data-link-label="" data-link-type="url" href="https://soundcloud.com/iamthejakes" target="_blank">Jakes</a>,<a contents=" Laika Beats" data-link-label="" data-link-type="url" href="https://soundcloud.com/laika-beats" target="_blank"> </a><a contents="Laika Beats" data-link-label="" data-link-type="url" href="https://www.facebook.com/LaikaBeatz/" target="_blank">Laika Beats</a>, <a contents="LSN" data-link-label="" data-link-type="url" href="https://soundcloud.com/lsn-uk" target="_blank">LSN</a>, <a contents="MiKrodot" data-link-label="" data-link-type="url" href="https://soundcloud.com/mikrodot" target="_blank">MiKrodot</a>, <a contents="Perkulat0r" data-link-label="" data-link-type="url" href="https://soundcloud.com/perkulat0r" target="_blank">Perkulat0r</a>, <a contents="Pinch" data-link-label="" data-link-type="url" href="https://soundcloud.com/dj-pinch" target="_blank">Pinch</a>, and <a contents="Sgt. Pokes" data-link-label="" data-link-type="url" href="https://www.facebook.com/SGTPokes/" target="_blank">Sgt. Pokes</a> to the family. For booking information on any of these artists, please visit our <a contents="Artist Roster" data-link-label="" data-link-type="url" href="https://subdotmission.com/artist-roster" target="_blank">Artist Roster</a>.</p>
<p><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/9c2df37f31c7f2471ef5b270413a65f08afffc2f/original/sub-agency.png" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><span class="font_large"><em>Chad Dubz</em></span></p>
<p style="text-align: center;">Chad Dubz is a third-wave dubstep veteran and current leader of the sound. The head of <a contents="Foundation Audio" data-link-label="" data-link-type="url" href="https://www.facebook.com/FoundationAudio/" target="_blank">Foundation Audio</a> demonstrates his ear for forward-thinking beats in his original productions, as well as through ultra-exclusive DJ selection and astute label curation. Chad Dubz is a modern face of dubstep’s tradition and an emerging figurehead for its future directions. <br> </p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/394493610&color=%23272423&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p style="text-align: center;"><span class="font_large"><em>Jakes</em></span><br><br>As a godfather of the genre’s heaviest offshoots, Jakes is among the most universally revered artists within dubstep’s split-personality scene. His critical role in the evolution of bass music is signified by his seminal label <a contents="H.EN.C.H. Recordings" data-link-label="" data-link-type="url" href="https://www.facebook.com/henchrecs/" target="_blank">H.EN.C.H. Recordings</a>, as well as the producers’ own touch for crafting demonstrably timeless tracks. Jakes is an enduring crowd favorite, and his musical presence stands central to today’s dubstep movement.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/345227837&color=%230c0a20&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p> </p>
<p style="text-align: center;"><a contents="Laika Beats" data-link-label="" data-link-type="url" href="https://book.gigwell.com/agency/sub.mission/artist/laika-beats" target="_blank"><span class="font_large"><em>Laika Beats</em></span></a></p>
<p style="text-align: center;">With support from the likes of Bassnectar, Denver breakout artist Laika Beats is already reaching ears all over the world. His energetic brand of hybrid “post-genre” bass music draws influences from hip-hop, dubstep, future bass, and more.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/402488088&color=%231d1e1f&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p style="text-align: center;"> </p>
<p style="text-align: center;"><a contents="LSN" data-link-label="" data-link-type="url" href="https://book.gigwell.com/agency/sub.mission/artist/lsn" target="_blank"><span class="font_large"><em>LSN</em></span></a></p>
<p style="text-align: center;">The European trio made of producers <a contents="Feonix " data-link-label="" data-link-type="url" href="https://soundcloud.com/feonix" target="_blank">Feonix </a>and <a contents="Na-kika " data-link-label="" data-link-type="url" href="https://soundcloud.com/na-kika-1" target="_blank">Na-kika </a>and vocalist <a contents="Simetra " data-link-label="" data-link-type="url" href="https://soundcloud.com/simetra-3" target="_blank">Simetra </a>is well-known in the realm of dubstep for the distinct artistic character of their dark, haunting beats. Tunes from the Uprise Audio/Deep Dark and Dangerous sweethearts are ubiquitous in the dance and in DJ sets worldwide. Stay locked to LSN’s regular podcast and watch out for the <em>Control pt.2</em> EP later this year.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/391120776&color=%230c0c0c&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p style="text-align: center;"><br><a contents="Pinch" data-link-label="" data-link-type="url" href="https://book.gigwell.com/agency/sub.mission/artist/_pinch" target="_blank"><em><span class="font_large">Pinch</span></em></a></p>
<p style="text-align: center;">As a forefather of dubstep and constant genre-obscuring bass music innovator, Pinch requires little introduction in any scene. Today, Pinch’s DJ sets and productions are ever-evolving, drawing elements from across the dance music spectrum to blur the boundary between dubstep and techno. His label, <a contents="Tectonic Recordings" data-link-label="" data-link-type="url" href="https://www.facebook.com/TectonicRecordings/" target="_blank">Tectonic Recordings</a>, is set for its 100th release this month.</p>
<p style="text-align: center;"><em><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/402433452&color=%23050405&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></em></p>
<p style="text-align: center;"><br><a contents="MiKrodot" data-link-label="" data-link-type="url" href="https://book.gigwell.com/agency/sub.mission/artist/mikrodot" target="_blank"><em><span class="font_large">MiKrodot</span></em></a></p>
<p style="text-align: center;">Originally known for his take on dubstep’s heavier incarnations, Minnesota artist MiKrodot has recently taken a turn toward the deep end, with impressive results. With releases on labels like KeepDeep and Abysmal Entities, MiKrodot is certainly a name to keep an eye on in the future.<br><br><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/382660454&color=%23161b1f&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br> </p>
<p style="text-align: center;"><a contents="Perkulat0r" data-link-label="" data-link-type="url" href="https://book.gigwell.com/agency/sub.mission/artist/perkulat0r-2" target="_blank"><span class="font_large"><em>Perkulat0r</em></span></a></p>
<p style="text-align: center;">Hailing from Vancouver, BC Perkulat0r’s contagious beats and rich, colorful soundscapes have made an impact on the US scene and beyond. As another representative of America’s affinity for experimental, hybrid bass music, expect to encounter the sounds of Perkulat0r at shows and festival sets anywhere you go.</p>
<p style="text-align: center;"><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/298087639&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe><br> </p>
<p style="text-align: center;"><span class="font_large"><em>Sgt. Pokes</em></span></p>
<p style="text-align: center;">Immediately recognizable as the literal voice of dubstep, Sgt Pokes is remembered to have narrated the genre’s history. The <a contents="Croydub " data-link-label="" data-link-type="url" href="https://www.facebook.com/Croydub/" target="_blank">Croydub </a>founder and official MC for Deep Medi & Swamp 81 continues to man the mic for the most prolific and essential sound system parties across the globe. An ambassador of dubstep’s past, Sgt Pokes’ irreplicable live energy also channels his earnest enthusiasm for bass music’s most cutting edge.</p>
<p><iframe allow="autoplay" frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/291461405&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
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<p><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://www.twitter.com/broziel" target="_blank"><em><span class="font_small">Amye Koziel</span></em></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/49854222017-12-19T19:49:49-07:002020-11-25T05:46:11-07:00Review: Seven- "11:11"<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0461fda4b6918c39bf29bbeceed7c037e8beeec5/original/seven-11-11-ualp008.jpg" class="size_l justify_center border_" /></p>
<p>In the month since the release of Seven’s latest LP, its tracks have become inescapable in DJ sets and in the dance. The newest album from Uprise Audio has proven its title: 11:11 is a dubstepper’s wish come true.<br> </p>
<p><iframe frameborder="no" height="300" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/373459340&color=%23000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%"></iframe></p>
<p> </p>
<p>The 8th full-length album from Uprise Audio delivers everything we’ve come to expect from the dynamic label, as well as from the label head himself. Breathtaking work with vocalists is Seven’s forte as a dubstep producer, and that’s where 11:11 begins: with “Praying For Fire,” a pensive note painted by the brooding voice of Polly Yates. The opening track’s melancholic production and wistful lyrics both repeats the theme implied by the album’s title, and twists it on itself with the ambivalent suggestions that we ought to be careful what we wish for.<br> </p>
<p>“Praying For Fire” may be the defining gem of the release, but the moody moment is soon washed away by the melodic, upbeat energy unleashed by “Velvet”, my personal favorite song from the album. “Velvet” is the first of a string of dance floor-ready tracks that constitute the substance of the release. “Bangbadem” follows with irresistible momentum built by frenetic percussions and a singalong-worthy refrain. </p>
<p>Seven’s full catalogue reveals his uniquely cinematic touch on the buttons. In 11:11, he demonstrates that such a flair for drama needn’t be sacrificed for the dance. Driven by pounding percussions and atmospheric suspense, “Apparition” notably integrates Seven’s theatric signature into a DJ-centric track. The tune emerges from the dip in the album’s musical plotline created by the 90bpm “The Elephant In The Room” and continued by “Fire and Ice.” “Apparition” plays out as a thrilling intermission into the relentless banger session to follow. </p>
<p>11:11 includes three massive collaborations: “Temprement” with Juss B, “Sour Power” with Juss B and Truth, and “Pyramids” with Youngsta. Each track is climactic in its own way, and each is marked by the kind of depth and finesse that define the artists’ elevation within the dubstep community. The album also features one more vocal moment in “Top Rank” with J.Man. The grime-inspired tune is a well-deserved celebration on behalf of Uprise Audio, and it embodies the pure swagger that emanates from the album’s second half. </p>
<p>11:11 comes full-circle in its closing track, “Drowning.” Invoking the thematic dichotomy between fire and water established in the album’s opening, the subdued conclusion truly completes the release. It is this bottomless bit that qualifies 11:11 as a full album rather than simply a collection of songs. “Drowning” is the second and final tune that breaks from the 140 template; still, the LP feels diverse. As well as telling an emotional story, Seven leads a journey through dubstep’s surprisingly expansive terrain with his album. His sophisticated and imaginative composition reminds producers that creativity within the regimented genre is not a finite resource, and the possibilities presented by the musical realm are far from tired. 11:11 is laden with the very freshness that keeps Uprise Audio constantly on our radar. </p>
<p><a contents="11:11 is available now in digital and physical formats." data-link-label="" data-link-type="url" href="https://www.junodownload.com/products/seven-11-11/3578577-02/" target="_blank">11:11 is available now in digital and physical formats.</a> <br> </p>
<p>Uprise Audio: <a contents="https://soundcloud.com/upriseaudio&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/upriseaudio" target="_blank">https://soundcloud.com/upriseaudio </a><br><a contents="https://www.facebook.com/UpriseAudio/&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/UpriseAudio/" target="_blank">https://www.facebook.com/UpriseAudio/ </a><br>Seven: <a contents="https://soundcloud.com/seven-dubstep&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/seven-dubstep" target="_blank">https://soundcloud.com/seven-dubstep </a><br><a contents="https://www.facebook.com/SevenDubstep/" data-link-label="" data-link-type="url" href="https://www.facebook.com/SevenDubstep/" target="_blank">https://www.facebook.com/SevenDubstep/</a><br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="https://twitter.com/broziel" target="_blank"><span class="font_small"><em>Amye Koziel</em></span></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/47923132017-07-25T20:35:22-06:002020-11-23T04:36:40-07:00Review: "Gold" Compilation - Versed Records<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/cef91c6d71889b04e3e91a98a686ff0b4e132119/original/versed.jpg?1501035984" class="size_l justify_center border_" /></p>
<p>140BPM bass music is building momentum all over the map. The fever has spread far beyond dubstep’s UK origins. Today, there’s an insurgence of young producers infatuated by deep dubstep — and they’re not to be overlooked. In such a stimulated creative climate, labels like Versed Records are especially important. Headed by southern USA DJs, producers, and community curators <a contents="Organik " data-link-label="" data-link-type="url" href="https://soundcloud.com/organik-atl" target="_blank">Organik </a>(Atlanta) and <a contents="Unicorn Fukr" data-link-label="" data-link-type="url" href="https://soundcloud.com/unicornfukr" target="_blank">Unicorn Fukr</a> (New Orleans), Versed Records spotlights artists rising onto the stateside radar for the insatiable international community. The collective’s third release, the <em>Gold </em>compilation, plays out in a succession of fresh talent, nodding optimistically to the promise of a global deep dubstep scene.</p>
<p> </p>
<p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/324190943&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe></p>
<p>Versed 003, the <em>Gold </em>compilation, highlights seventeen unique musicians over twelve impressive tracks The artists featured on the release are predominantly American — many residing in Atlanta and the surrounding area of the southeastern United States, which is often overshadowed by larger cities boasting louder scenes. Still, the Gold compilation proves the South-eastern region to be a diamond in the rough through tunes like <a contents="DJ Variant" data-link-label="" data-link-type="url" href="https://soundcloud.com/djvariant" target="_blank">DJ Variant</a> and Nosa’s “Soul Hunter” — one of the most sinister, minimal moments on the release. <a contents="JStella" data-link-label="" data-link-type="url" href="https://soundcloud.com/jstelladubs" target="_blank">JStella</a>, another Atlanta-based artist best known for his heavier productions, offers a stand-out gem in the bouncy track “Restored,” which channels the energy and aesthetic of its dub influence. In a similar style, “Yingling” by <a contents="Gwann " data-link-label="" data-link-type="url" href="https://soundcloud.com/djgwann" target="_blank">Gwann </a>(also out of Georgia) is distinguished by infectious wobbles best described by the vocal sample in the song itself: “This one could turn Hare Krishna into a bad boy.” Atlanta staple <a contents="Clerks " data-link-label="" data-link-type="url" href="https://soundcloud.com/clerksofficial" target="_blank">Clerks </a>also makes an appearance on the compilation, as does <a contents="Werd2Jah" data-link-label="" data-link-type="url" href="https://soundcloud.com/werd2jah" target="_blank">Werd2Jah</a> representing New Orleans, who’s grime-tinged contribution “Run Dem” (with Use of Force) easily emerges as my personal favorite tune from the release.</p>
<p>“Desertion Dub,” a collaboration from Colorado artists <a contents="IND33P " data-link-label="" data-link-type="url" href="https://soundcloud.com/ind33p" target="_blank">IND33P </a>and <a contents="Myxed Up" data-link-label="" data-link-type="url" href="https://soundcloud.com/myxed-up" target="_blank">Myxed Up</a>, comes in as a close second. The spooky, dungeon-deep track is an unapologetic testament to the power of today’s sound systems. “Desertion Dub” is marked by the subtle adrenaline-pumping effect that can only be achieved through masterful musical texture. Rounding out my personal and highly subjective top-three is “Milawa.” The tribal tune is haunting — ritualistic in its sonic seduction. Produced by <a contents="Volume A" data-link-label="" data-link-type="url" href="https://soundcloud.com/volumea1990" target="_blank">Volume A</a> from Malta, the tune is one of a few deviations from the compilation’s stateside standard. California’s <a contents="Dubamine " data-link-label="" data-link-type="url" href="https://soundcloud.com/dubamine" target="_blank">Dubamine </a>deserves an honorable mention for “Champion.” Dubamine adds his colorful signature to the compilation with the contagious rootsy tune.</p>
<p>Stylistically, the <em>Gold </em>compilation sticks to dubstep’s deep and dark tradition. Still, there’s plenty of diverse sonic terrain to explore within the template. <a contents="Durandal " data-link-label="" data-link-type="url" href="https://soundcloud.com/durandalmusic" target="_blank">Durandal </a>provides one of the heavier moments on the compilation with the bassweight bomb “Don’t Talk”; Clerks’ equally impactful remix is available as a free download. Known as the conductor-in-chief for America’s inspired production community, Sub.mission Agency artist <a contents="The Widdler" data-link-label="" data-link-type="url" href="https://soundcloud.com/the_widdler" target="_blank">The Widdler</a> leaves an impressive mark on the release with the weighty sound system dinger “Buddha,” which smacks with a much more aggressive vibe than its title implies.</p>
<p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/323407923&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe></p>
<p>The <em>Gold </em>compilation serves as a showreel for rising and established talent, as well as a tantalizing teaser for what we can expect from Versed Records in the future. But more importantly, Versed 003 is an expertly curated compilation of DJ tracks, each engineered for its own moment in a mix. The compilation is conscious of the dance floor, and of the sprawling musical spectrum encapsulated by dubstep as a genre. It caters to the insatiable ears of DJs and fans constantly craving fresh bangers and unfamiliar tunes. The compilation is a must-listen for anybody intrigued by the future directions of the 140 sound, and especially American artists and enthusiasts looking to support the stateside scene.</p>
<p>The Gold compilation is <a contents="now available digitally" data-link-label="" data-link-type="url" href="http://www.junodownload.com/products/gold/3440686-02/" target="_blank">now available digitally</a>. Follow Versed Records on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/versedrecords/" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/versedrecords" target="_blank">SoundCloud</a>.</p>
<p><em>By Amye Koziel</em></p>
<p> </p>
<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/47869332017-07-20T19:11:09-06:002020-10-14T04:26:55-06:00Sub.mingling with Sepia<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/035b8bf6f59cbd46019429afcb9c8a5fe60a0b24/large/sepia-eclipse-ep.jpg?1500597491" class="size_l justify_center border_" /><br><em>Bristol artist <a contents="Sepia " data-link-label="" data-link-type="url" href="https://soundcloud.com/sepiamusicuk" target="_blank">Sepia </a>made dubstep history with his Denver debut at the Sub.mission 10 year anniversary. Anticipating the release of his "Eclipse" EP on Truth's burgeoning <a contents="Deep, Dark, and Dangerous" data-link-label="" data-link-type="url" href="https://soundcloud.com/deepdarkdangerous" target="_blank">Deep, Dark, and Dangerous</a> label, we were honored by the opportunity to pick the DJ and producer's brains about the release, his recent US tour, his creative process and more. Read on for an exclusive peek into the musical mind of Theo Bennett and previews from the forthcoming EP (which, by the way, is almost sold out on vinyl - <a contents="snag your copy now!" data-link-label="" data-link-type="url" href="https://www.unearthedsounds.co.uk/products/sepia-eclipse-ep" target="_blank">snag your copy now!</a>).</em><br> </p>
<p><em><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/793efc33ce70d419514d7422407d286e6bb3a4fd/original/sepia-and-pokes-10yr.jpg?1500599742" class="size_l justify_center border_" /></em></p>
<p style="text-align: center;"><span class="font_small"><a contents="JV Photography" data-link-label="" data-link-type="url" href="https://www.facebook.com/JVPhotography11/" target="_blank"><em>JV Photography</em></a></span></p>
<p><br><br><strong>Who is Sepia? </strong></p>
<p>I am. Hahah. Nah, my real name is Theo. I live in Bristol. Daytime I'm a chef, night time I'm making tunes and DJ'ing under this moniker. </p>
<p><strong>Your music ranges from beautifully poignant and haunting pieces, to dark gnarly twisted labriynth dwellers. Can you tell us a little about your influences, both in general, and also what inspires you directly when making a track? </strong></p>
<p>Wow.. thanks guys. Quite a compliment and beautifully worded. </p>
<p>To be perfectly honest, life, situations, past experiences and memories and my surroundings are my immediate influence, main inspiration and reason I make most my tracks. I guess I use music as escapism from real life. The world itself, movies, books. I draw influence from pretty much everything really. </p>
<p>Musically, I am way more influenced by bands then electronic producers. A lot of artists influencing me lately are Explosions In The Sky, Sigur Ros, Radiohead, Laura Marling, King Krule, Fela Kuti, Akua Naru, James Blake, Bon Iver </p>
<p>Producer wise : Samba, Chokez, Koma, Rygby, Foamplate, Karma, Glume, etc too many to mention. And all the classics, forefathers and legends in the game obviously.<br> </p>
<p><strong>The name Sepia envokes this warm, vintage vibe, seeped in nostalgia, the crackle of vinyl, the curled and scuffed edges of old photographs. What inspired your choice of moniker? </strong></p>
<p>Haha you pretty much nailed it! I was making tunes years and years before donning this moniker under other names but not really putting much out, just DJing, and I guess when I started this project, a lot of stuff I was making was leaning towards the old, classic sound, I was making tunes as a nod to the old days and getting quite nostalgic. Needed a name to whack on the soundcloud and identify with so just chose this as it's first thing that came to my head and also fit the music. </p>
<p><strong>You have put out some incredible releases on a variety of great labels. The <em>Eclipse</em> EP is coming out on Truth's label Deep, Dark & Dangerous. Tell us more! </strong></p>
<p>Ah thanks guys! I'm super stoked to be putting this out with the Truth lads. It's been a really great experience. Since they first approached me with an idea to release a record, I wanted to put 100% into it and make it special (hopefully). We been talking for few years now and I've always been a fan of their tunes, output and workrate. </p>
<p>We swapped tunes and a few months down the line, <em>Eclipse </em>EP was born!<br><br><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/333727999&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe></p>
<p><strong>What made you want to release on DDD? </strong></p>
<p>The calibre and variation of DDD is inspiring. Connected with so many dope artists and people since joining the label, we got a good family on here! </p>
<p><strong>Are there more things in the pipeline with them? </strong></p>
<p>I'm unsure if I'm allowed to say, so won't go into too much detail. But yes. There is a big project coming at some point. We are spending our time on it and want to make it perfect. So you may be waiting for quite a while. It's been an idea we've had for a while and I'm glad to be finally getting round to it. </p>
<p><strong>What do you think about the label in general? </strong></p>
<p>I love the fact they are bringing in fresh new talent and exposing people to music they've never heard before. Such a variety. Also the amount of support and love DDD get worldwide is incredible. Feels like a real great movement.<br> </p>
<p><strong>If you could describe your vision for the <em>Eclipse </em>EP, what would it be? What are you going for with this release? </strong></p>
<p>This EP is something I've spent quite a while working on. There were so many tracklist revisions before I gave this to the boys as the EP which they don't even know about! Hahah. I ditched so many tunes as it didnt make sense as a whole. </p>
<p>When you listen to this start to finish, it kinda makes sense. And fits with the name of the label as it has elements of Deep, Dark and Dangerous tunes on it. </p>
<p>The only song on here which I didn't make in the past 12 months is Sakura. That's been a sought after dub since 2014. Glad to finally have that out there. </p>
<p>I guess what I was going for with this EP is to show I don't just write deep, emotional tracks. I wanted it to be an all rounder, one that's great for the club and also home listening. </p>
<p>I'm proudest of "Regret" on this release. That one came from a rather unsettling place.</p>
<p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/333943623&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> </p>
<p><strong>What about for Sepia in general? Where do you see yourself headed, both currently and in the future? </strong></p>
<p>To be honest, this year has been so intense! Everything has all happened at once, and I'm not used to it at all, cos I'm only a small fish in this ocean. But it's been incredible! </p>
<p>I'm not sure where I see myself headed, but hopefully touring more countries, releasing more music and staying in the scene for a long time. </p>
<p>I've got couple festival dates before summer is out, and I'm working on my next releases, so I'd imagine the rest of this year will be playing shows and making music. As for the future, I can't say, as things can always change. But there's some great stuff planned for next year! </p>
<p>I just wanna keep having fun and progressing my sound. </p>
<p><strong>Following your profile, you have been booked to play a lot of places other Dubstep producers only dream of. All over Europe, the UK and USA. What can you tell us about the worldwide scene outside your native Bristol? </strong></p>
<p>It's been a real honour to be able to play me and my friends music across the world. Something you always dream of when your growing up but never expect to happen in real life, you know? Hahah </p>
<p>Playing over Europe and USA is incredible. It's so different! People over there love it so much and are so enthusiastic. Obviously UK crowds are too! But you know what I mean, you get to go explore these countries and cultures and really take it all in, then go and blast it in crazy venues on huge rigs. It's a dream. </p>
<p>Gotta spend special shouts to Basstrace (Vienna). Incredible night hosted by lovely people. Austria have a great scene! </p>
<p>And obviously USA has a great scene. Don't need to tell you that. Denver is full of crazy talented people!<br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1d09819dbd5cd77eecd532df836b8612e5c2ea6c/original/sepia-10yr.jpg?1500598647" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><span class="font_small"><a contents="JV Photography" data-link-label="" data-link-type="url" href="https://www.facebook.com/JVPhotography11/" target="_blank"><em>JV Photography</em></a></span></p>
<p><br><strong>Any crazy “what goes on tour stays on tour” stories you really shouldn't share, but are going to tell us anyway? </strong></p>
<p>Hahah a lot! But I don't wanna get in trouble. There's one funny one I can share haha. I'm not naming names though haha. </p>
<p>Was playing an event in LA with some big heads from the UK who were on tour same time as me. One of the DJ's has a certain drink on his rider. Before his set, he obviously wanted to enjoy some of his rider yeah? So the promoter gives him his rider...only for it to not be the champagne he asked for, or champagne at all, but a bottle of really shit Rose! Rose wine! Hahahah. We were all pissing ourselves. </p>
<p>Was deffo one of them where you had to be there to see the funny side. It's not that wild I know, but I'd get in trouble if told other stories haha. </p>
<p><strong>What's next for you? </strong></p>
<p>Debuting at Outlook Festival on the DDD Boat Party this year! Got some other records lined up for 2018 but can't give info for the time being. And I'm working on a LP. </p>
<p><strong>What's your biggest studio / production tip? </strong></p>
<p>Get comfortable, don't overthink, and always make sure your stocked up on essentials (food, tobacco, weed, drinks etc) </p>
<p>I often find ambient lighting helps me concentrate on making music more, especially on mixdowns and making VST patches. I never have my main light on. Always candles, fairy/christmas type lights strung up everywhere. </p>
<p>I don't really have many technical tips as I'm not the most confident or technical producer. I just about know what I'm doing and just do things til I'm happy with it.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ec9f76d054988066b9601bdba6ccced601a29e1b/medium/sepia6.jpg?1500598356" class="size_m justify_center border_" /></p>
<p style="text-align: center;"><span class="font_small"><a contents="Eyediola Photography" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/" target="_blank"><em>Eyediola Photography</em></a></span></p>
<p><br><br><em>The Eclipse EP is available via Deep, Dark, and Dangerous on 7/21/2017. <a contents="Purchase the EP on Beatport" data-link-label="" data-link-type="url" href="https://www.beatport.com/release/eclipse-ep/2056436" target="_blank">Purchase the EP on Beatport</a>, and stay locked to <a contents="Sepia " data-link-label="" data-link-type="url" href="http://www.facebook.com/sepiamusicuk/" target="_blank">Sepia </a>and <a contents="Deep, Dark, and Dangerous" data-link-label="" data-link-type="url" href="http://www.facebook.com/deepdarkdanger/" target="_blank">Deep, Dark, and Dangerous</a> on Facebook.</em></p>
<p style="text-align: center;"> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/46718752017-04-14T18:31:13-06:002021-05-08T11:54:56-06:00Freebie Friday: Yukona - cobwebs..<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/45fcd0404c0d09163518e1d75b8c6dbafca07f79/original/cobwebs.jpg?1492215715" class="size_l justify_center border_" /></p>
<p>"I guess if i were to give any up and coming producers advice it would be to keep it original. stand out and do stuff no one else is doing. DO NOT stick with one BPM! Mess around and get a feel for other ideas. it really helps me to bounce back and forth from 85bpm to 140bpm gives me a break from things getting boring. Also don't stop trying. Teach yourself the ins and outs of ur DAW, (production program). and your sound will come and you will be making tunes you enjoy!" <em><a contents="Yukona " data-link-label="" data-link-type="url" href="https://soundcloud.com/yukonadubs" target="_blank">Yukona </a>(<a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/Yukonadubz/" target="_blank">Facebook</a>)</em><br><br><a contents="WAV DL" data-link-label="" data-link-type="url" href="https://www.dropbox.com/s/tb4psqmai5yngx4/yukona%20-%20cobwebs%20-%20persona%20master.wav?dl=0" target="_blank">WAV DL</a></p>
<hr><p>Catch up on previous Freebie Fridays:<br><a contents="Boycott- Know You (The Greys Flip)" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-boycott-know-you-the-greys-flip" target="_blank">Boycott- Know You (The Greys Flip)</a><br><a contents="Gotye- Somebody That I Used To Know (Section 8 Remix)&nbsp;" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-gotye-somebody-that-i-used-to-know-section-8-remix" target="_blank">Gotye- Somebody That I Used To Know (Section 8 Remix) </a><br><a contents="DJEWW x Creature- On and On (ft. Animai)&nbsp;" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-djeww-x-creature-on-and-on-ft-animai" target="_blank">DJEWW x Creature- On and On (ft. Animai) </a><br><a contents="Deadline- Smoke Signals&nbsp;" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-deadline-smoke-signals" target="_blank">Deadline- Smoke Signals </a><br><a contents="EshOne- Vertigo&nbsp;" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-eshone-vertigo" target="_blank">EshOne- Vertigo </a><br><a contents="Myxed Up- Drowning&nbsp;" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-myxed-up-drowning" target="_blank">Myxed Up- Drowning </a><br><a contents="Darkraqqen- Sleepwalker&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-darkraqqen-sleepwalker" target="_blank">Darkraqqen- Sleepwalker </a><br><a contents="Matt Deco- Between Worlds (ETHER Remix)&nbsp;" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-matt-deco-between-worlds-ether-remix" target="_blank">Matt Deco- Between Worlds (ETHER Remix) </a><br><a contents="Thanom- All I Know&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-thanom-all-i-know" target="_blank">Thanom- All I Know </a><br><a contents="SpaceJail- Hesitation EP&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-spacejail" target="_blank">SpaceJail- Hesitation EP </a><br><a contents="Dalek One- Shallow&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-dalek-one-shallow" target="_blank">Dalek One- Shallow </a><br><a contents="Sectra- Scopophobia&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra- Scopophobia </a><br><a contents="Repulsion- Pizza Man&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion- Pizza Man </a><br><a contents="OldGold- Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold- Anti-Rewind</a></p>
<p><a contents="Submit a tune for Freebie Fridays here." data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank"><em>Submit a tune for Freebie Fridays here.</em></a></p>6:00subdotmission.comtag:www.subdotmission.com,2005:Post/46534662017-03-31T11:30:02-06:002021-12-02T01:37:16-07:00Freebie Friday: Boycott- Know You (The Greys Flip)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/9e85f5c5adc132d75ab1bfd46add11d0755f0afe/original/the-greys.jpg?1490980891" class="size_l justify_center border_" /><br><a contents="The Greys" data-link-label="" data-link-type="url" href="https://soundcloud.com/greysanonymous" target="_blank">The Greys</a> (<a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/thegreysuk/" target="_blank">Facebook</a>)<br><a contents="WAV DL" data-link-label="" data-link-type="url" href="https://www.dropbox.com/s/ttm9edsyp1rb8ns/Boycott%20-%20Know%20You%20%28The%20Greys%20Flip%29%20FINAL.wav?dl=0" target="_blank">WAV DL</a><br> </p>
<hr><p><em>Catch up on previous Freebie Fridays:</em><br><a contents="Gotye- Somebody That I Used To Know (Section 8 Remix)" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-gotye-somebody-that-i-used-to-know-section-8-remix" target="_blank">Gotye- Somebody That I Used To Know (Section 8 Remix)</a><br><a contents="DJEWW x Creature- On and On (ft. Animai)" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-djeww-x-creature-on-and-on-ft-animai" target="_blank">DJEWW x Creature- On and On (ft. Animai)</a><br><a contents="Deadline- Smoke Signals" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-deadline-smoke-signals" target="_blank">Deadline- Smoke Signals</a><br><a contents="EshOne- Vertigo" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-eshone-vertigo" target="_blank">EshOne- Vertigo</a><br><a contents="Myxed Up- Drowning" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-myxed-up-drowning" target="_blank">Myxed Up- Drowning</a><br><a contents="Darkraqqen- Sleepwalker" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-darkraqqen-sleepwalker" target="_blank">Darkraqqen- Sleepwalker</a><br><a contents="Matt Deco- Between Worlds (ETHER Remix)" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-matt-deco-between-worlds-ether-remix" target="_blank">Matt Deco- Between Worlds (ETHER Remix)</a><br><a contents="Thanom- All I Know" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-thanom-all-i-know" target="_blank">Thanom- All I Know</a><br><a contents="SpaceJail- Hesitation EP" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-spacejail" target="_blank">SpaceJail- Hesitation EP</a><br><a contents="Dalek One- Shallow" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-dalek-one-shallow" target="_blank">Dalek One- Shallow</a><br><a contents="Sectra- Scopophobia" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra- Scopophobia</a><br><a contents="Repulsion- Pizza Man" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion- Pizza Man</a><br><a contents="OldGold- Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold- Anti-Rewind</a><br><br><a contents="Submit a tune for Freebie Fridays here." data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank"><em>Submit a tune for Freebie Fridays here.</em></a></p>2:53subdotmission.comtag:www.subdotmission.com,2005:Post/46449612017-03-24T17:49:26-06:002018-12-28T19:01:13-07:00Freebie Friday: Gotye - Somebody That I Used To Know (Section 8 Remix)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/4823c1a8cda8911f3e991980f53c99f56fee32f8/original/somebody-section-8.jpg?1490595706" class="size_l justify_center border_" /><br>"Don't be afraid to resample sounds. Though it can be very useful to be able to alter the source sound in a synth during the writing process, sometimes resampling over & over while processing it each time can have a better outcome. I remember an old interview with Noisia on Dogsonacid where they were mentioning how they will dedicate a day just to making riffs to be used later. That stuck with me. It's easy to want immediate results, but sometimes spending a day of prep work can be more beneficial in the long run." <em><a contents="Section 8" data-link-label="" data-link-type="url" href="https://soundcloud.com/section8atl" target="_blank">Section 8</a> <a contents="(Facebook)" data-link-label="" data-link-type="url" href="https://facebook.com/section8atl" target="_blank">(Facebook)</a></em><br><br><a contents="WAV DL" data-link-label="" data-link-type="url" href="https://www.dropbox.com/s/4s4q9jbkqz49wmy/GOTYE%20-%20SOMBODY%20THAT%20I%20USED%20TO%20KNOW%20%28SECTON%208%20REMIX%29%20%5BFINEZT%20MASTER%5D%20_%20v1%20%281%29.wav?dl=0" target="_blank">WAV DL</a></p>
<hr><p><em>Catch up on previous Freebie Fridays:</em><br><a contents="DJEWW x Creature - On and On (ft. Animai)" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-djeww-x-creature-on-and-on-ft-animai" target="_blank">DJEWW x Creature - On and On (ft. Animai)</a><br><a contents="Deadline- Smoke Signals" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-deadline-smoke-signals" target="_blank">Deadline- Smoke Signals</a><br><a contents="EshOne- Vertigo" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-eshone-vertigo" target="_blank">EshOne- Vertigo</a><br><a contents="Myxed Up- Drowning" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-myxed-up-drowning" target="_blank">Myxed Up- Drowning</a><br><a contents="Darkraqqen- Sleepwalker" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-darkraqqen-sleepwalker" target="_blank">Darkraqqen- Sleepwalker</a><br><a contents="Matt Deco- Between Worlds (ETHER Remix)" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-matt-deco-between-worlds-ether-remix" target="_blank">Matt Deco- Between Worlds (ETHER Remix)</a><br><a contents="Thanom- All I Know" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-thanom-all-i-know" target="_blank">Thanom- All I Know</a><br><a contents="SpaceJail- Hesitation EP" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-spacejail" target="_blank">SpaceJail- Hesitation EP</a><br><a contents="Dalek One- Shallow" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-dalek-one-shallow" target="_blank">Dalek One- Shallow</a><br><a contents="Sectra- Scopophobia" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra- Scopophobia</a><br><a contents="Repulsion- Pizza Man" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion- Pizza Man</a><br><a contents="OldGold- Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold- Anti-Rewind</a><br><br><em><a contents="Submit a tune for Freebie Fridays here." data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank">Submit a tune for Freebie Fridays here.</a></em></p>
<p> </p>
<p> </p>
<p><br> </p>
<p> </p>
<p> </p>4:18subdotmission.comtag:www.subdotmission.com,2005:Post/46143892017-03-03T13:01:49-07:002022-05-26T05:00:39-06:00Freebie Friday: DJEWW x Creature - On and On (ft. Animai)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/3ea133e023db9c8606cfca57948517a6f28ddc23/original/17105774-813510258786864-766181192-o.png?1488509251" class="size_l justify_center border_" /></p>
<p>"Blending two tunes together is an art, and you cant rush your art. Take the time to get familiar with the tunes that you would like to play in a set. Your knowledge of your arsenal is imperative to your successful set. Use your practice time to help learn couples of songs that pair well together to help ease yourself and keep planning ahead in your mix." <a contents="DJEWW" data-link-label="" data-link-type="url" href="https://soundcloud.com/djeww" target="_blank"><em>DJEWW</em></a></p>
<p><em>"</em>You never know who is watching. You never know when your opportunity will come. Give it your best, always!" <em><a contents="Creature" data-link-label="" data-link-type="url" href="http://soundcloud.com/creature_dub" target="_blank">Creature</a></em><br><br><a contents="WAV DL&nbsp;" data-link-label="" data-link-type="url" href="https://www.dropbox.com/s/e2c2f0uneprufmw/DJEWW%20x%20CREATURE%20-%20On%20and%20On%20%28ft.%20Animai%29%20%28Mv1%29.wav?dl=0" target="_blank">WAV DL </a></p>
<hr><p><em>Catch up on previous Freebie Fridays:</em><br><a contents="Deadline- Smoke Signals" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-deadline-smoke-signals" target="_blank">Deadline- Smoke Signals</a><br><a contents="EshOne- Vertigo" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-eshone-vertigo" target="_blank">EshOne- Vertigo</a><br><a contents="Myxed Up- Drowning" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-myxed-up-drowning" target="_blank">Myxed Up- Drowning</a><br><a contents="Darkraqqen- Sleepwalker" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-darkraqqen-sleepwalker" target="_blank">Darkraqqen- Sleepwalker</a><br><a contents="Matt Deco- Between Worlds (ETHER Remix)" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-matt-deco-between-worlds-ether-remix" target="_blank">Matt Deco- Between Worlds (ETHER Remix)</a><br><a contents="Thanom- All I Know" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-thanom-all-i-know" target="_blank">Thanom- All I Know</a><br><a contents="SpaceJail- Hesitation EP" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-spacejail" target="_blank">SpaceJail- Hesitation EP</a><br><a contents="Dalek One- Shallow" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-dalek-one-shallow">Dalek One- Shallow</a><br><a contents="Sectra- Scopophobia" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra- Scopophobia</a><br><a contents="Repulsion- Pizza Man" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion- Pizza Man</a><br><a contents="OldGold- Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold- Anti-Rewind</a></p>
<p><em><a contents="Submit a tune for Freebie Fridays here" data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank">Submit a tune for Freebie Fridays here</a>.</em></p>6:11subdotmission.comtag:www.subdotmission.com,2005:Post/46043682017-02-24T00:20:00-07:002018-12-28T19:01:01-07:00Freebie Friday: Deadline- Smoke Signals<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7a4ef5cb30e711685a6cfbe9c5691fcb8c3aa4ea/original/deadline.jpg?1487902137" class="size_l justify_center border_" /></p>
<div style="text-align: center;"><span class="font_small">Photo: Nichole Stolin</span></div>
<div> </div>
<div>
<p>"Be yourself. No one ever made memorable art trying to be someone else. Your heroes certainly didn't. Dubstep started as a loose musical idea in a specific location in which each individual brought their own style and personality to it - be that guy or girl. If you try to be someone else, especially for money or fame reasons, everyone will know, and ultimately you've failed at the number one artist's commandment before you even began." <em><a contents="Deadline" data-link-label="" data-link-type="url" href="https://soundcloud.com/dj-deadline" target="_blank">Deadline</a><br><br><a contents="WAV DL&nbsp;" data-link-label="" data-link-type="url" href="https://www.dropbox.com/s/vcvpevayyg693we/Deadline%20-%20Smoke%20Signals.wav?dl=0" target="_blank">WAV DL </a></em><br> </p>
<hr> <p><em>Catch up on previous Freebie Fridays:</em><br><a contents="EshOne- Vertigo" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-eshone-vertigo" target="_blank">EshOne- Vertigo</a><br><a contents="Myxed Up- Drowning" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-myxed-up-drowning" target="_blank">Myxed Up- Drowning</a><br><a contents="Darkraqqen- Sleepwalker" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-darkraqqen-sleepwalker" target="_blank">Darkraqqen- Sleepwalker</a><br><a contents="Matt Deco- Between Worlds (ETHER Remix)" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-matt-deco-between-worlds-ether-remix" target="_blank">Matt Deco- Between Worlds (ETHER Remix)</a><br><a contents="Thanom- All I Know" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-thanom-all-i-know" target="_blank">Thanom- All I Know</a><br><a contents="SpaceJail- Hesitation EP" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-spacejail" target="_blank">SpaceJail- Hesitation EP</a><br><a contents="Dalek One- Shallow" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-dalek-one-shallow" target="_blank">Dalek One- Shallow</a><br><a contents="Sectra- Scopophobia" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra- Scopophobia</a><br><a contents="Repulsion- Pizza Man" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion- Pizza Man</a><br><a contents="OldGold- Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold- Anti-Rewind</a><br><br><a contents="Submit a tune for Freebie Fridays here." data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank"><em>Submit a tune for Freebie Fridays here.</em></a></p>
</div>4:20subdotmission.comtag:www.subdotmission.com,2005:Post/45749792017-02-03T16:04:38-07:002018-12-28T19:00:45-07:00Freebie Friday: EshOne - Vertigo<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/9906072aa6bc77c22d567aea7954b4f5263d4957/original/eshone2.jpg?1486130242" class="size_l justify_center border_" /><br><strong><a contents="EshOne" data-link-label="" data-link-type="url" href="http://eshonemusic.com/" target="_blank">EshOne</a></strong> <em>(<a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/eshonemusic" target="_blank">Facebook) </a></em><br><em><a contents="WAV DL" data-link-label="" data-link-type="url" href="https://www.dropbox.com/s/dhj6dxfvcqiolj8/EshOne%20-%20Vertigo.wav?dl=0" target="_blank">WAV DL</a></em></p>
<hr><p><em>Catch up on previous Freebie Fridays:</em><br><a contents="Myxed Up- Drowning" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-myxed-up-drowning" target="_blank">Myxed Up- Drowning</a><br><a contents="Darkraqqen- Sleepwalker" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-darkraqqen-sleepwalker" target="_blank">Darkraqqen- Sleepwalker</a><br><a contents="Matt Deco- Between Worlds (ETHER Remix)" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-matt-deco-between-worlds-ether-remix" target="_blank">Matt Deco- Between Worlds (ETHER Remix)</a><br><a contents="Thanom- All I Know" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-thanom-all-i-know" target="_blank">Thanom- All I Know</a><br><a contents="SpaceJail- Hesitation EP" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-spacejail" target="_blank">SpaceJail- Hesitation EP</a><br><a contents="Dalek One- Shallow" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-dalek-one-shallow" target="_blank">Dalek One- Shallow</a><br><a contents="Sectra- Scopophobia" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra- Scopophobia</a><br><a contents="Repulsion- Pizza Man" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion- Pizza Man</a><br><a contents="OldGold- Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold- Anti-Rewind</a><br><br><br><a contents="Submit a tune for Freebie Fridays here." data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank"><em>Submit a tune for Freebie Fridays here.</em></a></p>5:08subdotmission.comtag:www.subdotmission.com,2005:Post/45746052017-02-02T21:15:55-07:002017-02-02T21:20:45-07:00This Month In Bass: February <div style="text-align: center;">
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ac373aee37ff9bb1a6ee435cb27769bbfa5619e1/medium/10402469-10152886368607370-7569207899680995491-n.jpg?1480955997" class="size_m justify_center border_" /><br><br>Well Sub. Massive, were officially one month into 2017 and it looks like things are in full swing and not showing any signs of stopping. January has shown us such amazing nights such as Dirt Monkey came home to Electronic Tuesday and flexed his skills on the Bass Couch system, Addison Groove b2b Headhunter was a night that will go down as one of the best of the year and the long awaited debut of Asa was one that we’ll never forget. As we move forward in to February there are some seriously insane nights in this already stacked month of music. We have debuts, homecomings and a couple of long awaited returns. So whether you already know or want to be in the know; sit back and get ready for this edition of This Month in Bass. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/cd55b3aa18b108729e0409d96a563dbf1d5b3ca0/medium/15940812-10154890599102370-431962476756236386-n.jpg?1486095002" class="size_m justify_center border_" /><br><br>We start this Friday with the long awaited Denver debut. On February 3rd <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/">Sub.mission</a> presents the 'Powerpuff USA Tour' with the Denver debut of <a contents="Berrix" data-link-label="" data-link-type="url" href="https://www.facebook.com/BerrixOfficial/?fref=ts">Berrix</a> and the return of <a contents="Styn" data-link-label="" data-link-type="url" href="https://www.facebook.com/stynbeats/?fref=ts">Styn</a>! These two powerhouses have been on a war path, tearing up dance floors across the globe as of late. Their sound covers a wide range of styles that are sure to keep the dance moving from front-to-back and we’re excited to finally have them @ <a contents="The Black Box" data-link-label="" data-link-type="url" href="https://www.facebook.com/TheBlackBox5280/?fref=ts">The Black Box</a>. Holding it down on support duties we have sets from Sub.mission residents <a contents="Swayd " data-link-label="" data-link-type="url" href="https://www.facebook.com/SwaydDubs/?fref=ts">Swayd </a>&<a contents=" Ind33p" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PDUBSTEP/?fref=ts&ref=br_tf"> Ind33p</a>! This one is a seriously big show and is definitely setting the tone for the rest of the month. <br>Tickets---> https://nightout.com/events/berrix-styn-swayd-and-ind33p-presented-by-submission/tickets#.WJP9Dn-vY9N<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/650d147fe9b2948a56956aec3e6890926b393597/original/mt-analogue.jpg?1485979739" class="size_l justify_center border_" /></p>
<p>Next up on February 7th we have The Black Box debut of <a contents="Mt Analogue" data-link-label="" data-link-type="url" href="https://www.facebook.com/mtanaloguefunk/?fref=ts">Mt Analogue</a> & <a contents="Aplsoz" data-link-label="" data-link-type="url" href="https://www.facebook.com/Aplsoz/?fref=ts">Aplsoz</a>! Having recently joined forces on the 'Strange Alchemy EP' released on ThazDope Records this past month, Mt. Analogue & Aplsoz are ready to debut some fresh new music for us at Electronic Tuesdays. Widely known for their trippy, spacey and experimental sound design, these two have built some serious momentum coming into 2017 and we can't wait to kick off the 1st E Tuesday of the month with these two! Also in the January winners battle we have locals Stumpy, C02, Elemental Hero & Creature competing for the top spot! <br>Tickets---> https://nightout.com/events/mt-analogue-aplsoz-moniker-at-electronic-tuesdays/tickets#.WJP9LH-vY9M<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/424a15f2a8c0b5a5501d3ee14074a084d3ffd95f/medium/dayzero-event.jpg?1485971788" class="size_m justify_center border_" /></p>
<p>Next up on February 9th, making their highly anticipated Denver debuts, join us at The Black Box as Sub. Mission Presents <a contents="Dayzero &amp; Karnage " data-link-label="" data-link-type="url" href="https://dayzerokarnagejapan.bandcamp.com/releases" style="">Dayzero & Karnage </a>hailing all the way from Japan! Their tunes have been shaking airwaves and moving dance floors on a global scale and they're sure to make the same impact in their Denver debut! Joining these two are fellow Encrypted Audio label-mates and two of Denver Dubstep’s finest, <a contents="Trisicloplox" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trisicloplox/?fref=ts">Trisicloplox</a> &<a contents=" Dalek One" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne/?fref=ts"> Dalek One</a>. Brace yourself for a complete night of bass heavy madness.<br>Tickets---> https://nightout.com/events/dayzero-karnage-trisicloplox-ind33p-presented-by-submission/tickets#.WJP9SH-vY9M<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/4b3d58cc541fb210a9ed17eb9b6ae21ff115f0ce/medium/emalkay.jpg?1485972001" class="size_m justify_center border_" /><br> </p>
<p>The following night on February 10th Sub.mission proudly presents the return of <a contents="Emalkay " data-link-label="" data-link-type="url" href="https://www.facebook.com/emalkayofficial/?fref=ts">Emalkay </a>to Denver in his Black Box debut. Hailing from Birmingham, UK, Emalkay is a house hold name in the world of dubstep. With massive tunes such as 'When I Look At You' , 'Fabrication' , 'Bad' & many more, his raw and uncut sound design has been igniting dance floors globally since 2005 and he's sure to make an impact in his Black Box debut as we finally get tp see him flex The Bass Couch. Joining him on support duties are bad boys <a contents="CurlyOne " data-link-label="" data-link-type="url" href="https://www.facebook.com/djcurlyone/?fref=ts">CurlyOne </a>and <a contents="Thanom " data-link-label="" data-link-type="url" href="https://www.facebook.com/thanomdubs/?fref=ts">Thanom </a>throwing down a b2b set, Mile High Club bad boy <a contents="AOWL " data-link-label="" data-link-type="url" href="https://www.facebook.com/aowldubs/">AOWL </a>and Denver heavy hitter Froz+Wr3ck. This is sure to be one of the biggest nights of the year! <br>Ticket---> https://nightout.com/events/emalkay/tickets#.WJP9jn-vY9N<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/16769c75cd2281b723d4abff19521f98212e90b7/original/suale-e-tuesdays-feb-14-cover-image.png?1485306702" class="size_l justify_center border_" /><br>The following Tuesday, on February 14, hailing from California, <a contents="Saule " data-link-label="" data-link-type="url" href="https://www.facebook.com/SauleDubs/?fref=ts">Saule </a>is talent that has been making some serious moves over the years with groundbreaking releases on imprints like GourmetBeats, FatKidOnFire and Dubs Alive to name a few. His DJ sets are stocked full of original as well as exclusive and unreleased material and theres no doubt that he is sure to take you on a one of kind journey from beginning to end. Joining on support duties is Sub.mission resident <a contents="Dillard" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">Dillard</a>, along with Encrypted Audio's very own <a contents="Ceiva" data-link-label="" data-link-type="url" href="https://www.facebook.com/AlexVice.ss/?fref=ts">Ceiva</a>! Definitely don’t sleep on this one. <br>Tickets---> https://nightout.com/events/saule-dillard-ceiva-at-electronic-tuesdays/tickets#.WJP9xn-vY9O<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c035b1f0ab4bb6289dce34882cda51cd31c203f7/original/shank-aaron-e-tuesdays-feb-21.png?1485306700" class="size_l justify_center border_" /><br>The week after on February 21st, we have Sub.mission resident alumni, Kairos Audio bad man and Forest Service label head <a contents="Shank Aaron" data-link-label="" data-link-type="url" href="https://www.facebook.com/ShankAaronmusic/?fref=ts">Shank Aaron</a> making his return to the Sub.mission stage and his Black Box debut. For thise of you that don’t know, Shank Aaron was a resident a few years ago and since then he has blown up with releases on Kairos Audio and launching his own label Forrest Service. Joining him is long time Sub.mission resident <a contents="Caustik " data-link-label="" data-link-type="url" href="https://www.facebook.com/caustikbass/?fref=ts">Caustik </a>and upcoming riddim duo <a contents="Counterfeit Rainbow" data-link-label="" data-link-type="url" href="https://www.facebook.com/counterfeitrainbow/?fref=ts">Counterfeit Rainbow</a>. This one is going be a heavy hitter so make sure youre neck braces are ready! <br>Tickets---> https://nightout.com/events/shank-aaron-caustik-counterfeit-rainbow-at-electronic-tuesdays/tickets#.WJP96H-vY9N<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8ed79e6c9293dc7943a4260bf5828393100b6ae5/medium/16179641-1827783644108680-2477722807300307779-o.jpg?1486095290" class="size_m justify_center border_" /></p>
<p>On February 25 we have a seriously insane triple header at The Black Box. Join us as welcome none other than <a contents="Thelem" data-link-label="" data-link-type="url" href="https://www.facebook.com/thelem.music/?fref=ts">Thelem</a>, <a contents="Mesck" data-link-label="" data-link-type="url" href="https://www.facebook.com/mesckmusic/?fref=ts">Mesck</a>, & the Denver debut of LA/Sao Paulo power house <a contents="Oxossi" data-link-label="" data-link-type="url" href="https://www.facebook.com/oxossibeats/?fref=ts">Oxossi</a>. The entire night's lineup is dedicated to showcasing some of the finest and most innovative talents in underground bass music and each of these artists have made serious moves and progression in both sound design, production and performance skills. Denver has always loved both Thelem and Mesck and we are beyond excited to finally be able to see Oxossi in The Mile High. Joining them on support, all the way from Minnesota following both of his victories in the DJ battles at Electronic Tuesdays, we welcome special guest <a contents="Nicky Boy Floyd" data-link-label="" data-link-type="url" href="https://www.facebook.com/NBFMusic/">Nicky Boy Floyd</a> back to The Black Box. With a line up like this Capitol Hill is sure to be shaken to its core! <br>Tickets---> https://nightout.com/events/thelem-mesck-oxossi-presented-by-submission/tickets#.WJP-DX-vY9M<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ff775777556190cea96a558544334b8d9a6c0211/original/solid-e-tuesdays-feb-28.png?1485306701" class="size_l justify_center border_" /><br>Closing out February on the 28th we have <a contents="Recon DnB" data-link-label="" data-link-type="url" href="https://www.facebook.com/recondnb/?fref=ts">Recon DnB</a> resident and all around d bad man <a contents="Solid" data-link-label="" data-link-type="url" href="https://www.facebook.com/JoeSolid?fref=ts">Solid</a> taking over the Electronic Tuesdays stage. Solid has been smashing up Denver dance floors for years and it’s always a good time when the Recon family is in the house. Holding it down on support duties is local heavy hitting junglists <a contents="Shaman" data-link-label="" data-link-type="url" href="https://www.facebook.com/ChrisCoffin13?fref=ts">Shaman</a> and Sub.Soldier <a contents="DiS_1" data-link-label="" data-link-type="url" href="https://www.facebook.com/DiS_1-276535765693878/">DiS_1</a>. This line up is seriously stacked and is a seriously proper way to finish off the month. Definitely do not sleep on this one! <br>Tickets---> https://nightout.com/events/solid-dis1-shaman-at-electronic-tuesdays/tickets#.WJP-OX-vY9N<br><br>February is always a short month but this year we have it jam packed full of awesomeness. With the caliber that these E-Tuesday and one off line ups are at one can only guess what’s on the horizon regarding the Sub.mission ten year in April. Let’s not get ahead of ourselves though; we still have March to get through. With names like Ivy Lab, Doctor Jeep, Shades and Flava D in the mix for March, you already know it’s going to be a banging month. Make sure you get you presales to be on the safe side and also make there early each Tuesday for the local DJ battles. This month we have A.S. Tech, Gump, Sin 7, Krushendo, Wrek Dubz, Ryuk, King Doja, Domino Trixter and MarcBaca all competing for a spot in the February winners round next month. Make sure your shoes are laced up and we’ll see you in the dance.</p>
</div>subdotmission.comtag:www.subdotmission.com,2005:Post/45490702017-01-13T11:49:37-07:002018-12-28T19:00:40-07:00Freebie Friday: Myxed Up - Drowning<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/65ffbb39344112a6a0f2ed1a993d272172c1c1fd/original/myxed-up2.jpg?1484332819" class="size_l justify_center border_" /><br><br>Myxed Up: <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/Myxed.up.dubstep" target="_blank">Facebook</a> / <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/myxed-up" target="_blank">SoundCloud</a><br><em><a contents="WAV DL" data-link-label="" data-link-type="url" href="https://www.dropbox.com/s/3zuhiukhvy96amw/Myxed%20Up%20-%20Drowning%20%5BSub.mission%20Freebie%20Friday%5D.wav?dl=0" target="_blank">WAV DL</a></em><br> </p>
<hr><p><br><em>Catch up on previous Freebie Fridays:</em><br><a contents="Matt Deco - Between Worlds (ETHER Remix)" data-link-label="" data-link-type="url" href="https://subdotmission.com/blog/blog/freebie-friday-matt-deco-between-worlds-ether-remix" target="_blank">Matt Deco - Between Worlds (ETHER Remix)</a><br><a contents="Darkraqqen - Sleepwalker" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-darkraqqen-sleepwalker" target="_blank">Darkraqqen - Sleepwalker</a><br><a contents="Thanom - All I Know" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-thanom-all-i-know" target="_blank">Thanom - All I Know</a><br><a contents="SpaceJail - Hesitation EP" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-spacejail" target="_blank">SpaceJail - Hesitation EP</a><br><a contents="Dalek One - Shallow" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-dalek-one-shallow" target="_blank">Dalek One - Shallow</a><br><a contents="Sectra - Scopophobia" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra - Scopophobia</a><br><a contents="Repulsion - Pizza Man" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion - Pizza Man</a><br><a contents="OldGold - Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind">OldGold - Anti-Rewind</a><br><br><br><a contents="Submit a tune for Freebie Fridays here." data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank"><em>Submit a tune for Freebie Fridays here.</em></a></p>4:41subdotmission.comtag:www.subdotmission.com,2005:Post/45393302017-01-06T13:31:00-07:002023-12-10T10:58:48-07:00Freebie Friday: Matt Deco - Between Worlds (ETHER Remix)<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f1a61e31da741df6a59371eca8f4c27c3c92bb02/medium/ether.png?1483672450" class="size_m justify_center border_" /><em>"Take inspiration from everything from books to artwork. I found that even channeling music from moods I'm in can produce quite different results which can show many shades of a final product. Don't be afraid to move on from a project if the gears aren't turning and start somethings new, you can always go back and finish when the inspiration strikes again."</em><br><br>ETHER: <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/ether.official.music/" target="_blank">Facebook </a>/ <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/etherbeetz" target="_blank">SoundCloud</a><br><a contents="WAV" data-link-label="" data-link-type="url" href="https://www.mediafire.com/?730dbthvbt15e1x" target="_blank"><em>WAV</em></a></p>
<hr><p><em>Catch up on previous Freebie Fridays:</em><br><a contents="Darkraqqen - Sleepwalker" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-darkraqqen-sleepwalker" target="_blank">Darkraqqen - Sleepwalker</a><br><a contents="Thanom - All I Know" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-thanom-all-i-know" target="_blank">Thanom - All I Know</a><br><a contents="SpaceJail - Hesitation EP" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-spacejail" target="_blank">SpaceJail - Hesitation EP</a><br><a contents="Dalek One - Shallow" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-dalek-one-shallow" target="_blank">Dalek One - Shallow</a><br><a contents="Sectra - Scopophobia" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra - Scopophobia</a><br><a contents="Repulsion - Pizza Man" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion - Pizza Man</a><br><a contents="OldGold - Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold - Anti-Rewind</a><br><br><em>Got a tune for Freebie Fridays? Submit mastered tracks to <a contents="broziel.irl@gmail.com" data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank">broziel.irl@gmail.com</a>.</em></p>4:55subdotmission.comtag:www.subdotmission.com,2005:Post/45044292016-12-09T15:48:02-07:002023-02-09T23:27:03-07:00Freebie Friday: Darkraqqen - Sleepwalker<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/db28aefdbae9780b2032156151b746801b69e7c2/medium/darkraqqen.jpg?1481323356" class="size_m justify_center border_" /><br>Darkraqqen: <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/darkraqqen/" target="_blank">Facebook </a>/ <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/darkraqqen" target="_blank">SoundCloud</a></p>
<hr><p><em>Catch up on previous Freebie Fridays:</em><br><a contents="Thanom - All I Know" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-thanom-all-i-know" target="_blank">Thanom - All I Know</a><br><a contents="SpaceJail - Hesitation EP&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-spacejail" target="_blank">SpaceJail - Hesitation EP </a><br><a contents="Dalek One - Shallow&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-dalek-one-shallow" target="_blank">Dalek One - Shallow </a><br><a contents="Sectra - Scopophobia&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra - Scopophobia </a><br><a contents="Jang - The Wind&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-jang-the-wind" target="_blank">Jang - The Wind </a><br><a contents="Repulsion - Pizza Man&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion - Pizza Man </a><br><a contents="OldGold - Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold - Anti-Rewind</a></p>
<p><em>Got a tune for Freebie Fridays? Submit mastered tracks to <a contents="broziel.irl@gmail.com" data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank">broziel.irl@gmail.com</a>.</em></p>2:12subdotmission.comtag:www.subdotmission.com,2005:Post/44969542016-12-05T09:40:22-07:002016-12-05T15:37:00-07:00This Month In Bass: December<p style="text-align: center;">2016 has been, without a doubt, one of the biggest years for <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/">Sub.mission</a> and Denver Dubstep. We’ve had legends such as L-Wiz, Mala, Kahn & Neek, Gorgon Sound, Sir Spyro, Caspa & Rusko, Ganja White Night, Loefah, D Double E, Flava D and so many more that it’s going to take a completely separate article to talk about it all. Still, we have one month left in 2016 and it looks as if we are going to close this year out with a very serious line up. So whether you know or want to be in the know, sit back and get ready for this edition of “This Month In Bass”. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ac373aee37ff9bb1a6ee435cb27769bbfa5619e1/medium/10402469-10152886368607370-7569207899680995491-n.jpg?1480955997" class="size_m justify_center border_" /><br><br>We start with the December edition of <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/electronictuesdays/?fref=ts" style="">Electronic Tuesdays</a>. Now that E Tuesday’s has moved to The Black Box permanently its only right that December is starting with the return of one of dubstep’s biggest and most influential players to flex the Basscouch system to its full potential. On December 6th we welcome back Wheel & Deal boss and all around bad man <a contents="N-Type" data-link-label="" data-link-type="url" href="https://www.facebook.com/NTYPEOFFICIAL/?fref=ts">N-Type</a>! This multi award winning DJ, producer and label head needs no introduction as he is one of the key players in the early days as one of Rinse FM’s longest standing dubstep DJ’s, having joined the station around ‘03-‘04 when the sound was still very much in its infancy. Joining him is long time Sub.mission Resident <a contents="Caustik " data-link-label="" data-link-type="url" href="https://www.facebook.com/caustikbass/?fref=ts">Caustik </a>and local heavy hitter Max Mischief! Starting the night off in the November Electronic Tuesdays Winners round and competing for the title of “First Electronic Tuesdays Battle Winner @ The Black Box” are DJ’s DJ Synchronicity, Apparition & Nicky Boy Floyd. This is going to be a night of serious bass weight and a proper start to December E Tuesdays. <br>Tickets ---> https://nightout.com/events/n-type-max-mischief-caustik-more-at-electronic-tuesdays/tickets#.WEDaSVyvY8k <br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/O8s3LamhBhE" width="560"></iframe><br><br>Next up on December 13th we have the return of London-based dubstep boss Alex Crawford, better known to the world as <a contents="'The Others" data-link-label="" data-link-type="url" href="https://www.facebook.com/OthersDubstep/?fref=ts">'The Others</a>'. If you’re unfamiliar with The Others, he is a multi-faceted DJ & Producer that has helped shape the realm of underground dubstep for the last decade. Having worked with big name labels like Tempa, Subway, NSD: Black Label, Ringo, Wheel & Deal, Boka, Sub Soldiers, Veri Lo and of course Dub Police; The Others has a signature sound that is ever evolving and constantly pushing the envelope of the dubstep sound and it is truly a pleasure to welcome him to The Black Box for the first time. Joining him on stage is Sub.mission resident <a contents="Ind33p" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PDUBSTEP/?fref=ts">Ind33p</a> and local battle winner Vicix. This one is about to shake up Cap Hill proper! <br>Tickets ---> https://nightout.com/events/the-others-ind33p-vicix-more-at-electronic-tuesdays/tickets <br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ffP3wmB4JrU" width="560"></iframe></p>
<p style="text-align: center;">Moving forward into week three we have the return of the internationally recognized ‘American Dubstep Ambassador' and 'Dubplate King'. On December 20th we have the return of Baltimore-based DJ and GourmetBeats label head <a contents="Joe Nice" data-link-label="" data-link-type="url" href="https://www.facebook.com/JoeNiceDJ/?fref=ts">Joe Nice</a>! This man is a true figurehead of stateside dubstep and his influence on the scene is unquestionable as he is credited as being the first DJ to ever play Dubstep in the United States. Armed with an extensive collection of exclusive and unreleased material, Joe Nice delivers a breath-taking performance with so much energy and enthusiasm that he makes you feel as if you’re watching him play a set at home. He has become a true Denver favorite over the years and each time he comes back he leaves us wondering when, or if ever, the tunes he played will get released. Today, Joe Nice's imprint 'GourmetBeats' stands out as one of the most forward-thinking labels, showcasing some of the fiercest talent on the underground circuit. The history of Dubstep most definitely cannot be told without an honorable mention to Joe Nice and his continuous legacy. Joining him on stage and representing the Sub.mission talent agency are West-Coast based rude boy <a contents="Saule" data-link-label="" data-link-type="url" href="https://www.facebook.com/SauleDubs/?fref=ts">Saule</a> (GourmetBeats) and Salt Lake City's very own <a contents="Durandal" data-link-label="" data-link-type="url" href="https://www.facebook.com/durandaldubstep/?fref=ts">Durandal</a> (FKOF). This will definitely be one of the biggest nights of the month so don’t sleep on it.<br> Tickets ---> https://nightout.com/events/joe-nice-saule-durandal-more-at-electronic-tuesdays/tickets#.WEDfLVyvY8k<br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/287270119&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br> <br>Closing out the final Electronic Tuesdays in 2016 we have the return of another major influence in the dubstep sound. On December 27th we have the head of Kapsize Records and Bristol-based originator <a contents="Joker" data-link-label="" data-link-type="url" href="https://www.facebook.com/jokerofficialpage/">Joker</a>. This man has produced some of the most iconic tunes in the history of dubstep such as ‘Tron’, 'Purple City’, 'Midnight' & many more and we can’t wait to hear him rinse out some of these classics, as well as some new material, on the Basscouch system. We couldn’t think of a better way to finish of the 2016 edition of Electronic Tuesdays. Joining him on stage are Sub.mission resident <a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a> and battle winner Kial. <br>Tickets ---> https://nightout.com/events/joker-subliminal-kial-more-at-electronic-tuesdays/tickets#.WESyTVyvY8l <br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/0bIR_YmiuVw" width="560"></iframe><br><br>We finish off the year with a double headliner that is sure to rattle The Black Box to its core. On New Year’s Eve we welcome <a contents="TRUTH " data-link-label="" data-link-type="url" href="https://www.facebook.com/TruthNZ/?fref=ts">TRUTH </a>& <a contents="The Widdler" data-link-label="" data-link-type="url" href="https://www.facebook.com/thewiddler/?fref=ts">The Widdler</a> back to Denver to close out this amazing year of music at The Black Box. It’s no secret that TRUTH and The Widdler are Denver favorites. We’ve had them both out this year for a couple of pretty epic nights and this New Year’s will be no different as these two low end power houses will be flexing the <a contents="Basscouch" data-link-label="" data-link-type="url" href="https://www.facebook.com/basscouch/">Basscouch</a> system to its fullest potential. Stepping up to the decks with a collective arsenal of tunes from Firepower, Mallabel, Tempa, DEEP MEDI and Dank N’ Dirty Dubz, as well as some unreleased material from themselves and other label mates; this is going to be a serious display sound system music and a proper way to end one year and begin another.<br>Tickets ---> https://nightout.com/events/nye-with-truth-and-the-widdler/tickets#.WEWVJlyvY8k<br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/BQxXvtbFwpQ" width="560"></iframe><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/58HVC8AMbnQ" width="560"></iframe><br> <br>As we leave 2016 behind we can’t help but look back and reflect on all the big names and major events that have come and gone in the last year. From L-Wiz to Mala, Kahn & Neek twice to Caspa and Rusko @ Cervantes to the long awaited debut of Loefah and all the major changes that happened within the Denver bass music scene within the last year; it’s safe to say that we here in Denver are spoiled and we couldn’t be happier about it. With 2017 on the horizon we can only guess how insane things will be leading up to the Sub.mission 10yr in April, however let’s not get ahead of ourselves. Instead let’s enjoy the moment and finish 2016 making as much noise as possible. With that in mind make sure to get all your pre sales asap and we’ll see you on the dance floor.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/44938302016-12-02T13:09:06-07:002018-12-28T19:00:04-07:00Freebie Friday: Thanom - All I Know<p> </p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c8669ae2fb005cef87de327144dbbdcafaa869f7/original/thanom-for-blog.jpg?1480708838" class="size_l justify_center border_" /></p>
<div style="text-align: center;"><a contents="Eyediola Photography" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/" target="_blank"><span class="font_small"><em>Eyediola Photography</em></span></a></div>
<p><br><span class="font_regular">Thanom: <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/thanomdubs" target="_blank">Facebook </a>/ <a contents="SoundCloud " data-link-label="" data-link-type="url" href="https://soundcloud.com/thanom-dubs" target="_blank">SoundCloud </a>/ <a contents="Releases" data-link-label="" data-link-type="url" href="http://www.junodownload.com/artists/Thanom/releases/" target="_blank">Releases</a></span><br> </p>
<hr><p> </p>
<p><em>Catch up on previous Freebie Fridays:</em><br><a contents="SpaceJail - Hesitation EP" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-spacejail" target="_blank">SpaceJail - Hesitation EP</a><br><a contents="Dalek One - Shallow" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-dalek-one-shallow" target="_blank">Dalek One - Shallow</a><br><a contents="Sectra - Scopophobia" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra - Scopophobia</a><br><a contents="Jang - The Wind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-jang-the-wind" target="_blank">Jang - The Wind</a><br><a contents="Repulsion - Pizza Man" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion - Pizza Man</a><br><a contents="OldGold - Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold - Anti-Rewind</a><br><br><em>Got a tune for Freebie Fridays? Submit mastered tracks to <a contents="broziel.irl@gmail.com" data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank">broziel.irl@gmail.com</a>.</em></p>4:41subdotmission.comtag:www.subdotmission.com,2005:Post/44782512016-11-21T18:30:21-07:002020-11-25T04:09:59-07:00Agency Spotlight: Durandal<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0c244c2e4e7c36c492d23699dd20d1b5878c3563/original/durandal-32.jpg?1479777708" class="size_l justify_center border_" /><p>In case you missed the memo, dubstep is happening in America. Proper dubstep: deep, dark, creepy dubstep – aggressive, violent dubstep – meditative dubstep – headbanging dubstep – and even grime. The 140 sound may be a UK tradition, but in the aftermath of the commercial EDM explosion, it is no longer a geographically confined phenomenon. The American sound and scene is boiling with freshly brewed enthusiasm for system music and underground styles. The landscape has shifted. And rather than a few celebrity names and a generous handful of cash, the recent momentum is fueled by a passionate creative community.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/172048636&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Durandal is not only a sophisticated and imaginative musical talent. The Utah-based producer is a community leader and trailblazer for the stateside sound. Durandal’s unadulterated energy for dubstep is audible in his productions. His tracks are always deep, and his sound creeps toward the genre’s spookiest threshold – often taking the sonic silhouette of a bad trip. His musical maturity manifests in a touch for tension, as well as imaginative composition. As an experienced producer, Durandal is a master of patience and pacing. The result is an immersively textured, system-ready signature sound consistent across his entire track collection – and an exceptionally seductive presence on the decks.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/245574231&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>With a steadily strengthening stateside scene and international ears tuning into US talent, Durandal’s productions rumble viscerally on the genre’s radar – as they ought to. As an integral leader of today’s generation of dubsteppers, Durandal plays a key role in the community himself. An original member of The Widdler’s highly influential Twitch community, Durandal is an understated innovator of the American sound. His impact on the community reaches well beyond the studio. The artist has curated his own parties in Salt Lake City. The region seems an unexpected breeding ground for the scene, but America is a big country – our music landscape stretches beyond the borders of Los Angeles, Denver, and New York. As an artist and a cultural conductor, Durandal’s influence is a testament to the pervasive power of genuine music and ever-expanding underground potential.</p> <iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/280052249&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>The artist’s mounting exposure and growing fan base also speaks to the optimistic possibilities presented by digital technology. Durandal’s collaboration with The Widdler, “Space Cruisin’”, was recently featured as a free download by London-based 140 curators <a contents="FatKidOnFire" data-link-label="" data-link-type="url" href="https://fatkidonfire.bandcamp.com/" target="_blank">FatKidOnFire</a>; he was showcased among a slew of emerging US producers (including Myxed Up, Thanom, Ether, and Yukona) on a <a contents="charting compilation from Rebel Traxx" data-link-label="" data-link-type="url" href="http://www.junodownload.com/products/generation-next-vol-2/3247964-02/" target="_blank">charting compilation from Rebel Traxx</a>. Together, artistic talent and technology are actively dissolving geographic boundaries to unite a worldwide community around one universal cause: the music. In a time of endless turmoil and viral existential anxiety, such positive unity contains the human connection that the world desperately needs.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/291034067&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Follow Durandal on <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/durandaldubstep" target="_blank">Facebook</a>, <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/durandalmusic" target="_blank">SoundCloud</a>, and <a contents="Bandcamp " data-link-label="" data-link-type="url" href="https://durandal.bandcamp.com/" target="_blank">Bandcamp </a>to stay tuned into the artist’s sonic endeavors. For booking information and tour dates, <a contents="check out his agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/durandal" target="_blank">check out his agency page</a>. Denver dubsteppers are in for a treat on December 20, when Durandal returns to Electronic Tuesdays for his Black Box debut alongside Saule and Joe Nice.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1f5d6db6f5597644c92c82dfd9ec0cdedbf0860f/medium/etuesdays-dec.jpg?1479778131" class="size_m justify_center border_" /><br><br><em><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank">Amye Koziel</a></em></p>subdotmission.comtag:www.subdotmission.com,2005:Post/44727972016-11-18T00:26:56-07:002020-11-25T05:19:38-07:00Freebie Friday: SpaceJail - Hesitation EP<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a1f3f12b0a1088530278b546502d36f75a002327/original/spacejail-hesitationep.png?1479440508" class="size_l justify_center border_" /><br>"Having produced many different varieties of music, I have discovered that there are many different techniques associated with producing different styles of music. Although many of the same principles apply all throughout music production, there are certain things that will work on one style, that just won't in another.<br><br>One of the more predominant focuses, in dubstep specifically, is synthesis; it has been my primary focus since the beginning to create an original sound for each track. It's easy to replicate a sound that someone else has made, but most amazing sounds are the ones that you accidentally create while messing around in a synthesizer. I have made sounds that sound like a washing machine, to things that sound like some alien creature. It always starts with the same sound, a little sine wave that goes "beeeeeep". Sampling is a huge part of music as well, so in my tracks I always like to use a good mix of my own synthesized material, as well as some quality samples that compliment what I'm working on.<br><br>Just always remember that inspiration is key, try replicating a sound that you like, and you will find that you end up creating something absolutely incredible; that isn't quite the original sound, but far better in your opinion. Don't be afraid to try new things, stay diverse, and keep learning. The only thing that will make you better is your desire to do more!" <em>SpaceJail<br><br><a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/spacejailmusic" target="_blank">Facebook </a>/ <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/spacejail" target="_blank">SoundCloud</a> / <strong><a contents="Full EP Download Here (WAV)" data-link-label="" data-link-type="url" href="https://www.dropbox.com/sh/etxqbvpxzz5e8v3/AAC9c3ytApeQ5aNPIFXQQVGWa?dl=0" target="_blank">Full EP Download Here (WAV)</a></strong></em></p>
<hr><p><br><br><em>Catch up on previous Freebie Fridays: </em><br><a contents="Dalek One - Shallow" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-dalek-one-shallow" target="_blank">Dalek One - Shallow</a><br><a contents="Sectra- Scopophobia&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra- Scopophobia </a><br><a contents="Jang - The Wind&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-jang-the-wind" target="_blank">Jang - The Wind </a><br><a contents="Repulsion - Pizza Man&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion - Pizza Man </a><br><a contents="OldGold - Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold - Anti-Rewind</a></p>
<p><em>Got a tune for Freebie Fridays? Submit mastered tracks to <a contents="broziel.irl@gmail.com" data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank">broziel.irl@gmail.com</a>.</em></p>5:15subdotmission.comtag:www.subdotmission.com,2005:Post/44615392016-11-10T20:04:24-07:002018-12-28T18:59:40-07:00Freebie Friday: Dalek One- Shallow<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/593d715cf67b2700c472d6bfcbacdcde3d80c02a/original/dalek-one-shalow.jpg?1478833119" class="size_l justify_center border_" /><br>"As a producer in the 140 realm, I've always tried to assimilate different techniques into my productions.</p>
<p>When starting tunes I now like to start them at different bpm's (100,170,210 even). Then after laying down a solid amount of work I'll bring it down to 140 or even 70. That's one of the many things I've learned from my good friend and fellow label mate <a contents="Ceiva" data-link-label="" data-link-type="url" href="https://soundcloud.com/daceiva" target="_blank">Ceiva</a>. Always try different things. Never be afraid to stand out.<br><br>Also another little tip is to never give up. Chances are it takes years to really get to a happy point in music production. Trial and error is a big part of making music. Patience is the only way to get through." <em>Dalek One</em></p>
<p><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne" target="_blank"><em>Facebook</em></a> / <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/dalekone" target="_blank"><em>SoundCloud</em></a></p>
<hr><p><em>Catch up on previous Freebie Fridays: </em><br><a contents="Sectra- Scopophobia" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-sectra-scopophobia" target="_blank">Sectra- Scopophobia</a><br><a contents="Jang - The Wind&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-jang-the-wind" target="_blank">Jang - The Wind </a><br><a contents="Repulsion - Pizza Man" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion - Pizza Man </a><br><a contents="OldGold - Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold - Anti-Rewind</a></p>
<p><em>Got a tune for Freebie Fridays? Submit mastered tracks to <a contents="broziel.irl@gmail.com" data-link-label="" data-link-type="url" href="http://%3Ca%20href%3D%22mailto:broziel.irl@gmail.com/?Subject=Freebie%20Friday%22%20target=%22_top%22%3Ebroziel.irl@gmail.com%3C/a%3E" target="_blank">broziel.irl@gmail.com</a>.</em></p>
<p> </p>
<p><br> </p>
<p> </p>4:51subdotmission.comtag:www.subdotmission.com,2005:Post/44242572016-11-09T15:48:40-07:002017-01-12T07:25:07-07:00Green King Cuts 001<p style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2f4e54b0242c7180dd03d8064aa8131bcdf9388a/medium/gc1-001.jpg?1478666374" class="size_m justify_center border_" /><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/b7fcc38a1cf7dd82b2ad448b27fbbe79a7d0d41b/small/gc-logo.jpg?1476803447" class="size_s justify_left border_none" alt="" /> </p>
<p>We Give Thanks and Blessing </p>
<p>Review </p>
<p>The early days of sound system, and still so in many circles, were not about mixing as a DJ does, but about pure selection, and the quality of the tunes being selected. Quality of sounds over quantity of sounds made the biggest dubs. Sound system music has been described as needing three essential elements; Bass, Pace, and Space. Green King Cuts finds a perfect balance of these elements with the labels seminal release "Early Days Dub". The title tune, crafted by C-Side (Chris Iona), is a vibe packed anthem for selectors across the globe. The intro seduces you with sensual alto sax played by close friend of the Green king Family. The track has fundamental dub elements such as spring reverb, and eventually a very fitting sample from one of the most respected voices of sound system culture, Jah Shaka. As the track progresses, the horns guide you along while the bass does the work. Shaka goes on to explain the call and response process between a tracks visionary and the engineer at the controls. Proper roots n culture on this one, roll up and get lost in the bass meditation. </p>
<p>On the flip, Cessman sprinkles his special blend of herbs and spices pon di track. The shimmering horns create the type of atmosphere that will have you closing your eyes and throwing gun fingers. This one is absolutely made for the dancehall. All the layers are perfectly cured and ready for the big stacks. It's not often that a record comes out, where it will be this hard to decide which side to play, as they are both equally well produced. With perfect timing, the man like Cessman, lets this track breathe. Plenty of space is created for the absorption of the sample and the knowledge that it shares. This is truly inspiring music that will have you diving into your own studio as soon as you get the chance. </p>
<p>Massive respect to Green King Cuts, for creating this plate. A label’s first release is very important, and the tunes presented here send a very clear and obvious message that, high quality sound system music is what they will be pushing. Using Beau at 1087 Mastering reinforces the all round quality of this release. Shout out to Jake Hennessy and Liam Conway the CEO ’s for putting this together. Release date is scheduled for Nov 25 and it will be distributed and available through Unearthed Sounds. </p>
<p>Review By - Mitch Dreyer <a contents="https://www.instagram.com/therudeboireport" data-link-label="" data-link-type="url" href="https://www.instagram.com/therudeboireport">https://www.instagram.com/therudeboireport</a> </p>
<p><a contents="https://www.facebook.com/GreenKingCuts/" data-link-label="" data-link-type="url" href="https://www.facebook.com/GreenKingCuts/">https://www.facebook.com/GreenKingCuts/</a> </p>
<p><a contents="https://soundcloud.com/greenkingcuts&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/greenkingcuts&nbsp;">https://soundcloud.com/greenkingcuts </a></p>
<p><a contents="https://www.facebook.com/unearthedsoundsltd/&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/unearthedsoundsltd/&nbsp;">https://www.facebook.com/unearthedsoundsltd/ </a></p>
<p><a contents="http://www.unearthedsounds.co.uk/&nbsp;" data-link-label="" data-link-type="url" href="http://www.unearthedsounds.co.uk/&nbsp;">http://www.unearthedsounds.co.uk/ </a></p>
<p><a contents="https://soundcloud.com/cessman" data-link-label="" data-link-type="url" href="https://soundcloud.com/cessman">https://soundcloud.com/cessman<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f31408c36160957863cee7198e0dff6b4d325249/medium/gc2f-2.jpg?1478666372" class="size_m justify_right border_" /></a></p>1:43subdotmission.comtag:www.subdotmission.com,2005:Post/44584092016-11-08T21:29:15-07:002022-05-23T02:56:29-06:00Sub.mingling with Ill-esha<p><span class="font_regular"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/741c3ee455b46d3f1f5a95862405cf8b92f82edc/medium/p4180111.jpg?1478660720" class="size_m justify_center border_" /><em>By Katherine Hambrick</em></span><br> </p>
<p><em><span class="font_regular"><strong>How long have you been doing electronic music and how long have you just been doing music in general? </strong></span></em></p>
<p><span class="font_regular">Well, I’ve been doing music in general most of my life in some capacity or another. I started out doing things like choir, band, piano lessons. Then I started doing little kiddie bands when I was 11 or 12. Then graduated to electronic music not that far later, I had my first DJ residency when I was 14. So it’s been about 17 years now that I’ve been doing electronic music. </span></p>
<p><em><span class="font_regular"><strong>Why electronic music? </strong></span></em></p>
<p><span class="font_regular">I guess the thing is, ever since I was little, I’ve just heard things in my head, and I can only learn to play so many instruments and they only have a limited sonic palette, you know? We generally in a traditional orchestra or band, you’re writing within a certain bandwidth or frequency of tone, for each instrument. Whereas, with electronic music, it’s almost limitless. If anything, it’s all that more difficult, because you can go anywhere. So it’s pretty…it’s just pretty amazing to have that boundless capacity. And be able to command not only any sound in the universe, but an entire orchestra or guitar player without any of that. </span></p>
<p><em><span class="font_regular"><strong>That is something that I wanted to ask…I was wondering how – I know you write music and sing and play piano – is your songwriting process different for your electronic music as opposed to songwriting in a more classical genre? </strong></span></em></p>
<p><span class="font_regular">Absolutely, because you’re not only dealing with sonic palette, you’re dealing with format. So you know, there’s an interesting crossover – I think we’re in this time now where we’re sort of reaching the peak of vocal front in electronic music, because you know, back when I started there was a very divisive band vs. DJs. Gradually we sort of morphed together where electronic music is on a stadium level, and people still want sort of stadium-level catchiness. Anthem-ness. So now you’re having all these different types of songs, but for a long time, it was DJ mixed and vinyl before CD’s. So at that time, I would write long intros and long outros because the DJ’s were beat matching and it was just a very different format. These days, it’s sort of all been shaken up, people’s attention spans are short, music has gotten really spastic kind of, and really quick, and where I used to write a 64 – bar intro for like a longer, more mellow drum and bass track, these days sometimes 4 bars is all anyone can wait. </span></p>
<p><span class="font_regular">And when it goes for vocal track too, it’s a similar thing. If I’m trying to write a 3 ½ minute pop song, it’s got a very precise verse- chorus – verse format. Part of the cool thing about electronic music is that you don’t have to survive that format, you can be weird and experimental, but now that we’re in this position where it is mainstream, I do feel a little bit like the same standards are starting to apply, where I’m going “wow, okay I am writing a 3 ½ minute pop song with beats on it, no matter what I do, whether there is vocals or not. </span></p>
<p><span class="font_regular"><strong>So you produce mostly electronic, but you also produce film scores : what is your ratio there? And what are you working on for the most part? </strong></span></p>
<p><span class="font_regular">I would love to do more film score, but Denver is not really the place to live to do that. I am from Vancouver BC, which is often known as Hollywood North, because the level of post production, I think other than L.A….L.A., New York and Vancouver are pretty much where all the films are done. And unfortunately, despite the fact that you can live anywhere and we shouldn’t really be location bound at this point, there is still a sort of nexus of networking that happens, so in order for me to really be active in the film scene, I’d have to be going out to premieres, meeting directors, shaking hands, all that organic old school stuff. You know. So these days I spend a lot more time writing, and I have been on tour constantly for the last few years, so that was a focus, you know Denver is kind of one of those spots because it is sort of a thriving scene, and because it is sort of a literal hub where you can fly out. That being said - and sorry if my answers are too long – I am focusing right now on trying to meet in the middle on that. Because I do enjoy not being on the road all the time, and I do enjoy writing stuff that is used on T.V. so I am exploring licensing and library music, which is definitely writing a lot of stuff and not knowing necessarily where it’s going to be used, but that it will be used with an image or with a video. That’s a whole different humbling thought process that I really enjoy. I hope to divide it more evenly in the next year or two. </span></p>
<p><em><span class="font_regular"><strong>That’s really interesting. As an aside: you want to write archival music that is part of a public archive? </strong></span></em></p>
<p><span class="font_regular">Yes. Exactly. </span></p>
<p><em><span class="font_regular"><strong>When you’re writing one of your DJ’s tracks, do you write lyrics first when you decide to sing over it, or do you write the DJ track first, or how do those things come together when you’re singing over one of your tracks? </strong></span></em></p>
<p><span class="font_regular">Well, the nice thing about being the one and only person in a process is that I can do whatever I want, versus when you work with another artist, if I am doing vocals for someone else, I inevitably have to adapt what I am writing to the music because the music comes first, but in my own stuff I generally do – if it’s going to be a vocal song, the lyric and the hook is the most important. The whole track is going to fit around that. The captain so to speak of the journey. If I’m writing a vocal track I usually will just lay out a simple drum loop or even some piano, just something to write around, and then build everything around it, for sure. </span></p>
<p><em><span class="font_regular"><strong>And you said you don’t work with anybody right now for your music – have you collaborated a lot in the past? </strong></span></em></p>
<p><span class="font_regular">I actually do constantly work with people, just not with Ill-esha stuff. The solo project. It’s a very contentious, sort of thorny point that I have to always tell people that, because the assumption with women unfortunately is that there is a guy in the background somewhere that does all the technical stuff. But that being said, I want to establish, I absolutely love the genesis of working creatively with other people, and it’s something I constantly keep up. And I actually have a really long constantly increasing whiteboard list of tracks I’ve started with other people just so I don’t forget, and I’d say it’s about 20-30 tracks plus deep right now. And if I was actually able to finish all of them right this moment, I would have hours and hours of music. </span></p>
<p><span class="font_regular">In fact, I love that part so much, I am starting a little miniseries, called collab city. At the moment it’s just going to be these little small, 3 minute episodes. But it’s focused on the enjoyment and the magic that happens when you get together with someone else, and your energy fuse together, and the way that your process changes. </span></p>
<p><em><span class="font_regular"><strong>Is it like a little podcast? </strong></span></em></p>
<p><span class="font_regular">It’s a little video show, and you know I have pretty big plans for what I want to do, but it’s starting small. It’s going to be little clips that are more the fun part of the process. With a few little tips here, and gradually I’d like to expand it to having samples and sounds available from each video for people to play with and download and stuff. You know, eventually it’s going to be a very interactive experience. It’s meant to inspire people creatively. </span></p>
<p><span class="font_regular">I really feel we mythologize talent in an unhealthy way in our society. You know, we talk about, you know, “I’m not a professional singer, so I don’t sing,” but the funny thing is with athletes, we don’t say “I’m just no good at javelin throwing,” because we all know that’s something that you decide you want to do, and you learn and then you become good at it. No one just throws up their hands and says, “I’ll never be a javelin thrower!” but they do that with singing. And with production, and all kinds of things. And it’s kind of dangerous, because the funny thing about it is, it’s quite easy as far as anything you would learn goes. You know, it’s just a case of that 10,000 hour rule. You decide you want to do it, you practice around, you suck for a while, and gradually suck less. And I think if people see that hey, this is just another thing you can spend time on, maybe we can demystify it and get more people inspired to create. </span></p>
<p><em><span class="font_regular"><strong>That’s really interesting. You said two things, you said ill-esha is your solo project, so that’s different from your Elysha Zade? What’s different musically between those personas?</strong> </span></em></p>
<p><span class="font_regular">Well, the second thing is just my name, and that’s why I’ll use if I’m doing composition, or work for hire, anything where my artistic name isn’t really attached to it. It doesn’t really matter. But I definitely have a lot of plans to start a lot of new projects. </span></p>
<p><span class="font_regular">But it’s interesting, what’s in a name? it’s a question, Shakespeare dealt with it many years ago, but what it is is that now in our culture, people are so attached to the newness, the next big thing. When I was in high school – and I was just thinking about this today – because a bunch of friends of mine, we used to be online together in 2001 with music. We’re sort of having this online reunion where we’re listening to old songs, talking to each other. And my one friend puts a song on the radio and right away I stop what I’m doing and scream out the name of the track, and think about the artist, and I picture the vinyl that goes with it, and you know we don’t really do that anymore to that same extent, cause there’s just simply so many artists. There’s so much music, and even the artists I love the most, there are so many of them, I couldn’t possibly have them on my mind all the time. And people are always like “this is the next big thing, this is on the front of the wave,” so I do you know…ill-esha is sort of like my child that I’ve had, it’s almost 20 years old, and it’s tough to let it go, but there is a certain part of me that’s realizing it’s not as exciting to this new generation, or to people who want something new…it would be interesting to try out new names to represent how far the music has come. Because Ill-esha now is very different than Ill-esha 17 years ago. </span></p>
<p><em><span class="font_regular"><strong>I didn’t want to harp on it too much, but you did mention being a woman and there being a stereotype that there’s a man somewhere doing more work than she is – but it sounds like that’s been a theme in your life as a woman DJ? You’re the only woman DJ on sub.mission’s agency artist list, so I thought was kind of interesting, I was wondering if that’s what it’s been like, and how does that change how you perform or how you think you’re perceived? </strong></span></em></p>
<p><span class="font_regular">Yeah, well. I’m definitely not afraid to talk about it, but obviously be very careful if you quote me on this, because I don’t want to be misinterpreted at all, but it’s kind of – I’m not trying to relate it to this experience, but it’s sort of like being a black person in America. You don’t really get to ignore that you’re a black person. You don’t get the choice to take that off when you get home, whether you like it or not, you have to confront the cultural issues that are surrounding you that are important, and you know. Again, not to compare the struggle at all because it’s infinitely more difficult, but you know, being a woman in the industry, it really is the elephant in the room. There are a lot of women that I respect and love a lot and they won’t talk about it. And if you interview them, it’s sort of like in their package, like “this person does not answer these questions,” but I’m not going to be one of those women. I feel like until we don’t need to talk about it anymore, we need to talk about it. I just think…of course my whole career it’s surrounded me, and for many years I was trying not to acknowledge it. I wore really tomboyish clothes, and was dressed very plain. Because I didn’t want anyone to think that I was trying to get by on my gender or my looks, and I also made a point when I started releasing music, as a solo producer, in 2009 that it was all instrumental. Because as soon as I sing on an album, everyone just thinks I’m the singer. Because that’s all women do. </span></p>
<p><span class="font_regular">It definitely affected…I mean, as soon as I get up there, I’m oblivious, it’s not like once I get up there I’m conscious of being a woman, but as far as my creative output and how it’s presented, it’s been a very calculated and difficult decision making process every time I put something out… it’s like “oh, do I want to sing on this? Because then that’s just sort of just throwing away all of my production credentials right there.” Which is terrible! That shouldn’t be a thing. Not even to devalue the skill of singing and songwriting. You know, doing both, sometimes I would say that it’s way harder to write a compelling lyrical on key song than it is to write a good beat. But unfortunately, singing, dancing and painting are these traditionally carved artistic pathways for women. Whether I walk into a venue for sound check and get asked immediately if I’m a gogo dancer while wearing a hoodie and carrying 50 lbs of gear, or you know…me just trying to talk to people backstage like “oh I had a show, or I played here” and trying to jump into a conversation and they’re response is “oh a show? What kind of show? Are you a fire dancer?” and if I say it’s music, it’s “oh really? Do you sing?” it becomes embarrassing to constantly validate my technical credentials as something incredible because I don’t think it’s incredible. And that’s another deep part to why I want to keep talking about it, and why I want to take this mystique away and dissolve that boundary because I think that women more than ever are affected by that imaginary wall. </span></p>
<p><span class="font_regular">Imposter syndrome is such a female thing to me, because every woman I know, myself included is like “I don’t know if it’s good enough to put out yet, and let me measure it some more, and let me think about my strategy and I don’t know if I’m ready,” and guys are like “I did this thing.” They’re not taught to question or measure themselves and there are so many models in society of mediocre male artists and it’s fine, no one complains. But the other thing is if a woman does appear, she better be a triple threat. She better be singer, DJ, producer, multitalented, super genius mensa…you know, the bar is so much higher that it discourages women who are like, maybe I just want to DJ, but that’s not okay. I have to be this super producer, I have to be this extroverted insane person. </span></p>
<p><em><span class="font_regular"><strong>Definitely. Do you think that any criticism that you’ve read, do you think that it has stemmed from that? </strong></span></em></p>
<p><span class="font_regular">My criticism is interesting, because – not because I’m necessarily at all a Hillary fan – but sort of like the way that people talk abuse about her during her campaign is something I can relate to. Because on a technical level, I’d say that I’ve been very very fierce and very very proactive to know so much, and you know some of the personalities online that are well known for teaching, like Illgates and Mr. Bill that have tutorials and make somewhat of a living off of this – they call me and ask me for technical advice on things. And you know I fix people’s macs and people’s PC’s and I’ve gotten to a nerd level enough to protect myself from any technical scrutiny, because there are enough people that will not only vouch for me, but laud my credibility. And you know, in some way I have to thank discrimination for making me so knowledgeable, that was definitely the fire under my ass. You know, you can’t not know anything. You have to know not only as much as the guys, but you have to know more, and you have to be better at it. Smarter at it. Because people are always going to think that you’re lower. </span></p>
<p><span class="font_regular">That’s one thing. But the other part though is the personal side, which I am much more harshly judged in difficult situations. And difficult situations do come up a lot. Because I tend to do a live show that is different from other people’s shows, I tend to push the envelope, which is yet another way of having to do it harder and better and smarter – and often the sound person will be uninformed or knowledgable and should I not dress up my words with platitudes and sorry’s and pleases and smiles, I’m a bitch, and difficult to deal with, and 100% that’s where I feel the difference. Not just the technical side, but the composure and interactions with people. And you know, I’ve literally sent emails to people with bullet point concise lists, of A – Z of a problem and had a reply back telling me my tone is inflammatory. And that I’m being aggressive. People don’t say that! If you screw something up with a man, and he’s giving you a very calm way to rectify the situation, nobody tone policies him. </span></p>
<p><em><span class="font_regular"><strong>That’s a good point…Even I had felt when I listened inherently that maybe the singer was just singing and not necessarily the person who produced the tracks. Do you feel like your produce more DJ tracks because of that perception, or do you not let it affect what type of music you produce? </strong></span></em></p>
<p><span class="font_regular">Now that I feel like I’ve established myself enough as a producer, I’m not as concerned, but…the only way that it affects me is if I’m at a show, and I constantly hear the DJ yelling out “this is an original,” it actually really irritates me but I find myself having to do that at least a couple times, because as soon as I don’t I’ll have someone come up to me and say “I didn’t recognize any of those tracks, you gotta tell me who made them,” and you know…I do definitely have an entire sarcastic t shirt line in the back of my brain that’s like my way of dealing with frustration. T shirts that say “yes, I made this.” I’m not the only one. There are other producers, this one girl, Ducky, in her bio on soundcloud it just says “yes, I produced it.” </span></p>
<p><span class="font_regular">So, I’ve been in a couple of support groups for girls in the industry, napgirls for instance, where it just comes up all the time, it’s such a common theme. And it’s so sad in 2016 to see women seeking help for “I haven’t been paid in two months and another guy that works this gig has gotten paid 3 times already.” </span></p>
<p><em><span class="font_regular"><strong>That’s crazy, I would love to talk more about that but…what critique do you have of your own work? Is there anything you’re constantly trying to work on? </strong></span></em></p>
<p><span class="font_regular">That’s an awesome question, I’ve never had that question before, so congratulations. I think definitely I’m super critical of myself. I’ve had people ask, “do you ever stop after something happens and celebrate that it happened?” and I’m like “no no no.” </span></p>
<p><span class="font_regular">I think my biggest criticism if my perceived inability to bend to accessibility. What I mean by that is that a lot of people will criticize and say that “oh, this edm track it’s so shitty, I could make that in 5 minutes.” Yeah? Do it then. And I won’t ever say that because I’ve definitely had lower points in my life where I’m saying like, oh gosh, I’m not doing so well, maybe I should just make what everyone else does, and I try and I really just can’t. I can’t explain it. I can write something for a film that’s not necessarily a style I like, but when it comes to trying to make a piece of artistry that has my name on it, that will fit whatever trendy format at the time, it just never works, you know? I just have too many diverse tastes to ever be able to just check all the boxes for one thing. </span></p>
<p><span class="font_regular">In a way, it sounds sort of narcissistic “I’m so great because I’m so much more diverse than these people,” but that’s not what I’m saying at all. It’s a frustration I have with myself. Like, “hey can’t you just compromise and do weird stuff that you do but just put a little bit of formula into it so people are into it?” and that’s something I’m still working on. By dose of humility, I’m still going through and doing the same things that I did when I started, watching tutorials, listening to other people’s tips. I think the most dangerous point you get to as a producer is when you get too comfortable and think you’ve figured it out. And that’s where you get that person that makes the same track every time. That’s my greatest fear. I think that’s what keeps me stubborn in a way. And I’m definitely hoping in the next year or two to train myself to get a track out in the next year or two that hits on that mass appeal level and still is me. </span></p>
<p><span class="font_regular"><strong>I<em>n that same vein, has there been any trend that you’ve managed to successfully incorporate into your own weird because it’s just naturally mixed in well? </em></strong></span></p>
<p><span class="font_regular">Absolutely. I am loving the future bass trend. Because it’s all the things that I’ve always done. I’ve always chopped up my vocals as samples because that was the tool I had available to me, my voice. And I’ve always made big melodic chords because it’s a huge strength from playing piano since age four. So I’m definitely…this current genre is the closest thing I’ve been able to get to something that fits into a style, because there’s less rules, there’s no tempo rules because that’s something that I’ve always not been able to deal with. Yeah, right now is the closest I’ve gotten, so I’m hoping it doesn’t change too much next. </span></p>
<p><em><span class="font_regular"><strong>Have you felt any positive response in that regard? Do you think other people are responding more because it’s popular? </strong></span></em></p>
<p><span class="font_regular">It’s hard to say because the course of my career, I would say my music making related production ability is inversely proportionate to the ability of an artist to organically reach people. So when I started it was much easier to reach people, but I wasn’t as good as I am now. And now we’re at this point of extreme oversaturation, and it can be pretty frustrating, to be honest. I’m making the highest quality, best produced, well-thought out music I’ve ever made, way more than I ever did before, but now it’s impossible to get it to anybody. Everything is constantly buried under the constant algorithms, fanboxing, ad buying, all this stuff. I think the people who do hear my music – and every body, my peers, the people who support me – are saying this is absolutely the best stuff you’ve ever written, but the reach has just dwindled. </span></p>
<p><span class="font_regular">Just the other day I was doing a DJ set for my friend at grassroots for their store opening and somebody came up to me and was like “man I bumped nothing but your tracks 5 years ago,” and I said “so what happened in 5 years?” and he said “Oh, I didn’t mean it like that.” And I said it’s totally cool, please stay for my set, I promise you my tunes are a lot better than they were five years ago. </span></p>
<p><em><span class="font_regular"><strong>That’s really interesting. Can you remedy that? </strong></span></em></p>
<p><span class="font_regular">It’s sort of funny what you have to do. When I was a kid, I used to play chess against the computer and I could never win because it was a computer, and nowadays I feel like it’s the same thing, constantly fighting against technology to be heard. </span></p>
<p><em><span class="font_regular"><strong>I’m going to try to segue hard here, but this is a really interesting point. You’re saying technology is changing the way you reach out to people, but how has it changed the samples you use in your actual music? Is there something you’re excited about? </strong></span></em></p>
<p><span class="font_regular">It’s so technically based, sometimes you can date a track by it’s sonic texture, telling what plugins were used, because there’s trends in the music scene just like in beauty or fashion. They’ll be a new plugin that will come out and people from a new genre will catch on and talk about it, and then it catches on. And it definitely changes the way I make music because every time a new tool comes out it can entirely change my process. Right now, I’m dealing with my mind being blown because one of the things we’ve always joked about – all of us – is wouldn’t it be nice if there was a little gnome that lived in your computer and once you’ve done all the fun part, all the writing, the gnome comes out and does calibrating and making the level okay. And so a plugin came out that basically does that. So I feel like we’re almost at singularity level with this technology, like soon you’ll just be able to wirelessly Bluetooth from your brain into the computer, and then after that we’ll just open our mouths and it will come out. </span></p>
<p><span class="font_regular">Not for myself, but for producers who rely heavily on sampling existing music, which is not me because I’ve always been an instrument player and composer so it’s easier for me to sample music, but for those people it can be really difficult because back in the day you could just simple things, but now it’s super illegal and focused on and now there’s algorithms that will instantly run your song through and it can detect without a person that you’re using this copyrighted material. I think that’s changing the way music is made quite a lot, sample based music. They either had to buy that sample, or they had to hack it up so much or they had to remake it. It definitely measures the creativity a little bit . but for me I would say the development in plugin technology is definitely changed the way I make my sounds. The ease of the technology available. </span></p>
<p><span class="font_regular"><strong><em>Do you use other samples?</em> </strong></span></p>
<p><span class="font_regular">Absolutely, what I mean is the difference between a single hit sample and an actual piece of music. I’ll use a sample of a kick drum being hit once in a drum kit and I’ll play the drums using the single hit samples, but I’m not going to record an entire hip hop track and cut a section out of it or you know what I mean? Or sample the chord progression of an existing piece. Like I might use a sample of someone playing the A note on a violin and write the melody with that, but I’m not going to sample an entire classical piece of music. </span></p>
<p><em><span class="font_regular"><strong>What are your electronic and non electronic music influences? </strong></span></em></p>
<p><span class="font_regular">Definitely of all time, Imogen Heap and Bjork are the two sort of major influence. Not only are they badass women, but they’re also pushing technology and developing them. Like Bjork has developed these physical midi instruments, like the reactable, I think she had a part in. And Imogen Heap is making these gloves, midi gloves. Beyond the fact that they’re amazing musicians and cool people, they just seem to always be pushing technology, which is a passion of mine. And it ties in a lot with music. And I have a lot of friends that play instruments who are very old school about, I play the violin, the cello, the guitar, nothing better than just the guitar. And I enjoy that, but for me the excitement is making a sound that has never been made, or commanding an entire virtual orchestra. Doing crazy things that haven’t existed in sonic space. </span></p>
<p><em><span class="font_regular"><strong>What genre do you classify yourself in currently, are you moving to any other genre? What new music are you working on? I really loved the Wordless EP, it seems a lot more groovy and funky than other stuff I’ve heard from you. Is this the sound you're moving to? </strong></span></em></p>
<p><span class="font_regular">I would say somewhere between alt-R&B and future bass would be my home planet, but I'm a galactic explorer who has landed in many systems. Currently, I actually have several projects nearly completed and I'm not even composing but just fine tuning the mixes, trying to organize them into albums, and deciding their destination! I'll have to take a break to finish this tour with PartyWave first. </span></p>
<p><span class="font_regular">And Wordless is definitely closest to my newest stuff for sure. It is the newest release. </span></p>
<p><em><span class="font_regular"><strong>Is there any current or future project you want to plug? </strong></span></em></p>
<p><span class="font_regular">Mostly just the new video content that's going to come from me. There will be a number of segments but the first one is called CollabCity and it's going to air starting in November on a new network called RecordMob. </span></p>
<p><em><span class="font_regular"><strong>When you're being interviewed about your music or career, what story do you want to tell about yourself? Is there a way you want your music or persona to be perceived? </strong></span></em></p>
<p><span class="font_regular">The story I want to tell with my music and my message is one of creative inspiration and indulgence mixed with balance, health and awareness of the world around you. Using your own innovative impulses to leave the world a better place than you found it. I dedicate a certain part of my time to education, mentoring and just plain helping others because I think it keeps you humbled and balanced - and I feel like it's a key part to being happy in life. I've always wanted to make people feel happy through music, but as I get older I become more aware of the deep problems in society around me and it's just as important for me to do my part in those too.</span><br> </p>
<p style="text-align: center;"><span class="font_regular"><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/ill.esha.music">Facebook</a> - <a contents="Soundcloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/ill-esha">Soundcloud</a> - <a contents="Booking" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/ill-esha">Booking</a></span></p>
<p><br> </p><iframe frameborder="no" height="150" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/275679712&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><iframe frameborder="no" height="150" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/240922920&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe>subdotmission.comtag:www.subdotmission.com,2005:Post/44563262016-11-07T14:57:30-07:002021-08-03T06:13:46-06:00Agency Spotlight: Onhell<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ac8ab84949ec1ff83b79d66c286a8befe56bb32c/original/onhell1.jpg?1478555425" class="size_l justify_center border_" /><p>Truly imaginative music tends to defies conventional description. The label “experimental” has a poor reputation, but absent any defined genre tags, it’s the only way to do justice to Onhell’s music in a single word. The California-based artist has an ingenious touch for bending rules and expectations to craft a smooth, infectious sound with a personality of its own.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/236824488&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Still, it’s unfair to summarize Onhell’s music in only one word. The Sub.mission Agency artist isn’t quite like the dark dubstep dons often associated with Sub.mission, but his immersive sound shares the depth, texture, and low-end emphasis that defines the 140 tradition. Onhell takes a hybrid approach to bass music, fusing elements of hip-hop, trap, low-tempo, and even grime to shape his irresistible style. His highly accessible, dance floor-ready sound marries the edgy attitude of UK grime with a familiar West Coast swagger. The result is a unique brand of futuristic bass music laced with the kind of liquid energy that flows contagiously through his productions and mixes, a momentum that lends to private headphone sessions and road trip soundtracks as well as live sets.<br><br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/159864813&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br>On his <a contents="Facebook page" data-link-label="" data-link-type="url" href="https://www.facebook.com/ONHELL-162299850498449/" target="_blank">Facebook page</a>, Onhell articulates his “band interests” as “Making people feel amazing” – an admirable principle audible in his music. The artist samples Beyonce, remixes Rich Boy, and pays homage to iconic American rap in his tracks and in the mix. But Onhell’s tributes to established fan favorites are far from artistic shortcuts. Much like fellow <a contents="Sub.mission Agency artist DMVU" data-link-label="" data-link-type="url" href="http://www.subdotmission.com/blog/blog/agency-spotlight-damnesia-vu-dmvu" target="_blank">Sub.mission Agency artist DMVU</a>, Onhell breathes new life into traditions that we didn’t realize needed refreshing – until hearing his interpretation. Onhell’s music is made to touch us in an inspiring and optimistic way. Throw on one of his mixes – or the free <em>Darkness</em> EP – as your soundtrack to a better day.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/242963036&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>There’s much to look forward to from Onhell. It’s clear that this young artist is only just winding up. <a contents="Give his SoundCloud profile a thorough rinse" data-link-label="" data-link-type="url" href="https://soundcloud.com/onhellmusic" target="_blank">Give his SoundCloud profile a thorough rinse</a>, and follow to stay up to date with tunes from the West Coast visionary (such as a <a contents="collaboration with Tsuruda" data-link-label="" data-link-type="url" href="https://twitter.com/onhellmusic/status/795016499807145984" target="_blank">collaboration with Tsuruda</a> rumored to be in the works). Stay locked to Onhell’s Humboldt County-based label <a contents="Phantom Wave" data-link-label="" data-link-type="url" href="https://www.facebook.com/phantwave" target="_blank">Phantom Wave</a> for beats co-curated by the artist. <br><br>This winter, Onhell embarks on the STYLSS tour with <a contents="NastyNasty " data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/agency-spotlight-nastynasty" target="_blank">NastyNasty </a>and <a contents="Sigrah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sigrahkc" target="_blank">Sigrah</a>. To book these masterminds in your city, contact dominic.vendegna@subdotmission.com. For tour dates, booking information, and more, peep <a contents="Onhell’s agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/onhell" target="_blank">Onhell’s agency page</a>.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/29f07fdb2dbe110ba1292dbbf901fbb1494f35ac/original/onhell-tour-image.jpg?1478555747" class="size_l justify_center border_" /><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><em>Amye Koziel</em></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/44515152016-11-03T22:35:48-06:002021-08-16T12:10:34-06:00Freebie Friday: Sectra- Scopophobia<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/da7c03d3929a9ee20bf5ee2e4b12bd5a5366b320/original/sectra-sub.jpg?1478233914" class="size_l justify_center border_" /><br>"As a drummer for close to two decades I know a thing or two about syncopation and writing drum patterns for songs, so that’s while I’m telling whoever reads this to please turn off any kind of quantization or “grid snapping” while writing beats, and here’s the reason why. When writing drum patterns (specifically hi hat patterns) turning off any kind of “snap-to-grid” feature will give you drums a much looser and more realistic sound, drummers aren’t robots, we can’t stay 100% on beat all the time. It’s also worth mentioning that this will make your drums sound more unique than most other producers.<br><br>Another small piece of advice I can give is to make use of your send and return channels, especially when sidechaining. For instance if you enjoy sound a good sidechain effect gives, try sending everything but the snare to a send channel, put whatever plugin you use for sidechaining on that channel, route it so that your kick activates the sidechain effect, and mess with the knobs on that plugin, this is going to save a lot of CPU as opposed to sidechaining every individual channel. Most importantly have fun, most of my songs are the results of happy accidents, RARELY do I deliberately do something in a DAW (aside from EQing and compressing)."<br><br><em><a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/sectramusic" target="_blank">Facebook </a>/ <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/sectra">SoundCloud</a></em><br><br> </p>
<hr><p> </p>
<p><em>Catch up on previous Freebie Fridays: </em><br><a contents="Jang - The Wind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-jang-the-wind" target="_blank">Jang - The Wind</a><br><a contents="Repulsion - Pizza Man&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion - Pizza Man </a><br><a contents="OldGold - Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold - Anti-Rewind</a></p>4:44subdotmission.comtag:www.subdotmission.com,2005:Post/44497872016-11-02T23:17:33-06:002017-01-12T07:25:07-07:00This Month In Bass: November<div style="text-align: center;">
<p>For the last 10 years the bass music scene in Denver has gone through some serious changes. Nights and events have come and gone and through it all the .mission of moving people through sound not hype has captured the hearts of Colorado bass music lover s time and time again. This month is different from those in the past because, as life goes, things are changing for the better and the time has come to close another chapter in the annals of Denver Dubstep and open another. This month we have a double header in two Colorado cities, a great deal of Denver Debuts, a rewind of sorts, the return of some of Denver’s favorites, a very exciting hello and a very bittersweet farewell. So whether you know or are in the know, sit back and get ready for this edition of This Month in Bass. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6b10d6ee40c8ec811b12985946bbd79fa30dad65/medium/14959118-10207621457917595-2117368831-o.jpg?1478147211" class="size_m justify_center border_" /></p>
<p>As most of you know we started the month off proper on Tuesday night with the Denver debut of Australia’s own<a contents=" Zeke Beats" data-link-label="" data-link-type="url" href="https://www.facebook.com/zekebeats/?fref=ts"> Zeke Beats</a>, round two of <a contents="ENiGMA Dubz" data-link-label="" data-link-type="url" href="https://www.facebook.com/ENiGMADubz/?fref=ts">ENiGMA Dubz</a>, <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> Resident<a contents=" Bean" data-link-label="" data-link-type="url" href="https://www.facebook.com/beandubstep/?fref=ts"> Bean</a> and the final<a contents=" Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/electronictuesdays/?fref=ts"> Electronic Tuesdays</a> Battle Winners Round at The Other Side. We’d like to say congratulations to Az homie Yukona for taking the battles and having the honor of being the last Electronic Tuesdays monthly winner at The Other Side. It was an amazing night of music and if you thought this Tuesday was insane, just wait until you see what the last two Electronic Tuesday’s have in store for you! We promise it will not disappoint. <br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/DsoEjLpGVns" width="560"></iframe><br><br>First though let’s talk about this weekend’s two city double header. For some time now Sub.mission has been bringing out<a contents=" G Jones" data-link-label="" data-link-type="url" href="https://www.facebook.com/gjonesbass/?fref=ts"> G Jones</a>, <a contents="NastyNasty" data-link-label="" data-link-type="url" href="https://www.facebook.com/NastyNasty-128765516974/?fref=ts">NastyNasty</a> and<a contents=" Sayer" data-link-label="" data-link-type="url" href="https://www.facebook.com/sayerbass/?fref=ts"> Sayer</a> to rock crowds and blow minds. This time around we have a double dose of all three of them on deck for the state of Colorado! On Friday November 4th G Jones, NastyNasty & Sayer kick off the two night Colorado run alongside local bad boys <a contents="GrymeTyme" data-link-label="" data-link-type="url" href="https://www.facebook.com/grymetymeproductions/?fref=ts">GrymeTyme</a> and <a contents="DJ Wadada" data-link-label="" data-link-type="url" href="https://www.facebook.com/WadadaDubz/?fref=ts">DJ Wadada</a> @ Cervantes Masterpiece Ballroom. Afterwards on November 5th we head up to Fort Collins for round two @ The Aggie. All three of these rude boys have been making Denver crowds bounce for years and this weekend they’re about to show the Colorado massive that every one of them is a serious force to be reckoned with. <br>Tickets --> <a contents="http://ticketf.ly/2eH8Kdv" data-link-label="" data-link-type="url" href="http://www.ticketfly.com/purchase/event/1288909/tfly?utm_medium=api&utm_medium=459899">http://ticketf.ly/2eH8Kdv</a><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ei2K4gb9jRs" width="560"></iframe><br><br>On Tuesday November 8th we have the long awaited arrival of grime dons<a contents=" D Double E" data-link-label="" data-link-type="url" href="https://www.facebook.com/itsddouble/?fref=ts"> D Double E</a> and <a contents="Faze Miyake" data-link-label="" data-link-type="url" href="https://www.facebook.com/fazemiyake/?fref=ts">Faze Miyake</a>! Faze Miyake's signature sound has a global reach via his Rinse FM shows as he showcases new and revitalizing sounds from artist of various genres that include but are not limited to: Grime, Dubstep, Trap, Hip-Hop & so much more. It’s truly an honor to have him on stage alongside one half of the London Grime duo, the legendary Newham Generals as well. D Double E is, hands down, one of the fiercest and most talented Emcee's in grime. His lyricism is raw, his flow is flawless and the energy he brings to the stage is simply astounding. The Denver debut of these two power houses is going to show the Mile High City what true UK Grime is all about. Getting things started on support is a special b2b set between Sub.mission resident <a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a> and New Mexico bad man<a contents=" Crix Saiz" data-link-label="" data-link-type="url" href="https://www.facebook.com/crix.saiz?fref=ts"> Crix Saiz</a>. This is going to be a night of proper grime that everyone has been waiting for. <br>Tickets---> <a contents="www.ticketfly.com" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1367043?_ga=1.120455752.1760546006.1465596322&__utma=1.1763467253.1465596322.1476459632.1476942809.17&__utmb=1.2.10.1476942809&__utmc=1&__utmx=-&__utmz=1.1476459632.16.7.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=185815593">www.ticketfly.com</a><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/O8hi7CaqE8A" width="560"></iframe><br><br>Next up is the very last Electronic Tuesday at The Other Side. Since its inception Electronic Tuesdays has called<a contents=" Cervantes and The Other Side " data-link-label="" data-link-type="url" href="https://www.facebook.com/CervantesDenver/?fref=ts"> Cervantes and The Other Side </a>home. For the last six years we have shared blood, sweat and tears with the staff at Cervantes and The Other Side to bring you some of the biggest nights in the history of Electronic Tuesdays but, as they say, all things must come to an end at some point. Even though this will be the last E Tuesday at The Other Side there’s no reason we can’t have one last memorable night with one of the BIGGEST Denver debut’s we’ve had to date. Since Sub.mission’s birth Nicole has tried time and time again to bring one of the godfathers of the dubstep sound to Denver and for years the Denver massive have constantly asked to have such a legend play at least one event here in the Mile High. We are glad to say that after a lot of tireless work we finally get bring you one of the originators of the sound and cultures that we love so much. On November 15th we have the one and only <a contents="Loefah" data-link-label="" data-link-type="url" href="https://www.facebook.com/LoefahOfficial/?fref=ts">Loefah</a> finally making his long anticipated Denver debut! Internationally recognized as one of the founders and true pioneers of UK Dubstep, Loefah is responsible for some of the biggest tunes that pushed the sound to a global level. This night is truly going to be one that will go down in the history book of the ten years Sub.mission has been around. Joining him are long time Sub.mission residents <a contents="CurlyOne" data-link-label="" data-link-type="url" href="https://www.facebook.com/djcurlyone/?fref=ts">CurlyOne</a> &<a contents=" Caustik" data-link-label="" data-link-type="url" href="https://www.facebook.com/caustikbass/?fref=ts"> Caustik</a> on opening and closing duties. We are more than honored to have such a legend grace the stage and to share such a special night with such an amazing staff one more time. We’d like to take this opportunity to thank the entire staff at Cervantes and The Other Side for hosting us for six amazing years. Together we have made history here in Denver and you will always have a special place in our hearts as we both move forward. <br>Tickets---> <a contents="www.ticketfly.com" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1367047?_ga=1.188613224.1760546006.1465596322&__utma=1.1763467253.1465596322.1476459632.1476942809.17&__utmb=1.2.10.1476942809&__utmc=1&__utmx=-&__utmz=1.1476459632.16.7.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=185815593">www.ticketfly.com</a><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/zt_GvqXPlpc" width="560"></iframe><br><br>As we do move forward we have some very amazing news to speak of. There is a new venue in town and it’s called appropriately called <a contents="The Black Box" data-link-label="" data-link-type="url" href="https://www.facebook.com/TheBlackBox5280/?fref=ts">The Black Box</a>. It’s at 314 E 14th Ave, it has two rooms and both of them have a <a contents="BASSCOUCH" data-link-label="" data-link-type="url" href="https://www.facebook.com/BassCouch-102211153252317/?fref=ts">BASSCOUCH</a> system in them! The grand opening is on November 19th and it features none other than <a contents="Mala" data-link-label="" data-link-type="url" href="https://www.facebook.com/malamystikz/?fref=ts">Mala</a>, <a contents="Kahn" data-link-label="" data-link-type="url" href="https://www.facebook.com/kahnofficial/?fref=ts">Kahn</a> & <a contents="Neek" data-link-label="" data-link-type="url" href="https://www.facebook.com/itsneekofficial/?fref=ts">Neek</a> and the Sub.mission Residents on the main side and <a contents="Moresounds" data-link-label="" data-link-type="url" href="https://www.facebook.com/moresounds/?fref=ts">Moresounds</a>, <a contents="Despise" data-link-label="" data-link-type="url" href="https://www.facebook.com/djdespise/?fref=ts&ref=br_tf&qsefr=1">Despise</a> and the <a contents="Recon D&amp;B" data-link-label="" data-link-type="url" href="https://www.facebook.com/recondnb/?fref=ts">Recon D&B</a> Residents in The Lounge. If you we’re at the Sub.mission 9 Year Anniversary then you already know how awesome Mala, Kahn & Neek and the Sub.mission Residents sound on the Basscouch system. We are in for some serious bass weight with these guys and adding to all this we have Moresounds, Despise and the Recon Residents in The Lounge. I know we aren’t the only ones who are excited to finally catch Moresounds and we are more thrilled to run back and forth between rooms while feeling the subs hit our core every step of the way. Tickets for this one are already on sale and going FAST so get them as soon as possible because this one will most definitely sell out.<br>Tickets---> <a contents="www.theblackboxdenver.co" data-link-label="" data-link-type="url" href="http://blackboxdenver.co/event/1710666/332524488/the-black-box-grand-opening-with-mala-kahn-neek-and-moresounds">www.theblackboxdenver.co</a><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/Hkgik4edDpY" width="560"></iframe><br><br>We finish off the month with the first two Electronic Tuesdays at The Black Box. On November 22nd we have the Denver debut of <a contents="LOST" data-link-label="" data-link-type="url" href="https://soundcloud.com/disgustingjustin">LOST</a>! Joining him is the return of riddim bad man <a contents="Bommer" data-link-label="" data-link-type="url" href="https://www.facebook.com/bommerdubstep/?fref=ts">Bommer</a> and Minnesota’s own <a contents="Johnny Foreplay" data-link-label="" data-link-type="url" href="https://www.facebook.com/JohnnyForeplay/?fref=ts">Johnny Foreplay</a>. If that wasn’t enough the week after we have the return of<a contents=" Grimblee" data-link-label="" data-link-type="url" href="https://www.facebook.com/Grimblee/?fref=ts"> Grimblee</a>, <a contents="OldGold" data-link-label="" data-link-type="url" href="https://www.facebook.com/OldGoldBass/?fref=ts">OldGold</a> and Denver’s own <a contents="Dalek One" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne/?fref=ts">Dalek One</a> on November 29th closing out this amazing month of music. It’s quite an honor to say that all of these men mentioned are at the top of their sound design game and to be able to hear them all flex their individual style and sound on the Basscouch system is truly going to be an amazing experience. This is truly the beginning of something special. We absolutely cannot wait to see what the future for Electronic Tuesdays holds. <br>Tickets---> <a contents="Lost, Bommer &amp; JohnnyForeplay" data-link-label="" data-link-type="url" href="https://nightout.com/events/electronic-tuesdays-with-lost-bommer-johnny-foreplay-and-more/tickets#.WBrBwCSvY8k">Lost, Bommer & JohnnyForeplay</a><br> <a contents="Grimblee, OldGold &amp; Dalek One" data-link-label="" data-link-type="url" href="https://nightout.com/events/electronic-tuesdays-with-grimblee-old-gold/tickets#.WBrCiSSvY8l">Grimblee, OldGold & Dalek One</a><br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/272173110&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/veYTjnYu_Ws" width="560"></iframe><br><br>This month is host to some seriously special nights. Debut’s, hellos and goodbyes are the sign of positive change and the changes that are happening here in Denver are going to blossom some very amazing things. For those that have been with us from the beginning, it’s a wonderful chapter that we’re happy to finally see opened and everything from the battles to the special one off events are going to benefit and progress in ways we can’t possibly imagine. Speaking of battles, don’t forget to get to each Electronic Tuesday early to catch the battlers. This month we have Synchronicity, Item 9, Bowzr, 1137, Killa Nilla, Efemel, Evasive, GBP, XKape, Fastlife, Froztwreck & Apparition all going head to head for the title of being the FIRST Electronic Tuesday’s monthly winner at The Black Box. All of these artists have some serious talent and we can’t wait to see what them duke it out for the top spot. Make sure your tickets are in hand and your dancing shoes are laced up and we’ll see you on the dance floor!</p>
</div>subdotmission.comtag:www.subdotmission.com,2005:Post/44409182016-10-27T20:49:56-06:002018-12-28T18:59:15-07:00Freebie Friday: Jang- The Wind<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7fcf834e4824e03f0d841cffaf87dae8b354c9d8/large/jang2.jpg?1477608529" class="size_l justify_center border_none" alt="" /><br>"Production tip: Reverb is really cool but a lot of people use it too much. It can sound great if used scarcely throughout a song, or if only a couple tracks in a song are being ran through verb it can create a very cool atmosphere in the tune. But when you use it on many different sounds all at once it can make your mixdown sound very muddy. A good way to apply reverb to a song is to put a completely wet reverb plugin on an auxiliary or send channel. Then you can send all of the different tracks in your song to one universal reverb setting, and you can choose how much reverb to send each track through individually. This will help a whole lot in the mixdown and can also be used when mixing down live recordings as well. This is called an FX loop."<br><br><em><a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/JangBrainMusic" target="_blank">Facebook </a>/ <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/jang-brain" target="_blank">SoundCloud</a></em><br><a contents="Check out Jang's hip-hop album, "Beats for Breakfast Vol. 2", available November 11th." data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=iKEwJ2XtXuQ" target="_blank"><i>Check out Jang's hip-hop album, "Beats for Breakfast Vol. 2", available November 11th.</i></a><br> </p>
<hr><p><em>Catch up on previous Freebie Fridays:</em><br><a contents="Repulsion - Pizza Man" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-repulsion-pizza-man" target="_blank">Repulsion - Pizza Man</a><br><a contents="OldGold - Anti-Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind" target="_blank">OldGold - Anti-Rewind</a></p>5:05subdotmission.comtag:www.subdotmission.com,2005:Post/44345292016-10-24T12:29:49-06:002017-01-12T07:25:07-07:00Hustle Knowledge: Bass Invasion<p style="text-align: center;">It’s finally here people! Bass Invasion has long been one of the most anticipated dubstep events in Denver. Each year <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> brings you something special and this year in no different as we return to <a contents="The Fusion Factory" data-link-label="" data-link-type="url" href="https://www.facebook.com/thefusionfactory/?fref=ts">The Fusion Factory</a> and this time we’re bringing the <a contents="BASSCOUCH " data-link-label="" data-link-type="url" href="https://www.facebook.com/basscouch/?fref=ts">BASSCOUCH </a>system with us for a full on HALLOWEEN BLOWOUT! This year we have some of the Denver massive’s favorite dubstep players making their return and one Denver debut that we have been waiting years to bring you. We’re sure that like us, you’re bursting at the seams with anticipation for this year’s event. So whether you know or want to be in the know, sit back and get ready for this edition of Hustle Knowledge! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c664c2dab51adf3c3b4ea0c6eeeea5ba83b14210/medium/bass-invasion.png?1475649149" class="size_m justify_center border_" /></p>
<p style="text-align: center;">First up we have the return of the one like <a contents="London Nebel" data-link-label="" data-link-type="url" href="https://www.facebook.com/londonnebel/?fref=ts">London Nebel</a>! Hailing from Berlin, London Nebel has been shaking up the Dubstep scene since 2010.Originally comprised of DJ’s Donnie Digital & Nasty Fingers, London Nebel came into the scene swinging after a their Song 'Nasty Anthem' (released for free through JesusDied4Dubstep) and the following drum step remix by Dorincourt released, they were able to build a loyal fan base across the globe with their free EP "The End Time Pirates". However a lot has changed since then. Since this release Nasty Fingers has stepped back and now only Daniel, aka Donnie Digital, has the London Nebel helm and he has taken the momentum and rode with it full swing across the globe. With releases on Never Say Die: Black Label, Smog, Sin City, Bassclash, I.Am.Audio and Disciple; London Nebel has been putting out some serious heaters over the last few years and this year’s “Zombie Dance” is a true testament to his dedication to the pushing the envelope when I comes to the London Nebel sound and dubstep in general. If you remember when he came through for the<a contents=" Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/electronictuesdays/"> Electronic Tuesdays</a>’ Halloween party a few years ago you know what’s in store for us. This man shows no mercy and we can’t wait to see him flex his muscle on the Basscouch system. <br> <br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ABAO2IPjOkQ" width="560"></iframe><br><br>Next on the line up is the one and only <a contents="Thelem" data-link-label="" data-link-type="url" href="https://www.facebook.com/thelem.music/?fref=ts">Thelem</a>. If there’s any artist out there that is successfully blurring genre lines, it is most definitely Thelem. This London-based DJ and producer is well known in the dubstep scene, however to coin him as solely a dubstep producer would be a disservice to his sound. With releases on such big labels like Innamind Recordings, Black Box and Artikal Music UK, his dubstep tunes are serious testaments to sound system music however, many of his other releases are merely impossible to simply label them as anything else but bass music. His latest release, the “We Ain’t The Same” EP, showcases a fusion of classic dubstep, UK grime and even what is known in the US as “trap”. Denver heads know that anytime this man comes to town he comes at us full force. Currently he is now living in LA and is on a massive tour with The Widdler. One can only guess that the amount of music currently being cooked up Thelem is nothing but fire. <br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/GDEZWzHZEUI" width="560"></iframe><br> <br>Speaking of <a contents="The Widdle" data-link-label="" data-link-type="url" href="https://www.facebook.com/thewiddler/?fref=ts">The Widdle</a>r, this Tel Aviv born bad man has been on a serious war path over the last few years. Currently living in Austin, TX, The Widdler has been playing and producing music since the age of 10. A prominent player in the American dubstep scene since his inception, his tunes such as “Sensei Samurai”, “Froggy Style” and “Lady Dub” are regarded as classics in the spectrum of the sound. He’s been putting out some seriously awesome tunes as of late and his set at Sonic Bloom this summer set the crowd into a frenzy proving that state side dubstep is a force to be reckoned with. Currently he is in the middle of a massive tour with Thelem and as we said earlier, we can only speculate that there is some music being made between these two bass music power houses and we can only hope that we’ll see some of this on the Basscouch at Bass Invasion. <br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/U6bqBTT_kRM" width="560"></iframe></p>
<p style="text-align: center;">Finally, we get to the long awaited Denver Debut. Every year at Bass Invasion we have something special and this year is no different. For a few years now Denver dubsteppers have wanted <a contents="ENiGMA Dubz" data-link-label="" data-link-type="url" href="https://www.facebook.com/ENiGMADubz/?fref=ts">ENiGMA Dubz</a> to grace the Sub.mission stage and this year we are finally blessed with a chance to see it happen. Starting his musical journey at the young age of 5, James Vine aka ENiGMA Dubz has been pushing the sub bass sound since 2011 with releases on labels such as Dank N Dirty Dubz, LU10 Records and most recently his third album, “The Journey So far”, on Sub Concentrate. The Birmingham born producer is currently on a 6 US City tour and Bass Invasion is his 2nd stop! Denver is well known as a main hub for state side dubstep so you know he’s coming into town with a heavy arsenal of tunes that cross the spectrum of bass music and not to mention all the tunes on “The Journey So Far”, which will be released on October 27th. We are beyond excited to see what he has in store for us and to hear him take us on a musical journey on the Basscouch system. This is a Denver debut that has been a long time coming!<br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/vSAkfz4lVzM?list=PLKuN-WEIzl_rVgGdJwrV1h1lp8HEeYXgF" width="560"></iframe></p>
<p style="text-align: center;">Bass Invasion this year is undoubtedly going to be one for the books. The amount of talent and overall diversity of these bass music producers and DJ’s we’re about to see on one of the best sound systems in US is an event not to be missed. Not to mention that we have the Sub.mission Resident tag session between <a contents="CurlyOne" data-link-label="" data-link-type="url" href="https://www.facebook.com/djcurlyone/?fref=ts">CurlyOne</a>,<a contents="Sektah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">Sektah</a>, <a contents="Dillard" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">Dillard</a>, <a contents="Aowl " data-link-label="" data-link-type="url" href="https://www.facebook.com/aowldubs/?fref=ts">Aowl </a>and <a contents="Ind33p " data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PDUBSTEP/?fref=ts">Ind33p </a>to start things off! Watching our residents perform is always a blast but these bad men all go head to head in a massive tag session is next level. The amount of fun they have shows in how they push each other on the decks and we can’t wait to see the progression that comes about from this tag session come Friday. Make sure you have your tickets if you don’t already and don’t forget there’s a costume contest going on as well so make sure you go all out with your costume so you can win some shwag, lace your dancing shoes up and we’ll see you in the dance!<br><br>21+<br>BYOB<br>Tickets----><a contents=" https://nightout.com/events/submission-bass-invasion/tickets#.WA5TAiSvY8l" data-link-label="" data-link-type="url" href="https://nightout.com/events/submission-bass-invasion/tickets#.WA5TAiSvY8l"> https://nightout.com/events/submission-bass-invasion/tickets#.WA5TAiSvY8l</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/44299932016-10-21T00:05:01-06:002020-11-25T04:45:14-07:00Freebie Friday: Repulsion - Pizza Man<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ba453e7ce5275aeb12fd7a5893c235d9b942b6ae/original/josh-2.png?1477029501" class="size_l justify_center border_" /><br>"My suggestion to the listeners:<br><br>As an artist, DJ, entertainer or any part you play in your scene or artistic community, the most important thing to remember is quality over quantity. Having persistence is important. Don't mind numbers, but mind your craft and what makes you you. Stay true to that and chase what you desire, and it will come together. People will notice you, little and small. There may be dips and dives, but if you keep your head above the water and genuinely enjoy what you do, you will achieve what you strive for.<br><br>Build contacts, relations, and don't burn bridges. Patience is key."<br><br><em><a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/repulsionmusic" target="_blank">Facebook </a>/ </em><em><a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/repulsion-1997" target="_blank">SoundCloud</a></em><br> </p>
<hr><p><br><em>Catch up on previous weeks' Freebie Fridays:</em><br><a contents="OldGold- Anti Rewind" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/freebie-friday-oldgold-anti-rewind">OldGold- Anti Rewind</a></p>
<p><br><em>Want your tune featured on Freebie Fridays? Submit mastered tracks to <a contents="broziel.irl@gmail.com" data-link-label="" data-link-type="url" href="http://<a%20href=%22mailto:broziel.irl@gmail.com?Subject=Freebie%20Friday%22%20target=%22_top%22>broziel.irl@gmail.com</a>">broziel.irl@gmail.com</a>.</em></p>
<p><br> </p>6:10subdotmission.comtag:www.subdotmission.com,2005:Post/44212692016-10-17T15:44:48-06:002022-04-01T11:03:25-06:00Agency Spotlight: V.I.V.E.K.<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6e9235c4e57deef0ac8e624ce20b7272485fc814/original/vivek.jpg?1476603330" class="size_l justify_center border_" /><p>Sound systems are sacred. The transcendental power unleashed by a proper rig is a force bordering on mystical – a magic untouchable by even the music itself. Quality promoters, producers, and fans fully appreciate its importance: with the right setup, a party or even a sound can be elevated into something so much more. No artist harnesses the total potential of sound system music quite like V.I.V.E.K. <br><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/boIEd2uguVw" width="560"></iframe><br><br><br>As a producer, a DJ, a label head, and an event curator, Vivek is better described as a sound system activist than through any of the roles alone. The lifelong musician and cultural conductor is an icon to the sound system scene. His impact upon the realm of dubstep and BPMs beyond is invaluable and ubiquitous. Vivek is the founder and curator of the System club night, an established staple in the UK landscape. Following the event’s continued success, Vivek launched the System Music label in 2013. The name says it all: for the UK-based artist, sound systems are everything.</p><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/sVVkd7_1f1I" width="560"></iframe><br> <p>Such is the essence of the System Music imprint. While not strictly a dubstep label, the platform is home to some of the most energetic and highly anticipated 140 releases in recent memory (including <a contents="Kromestar – “Mere Sher”" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=OVFgQYGsSQI" target="_blank">Kromestar – “Mere Sher”</a>). The label is characterized by the depth of its tracks, rather than focus on any specific genre or tempo. Before the inception of System Music, Vivek released predominantly on Deep Medi, and the legendary labels share many common qualities. Their catalogues consist of music meant to be felt, both physically and emotionally. <br><br>System Music is also distinguished by its emphasis on dub-flavored tracks – momentous celebrations of sound system music’s (particularly dubstep’s) reggae roots. But the personality of the label and Vivek’s own musical imagination is most profoundly encapsulated by the imprint’s first release. <em>Asteroids/Over My Head</em> is a 140 masterpiece fated for dubstep’s history books.<br> </p><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/15fOQbCEMg0" width="560"></iframe><br> <p>The EP epitomizes Vivek’s signature style: even by dubstep’s standards, these tunes are deep. They don’t simply beg for a proper sound system, but necessitate it – the most resonant notes of “Asteroids” can’t even be heard on anything less. The tracks are visceral, immersive enough to drown in – almost literally. On a well-endowed dance floor, Vivek’s tunes rumble with the sub-frequent vibrations known to knock the air straight from one’s lungs. But – contrary to popular perception – dubstep isn’t always a violent affair. Here, quite the opposite. Vivek is a master of the meditative vibes that define the genre’s original tradition, sometimes soothing, sometimes creeping, and always thick enough to swim in. <br><br>And, of course, there’s an intimacy to Vivek’s productions captured by Mel Dymond’s vocals in “Over My Head”. Her poignant crooning floats through the track’s sonic layers in a hypnotic incantation that seems to describe the sound itself. The vocal element rings with the intensely personal resonance that gives dubstep its transformational power.<br> </p><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/bkPI2B_w8_Q" width="560"></iframe><br> <p>Today, Vivek’s legacy as a leader in sound system music and the corresponding culture is well-respected. As an artist and curator of the sound, Vivek holds a special place at the soul of the sound system movement. Keep an ear to <a contents="Vivek " data-link-label="" data-link-type="url" href="https://www.facebook.com/viveksystem" target="_blank">Vivek </a>and <a contents="System Music" data-link-label="" data-link-type="url" href="http://www.wearesystem.com/" target="_blank">System Music</a>, and check out <a contents="Vivek’s agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/vivek" target="_blank">Vivek’s agency page</a> for tour dates, booking information, and more.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/44080982016-10-06T22:44:01-06:002018-12-28T18:58:57-07:00Freebie Friday: OldGold - Anti-Rewind <p><strong><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/b70ab6668e37d9000877522caf7b3ed13ee57381/original/14585631-1435194546510670-1484390664-o.jpg?1475810190" class="size_l justify_center border_" /></strong></p>
<p><strong>OG Production Tip: </strong></p>
<p>Think of each sound in your tune like a puzzle piece within the frequency chart. <br>(0hz - 17000hz) </p>
<p>If you cut out all the unnecessary noise within the individual sound you're focused on (snares/kicks/percussion/synths/pads/etc.), then they should all have enough space to rest perfectly next to each other without having to use a sidechain. </p>
<p>Try to use sidechain as an added effect to accent your sound rather than using it as a quick & easy way to clean up your mix.. it'll open up plenty of doors for some creativity in the long run. In depth tip - I cut my subs at 30hz and remove all highs down to 100-150hz and keep it on mono ALWAYS since putting it in stereo could really mess with a speaker in the wrong way.<br><br><br><em><a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/OldGoldBass/?fref=ts" target="_blank">Facebook </a>| <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/oldgoldbass" target="_blank">SoundCloud</a></em><br><br><br><em>Want your tune featured on Freebie Fridays? Submit mastered tracks to <a contents="broziel.irl@gmail.com" data-link-label="" data-link-type="url" href="http://<a%20href=%22mailto:broziel.irl@gmail.com?Subject=Freebie%20Friday%22%20target=%22_top%22>broziel.irl@gmail.com</a>">broziel.irl@gmail.com</a>.</em></p>
<p><br> </p>5:44subdotmission.comtag:www.subdotmission.com,2005:Post/44022902016-10-03T17:16:46-06:002023-12-10T11:09:38-07:00Agency Spotlight: Bukez Finezt<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e2e116505364d6322a8991124f607720808ee70e/large/bukez-is-marshmello.jpg?1475535773" class="size_l justify_center border_" /><br> <p>Dubstep tends to take itself very seriously. There’s an existential solemnity implied by the “deep, dark, and dangerous” tradition that often plays out as an impenetrable aesthetic. “Proper” dubstep is defined not only by tempo and texture, but a pointed inaccessibility manifest in minimal styles and an unwavering devotion to sinister vibes – or so it can seem. We make a big deal of the sacred beauty of scary music. We obsess over sub-frequencies and subversive ideologies, and gather in small, dark rooms to celebrate sound systems… but sometimes we forget why we flock to the dance floor in the first place. <br><br>Until, that is, the DJ drops a tune from Bukez Finezt. It is always an irresistible reminder: even amidst all the spookiness, we’re here to have fun.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/256480133&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Regardless of who’s on the decks, the moment is inevitable. Bukez Finezt is perhaps the most versatile producer to inhabit dubstep’s parameters, and his sonic presence is deservedly pervasive. The German artist most recently released <a contents="The Main Rule EP with Deep Medi" data-link-label="" data-link-type="url" href="https://soundcloud.com/deep-medi-musik/bukez-finezt-the-main-rule-unknown-force-clip-310816" target="_blank"><em>The Main Rule</em> EP with Deep Medi</a>; he’s also known for collaborations with artists like Coffi. Bukez Finezt demonstrates a manic mastery over dubstep’s stylistic spectrum. His sound is diverse, sophisticated, and universally infectious, emanating a rare creative imagination that designates the artist as an icon and innovator for both the genre and electronic music as a whole.<br><br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/205948999&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Despite its structural specificity, dubstep’s full realm is unexpectedly divided. The disparities between subgenre pockets are sometimes so dissonant as to be in opposition, giving the impression of split personalities, or at least a profound identity crisis. Few artists manage to merge the genre’s dueling egos at all; Bukez Finezt offers graceful reconciliation with a skilled, playful touch that questions the existence of any conflict at all. His tunes are simultaneously silly and spooky, cacophonous and melodic, equally adaptable to meditations and mosh pits. Bukez’s signature is his wobbly rendition of the sound’s dubby tradition, often injected by violently aggressive outbursts and visceral waves of low-end hystera. He understands dubstep from the fevered perspective of the dance floor, and his music is possessed by the party it inspires.<br><br> </p><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/qkR5jgQziK8" width="560"></iframe><br> <p>That’s not to dismiss Bukez’s productions as frivolous. The misperception that mature music and party music are mutually exclusive is exactly what the artist protests against. He makes a statement in both his tracks and DJ sets: the magic of sound system music isn’t some secret that we must protect, but a unifying force meant to be shared and spread. There’s plenty of space on the dance floor for the head nodders, skankers, and X’d out gun finger blazers. The uniform reaction of any room to a Bukez Finezt tune is a testament to dubstep’s essential energy. This is what the celebration is really about. <br><br>Follow Bukez Finezt on <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/bukezfineztdubstep" target="_blank">Facebook</a> and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/bukezfinezt" target="_blank">SoundCloud</a>. For booking information, tour dates, and more, <a contents="check out his agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/bukez-finezt" target="_blank">check out his agency page</a>.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/168879240&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><em>Amye Koziel</em></a>subdotmission.comtag:www.subdotmission.com,2005:Post/44005022016-10-02T14:35:02-06:002017-01-12T07:25:06-07:00This Month In Bass: October<div style="text-align: center;">
<p><br><br>Fall is officially here and if you know <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/">Sub.mission</a> you know that October is historically one of the best months of the year and since the announcement came out last month the anticipation for October has been building up and now at long last we are finally here. With four stacked Tuesdays and two massive one off events on the horizon it’s safe to say that we are in for one serious month of sounds that cross the spectrum. So whether you now or want to be in the know, sit back relax and get ready for ‘This Month In Bass’! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e041bf757da362dc58279395960ba1819664b629/medium/14585875-10207371743594893-1999736100-o.jpg?1475474631" class="size_m justify_center border_" /><br> </p>
<p>Kicking off<a contents=" Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/electronictuesdays/"> Electronic Tuesdays</a> on October 4th we have the Elk Beats boss himself, <a contents="EshOne" data-link-label="" data-link-type="url" href="https://www.facebook.com/eshonemusic/">EshOne</a>, taking over The Other Side! Widely known as one of the most talented producers in the stateside underground dubstep scene, EshOne's tunes are as fierce as they are soothing and his skills on the decks are flawless! <br>With massive releases on labels such as Artikal UK, GourmetBeats, and of course Elk Beats, EshOne is one of the most exciting talents inCrix Saiz stateside dubstep and he's sure to make an impact in Denver upon his return! Joining EshOne in support are fellow bad men from The Land of Enchantment. & Ill Kid will be live in the mix and you know when these guys hit the stage it’s always a party! Also we have the September winners round kicking off the night. This month locals DJ Stumpy, KIAL & Item 9 all go head to head for the top spot! This is a seriously proper way to start the month!<br><a contents="*Click here for tickets*" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1317319?_ga=1.186427881.1760546006.1465596322&__utma=1.1763467253.1465596322.1473287848.1473699386.15&__utmb=1.2.10.1473699386&__utmc=1&__utmx=-&__utmz=1.1473287848.14.6.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=198261551">*Click here for tickets*</a><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/1M3o2a631MM" width="560"></iframe><br><br>Next up on October 6th we have break out hip-hop artist<a contents=" Futuristic" data-link-label="" data-link-type="url" href="https://www.facebook.com/Futuristicihadtodoit/"> Futuristic</a> as he makes his way through Denver on his "As Seen On The Internet" tour, which stops for a night at The Other Side. Originally from Illinois, he is now based out of Arizona and has made some serious noise over the last few years with hit singles "Fuck you Mean" "I Got Sauce" and "La La La", all of which were the album Dream Big. Futuristic uses his humor, intelligence, and real life experiences to create the a mood and tell a story with a style that's like no one else's. At the age of 21 he has gained a massive following among the US underground hip-hop community. His trademark phrase "I had to do it" and his rhyme style, which is slightly cocky but humorous makes him a distinguished MC and his depth, attention to detail and his amazing storytelling sense are make him relatable to fans. He’s been making some big waves as of late and we cant wait to see what he has in store for us! <br><a contents="*Click here for tickets*" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1211443">*Click here for tickets*</a><br> <br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/qKLaG71lw8U" width="560"></iframe><br> <br>On October 11th we have the long awaited arrival of <a contents="Sorrow" data-link-label="" data-link-type="url" href="https://www.facebook.com/sorrowgarage/">Sorrow</a>! Originally from Birmingham and now based out of Bristol, Sorrow has been stealing the hearts of UK garage music lovers since his debut in 2011, when he announced the release of his first E.P on L2S Recordings. Whatever the genre though, Sorrow showcases his versatility as a producer and DJ and with every set he plays he shows the masses that has an amazing ability to adapt to the ever evolving electronic music scene. Holding it down on support duties we have Sub.mission Residents<a contents=" Dillard" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/"> Dillard</a> and <a contents="Ind33p" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PDUBSTEP/?fref=ts">Ind33p</a>. I think it’s safe to say that this one is going to be one if the beast nights of the month. <br><a contents="*Click here for tickets*" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1317323?_ga=1.109513285.1760546006.1465596322&__utma=1.1763467253.1465596322.1473287848.1473699386.15&__utmb=1.2.10.1473699386&__utmc=1&__utmx=-&__utmz=1.1473287848.14.6.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=198261551">*Click here for tickets*</a><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/VDQE-IWmZnU?list=RDVDQE-IWmZnU" width="560"></iframe><br><br>The following week on October 18th we have the 3rd edition of the Chop City Tour coming back to Electronic Tuesdays! If you thought the 1st and 2nd editions of the Chop City Tour were out of hand then just wait until you see what round 3 has in store for us! Electronic Tuesday’s welcomes back 'Da Butcher' himself, <a contents="Shiverz," data-link-label="" data-link-type="url" href="https://www.facebook.com/ShiverzDubstepOfficial/">Shiverz,</a> and the masked mystery men from a galaxy far far away, <a contents="'Da Force" data-link-label="" data-link-type="url" href="https://www.facebook.com/DAForceDUB/">'Da Force</a>' as they bring the Chop City III Tour to Denver! Shiverz ‘Da Butcher’ is internationally recognized for the immense energy and his absolutely insane skill on the decks, his performances are absolutely mind blowing when it comes to manipulating sound with a mixer. Joining him is the epic duo from a galaxy far far away, Da Force. This extremely talented duo has been one of the biggest break out dubstep acts in recent years! Their sound design is not to be messed with and the energy they bring to every performance is inspiring. Joining this already amazing lineup is none other than Sub.mission resident <a contents="Sektah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">Sektah</a>. If you're a fan of heavy, bouncy hard-hitting dubstep, this is one night you cannot miss! <br><a contents="*Click here for tickets*" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1317327?_ga=1.179176164.1760546006.1465596322&__utma=1.1763467253.1465596322.1473287848.1473699386.15&__utmb=1.5.10.1473699386&__utmc=1&__utmx=-&__utmz=1.1473287848.14.6.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=121797515">*Click here for tickets*</a><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/JAAV--jin5g" width="560"></iframe><br><br>On October 25, closing out the final Electronic Tuesdays of the month, hailing all the way from Japan we welcome back the one and only <a contents="GOTH TRAD" data-link-label="" data-link-type="url" href="https://www.facebook.com/gothtrad/">GOTH TRAD</a> for a very special 3 hour set! Globally renowned as one of the most pioneering and cutting-edge producers in bass music, Goth Trad's sets are as awe inspiring as they are mesmerizing. His signature low end sound is obscure and reaches depths that stimulate the senses and are incomprehensible unless they are experienced first-hand. His signature abstract sound has influenced and inspired dubstep enthusiasts across the globe and it's a true honor to welcome the legend himself back to Denver for this very special edition of Electronic Tuesdays! Following Goth Trad's 3 hour set, we have bad man <a contents="Thanom" data-link-label="" data-link-type="url" href="https://www.facebook.com/thanomdubs/">Thanom</a> and Sub.mission Resident<a contents=" Caustik" data-link-label="" data-link-type="url" href="https://www.facebook.com/caustikbass/"> Caustik</a> going in on a back to back set to close out the night with a proper bang! This one is the perfect warm for what comes next! <br><a contents="*Click here for tickets*" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1317329?_ga=1.192397930.1760546006.1465596322&__utma=1.1763467253.1465596322.1473287848.1473699386.15&__utmb=1.6.10.1473699386&__utmc=1&__utmx=-&__utmz=1.1473287848.14.6.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=126956173">*Click here for tickets*</a><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/m7nmaPItGFU" width="560"></iframe></p>
<p>Every year we bring a special treat for the bass heads, this year is no different. Join us on October 28th for the 2016 edition of BASS INVASION!! This year we have <a contents="The Widdler" data-link-label="" data-link-type="url" href="https://www.facebook.com/thewiddler/">The Widdler</a> & <a contents="Thelem" data-link-label="" data-link-type="url" href="https://www.facebook.com/thelem.music/">Thelem</a>, <a contents="Enigma Dubz" data-link-label="" data-link-type="url" href="https://www.facebook.com/ENiGMADubz/">Enigma Dubz</a> and <a contents="London Nebel" data-link-label="" data-link-type="url" href="https://www.facebook.com/londonnebel/">London Nebel</a> alongside the all the Sub.mission Residents taking over The Fusion Factory for a massive Halloween party on the BASS COUCH SYSTEM. The Widdler and Thelem are in the midst of a massive fall tour and are no strangers to Colorado so you know they are going to have some special bits for the Denver massive. Enigma Dubz is making his Denver debut and we cant be more excited to dance the night away as he brings a serious dose of proper dubstep. London Nebel makes his long awaited return and if you remember the set he played @ The E Tuesday Halloween party a few years ago then you know he is about to bring the heat! Finishing off this already ridiculous line up we have all the Sub.mission residents going in on a massive tag session. I think it’s safe to say that Bass Invasion this year is going to be one of the best yet.<br><a contents="*Click here for tickets*" data-link-label="" data-link-type="url" href="https://nightout.com/events/submission-bass-invasion/tickets#.V9yh6yMrL6c">*Click here for tickets*</a><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/VAWjEyf9xEo" width="560"></iframe></p>
<p>Music isn’t only meant to be heard; it’s also meant to felt. With the help of proper sound systems, the personal resonance of our favorite music seems to take a physical form when everyone in the dance is riding high on pure vibes. This month is the perfect example of how every sound within the spectrum of bass music can permeate through your every fiber and leave you in awe of how it hits your very core. It’s that very reason that all of us are where we are within the sound and we’re lucky to be living in a place where heads like the Sub.mission crew are dedicated to bringing you only the best in bass music. Make sure you get your tickets now if you haven’t already and get to Tuesdays early for the DJ battles as well! This month we have Phidippus, Benoit, Dream_Snatch, Yukona, Substance D, Mindphunx, Djeww, SKUM, Elemental Hero, Kane, Sectra and Ceiva all going head to head for a chance to move on to the winners round next month. These artists are extremely talented so this month’s battles are going to be close! Stay tuned Denver, because October is about to be serious! We’ll see you in the dance!</p>
</div>subdotmission.comtag:www.subdotmission.com,2005:Post/43900362016-09-26T14:40:35-06:002020-11-20T03:35:02-07:00Agency Spotlight: Taiko<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6d540eef6b6f0d207eaacaf100cff79ecd51945b/medium/taiko.jpg?1474864599" class="size_m justify_center border_" /><p>The secret of minimal music lies in its subtleties. The understated magic of deep dubstep isn’t immediately apparent to everyone. The genre relies on structure and repetition: rather than always striving to re-invent sounds, dubstep is often driven by stylistic similarity. So it makes sense that many of the genre’s critics focus on the notion that all dubstep sounds the same. Still – anybody who truly believes that the 140 tradition lacks imagination clearly isn’t familiar with Taiko.<br><br>The UK-based artist is among the newest additions to the Sub.mission Agency’s roster, and one of the most inventive minds to inhabit dubstep’s realm. There aren’t many producers who sound like Taiko. The artist’s distinct style is driven by powerful percussion and an intimately unique interpretation of the 140 template. Taiko’s captivating approach to dubstep culminates in a sound that is constantly evolving, but unmistakably and unimitatably his own.<br><br> </p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/173655800&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br> <p>The sonic elements that set Taiko apart are not so subtle. His emphasis on primal, energetic percussion can be summarized by “Spray Can”: the 93 BPM track was featured on Uprise Audio’s 2013 Live From The Future compilation album, and served as the producer’s definitive introduction to the dubstep community’s elite echelon of artists. Taiko’s release history is as unconventional as his sound. His dubstep discography includes recent EPs on <a contents="Subaltern Records" data-link-label="" data-link-type="url" href="http://www.junodownload.com/products/taiko-flummox-ep/3057559-02/" target="_blank">Subaltern Records</a> and <a contents="Albion Collective" data-link-label="" data-link-type="url" href="http://www.junodownload.com/products/taiko-splinted/2984555-02/" target="_blank">Albion Collective</a>, but the multi-genre artist is also known for his work outside of the 140 sphere. Taiko’s tendency toward breaks and techno rings through his dubstep tracks, and is audible in his mixing style as well. His diverse repertoire is a testament to the continuing impact of outside influences upon the 140 sound, even as the genre matures into its own legacy.<br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/88847924&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>Taiko’s most recent dubstep EP showcases a side of his ever-progressing style that is both tribal and theatric. Such a description may seem to be a contradiction, but the Flummox EP is anything but dissonant. Its dramatic title track is the shining centerpiece of the release, featuring a cinematic orchestral melody that packs an irresistibly climactic punch. “De Maya” highlights Taiko’s signature quicksand-like style of bass, as well as a surprising side of <a contents="Le Lion" data-link-label="" data-link-type="url" href="https://soundcloud.com/leliondub" target="_blank">Le Lion</a>. The impressive collaboration is also a statement of Le Lion’s versatility and sophistication.<br><br><br><br> </p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/256308126&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br> <p>And, of course, those who have been paying <a contents="especially close attention" data-link-label="" data-link-type="url" href="https://www.facebook.com/DistrictChestplate/videos/1263819177024916/?hc_ref=PAGES_TIMELINE" target="_blank">especially close attention</a> are privy to Taiko’s emerging angle on grime. The artist’s biting, even aggressive style is reminiscent of the vocal genre’s instrumental trademark. My fingers are crossed for Taiko’s venture into grime territory sometime in the near future. <br><br>Word on the internet says Taiko has plenty in store for us – stay up to date on the artist via <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/taikouk/" target="_blank">Facebook</a> and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/taiko_uk" target="_blank">SoundCloud</a>. For tour dates, booking information, and more, check out <a contents="Taiko’s agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/taiko" target="_blank">Taiko’s agency page</a>.<br><br><br><br><em><span class="font_small"><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank">Amye Koziel</a></span></em></p>subdotmission.comtag:www.subdotmission.com,2005:Post/43539582016-09-04T12:36:26-06:002021-08-27T05:42:04-06:00Sub.mingling with Saule <p><em>By Addison Herron-Wheeler</em><br><br>Do you like your dubstep deep, dark, and just a little bit grimy? If so, then check out this interview below with underground producer and DJ Saule. Sub.mission caught up with him to ask about new music in the works, the evolution of dubstep, and his overall .mission.<br> </p>
<p>Gourmet Beats 005 just came out as a split between you and Malleus, and this isn't your first collaborative effort. Are you happy with this tune, and do you have any plans to collaborate with him in the future? <br><br>I am so blessed to have a release with Joe Nice and gourmet beats. The amount of respect I have for him and what he has done for the scene is amazing. Tyler (Malleus) and I have been making tunes since about 2011, so no, that was definitely not the first collab with him and I have worked with a handful artists in the past. As for the future I am quite sure there will be another Malleus/Saule tune.<br><br>Do you have any other collaborations or upcoming releases in the works? <br><br>I have a handful of collabs in the works right with artists that I am extremely excited and blessed to work with. I also have some plans with some forthcoming vinyl releases but can’t say too much more about that.<br><br>What other shows and events do you have coming up?<br><br> I had a great run of shows this summer and my last event I had planned just ended at Organic Festival and Wormhole last Wednesday with Thelem. I have nothing booked as of now so if any promoters are out there I would love to play in your area.<br><br>Dubstep is changing and evolving a lot and going in a lot of new directions, especially newer dubstep from the US - how do you feel about that in relation to your own sound, and what do you think about the overall evolution of dubstep? <br><br>I'm thrilled with the dubstep coming out of the US right now and I hope that it continues to grow. Every genre goes through it’s ups and downs and I don’t plan to stop playing a sound I love just because it’s not “cool” or “popular” anymore. I feel that dubstep is just a name for a certain sound and I have projects coming out that will be all over the place BPM wise. Look out for those soon!<br><br>Who are some of your biggest influences, and some of the most exciting people you've gotten to collaborate or play with? <br><br>Some of my biggest influences as far as artists go are definitely El-B, loefah, Mala, 6Blocc, Kode 9, VIVEK (wiwek). shoutout Rowl and Caski, Blink-182, Third Eye Blind, Goldfinger, John Wayne, Piers Brosman, Goldie (as an actor in <em>Snatch</em> and <em>World is Not Enough</em>), and Jeff just to name a few off the top of my head. The bill I was most excited of being on was when I played with Kaiju, Mala, and Coki at equinox last year, and my most proud collab so far I would say was with Cessman from Deep Medi.<br><br>What are some artists, bands, or genres you dig outside of dubstep and bass music? What other kinds of music have you been involved with - do you play any instruments? </p>
<p>Sad to say I honestly love shitty 90s alternative music that I remember listening to growing up but I have always loved metal and hip-hop as well. I could sit here and type out so many bands and artists I remember listening to and still do but it would take up a lot of space. Currently I have been listening to a lot of $uicide Boys, Pouya, GERM, Robb Banks, Ramirez, Fat Nick and Ugly God (shotuout Conyeezus). Growing up, my dad had a studio, so naturally I learned a lot from him and spent many hours playing drums, guitar, and playing with his old Yamaha synths.<br><br>What can we expect out of you over the next year, and what are your longer-term plans for the future of your career? <br><br>Expect many more tunes over the next year, many of which I will not be posting, so contact that local promoter and get me out there so you can hear them! or keep your ear close to the airwaves. I don’t ever plan to stop making music; it is something that is in my soul and has been a constant in my life. It keeps me sane from the world we live in; I would gladly make music just for myself until I die.<br><br>What is your process as far as producing goes - what software or analog hardware do you use, and what is your workflow like for creating songs? <br><br>I am a Reason user strictly so it’s all in software stuff. The outboard gear I use is an old Roland Tape echo, space echo, and a dual gate compressor. My workflow is always weird. Sometimes it will take me a month to make a tune and sometimes I can make two tunes in a day. It all depends on my mood really.</p>
<p>Have you played in Denver before? How has your experience been so far? <br><br>I have never played in Denver before the last date in July. It was absolutely one of my favorite shows I ever played. You guys are so blessed to have such an amazing crowd and following. Shout out to everyone I met and kicked it with out there; you guys are all family (Love you Dillard).<br><br>Sub.mission’s .mission is to move people through sound, not hype. What is your .mission?<br><br>My .mission is to have as much fun as possible in life and experience as much as possible, not listen to negativity, and surround myself with my best friends and family. You know that part in the movie <em>Click,</em> the really sad part at the end where he’s in the rain and says “family first”? My family and friends are everything to me and without them I would be nowhere. You all know who you are.<br><br><em>Photo Courtesy of Facbeook</em><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6087b30b1f54bf80f485b1225ee766dbb1430609/original/saule.jpg?1473013385" class="size_l justify_center border_" /></p>subdotmission.comtag:www.subdotmission.com,2005:Post/43521072016-09-01T01:15:38-06:002017-01-12T07:25:06-07:00This Month In Bass: September<div style="text-align: center;"><p>The weather in Denver may be cooling down but you can bet that <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/events">Sub.mission</a> is still bringing the heat as we roll head first into September. Now that summer is almost in our rear view and fall is just over the horizon we can sit back and reflect on how big the last few months really was. We’ve had legendary battle sets from some of Denver’s up and coming DJ’s and producers, massive Denver debuts, triumphant returns and so much more that a single article could be written on this summer alone! However we’re not here to dwell on the past, as awesome as it may be, but instead to tell what the future has in store for you. So whether you know or want to be in the know, sit back and get ready for this edition of This Month In Bass. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/31a8ba7f91bcf3cb6dde9063dd1f7a73b3f44071/medium/14152163-10207124471253239-922564404-o.jpg?1472713204" class="size_m justify_center border_" /><br><br>Starting off with <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/electronictuesdays/?fref=ts">Electronic Tuesdays</a> on September 6th is the long awaited battle of two of Denver’s fiercest emerging dubstep crews. Get ready for a serious clash of the bass titans as the <a contents="Shinigami Crew" data-link-label="" data-link-type="url" href="https://www.facebook.com/theshinigamicrew/?fref=ts">Shinigami Crew</a> & <a contents="Mile High Club" data-link-label="" data-link-type="url" href="https://www.facebook.com/MHC.MileHighClub/?fref=ts">Mile High Club</a> go head to head in an all out war! <a contents="ЯEM" data-link-label="" data-link-type="url" href="https://www.facebook.com/rem.shinigami.music/?fref=ts">ЯEM</a>, <a contents="ЯYUK" data-link-label="" data-link-type="url" href="https://www.facebook.com/%D0%AFYUK-506153902891296/?fref=ts">ЯYUK</a>,<a contents=" FR0Z+WR3CK" data-link-label="" data-link-type="url" href="https://www.facebook.com/froztydubz/?fref=ts"> FR0Z+WR3CK</a>, <a contents="Barrett " data-link-label="" data-link-type="url" href="https://www.facebook.com/Barrettmusic/">Barrett </a>& <a contents="Gahlaktus" data-link-label="" data-link-type="url" href="https://www.facebook.com/GahlaktusDubz/?fref=ts">Gahlaktus</a> will be facing off against <a contents="Swayd" data-link-label="" data-link-type="url" href="https://www.facebook.com/SwaydDubs/?fref=ts">Swayd</a>, <a contents="Yakz" data-link-label="" data-link-type="url" href="https://www.facebook.com/YAKZDUBZ/?fref=ts">Yakz</a>, <a contents="Ind33p" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PvsGBP/?fref=ts&ref=br_tf&qsefr=1">Ind33p</a>, <a contents="Ether " data-link-label="" data-link-type="url" href="https://www.facebook.com/ether.official.music/?fref=ts">Ether </a>& <a contents="AOWL " data-link-label="" data-link-type="url" href="https://www.facebook.com/aowldubs/?fref=ts">AOWL </a>in a battle for who holds the title of Denver’s top dubstep DJ/Production crew. Many of these artists are Sub.mission residents, friends and family so it goes without saying that this “Civil War” is going to be a no holds barred battle royal of epic proportions. Each one of these DJ/Producers has roots in varying genres that cross the spectrum of bass music from deep and dark to heavy and wonky. This is a local’s battle that is sure to be talked about for years to come. Joining them on support is none other than <a contents="Waylo" data-link-label="" data-link-type="url" href="https://www.facebook.com/waylobeats/?fref=ts">Waylo</a> and starting off the night in the August winners round of the Electronic Tuesday battles are <a contents="Vicix" data-link-label="" data-link-type="url" href="https://www.facebook.com/VICIX-271750546225660/?fref=ts">Vicix</a>, <a contents="Drop Talk" data-link-label="" data-link-type="url" href="https://www.facebook.com/DropTalk/?fref=ts">Drop Talk</a> and <a contents="DiS_1" data-link-label="" data-link-type="url" href="https://www.facebook.com/DiS_1-276535765693878/?fref=ts">DiS_1</a>. This line up is stacked and the tension is thick with competition so you know that every artist on the decks is going to bring their ‘A” game. Don’t miss on what will be one of the best E Tuesday kickoff’s this year. <br><a contents="*Click Here For Tickets*" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1296925?_ga=1.80145751.1760546006.1465596322&__utma=1.1763467253.1465596322.1471733797.1471806211.11&__utmb=1.2.10.1471806211&__utmc=1&__utmx=-&__utmz=1.1468442336.5.5.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=89341339">*Click Here For Tickets*</a><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c62845d004e994fbf6862ea68039d8a9b4cf780e/original/14079565-10154414243632370-6698542958163425436-n.jpg?1472713378" class="size_l justify_center border_" /><br><br>Next up on September 10th @ The Ogden is the return of <a contents="TroyBoi" data-link-label="" data-link-type="url" href="https://www.facebook.com/troyboimusic/?fref=ts">TroyBoi</a>! If you don’t know about Troyboi then get ready to be blown away when he takes the stage alongside <a contents="Gent &amp; Jawns" data-link-label="" data-link-type="url" href="https://www.facebook.com/gentandjawns/?fref=ts">Gent & Jawns</a> for a performance that is sure to leave you in a daze and wondering what the hell just happened. East London’s best kept secret is finally out and since this multi-talented musician recently signed to Timbaland’s right-hand man and US Super Producer, Jim Beanz, things have been seemingly skyrocketing for this young producer. Since playing Cervantes last November he’s been smashing clubs and venues leaving droves of fans in awe in his wake. He is also one half of the Producer/DJ duo SoundSnobz with one of his best friends, icekream and together they craft the most creative and daring audio paintings you’ll ever listen to. Make sure you get your tickets in advance because last time he was in town he sold out the Cervantes Ballroom and many we’re left outside begging to be let in. Don’t be that guy… or girl. Get your tickets asap because this one is going to set Colfax on fire! <br><a contents="*Click Here For Tickets*" data-link-label="" data-link-type="url" href="http://www.axs.com/events/312657/troyboi-tickets?skin=ogden">*Click Here For Tickets*</a><br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/272220808&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>The following Tuesday, on September 13th is the long awaited return of the bass music jazz man and all around rude boy, <a contents="Swindle" data-link-label="" data-link-type="url" href="https://www.facebook.com/swindleuk/?fref=ts">Swindle</a>! Since his last visit to Denver on the ‘Peace, Love & Music’ tour he has been very busy putting together new material that pulls from an array of different genre’s and adds to an already eclectic library of Swindle music. His latest release ‘Connecta’ is one of three EP’s that carries the spirit of ‘PL&M’ in a sense that every EP was made in a different location with different artists. Add to that his love for Denver and the Sub.massive that always shows him as much love as he gives, this is going to be one of the best nights of not only bass music but amazing music in general this September. Joining him on support is Sub.mission resident <a contents="Dillard " data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">Dillard </a>and Fort Collins bad man <a contents="DJ Waddada" data-link-label="" data-link-type="url" href="https://www.facebook.com/WadadaDubz/?fref=ts">DJ Waddada</a>! DO NOT SLEEP ON THIS ONE. Swindle always brings the heat and you don’t want to be left out in the cold while we’re all inside being blown away by the fire he’s bringing to town! <br><a contents="*Click Here For Tickets*" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1296927?_ga=1.80145751.1760546006.1465596322&__utma=1.1763467253.1465596322.1471733797.1471806211.11&__utmb=1.2.10.1471806211&__utmc=1&__utmx=-&__utmz=1.1468442336.5.5.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=89341339">*Click Here For Tickets*</a><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/AyflYjS9jfs" width="560"></iframe><br><br>The week after on September 20th we have the arrival of Croydon’s own <a contents="Deft" data-link-label="" data-link-type="url" href="https://www.facebook.com/deftmusic/?fref=ts">Deft</a>. Starting out his musical journey as a drummer, Deft has managed to break the stigma of his home town sound and establish his own audio signature that represents the forward thinking sounds he creates. With roots in Hip Hop, House, 140, Jungle and Footwork; he is able to flex his roots on stage through technique and style, making him break the mold of playing to one genre in a set. There’s no doubt he has some serious tricks up his sleeve for the Denver massive and we can’t wait to finally see this live performance as he is rumored to be one of the best and unique acts out of Croydon in a long time. Joining him on support is <a contents="Recon Drum and Bass" data-link-label="" data-link-type="url" href="https://www.facebook.com/recondnb/?fref=ts">Recon Drum and Bass</a> boss<a contents=" Despise" data-link-label="" data-link-type="url" href="https://www.facebook.com/djdespise/?fref=ts"> Despise</a> and Sub.mission Resident <a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a>. You know it’s a party when either of these two heavyweights are on stage so this is definitely a Tuesday you don’t want to miss. <br><a contents="*Click Here For Tickets*" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1296929?_ga=1.16769526.1760546006.1465596322&__utma=1.1763467253.1465596322.1471733797.1471806211.11&__utmb=1.2.10.1471806211&__utmc=1&__utmx=-&__utmz=1.1468442336.5.5.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=89341339">*Click Here For Tickets*</a><br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/255783385&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>Closing out this month of madness on September 27th is the return of sound system entity <a contents="Kaiju" data-link-label="" data-link-type="url" href="https://www.facebook.com/Kaijudub/?fref=ts">Kaiju</a> and dubstep heavyweight <a contents="The Greys" data-link-label="" data-link-type="url" href="https://www.facebook.com/thegreysuk/?fref=ts">The Greys</a>. If you were at Bass Invasion last year then you already know, these two dubstep monsters bring the HEAT and leave no one left standing still on the dance floor. Kaiju, representing Deep Medi, has been smashing dance halls since 2011 and with upcoming album, Seven Sins, on the horizon they’re are coming back to Denver with more vinyl bass weight than you could possibly imagine. Kaiju alone is worth the ticket however the bass monster is not alone. Hailing from Bristol, The Greys also return to Denver for an all out audio assault on Electronic Tuesdays. Having put out ‘Notions of Emotions’ on Gradient Audio since their last visit, The Greys are coming in hot with a proper dose of dubstep that is sure to make your head spin. Joining them are two of Denver BADDEST sound designers <a contents="DMVU" data-link-label="" data-link-type="url" href="https://www.facebook.com/DamnesiaVuOfficial/?fref=ts">DMVU</a> and <a contents="Dalek One" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne/?fref=ts">Dalek One</a> who a going to play a very special b2b set. You already know how these two roll and with Kaiju and The Greys on top of that this is sure to be one the best ending of September in Sub.mission history! <br><a contents="*Click Here For Tickets*" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1296931?_ga=1.91040346.1760546006.1465596322&__utma=1.1763467253.1465596322.1471733797.1471806211.11&__utmb=1.2.10.1471806211&__utmc=1&__utmx=-&__utmz=1.1468442336.5.5.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=89341339">*Click Here For Tickets*</a><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/i5y-zRHekJA" width="560"></iframe><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270969003&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>Historically, September has always been the “preview” month for the madness that October ensues and although we can speculate on what’s to come, we can promise that it will blow your mind and go beyond all expectations. Make sure you follow the Sub.mission and Electronic Tuesdays pages for any and all updates on this month’s shows and definitely make sure that you show up early on Tuesdays for the battles. This month we have locals The Wub Foundation, Gorillaphant, Stumpy, CORD, MTN Menace, GoNz0, New Hippy, KIAL, DJ IMEH, Item 9, Fayzuh and Tom B. Ill all going head to head for a slot in the September winner round next month. Cop those tickets, lace up those shoes and we’ll see you in the dance!</p></div>subdotmission.comtag:www.subdotmission.com,2005:Post/43330002016-08-19T12:38:52-06:002023-12-10T10:03:18-07:00Hustle Knowledge: Pleasure<p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6a5f4af7f5b535ef73d01631b8a42f301bea791f/original/pleasure-image-logo.jpg?1471631118" class="size_l justify_center border_" /><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ab18c9bfe60db46f294ff91a4b1633b076878571/medium/dj-pleasure.jpg?1471632369" class="size_m justify_center border_" /><br><strong><em>‘Pleasure’ (Noun) – a Feeling of Happiness, Enjoyment, or Satisfaction. A state of gratification</em></strong>. While the dictionary defines this word with such a straightforward approach, the dichotomy of Sean McCarthy, better known as ‘<a contents="Pleasure" data-link-label="" data-link-type="url" href="https://www.facebook.com/pleasurablebeats/?fref=ts">Pleasure</a>’ is far more complex than meet’s the eye. Pleasure is a multi-faceted DJ/Producer that has been making some serious waves with his adrenaline fueled live performances and experimental soundscape that truly aim to please. Recognized as an artist that isn’t confined to a single genre or style, he repeatedly proves himself to be a versatile talent whether he’s in the lab, or behind the decks. When it comes to the emerging hybrid, weird, ‘future’ bass music that’s grown in popularity over the years, Pleasure has been at the forefront of the movement for quite some time now. Some of his tunes portray a euphoric and melodic approach that you relax and nod your head to, while others make you want to rush to the dance floor and rage mindlessly. Regardless of your personal preferences when it comes to bass music, Pleasure’s style caters to nearly every spectrum of enthusiasts, and when he’s live in the mix, you can assure yourself that it’s going to be a party! </span><br> </p>
<p style="text-align: center;"><span class="font_large">With groundbreaking releases on major labels such as <a contents="SaturateRecords" data-link-label="" data-link-type="url" href="https://www.facebook.com/Saturaterecords/?fref=ts">SaturateRecords</a>, <a contents="Sleeveless Records" data-link-label="" data-link-type="url" href="https://www.facebook.com/SleevelessRecords/?fref=ts">Sleeveless Records</a>, <a contents="Seclusiasis" data-link-label="" data-link-type="url" href="https://www.facebook.com/Seclusiasis/?fref=ts">Seclusiasis</a>, & <a contents="ShadowtrixMusic" data-link-label="" data-link-type="url" href="https://www.facebook.com/ShadowTrixMusic/?fref=ts">ShadowtrixMusic</a> under his belt, <a contents="Pleasure " data-link-label="" data-link-type="url" href="https://www.facebook.com/pleasurablebeats/?fref=ts">Pleasure </a>has proven to be one of the most innovative and original producers to emerge and he shows no sign of slowing down. His latest album ‘Reset’ which was released on SaturateRecords earlier this year demonstrates his next-level abilities to exceed musical boundaries and develop a well rounded compilation of mind bending sounds that will get your feet moving, and your booty shaking! When I first discovered the sounds of Pleasure, his upbeat style was something like a fusion of the ‘get-low’ feel of G Jones crossed with the industrial style of Eprom, yet his style is uniquely his own and cannot be emulated. Rapidly gaining momentum with his forward-thinking and eccentric sound, Pleasure’s tunes have been rinsed out on major platforms throughout the globe, including a recent feature on Noisia’s radio show in which is collaboration with Jimmy Pé, titled ‘<a contents="Something Like This" data-link-label="" data-link-type="url" href="https://soundcloud.com/pleasurablebeats/pleasure-x-jimmy-pe-something-like-this-noisia-radio-rip">Something Like This</a>’ shook the airwaves. His synths are crispy, his bass is heavy, and he’s here to give you the pleasure you’ve been seeking.<br> </span></p>
<p style="text-align: center;"><span class="font_large"> This year, Pleasure’s ‘Reset Tour’ has been taking the United States by storm and annihilating cities throughout country at an impressive catalogue of festivals and club nights alike and on Tuesday night we’ll get to experience this madness live and direct at <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a> presented by <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a>. Coming in off of massive performances at some of the sickest festivals in country such as multiple performances at SXSW, The Germination Festival, Infrasound, The Pirate Party, Stilldream, & Organic Fest (to only name a few) the Reset Tour is reaching it’s final stretch and on Tuesday night Pleasure will be bringing the vibes to the intimate setting of Cervantes’ Other Side in Denver. </span></p>
<p style="text-align: center;"><span class="font_large"> <br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/3e88ed4cd315fa0f3d6f4c314042a66a5e610b62/medium/screen-shot-2016-08-19-at-12-33-46-pm.png?1471631662" class="size_m justify_center border_" /></span><br> </p>
<p style="text-align: center;"><span class="font_large">With the recent release of Pleasure’s <a contents="Sub.mission Podcast 199" data-link-label="" data-link-type="url" href="http://subdotmission.com/track/1068152/podcast-199-pleasure?feature_id=220448">Sub.mission Podcast 199</a>, it’s clear that he plans on making an earth-shattering impact in his Electronic Tuesdays debut and he’s definitely done his research ahead of time. The podcast features an extensive variety of sounds, with a Dubstep flavor that is sure to resonate with the Denver crowd. Coming from a dubstep background himself, the familiarity and vast knowledge of the 140 BPM shines through in this podcast. Featuring tunes from artists like Caspa, 16 Bit, Emalkay, Megalodon, and of course, Pleasure! </span></p>
<p style="text-align: center;"><span class="font_large">Check out the podcast >><a contents="HERE" data-link-label="" data-link-type="url" href="http://subdotmission.com/track/1068152/podcast-199-pleasure?feature_id=220448">HERE</a><< in preparation for Tuesday night! </span></p>
<p style="text-align: center;"><span class="font_large">If you follow <a contents="Pleasure" data-link-label="" data-link-type="url" href="https://www.facebook.com/pleasurablebeats/?fref=ts">Pleasure</a> on his social media platforms, you know that his memes make you giggle, his pictures of delicious food spark your appetite, but most importantly, his tunes capture your attention and don’t let go! To pass up on his Electronic Tuesdays debut would be a foolish move on your behalf, so don’t miss it!<br><br>Join the official FaceBook event page >><a contents="HERE" data-link-label="" data-link-type="url" href="https://www.facebook.com/profile.php?id=1781052715461337">HERE</a><<<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/56788cf2aa976321563c70bc595d70cbb46246ed/original/pleasure-cover-image.png?1471631865" class="size_l justify_center border_" /></span><br><br><span class="font_large">Author: <a contents="Carlos Galvan" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">Carlos Galvan</a></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/43246012016-08-14T11:39:43-06:002017-01-12T07:25:06-07:00Sub.mingling with Trisicloplox<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d5a0d13798aa447fea2b0dca2bb0141c860a9597/medium/12278985-758141754313646-1979524709726265749-n.jpg?1471196243" class="size_m justify_center border_" /></p>
<p>The new sound of dubstep is bold, it is big, and it is furious. Possibly one of the most innovative producers to represent the new wave of American dubstep, Trisicloplox, AKA Killian, hails from Denver, and makes some of the strangest music around. His blend of noise and industrial influences with underground bass music creates a stellar live show that is all sonic assault and aggression, while still remaining strangely danceable. Another odd paradox, Killian appears formidable during his live shows, a towering presence wearing a dark hoody, but in person is one of the nicest and most down-to- earth guys you’ll meet. Recently, Sub.mission caught up with Trisicloplox to hustle some knowledge your way regarding his current projects and his overall .mission.<br> </p>
<p><strong>What do you have in the works as far as upcoming projects, songs, releases, and collaborations? </strong><br> </p>
<p>Well I always have music I’m working on. I usually start two or three at a time, which allows me to always have something to work on. I have my first vinyl release with Encrypted, which is a UK-based dubstep label ran by Tony (Content) and Rich (Deafblind). I’m very excited for this release actually. Not just because the tune selection is going to creep people the fuck out, but that I’ll be releasing my music with Tony, who is a great duder. His music actually got me into “deep” dubstep. I find it pretty hard to work on a tune with someone else, unless we have been hanging out together all day smoking and watching anime. I do have a few little dingers in the works with a couple of friends but nothing close to being finished.<br> </p>
<p><strong>How would you describe your sound, and who are some of your biggest influences? </strong><br><br>I never really like answering this first question because I don’t really know. I guess just… weird. As for my biggest influences? Science fiction movies, books, and games. Magic the Gathering is tight too but I’m not that good at it. </p>
<p><br><strong>What do you feel about the new wave of dubstep in America and the growing scenes in places ike Denver? What is being done well, and what could be better? </strong><br> </p>
<p>Oh shit, America is getting so good right now. This year alone I’ve talked to at least a dozen American producers that are blowing my mind right now. Most from Denver. Denver has the best dubstep scene in America. We got the Grease. What is being done well? Americans staying true to the culture. What could be done better? More warehouse shows. </p>
<p><br><strong>Do you have any other upcoming shows you want to announce? </strong><br> </p>
<p>None at the moment. I just played a set with other Denver locals and some out-of- state dons. was a crazy night. Sub.mission really knows how to throw a party. </p>
<p><br><strong>How did you get started making music, and what is your background as an artist? </strong></p>
<p><br>I was getting bored with music and wanted to have darker music to listen to while I ran dungeons in World of Warcraft. So after figuring out how to make my own beats I would see tutorials on YouTube on how to make dubstep in the same DAW I used at the time. The video I found was that Rusko video with him sitting at his ancient-looking PC. This is also how I discovered dubstep. Then producing and digging for new styles of electronic music became my life. I don’t know how to play any instruments but I can make some pretty neat sounds with them. </p>
<p><br><strong>Your sound is very industrial and seems to draw influence from a lot of places outside of dubstep. What do you listen to outside of dubstep that influences the music you make? </strong></p>
<p><br>Random stuff. I usually just listen to my friends’ music and my own. That’s it. </p>
<p><br><strong>Of all the music you’ve released so far, which track or release is your favorite? </strong></p>
<p><br>The “Villa Göth” release, which was an EP of some of my first deep dubstep tunes put on tape. I still hear about that release from friends. </p>
<p><br><strong>Sub.mission’s mission is to move people through sound not hype; what is your mission? </strong></p>
<p><br>To have fun and play all-original sets in warehouses on big sound systems.<br><br>By Addison Herron-Wheeler</p>subdotmission.comtag:www.subdotmission.com,2005:Post/43157172016-08-08T17:54:35-06:002023-12-10T11:15:29-07:00Agency Spotlight: Lost<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/cbcbd57684c50d15095c919cd5ee1b375e5a427c/original/lost.jpg?1470700018" class="size_l justify_center border_" /><p>The story of Lost is a plot critical to the history of dubstep itself. Born and raised in Croydon, the DJ/producer was seduced by the dark 140 sound during the earliest stages of its development. Today, he joins the ranks of artists like Hatcha, Mala, Coki, and Loefah as one of dubstep’s persevering pioneers.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/128217285&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>As a producer, Lost’s repertoire is even more diverse and expansive than dubstep’s multi-faceted sound. In fact, the experienced artist isn’t confined to the genre. His releases span across a massive array of labels and styles, with his earliest work – dubbed as progressive house by Beatport – dated back to 1996. There’s no doubt that music is Lost’s life mission, and his focus is situated firmly in the club. While the artist continues to produce across genre lines, he’s known best to his contributions to dubstep at the time of its inception and well beyond. <br><br>Among his lengthy release history is a significant smattering of collaborations between Lost and fellow trailblazer Hatcha. The two are an intuitive team: both artists channel a visceral musical energy highlighted by their original tracks but most powerful on the dance floor. But Lost’s legacy is best epitomized by his status as a staple on Jakes’ label HENCH. The label notoriously showcases dubstep’s raw, heavy side, with its personality shaped by the wonky style that characterizes Jakes’ own productions. This is where “brostep” drew its beginnings: the sound is bigger and more dramatic than the genre’s minimalistic incarnations, and its potential as pure party music was tapped by many artists in the years that followed.<br><br> </p>
<p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/273128218&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe></p>
<p>Still, Lost never wavered from dubstep’s tradition. Even his most recent releases clearly assert his intention to carry the sound into the future. Last year’s collaboration with Megalodon, “Bass Booty”, unleashes a violently chaotic energy tethered to the low-end integrity that defines both artists’ musical personas. And if any of today’s emerging producers are suited to carry on the legacy of Lost, Megalodon is certainly the most fit.<br><br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/brZ-EOyJBaA" width="560"></iframe><br><br>To this day, Lost graces the lineups of dubstep’s most prolific nights and events overseas. In America, a refreshed craving for his sound is obvious throughout the community. For tour dates and booking information, <a contents="check out Lost’s agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/lost" target="_blank">check out Lost’s agency page</a>. Follow Lost on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/losthench" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/disgustingjustin" target="_blank">SoundCloud</a>, and <a contents="snag his latest release from HENCH now" data-link-label="" data-link-type="url" href="https://exit.sc/?url=http%3A%2F%2Fwww.junodownload.com%2Fproducts%2Ffar-east%2F3150146-02" target="_blank">snag his latest release from HENCH now</a>.<br><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/43052252016-08-01T17:21:10-06:002023-12-10T11:04:52-07:00Agency Spotlight: Sleeper<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/bf9236e1dcfd0b9a7fbf3a462bc641fcc5daeaa3/original/sleeper.jpg?1470093141" class="size_l justify_center border_" /><p>Dubstep draws its energy from the dance floor. That’s where the genre was born, and where its roots remain – planted firmly by the 140 tradition; a strict structural template developed with the DJ in mind. Unlike some electronic genres, sonic experimentation doesn’t define dubstep’s musicality. It’s magic is in the meditation achieved collectively in the dance, under the expert navigation of the DJ behind the decks. The journey they guide is built from moments that producers provide. The genre’s unwavering alliance with the 140 tempo isn’t a stubborn attachment. It’s inherent to dubstep’s designation as sound system music.<br><br>Such is the essence of Sleeper’s emerging role as a leader and executive curator of the sound. Electronic music as a whole may be shifting away from the club, but as a producer, a DJ, and a label curator, Sleeper remains singularly focused on the dance floor. He is among dubstep’s true innovators: through his own production and the releases featured on his label, Crucial Recordings, Sleeper is a force for dubstep’s artistic evolution. Rather than abandoning the genre’s rigid requirements, Sleeper embraces them, asserting a convincing challenge to the misguided notion that musical creativity is stunted by convention.</p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/264881973&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Sleeper’s progression as a producer since his dubstep debut is obvious. His personal discography displays not only technical improvement, but the coherent evolution of his sound. On the surface, this week’s release on Crucial Recordings seems a stark contrast to his 2012 Chestplate premiere. Sleeper’s legacy is often defined by his Chestplate releases, which showcase a heavy and voluminous vibe characteristic of Distance’s label. But his productions have found fitting homes on many of dubstep’s most prominent labels, including Tempa, Osiris, and Artikal. His music encompasses the genre’s many personalities, with temperments ranging from existentially aggressive, to pensively pessimistic, to the vibrantly purposeful paradox best described by the vocal signature, “Don’t be afraid”. Each release possesses distinguishing qualities that reflect the labels they represent – an attribute most striking in his current releases, which serve as the sonic soul of Crucial Recordings. The<em> Check It</em>, <em>Shatterz</em>, <em>Burn Finger</em>, and <em>Crushin</em> EP’s are marked by an aesthetic unique enough to justify the need for the label they’re released on. Yet for all the ways in which they depart from Sleeper’s previous releases, the qualities they share are the most profound.<br><br> </p><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/4qTtf9OiWcs" width="560"></iframe><br> <p>Some of Sleeper’s tracks do stand out, and intentionally so. But Sleeper’s prowess as a dubstep producer is epitomized by the way his tunes fit in. His music is mindful of the dance, and his tracks are made to be played out. He produces with a loyal adherence to 140 bpm and an ear to the sounds that garner reactions from a crowd. Sleeper makes music for DJs. The essence of his pervasive popularity is playability.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/255636177&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>It’s a principle rejected by modern electronic music culture, which situates creativity in the context of SoundCloud streams. Each three-minute morsel exists in a vacuum. Originality is assessed by a track’s impact as it stands alone; complementary qualities that spark magic in a mix are dismissed as a lack of artistry. The narrow view of musicality contradicts dubstep’s foundational character in a way that many of the genre’s young producers struggle to reconcile. Sleeper reminds us that creativity can take on many forms – and it can manifest within them. <br><br>Sleeper is a producer, a DJ, and a label executive, but in practice, not much separates the roles. The artist is better described as a conductor and curator of the sound, and thus of dubstep’s metamorphosis. Unlike many current innovators, Sleeper has no interest in defying the genre’s musical legacy. Instead, he champions its tradition, unleashing dubstep’s fundamental black magic with refreshed fervor over and over again.</p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/76504911&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br>Follow Sleeper on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/SleeperCrucialRecs/" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/sleepermusic" target="_blank">SoundCloud</a>. Keep an ear to Crucial Recordings on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/CrucialRecordings/?fref=ts" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/crucialrecsuk" target="_blank">SoundCloud</a>. For tour dates, booking information, and more, <a contents="check out Sleeper's agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/sleeper" target="_blank">check out Sleeper's agency page</a>. Grab the <a contents="Crushin EP" data-link-label="" data-link-type="url" href="http://www.unearthedsounds.co.uk/collections/crucial-recordings/products/sleeper-crushin-ep" target="_blank"><em>Crushin </em>EP</a> this Friday from Crucial Recordings.subdotmission.comtag:www.subdotmission.com,2005:Post/43050222016-08-01T15:53:19-06:002023-12-10T11:04:52-07:00This Month In Bass: August<div style="text-align: center;"><p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/938ef1cd57f3e0a0fe806fee2f91ef528166ffde/original/bassinvaders.gif?1469493311" class="size_l justify_center border_" /><br><br>August is the hottest month of the summer this year. Maybe not in terms of weather but the amount of fire coming through Denver this month is going to have every thermometer in town in the red. From the ridiculous amount of talent coming through <a contents="Electronic Tuesday's" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesday's</a> to the Shambala Pre-Party to the dubstep royalty take over at Cervantes, <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> is packing quite the punch this August. So whether you already know or want to be in the know sit back and get ready for this edition of This Month in Bass.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a0a47b0df8e04bf4ebf4526be3cbd8aded76dbed/medium/13918573-10206916438452549-1354582295-o.jpg?1470181140" class="size_m justify_center border_" /><br> <br>We start off the late summer edition Electronic Tuesdays on<a contents=" August 2nd " data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1254333?_ga=1.191832426.1760546006.1465596322&__utma=1.1763467253.1465596322.1468436376.1468442336.5&__utmb=1.2.10.1468442336&__utmc=1&__utmx=-&__utmz=1.1468442336.5.5.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=185285417"> August 2nd </a>with a very special performance by Colorado’s own<a contents=" Future Simple Project" data-link-label="" data-link-type="url" href="https://www.facebook.com/futuresimpleproject/"> Future Simple Project</a>, comprised of <a contents="Miraja" data-link-label="" data-link-type="url" href="https://www.facebook.com/mirajamusic/?fref=ts">Miraja</a> & <a contents="Mikey Fisher" data-link-label="" data-link-type="url" href="https://www.facebook.com/djmikeyfisher?fref=ts">Mikey Fisher</a> of the Family Moons Artist Collective. Together they blend a visual sound scape melodically blended with complex rhythms and paralyzing bass lines. Their style is a healthy mix of glitchy sounds and flairs of dub in the 140 tempo. They are considered among the few that have played almost every Sonic Bloom to date and they are one of the originators representing the dubstep sound in Colorado. Joining them is Sub.mission resident <a contents="Trisicloplox" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trisicloplox/?fref=ts">Trisicloplox</a> and D.CO.DUB bad man Gumshoe! Make sure you get there early because starting off the night we have the July E Tuesday Battle winners round with SeamzLegit, Sin7 and OldGold. Representing St. Louis, Denver and Houston respectively, this is without a doubt going to be one of the best winners round battles of the year. Don’t miss it.<br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/_naEk42APbA" width="420"></iframe><br><br> Next up on <a contents="August 9th" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1220175?_ga=1.9643634.676714095.1464551434&__utma=1.313251722.1464551434.1465109628.1466708458.3&__utmb=1.1.10.1466708458&__utmc=1&__utmx=-&__utmz=1.1466708458.3.3.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=104371328">August 9th</a> we have the return of the mighty <a contents="Ganja White Night" data-link-label="" data-link-type="url" href="https://www.facebook.com/GanjaWhiteNight/?fref=ts">Ganja White Night</a>! This duo is one of dubstep’s biggest and most respected acts in the game. During the past decade they have traveled many countries around the globe. They have taken a new creative direction in music with elements of hip-hop, dub, breaks and so much more and this year they have released an eleven track album entitled “Mr. Wobble” and are coming off massive performances at festivals such as Infrasound, Mysteryland and Bass Landing. With that in mind we are 100% sure that the duo are about to bring The Other Side to its knees with their crippling synths and basslines. Sharing the stage with them on this very special occasion we also have performances from <a contents="WrekDubz" data-link-label="" data-link-type="url" href="https://www.facebook.com/OfficialWREK/?fref=ts">WrekDubz</a>, <a contents="Sektah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">Sektah</a> b2b<a contents=" Dubwol" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dubwol/?fref=ts"> Dubwol</a>, and bad man <a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a> will be closing out the night! <br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/vsoGFPAAeNI" width="560"></iframe><br><br>Afterwards, on <a contents="August 16th" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1254347?_ga=1.23397882.1760546006.1465596322&__utma=1.1763467253.1465596322.1468436376.1468442336.5&__utmb=1.2.10.1468442336&__utmc=1&__utmx=-&__utmz=1.1468442336.5.5.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=185285417">August 16th</a>, hailing all the way from Croydon, we have the one and only <a contents="Plastician" data-link-label="" data-link-type="url" href="https://www.facebook.com/plastician/?fref=ts">Plastician</a>! Very few dubstep artists are among the few to have the true level of impact that Plastician has reached over the years. With influences stemming from Garage, Grime, & Techno, Plastician is multi-faceted talents whose bass heavy beats cross and mix sounds from multiple genres with perfection. Widely known for his shows on and streams on Rinse FM streams, he showcases both classic and fresh new material as well as juicy cuts from his own Terrorhytm Records. In short, Plastician is a one of the elite originators of the dubstep sound and his sets are definitely not to be missed. He will hit the stage alongside Sub.mission residents <a contents="Caustik" data-link-label="" data-link-type="url" href="https://www.facebook.com/caustikbass/?fref=ts">Caustik</a> & <a contents="Bean" data-link-label="" data-link-type="url" href="https://www.facebook.com/beandubstep/?fref=ts">Bean</a>! <br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/cu8BVT5Yt2U" width="420"></iframe><br> <br>Next up on<a contents=" August 23rd" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1254361?_ga=1.10341749.1760546006.1465596322&__utma=1.1763467253.1465596322.1468436376.1468442336.5&__utmb=1.2.10.1468442336&__utmc=1&__utmx=-&__utmz=1.1468442336.5.5.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=185285417"> August 23rd</a> we have a very special Electronic Tuesdays debut. With big releases Saturate records, Seclusiasis, Sleeveless Records, and more, Sean McCarthy, aka <a contents="‘Pleasure’" data-link-label="" data-link-type="url" href="https://www.facebook.com/pleasurablebeats/?fref=ts">‘Pleasure’</a>, is one of the few that can walk into any event and rock a party. His fusion of sounds, which cross the entire spectrum of bass music, make up his forward-thinking approach to the sound. It’s both easy on the ear and draws in electronic music lovers from every spectrum! Joining him is live electronic group out of Philadelphia,<a contents=" Wax Future" data-link-label="" data-link-type="url" href="https://www.facebook.com/waxfuture/?fref=ts"> Wax Future</a>. The group is made up of Connor Hansell (synths & production), Keith Wadsworth (lead guitar & synthesizer), and Gralin Hughes (live digital art). They’ve had their most notable live performances playing alongside alongside of heavy hitting electronic groups such as Papadosio and Eoto, MiTiS, Mat Zo, Haywyre, Random Rab, and Tauk. Their 2nd EP "Keep the Memories" dropped on August 28th via Funkadelphia Recordings. Also on the bill is Colorado Springs bad man and Sub.mission resident<a contents=" Ind33p" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PvsGBP/?fref=ts"> Ind33p</a>! <br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/274769228&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>Finishing off this edition of Electronic Tuesdays, on<a contents=" August 30th" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1254373?_ga=1.75885269.1760546006.1465596322&__utma=1.1763467253.1465596322.1468442336.1469129526.6&__utmb=1.3.10.1469129526&__utmc=1&__utmx=-&__utmz=1.1468442336.5.5.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=197811759"> August 30th</a> we have the return of <a contents="Badklaat" data-link-label="" data-link-type="url" href="https://www.facebook.com/badklaat/?fref=ts">Badklaat</a>! This dubstep producer out of Gloucester UK has been smashing up every dance hall he’s set foot in over the last year and he’s making his return to Denver with no intentions of holding back on the Denver massive. Joining him on stage, representing Manhattan, NYC is <a contents="Jonah Freed" data-link-label="" data-link-type="url" href="https://www.facebook.com/JonahFreedMusic/?fref=ts">Jonah Freed</a> and Sub.mission residents <a contents="CurlyOne" data-link-label="" data-link-type="url" href="https://www.facebook.com/djcurlyone/?fref=ts">CurlyOne</a>, <a contents="Aowl" data-link-label="" data-link-type="url" href="https://www.facebook.com/aowldubs/?fref=ts">Aowl</a> & <a contents="Swayd" data-link-label="" data-link-type="url" href="https://www.facebook.com/SwaydDubs/?fref=ts">Swayd</a>. Make sure you stretch before coming out on this night because we promise that you will be headbanging the night away. <br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/NYccAfMvg-Y" width="560"></iframe><br><br>Make sure you get there early to catch the weekly E Tuesday DJ battles! This month we have locals Hyper Liquid Soul, DiS_1, Killa Nilla, Illadope, Emmunize, Envix, CPTN, Vicix, DropTalk, Elemental Hero, Jeebz & Buttah all going head to head for a slot in the August winners round next month! These guys are all seriously talented so you know these battles are going to carry some top notch performances. We cant wait!<br> <br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0181433a314ab16b981d5d544bfa6b20e6ad410e/medium/shambhala-2016-warmup-admat-submission-w-locals.jpg?1469906637" class="size_m justify_center border_" /> <br><br>Moving forward we have the first of TWO massive nights of bass music in Colorado. On August 4th Sub.mission and Cervantes Present the <a contents="Shambhala Music Festival warm Up with TRUTH, Om Unit, % Shades (Alix Petrez &amp; Eprom)" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1197769?_ga=1.198638698.451069402.1461098873&__utma=1.80943112.1461098873.1463077211.1463711878.3&__utmb=1.2.10.1463711878&__utmc=1&__utmx=-&__utmz=1.1463711878.3.3.utmcsr%3Dgoogle%7Cutmccn%3D%28organic%29%7Cutmcmd%3Dorganic%7Cutmctr%3D%28not+provided%29&__utmv=-&__utmk=35052449">Shambhala Music Festival warm Up with TRUTH, Om Unit & Shades (Alix Perez & Eprom)</a> . <a contents="TRUTH " data-link-label="" data-link-type="url" href="https://www.facebook.com/TruthNZ/?fref=ts">TRUTH </a>is the duo from New Zealand that are revered as sonic architects of music with an emotional melodies and heavy subwoofer rupturing basslines. Since their inception several years ago, Truth (Andre Fernandez and Tristan Roake) have, as both top-notch sound designers and DJs, cut through the international dubstep scene flawlessly. It is an honor to have them both back on stage at Cervantes. Joining them is producer and DJ Jim Coles, aka <a contents="Om Unit" data-link-label="" data-link-type="url" href="https://www.facebook.com/omunit/?fref=ts">Om Unit</a>. He has been a significant pioneering presence in electronic music for the past five years. Following an influential decade in the global hip-hop underground, Coles took on the moniker of Om Unit in the late 2000s and began to travel across genres and scenes in search of sonic frequencies that he felt were cross-bred and re-imagined and it is truly an honor to have him back in Denver once again! Also on the bill is the duo <a contents="SHADES" data-link-label="" data-link-type="url" href="https://www.facebook.com/shadesmusicpage/?fref=ts">SHADES</a> comprised of Alix Perez & Eprom. SHADES exemplifies a sound that has distorted grooves, an array of sub frequencies and hard yet graceful composition. The debut self-titled EP (released on Alpha Pup) is truly a unique and artistic release and if you missed them @ The Fusion Factory for Final Fridays last year now is your chance to make up for it. Joining these headliners on stage are<a contents=" Recon Drum &amp; Bass" data-link-label="" data-link-type="url" href="https://www.facebook.com/recondnb/?fref=ts"> Recon Drum & Bass</a> boss <a contents="Despise" data-link-label="" data-link-type="url" href="https://www.facebook.com/djdespise/?fref=ts">Despise</a> and Sub.mission resident Ind33p! Make sure your lighters are full for this one because we're sure you're going have them out all night.<br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/vmPOwBYFOyo" width="560"></iframe>S<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/4034d623911b17dc78b1a4d8997d64935180a775/medium/casparusko-0418.png?1461334265" class="size_m justify_center border_" /><br><br>The second of these the two MASSIVE one off events is the return of a duo that many regard as dubstep royalty. On August 13th the original dubstep rude boys <a contents="Caspa &amp; Rusko" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1166889?utm_medium=bks">Caspa & Rusko</a> return to Cervantes for an intimate night of proper dubstep. In 2007, dubstep was a far cry from the sound we know and love today. Among the DJ’s and producers best encapsulating the feel of the era were <a contents="Caspa and Rusko." data-link-label="" data-link-type="url" href="https://www.facebook.com/caspaandrusko/?fref=ts">Caspa and Rusko.</a> Their FabricLive37 mix is regarded as one of the mixes that best represents the dubstep sound and it is also the first all dubstep edition of the venerated FabricLive Mix Series. Its release marked the influential step for the emerging genre as a global phenomenon. Now, after 7 years of separation, the two “cockney thugs” have reunited on stage with one goal, returning to the roots of their production and bringing back the “proper sound” to the masses. Joining them are Subliminal, Bean & Thanom going in on a back to back set as well as Old School Sub.mission residents Dayquill, RumbleJunkie and ServOne making their return to the stage for a massive back to back reunions set that is sure to bring out the vibes of years past. It was the Dub Police crew who first coined the phrase "Denver is Dubstep" back in 2010 and needless to say things have not changed or slowed down since. For those of you that have been around long enough to recall the Sub.mission x Dub Police parties at Cervantes, you already know that this event holds a very special place in every Denver Dubstepper’s heart and means more to this city than anywhere in the world. This is the bass capitol and we are dubstep. Together, Sub.mission and Dub Police made and will continue to make history in the Mile High City. Join us for a night that we guarantee you will remember for the rest of your life. <br><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/fNI-L-gvsrI" width="560"></iframe><br><br>We have been waiting for August for quite some time. Between the weekly events and the one off events this month, August is going to be a month that will be remembered for years to come. If you haven’t acquired tickets to any of these events please do so ASAP! With stacked line ups like this it’s safe to say that if you don’t act now you might be stuck outside of Cervantes wishing you’d done so. After all this is Denver and we go hard ;) We’ll see you in the dance.</p></div>subdotmission.comtag:www.subdotmission.com,2005:Post/42945202016-07-25T18:20:16-06:002022-05-31T05:42:08-06:00New Artist Announcement: Zhomek<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a60c431d1fec677e7415b4662db2b395653ee573/original/13592177-1672848236296701-8262581904058256365-n.png?1469492322" class="size_l justify_center border_" /><br>Gaining support from large acts such as Skrillex, Diplo, Far Too Loud, Nom De Strip, and more, Zhomek’s production repertoire is nothing less than eclectic. Best described under the large umbrella of “bass music,” Zhomek seamlessly blends mid-tempo styles with faster forms of dance music such as house, trap, and Jersey-club. No genre is off limits for Zhomek – following in the footsteps of his greatest influences, his live sets and musical tastes will never be narrowed to one style.<br><br>Follow Zhomek on <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/zhomekmusic/?fref=ts">Facebook</a> and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/zhomek">SoundCloud</a>. For tour dates, booking information, and more, check out Zhomek’s artist page, or contact dominic.vendegna@subdotmission.com.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/42919622016-07-23T12:41:52-06:002022-05-18T07:38:00-06:00New Artist Announcement: Shanghai Doom<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a48c13abd3b72f9cc00e906732dde6a164a1871a/original/1933447-233629040315250-7635953462062548207-o.png?1469299263" class="size_l justify_center border_" /><br><br>Sub.mission continues to expand the sounds that move you by introducing another new artist Shanghai Doom. Shanghai Doom is the innovative bass child of New Jersey producers Aylen and Zhomek. Shanghai Doom started as an outlet for the two producers to share their creativity and steer away from the world of their solo projects. By combining their favorite elements of dubstep and experimental trap, Shanghai Doom aims to show their love for all that is weird and wonky.<br><br>Follow Shanghai Doom on <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/shanghaidoom/?fref=ts">Facebook</a> and <a contents="SoundCloud." data-link-label="" data-link-type="url" href="https://soundcloud.com/shanghaidoom">SoundCloud.</a> For tour dates, booking information, and more, check out Shanghai Doom’s <a contents="artist page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/shanghai-doom">artist page</a>, or contact dominic.vendegna@subdotmission.com.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/42876362016-07-20T16:46:13-06:002023-12-10T10:02:43-07:00New Artist Announcement: Wolf-e-Wolf<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8287c560b0d57fd43c985214b9a98858b6473240/original/wolflive1.jpg?1469053520" class="size_l justify_center border_" /><p>The Sub.mission Agency is excited to introduce Wolf-e-Wolf to our growing artist lineup. Hailing from Austin Texas, Wolf-e Wolf found his musical roots in genres like southern hip-hop, metal, and classical music. His distinguished sound is highlighted with elements of retro gaming, arpeggiated riffs, and dark jungle vibes. Wolf-e-Wolf started his musical journey at the age of 15 and kicked off his DJing career in 2007. It wasn't long before he began producing and performing full time. His energetic sets and unique style of mixing quickly caught attention all over the south. Wolf-e-Wolf has performed at some of the south's most notable music festivals, Wakarusa and Euphoria, and has shared the stage with major acts such as Skrillex, Bassnectar, Baauer, and Crizzly. With releases on Gravitas Recordings and MalLabel Music, his tracks have received support from the likes of Space Jesus and Bassnectar. 2016 has lots in store for this up and coming producer including a soon to be released EP from Liquid Stranger's label Wakaan. We are thrilled for the unique experience this new addition promises to bring to the Sub.mission Agency’s robust roster. <br><br>Follow Wolf-e-Wolf on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/WOLFeWOLFmusic/?fref=ts" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/wolfewolf" target="_blank">SoundCloud</a>. For tour dates, booking information, and more, check out <a contents="Wolf-e-Wolf’s artist page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/wolf-e-wolf" target="_blank">Wolf-e-Wolf’s artist page</a>, or contact dominic.vendegna@subdotmission.com.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/42843532016-07-19T10:49:58-06:002022-04-22T04:33:38-06:00New Artist Announcement: ONHELL<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e9a47060011cf1a7d03d86a97bddfe0ad09c9543/medium/onhell.jpg?1468888585" class="size_m justify_center border_" /><p>For ONHELL, music has always been a passionate pursuit. The newest member of the Sub.mission Agency’s expansive artist roster is not only a genre-straddling producer and DJ, but a party promoter, founding member of the label Phantom Wave and a STYLSS affiliate. His approach to making, playing, and sharing music isn’t easily confined to individual genres or roles. The US-based artist has long proven his devotion to moving people through sound, throughout Northern California and beyond. We are thrilled to welcome ONHELL to the Sub.mission Agency team. <br><br>Follow ONHELL on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/ONHELL-162299850498449/" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/onhellmusic" target="_blank">SoundCloud</a>. <a contents="Snag his newest EP, released with Hypha, for free today" data-link-label="" data-link-type="url" href="https://soundcloud.com/onhellmusic/sets/onhell-hypha-susuro" target="_blank">Snag his newest EP, released with Hypha, for free today</a>. For booking information, tour dates, and more, check out <a contents="ONHELL’s agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/onhell" target="_blank">ONHELL’s agency page</a> or email dominic.vendegna@subdotmission.com.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/42838672016-07-18T15:15:25-06:002022-04-22T05:04:10-06:00New Artist Announcement: Subset<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/030fed60bb61e4d897b079a5d1090fd6061dd9ac/original/subset2.jpg?1468874529" class="size_l justify_center border_" /><p>As we continue to expand our roster the Sub.mission Agency is proud to introduce a fresh batch of artists dedicated to moving people through sound, not hype. Today, we’re excited to welcome Subset to the collective. <br><br>Hailing from New York, Subset is no newcomer to America’s bass music scene. As well as a talented DJ and producer, Subset hosts and curates BASSment Saturdays at Webster Hall: the night is now an established staple in the city’s community, boasting headliners from across America and beyond. The versatile artist – who specializes in “context-appropriate bass music” – has played alongside performers from across the subfrequent spectrum, both in New York and at major events such as Holy Ship!. As an explosive musician and long-time champion of the sound, Subset is a fitting addition to the Sub.mission Agency’s diverse artist roster. <br><br>For booking information, tour dates, and more, check out <a contents="Subset’s agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/subset" target="_blank">Subset’s agency page</a>, or email dominic.vendegna@subdotmission.com. Follow Subset on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/djsubset/" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/subsetgetsit" target="_blank">SoundCloud</a>.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/42827052016-07-17T18:10:00-06:002022-04-22T05:39:56-06:00Kaiju North American Tour- September 2016<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e7ed18e57b7bdeab6096e30948adf448ff9ddd97/original/kiaju.jpg?1468799715" class="size_l justify_center border_" /><br> <p>Following the news of their <a contents="debut full-length LP" data-link-label="" data-link-type="url" href="https://www.residentadvisor.net/news.aspx?id=35612" target="_blank">debut full-length LP</a> on Deep Medi Music, <a contents="Kaiju" data-link-label="" data-link-type="url" href="https://www.gig-well.com/index.html#agency/sub.mission/artist/kaiju" target="_blank">Kaiju</a> and the Sub.mission Agency are thrilled to make another massive announcement. The duo will be returning to North America this fall. Kaiju is among the most prominent artists in the international dubstep community today. They are excited for the opportunity to spreading their intimate approach to the 140 sound stateside and beyond. <br><br>For further details or to bring Kaiju to a sound system near you, contact nicole@subdotmission.com. For more about Kaiju, <a contents="click here" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/agency-spotlight-kaiju" target="_blank">click here</a>.</p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/273717171&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe>subdotmission.comtag:www.subdotmission.com,2005:Post/42803232016-07-15T11:06:12-06:002022-05-30T07:36:36-06:00Hustle Knowledge: AJ Tracey<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/44f7c2f308b5ef59023c0f58d880a943b56119b9/original/ajtracey-ymlbsa.jpg?1468601389" class="size_l justify_center border_" /> <br><br>AJ Tracey has fully embraced the music game that he's quietly been warming up for since he started rhyming at just six-years-old. Following in the footsteps of his Trinidadian rapper father who once had a No.1 video on MTV and his Welsh mother, who used to play jungle and NWA on pirate radio stations, he takes his craft seriously while dropping Pokémon and Yu-Gi-Oh references into his bars. Keeping up with his south London mates Elf Kid and Novelist, with a summer of festivals ahead of him and a mouth full of gold, AJ is dropping spirit bomb after spirit bomb.<br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="VBND5nKfj5Q" data-video-thumb-url="http://img.youtube.com/vi/VBND5nKfj5Q/0.jpg" type="text/html" src="https://www.youtube.com/embed/VBND5nKfj5Q?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br>AJ started making waves in the pirate radio scene in 2014 and has since stopped at nothing to bring a raw and unadulterated sound to the masses. Whether it’s sets on Rinse alongside his crew, MTP (My Team Paid), street singles with rising talents like Santan Dave and Reeko Squeeze, or collaborations with big names like Gorgon City,Tinchy Stryder and P Money, over recent years, AJ has proven himself to be one to watch.<br><br>He has just dropped a brand new solo single, Leave Me Alone, along with a video that takes us from the wet pavements, bus stops and corner shops of his West London neighborhood, Ladbroke Grove, to the sweaty confines of a packed out festival tent where the crowd rap along to his every word.<br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="tSK9mtdLwKE" data-video-thumb-url="http://img.youtube.com/vi/tSK9mtdLwKE/0.jpg" type="text/html" src="https://www.youtube.com/embed/tSK9mtdLwKE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><br>AJ has had his track “Naila” chosen by the U.K.'s BBC Radio 1 DJ Annie Mac as her first Free Music Monday download. “Naila” is taken from hisAlex Moran EP—a five track free download which features Jammz and Merky ACE, two of the best MCs in London. In one freestyle alone you can expect to hear AJ charismatically hype talk, use different flows, and hold a skippy chorus—which currently seems to be the formula to breaking down mainstream barriers. <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="GWnMbZV66p4" data-video-thumb-url="http://img.youtube.com/vi/GWnMbZV66p4/0.jpg" type="text/html" src="https://www.youtube.com/embed/GWnMbZV66p4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br>Aj Tracey has been noted as THE grime emcee to watch on 2016. We are honored to bring him to Denver for his debut and look forward to what this badman has to offer the future of a genre we never thought would make its way to America. Make sure to check him out this week at Electronic Tuesdays at Cervantes Other Side.<br><br>Event: <a contents="Aj Tracey at Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/1613603398864628/%E2%80%8B">https://www.facebook.com/events/1613603398864628/</a><br><br><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/42706352016-07-12T12:23:27-06:002022-04-22T05:21:44-06:00Tour Announcement: Thelem & The Widdler<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8772f9e4bed8c641d04bef36b95dfb5b6244f016/original/13639548-1245183698826283-770481263-o-2.jpg?1468349907" class="size_l justify_center border_" /><br><br>The Sub.mission Agency is proud to unite two of dubstep’s greatest innovators for our most exciting tour to date. <a contents="Thelem" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/thelem" target="_blank">Thelem</a> and <a contents="The Widdler" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/the-widdler" target="_blank">The Widdler</a> will join forces to spread their genre-bending styles of bass music across North America. <br><br>Thelem and The Widdler are known for the high energy they bring to low-frequency sounds. As leaders in the international bass music community, both artists offer unique and refreshing twists on dubstep’s tradition. Respectively, both artists boast reputations for unleashing pure sub-power upon the dance floor. Along with Funktion-One sound courtesy of <a contents="Soundsystem Cultures" data-link-label="" data-link-type="url" href="https://www.facebook.com/soundsystemcultures/?fref=ts" target="_blank">Soundsystem Cultures</a>, the pair promises a sound system experience unlike anything we’ve heard before. <br><br>Dates are available now for this massive tour. For further details, or to book Thelem and The Widdler in your city, email corey.pfaff@subdotmission.com or nicole@subdotmission.com </p>
<p><a contents="About Thelem&nbsp;" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/agency-spotlight-thelem" target="_blank">About Thelem </a><br><a contents="About The Widdler" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/agency-spotlight-the-widdler" target="_blank">About The Widdler</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/42473142016-07-11T21:03:31-06:002022-04-22T04:07:25-06:00AxH Releases 'Devil Shogun EP' on Wheel & Deal Records <img src="//d10j3mvrs1suex.cloudfront.net/u/172838/344d19c64f3074a7a706830cce71079d37b367cd/medium/smaller-2-500x500.jpg?1468292816" class="size_m justify_center border_" /><br><br><br> Producer and DJ <strong>AxH</strong> is as accomplished as he is talented. He's a diplomat- as the first US producer to be signed to <a contents="Tempa Records" data-link-label="" data-link-type="url" href="http://www.tempa.co.uk/" target="_blank">Tempa Records</a>, and a decorated road-dog with multiple tours under his belt. His discography boasts releases on an eclectic spread of labels, from the aforementioned Tempa, to BK-based <a contents="Tuba" data-link-label="" data-link-type="url" href="http://www.residentadvisor.net/record-label.aspx?id=9344" target="_blank">Tuba</a>, to fellow Sub.Mission Agency artist <strong>EshOne</strong>'s innovative <a contents="Elk Beats" data-link-label="" data-link-type="url" href="http://www.elkbeats.com/" target="_blank">Elk Beats</a> imprint. <br><br> Today, the producer has another exceptional release under his belt, the <strong>Devil Shogun EP</strong>, out now via <a contents="Wheel &amp; Deal" data-link-label="" data-link-type="url" href="http://wheelanddealrecords.co.uk/" target="_blank">Wheel & Deal</a>. As the ominous cover art suggest, the listener is in for a dark, nefarious auditory exploration. The title track opens with a haunting sample from Shogun Assassin- popularized on GZA's 'Liquid Swords' but perfected here, with sinister atmospherics percolating just beneath the surface. Muted strings arise from the depths to reveal, twisting and shifting to reveal the tune's lead melody- a melody which the echoed vocals describe perfectly: "evil." <br><br> The next track, 'Fading Away' features Belgian producer <a contents="ARtroniks" data-link-label="" data-link-type="url" href="https://soundcloud.com/artroniks" target="_blank">ARtroniks</a>, and the duo continue to bring the darkness in a big way. Big, sweeping basslines are accompanied by skittering, lysergic percussion. Although not often a welcome adjective, the schizophrenic productions on this track bring it to life, adding cerebral elements to a dark-room behemoth. 'Phasma Black' brings energy to the table without sacrificing the gloomy sonic themes of the record. The 2-step energy is augmented by a frenetic bassline and almost tribal drums. The tune is also noteworthy for its melodic B-sections, which almost call to mind the droopy-eyed trip-hop of the early 'oughts.<br><br> The final tune 'Boneyard Keeper' opens with an almost cackling synth line which evolves into a delightfully complex amalgam of bass music perfection. Not only is it primed for dancefloors, but it's a great, thought-provoking headphones listen as well, as one will find captivating new elements with each listen.<br><br> This release is a must-listen for fans of the genre and casual listeners alike. AxH has a mastery of dark thematics unlike any other. Head on over to <a contents="Beatport " data-link-label="" data-link-type="url" href="http://www.beatport.com/release/axh-ep/1789250" target="_blank">Beatport </a>to listen and purchase!<br><br><span class="font_small">-Evan Franklin</span>subdotmission.comtag:www.subdotmission.com,2005:Post/42707962016-07-08T18:00:06-06:002022-05-31T05:07:21-06:00Hustle Knowledge: Sir Spyro<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/46a8ae5846c58d0753f2b1bc6ff391440209f8cd/original/13621552-10206467972758892-700777436-o.jpg?1468022164" class="size_l justify_center border_" /><br> <p>Grime, is a genre of music that emerged in East London in the early 2000s. It is primarily a development of UK garage, jungle and even dubstep. Many have had their hand in the foundation of this genre and over time helped it to be a sound that defines the UK. One very influential dj/producer has been putting in work for time and is one of the major players in pushing the culture; this is none other than the one called Sir Spyro. As a regular listener during the early years of Rinse FM, Terror Danjah and Slimzee were some of Spyro’s influences into the world of Grime. Producing his own tracks and collabs with other heavyweight producers in the scene, Spyro landed a radio gig with the influential Rinse FM in 2005 and has been breaking new artist and anthems ever since. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7af9fa18e232e75fb46abbb29c2672469f0be101/original/13644208-10206467970598838-1830202689-n.jpg?1468022175" class="size_l justify_center border_" /></p>
<p>Grime in its early years did not have the respect that it commands now. Like most “outside the norm” styles of music, it took the hard work and dedication of numerous producers and mc’s to make the scene what it is today. With his position at Rinse, Sir Spyro gives London, UK, and the world a place to hear the latest and greatest in Grime every Sunday. Showcasing his work as well, Sir Spyro has tons of tracks bearing his name. Released in 2005, Sir Spyro did a remix of Kamikaze’s Ghetto Kyote </p>
<p><a contents="https://www.youtube.com/watch?v=LubY1klXPbk&nbsp;" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=LubY1klXPbk&nbsp;">https://www.youtube.com/watch?v=LubY1klXPbk </a></p>
<p>Joining the group known as Ruff Squad in 2011, Sir Spyro released an E.P. with group mate D.O.K entitled Dragon Punch. Following up with The Night Shift EP released in 2012, this tune shows his progression in grime as he teams up with Newham General, Footsie </p>
<p><a contents="https://www.youtube.com/watch?v=TItlHQoE0xA&nbsp;" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=TItlHQoE0xA&nbsp;">https://www.youtube.com/watch?v=TItlHQoE0xA </a></p>
<p>With his role in the scene #TheGrimeShow on Rinse FM has been go to spot for most, if not all, Grime mc’s. Building this connection saw 2013 as the year Sounds Of The Sir Ep was dropped. With 7 tracks and bars from mc’s such as JME, Alahna, Lusion, & Rapid, this EP is deffo one of my faves with Dead being the dopest! </p>
<p><a contents="https://www.youtube.com/watch?v=-EWyfqkKgsI&nbsp;" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=-EWyfqkKgsI&nbsp;">https://www.youtube.com/watch?v=-EWyfqkKgsI </a></p>
<p>Some of his latest production include some bangers that you should deffo be aware of, if not, just press play! </p>
<p>Sir Spyro - Side By Side (feat. Big H, Bossman Birdie & President T) </p>
<p><a contents="https://www.youtube.com/watch?v=8fIAjwYhxDY&nbsp;" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=8fIAjwYhxDY&nbsp;">https://www.youtube.com/watch?v=8fIAjwYhxDY </a></p>
<p>Sir Spyro f Teddy Bruckshot, Lady Chann, and Killa P - Top A Top </p>
<p><a contents="https://www.youtube.com/watch?v=EY1K_XsEvwQ&nbsp;" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=EY1K_XsEvwQ&nbsp;">https://www.youtube.com/watch?v=EY1K_XsEvwQ </a></p>
<p>Stormzy - Scary </p>
<p><a contents="https://www.youtube.com/watch?v=C7xA8Hzuyac&nbsp;" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=C7xA8Hzuyac&nbsp;">https://www.youtube.com/watch?v=C7xA8Hzuyac </a></p>
<p>As this is a London sound that has spread across the world, I’m quite gassed for this debut. For me Grime encompasses all the styles of Sound System Culture I fell in love with in High School and have grown to learn and respect over the last few years. NYC is the only other leg of this US debut tour, so you should be front and center for this week’s Electronic Tuesdays as we welcome The Sounds Of The Sir, Sir Spyro that is. We have Sub.mission resident and longtime supporter of Grime Subliminal on support and the up & coming talent know as Siren to close the night. Plenty of Grime and plenty of Dubstep to keep you skankin all night long so don’t miss out. Sub.mission is determined to move you through sound not hype and this week we move you through Grime. </p>
<p>Links </p>
<p><a contents="https://soundcloud.com/djsirspyro&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/djsirspyro&nbsp;">https://soundcloud.com/djsirspyro </a></p>
<p><a contents="https://twitter.com/SIRSPYRO&nbsp;" data-link-label="" data-link-type="url" href="https://twitter.com/SIRSPYRO&nbsp;">https://twitter.com/SIRSPYRO </a></p>
<p><a contents="http://www.sirspyro.com/&nbsp;" data-link-label="" data-link-type="url" href="http://www.sirspyro.com/&nbsp;">http://www.sirspyro.com/ </a></p>
<p>Don’t forget the #TheGrimeShow is every Sunday 9-11pm GMT on Rinse FM with playbacks on Rinse’s YouTube and SoundCloud pages </p>
<p><a contents="https://www.youtube.com/user/rinsefm&nbsp;" data-link-label="" data-link-type="url" href="https://www.youtube.com/user/rinsefm&nbsp;">https://www.youtube.com/user/rinsefm </a></p>
<p><a contents="https://soundcloud.com/rinsefm" data-link-label="" data-link-type="url" href="https://soundcloud.com/rinsefm">https://soundcloud.com/rinsefm</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/42631262016-07-04T17:20:24-06:002023-12-10T10:03:18-07:00Agency Spotlight: Oxóssi<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8019e5e92e606f09a1186e757319a4947d9e8871/large/oxossi.png?1467673759" class="size_l justify_center border_" /><p>Different styles of music are crafted with different intentions. Some sounds are meant for the club; others, individual introspection. Certain strains of house music and drum and bass value danceability over all. Vocal genres, like hip-hop, emphasize lyricism. Heavy “tearout” dubstep embodies an aggressive, frenetic release. And deep dubstep is made as a meditation – a special sonic pocket for the head-nodders lining the fringe of the dance floor. <br><br>Sometimes, creative composition is easy to identify. Experimental “future bass” styles follow a postmodern ethos, where each individual sound within each individual beat serves as a stimulus in its own right, and the piece as a whole is a mosaic or collage. In dubstep, originality can be more complicated to pinpoint. The genre adopts a strict structure: even tracks that stand out alone are meant to be mixed with others. Repetition is an inherent characteristic of the sound. Producers, DJs, and fans struggle to define what exactly constitutes as creativity within such stringent parameters. The answer is nearly impossible to put into words – but we know it when we hear it.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/260786945&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>So Oxóssi’s meteoric rise in the dubstep community is not a surprise. His tunes follow the familiar 140 formula that the heads consider home – yet they’re unlike any dubstep tunes we’ve heard before. As a producer, Oxóssi has a distinct sound that is definitively his own. He incorporates unique instrumental elements, often those with a naturally hollow echo – organs, woodwinds, dampened percussion. Many of his productions, like the <em>Solace</em> EP (<a contents="Crucial Recordings" data-link-label="" data-link-type="url" href="https://sleeperchst.bandcamp.com/album/ox-ssi-solace-ep-crucial005" target="_blank">Crucial Recordings</a>) as a whole, seem to be built around words. The first track on the EP, “Solace”, features piercing vocals from Rider Shafique. Both “Reflections” and “The Tempest” spotlight profound spoken word samples, each capturing a different aspect of dubstep’s underlying philosophy.</p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/266813513&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>The Los Angeles-based artist has a fantastical touch for revealing the intrinsic patterns contained by chaos. Some DJs shine most in the moment when they disrupt a carefully constructed flow with cacophony. When Oxóssi is on the decks, the cacophony becomes the flow itself. His mixes don’t just mimic the natural order of the universe. They encompass it. In the dance, this quality inspires something sacred. When Oxóssi played on the transcendental Tsunami Bass Experience system in New York City, the audience took the “eyes down” philosophy a step further by simply laying down on the bass platform in the center of the room. It was epic.<br><br>In the religion of Yoruba and Brazilian tradition, "Oxóssi" is the spirit of the hunt, symbolized by the arrow. He represents wealth and good fortune. As explained by <a contents="Wikipedia" data-link-label="" data-link-type="url" href="https://en.wikipedia.org/wiki/Oshosi" target="_blank">Wikipedia</a>, he “[hunts] for good influences and positive energies.” The alias could not be more appropriate. Oxóssi’s Brazilian background likely accounts for much of the unique, almost exotic influences drawn into his productions. His music is epitomized by a powerful and immersive spiritual quality. Plus, those with an ideological attraction to dubstep understand how the image of a spirit bearing goodwill complements lines like, “the honorable thing for our species to do is deny our programming and walk hand in hand into extinction.”</p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/271136700&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Oxóssi’s music finds fitting homes on labels like Sleeper’s <a contents="Crucial Recordings" data-link-label="" data-link-type="url" href="https://soundcloud.com/crucialrecsuk" target="_blank">Crucial Recordings</a> and <a contents="Silent Motion Records" data-link-label="" data-link-type="url" href="https://soundcloud.com/silentmotionrec" target="_blank">Silent Motion Records</a>, where his <em>Buried </em>EP was released digitally and on vinyl last month. He is featured on the <em>Los Angeles </em>EP forthcoming on <a contents="Gourmetbeats" data-link-label="" data-link-type="url" href="https://soundcloud.com/gourmetbeats" target="_blank">Gourmetbeats</a>, alongside Mesck, Introspekt, and Subtle Mind. As one of – or perhaps the – most inventive producer(s) to rise from America, Oxóssi’s music garners widespread attention well beyond the confines of California. His decisively original sound has already invited comparisons to Gantz from some of the international community’s biggest names. The two artists have in common an unprecedented level of creativity and respectively distinct sounds – their styles are complementary, but hardly similar. Still, if past patterns bear any insight into future trends, the implied parallel suggests that Oxóssi may become one of the most imitated artists in the scene today. <br><br>Keep an ear to Oxóssi on <a contents="SoundCloud " data-link-label="" data-link-type="url" href="https://soundcloud.com/oxossibeats" target="_blank">SoundCloud </a>and <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/oxossibeats" target="_blank">Facebook</a>, and <a contents="visit his agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/ox%C3%B3ssi" target="_blank">visit his agency page</a> for tour dates, booking information, and more.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/42597262016-07-01T12:55:01-06:002017-01-12T07:25:05-07:00This Month In Bass: July<div style="text-align: center;"><p>The heat in Denver is seriously rising and its not due to summer! No doubt by now you’ve been getting pummeled with fire line up after fire line and and needless to say <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> isn’t planning on stopping. Last month was such an amazing time as we had the return of Sukh Knight & Squarewave, Yheti and Flava D, a return to Sonic Bloom and the Denver debut of legendary bad men RDG & K Man. Each night was so special in its own way and had some serious local talent on support and in the battles. This month is no different as we bring back one of your all time favorite dubstep heavy hitters and have a Denver debut of a grime legend, a debut of an up and coming grime MC and a debut of one the fastest rising stateside dubstep producers out of the Bay Area. So whether you know or are in the know, get ready for this edition of This Month In Bass. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/33614714c809317645a20255c38e5169d2d4e996/medium/tmib-july7.jpg?1467397876" class="size_m justify_center border_" /><br><br>Getting us started in the first edition of July <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a> on <a contents="July 5th" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1185217?_ga=1.246689220.1907744445.1430970455&__utma=1.1559369538.1430970455.1462399361.1462820904.54&__utmb=1.4.10.1462820904&__utmc=1&__utmx=-&__utmz=1.1461698771.52.19.utmcsr%3Dfacebook.com%7Cutmccn%3D%28referral%29%7Cutmcmd%3Dreferral%7Cutmcct%3D%2F&__utmv=-&__utmk=69849488">July 5th</a> is the return of the one and only <a contents="Compa" data-link-label="" data-link-type="url" href="https://www.facebook.com/compauk/?fref=ts">Compa</a>!! Hailng all the way from the UK and internationally known as one of the rudest bad boys in the realm of dubstep, Compa has a sound that is unmistakable and to this day stays true to his roots as one of the few remaining DJ’s in dubstep that plays strictly vinyl. We can only speculate about the amount of dubplates possibly getting rinsed that night but judging by his last E-Tuesday appearance we’re about to get murdered on the dance floor. Joining Compa we have New York dubsteppers and all around bad men <a contents="Wasteman" data-link-label="" data-link-type="url" href="https://www.facebook.com/Wastemandubz/?fref=ts">Wasteman</a> and <a contents="Max Mischief" data-link-label="" data-link-type="url" href="https://www.facebook.com/MaxMischief/?fref=ts">Max Mischief</a> going back to back along with fellow NYC MC OG Ninja PLUS the January Winners Showcase battle between Boss Mode, Counterfeit Rainbow, & Waylo to start off the night! We’d say that this is a proper way to start off July, would you agree? <br><br>Next up on <a contents="July 12th" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1211855?_ga=1.82112086.1760546006.1465596322">July 12th</a> we have the Denver debut of one of, if not the top Grime DJ/Producer in the UK. <a contents="Sir Spyro" data-link-label="" data-link-type="url" href="https://www.facebook.com/SoundsOfTheSir/?fref=ts">Sir Spyro</a> is widely recognized and respected for his flawless mixing skills and beyond proper track selection. Entering his 10th year on London’s pioneering Rinse FM, his weekly “Grime Show” is regarded as the “go to” show for everything you need to know about and coming from the Grime scene. His skills and services are so sought after that they were acquired to compile and mix the “Pure Grime” double CD, which broke into the top 40 album charts upon its released. Joining him on support is Sub.mission Resident <a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a> and local rude gal Siren! Subliminal always delivers the most proper sets and if you haven’t caught <a contents="Siren" data-link-label="" data-link-type="url" href="https://www.facebook.com/itmesiren/?fref=ts">Siren</a> yet then you’re in for a treat because she absolutely smashes every dance floor she touches. <br><br>Coming in all the way from West London, join us on <a contents="July 19th" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1211857?_ga=1.20921848.1760546006.1465596322">July 19th</a> as we welcome break through Grime MC, <a contents="AJ Tracey" data-link-label="" data-link-type="url" href="https://www.facebook.com/ajtrcy/?fref=ts">AJ Tracey</a>! Since the release of his debut EP 'The Front' in 2015, AJ Tracey has been making some serious noise with his ruthless and iconic sound that is unmistakable. His 2nd EP release, 'Alex Moran', proves he is a true force to be reckoned with in the realm of grime and we absoluetly can't wait to properly welcome him to the Mile High City for his Denver debut with Low Life NYC & rwd.fm bad man <a contents="Oblig" data-link-label="" data-link-type="url" href="https://www.facebook.com/djoblig/?fref=ts">Oblig</a>! As if this night wasn’t already stacked we have Sub.mission homie <a contents="Crix Saiz" data-link-label="" data-link-type="url" href="https://www.facebook.com/crix.saiz?fref=ts">Crix Saiz</a> & Sub.mission resident <a contents="Curlyone" data-link-label="" data-link-type="url" href="https://www.facebook.com/djcurlyone/?fref=ts">Curlyone</a> on support!! <br><br>Finishing off July Electronic Tuesdays, on <a contents="July 26th" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1211865?_ga=1.79554004.1760546006.1465596322">July 26th</a> we have the Denver debut of bay area rude boy <a contents="Saule" data-link-label="" data-link-type="url" href="https://www.facebook.com/SauleDubs/?fref=ts">Saule</a>! With backing from some of the biggest names in the industry such as Joe Nice, Mala, Beezy, N-Type, and many more, Saule is one of the hottest emerging talents representing stateside undergroud dubstep. <br>His tunes have set dance floors on fire throughout the globe and he's one of the prime artists putting the US on the map in today's global bass music scene. Joining him on stage are some of Colorado's sickest up and coming locals. Denver bad man <a contents="Myxed Up" data-link-label="" data-link-type="url" href="https://www.facebook.com/Myxed.up.dubstep/?fref=ts">Myxed Up</a> will be on support alongside Sub.mission residents <a contents="Dillard" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">Dillard</a> and <a contents="Sektah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">Sektah</a>. We’re going to be celebrating Sektah’s birthday so you know this night is going to get rowdy. You’ve been warned! <br><br>July is seriously bringing the heat in more ways than one. We have a seriously proper mix of grime and dubstep and between all the supporting artists who knows what other spectrums we’ll be chasing this month. It truly is a blessing to be in a city with a scene that is constantly brining both old and new talent to our front door each and every week. It doesn’t just stop with music either. Make sure you check all the Facebook events for chances to win “meet & greets” and production clinics with the headliners. Also don’t forget to get to each event early to see who is going head to head in the weekly Electronic Tuesdays DJ battle. This month we have DJ’s OldGold, New Renaissance, Crismic, Elliot Mess, Fastlife, Universal Knowledge, Viscaria, SeamzLegit, Gump, Eleven. ThirtySeven, Gahlaktus and Sin 7 all going head to head for a slot in the “July Winners Round” next month and they all have some serious muscle to flex so you know the battles are going to be awesome. We hope youre planning on buying a new pair of dancing shoes after this month because come August you’re definitely going to need them ;) <br>We’ll see you in the dance!<br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/237867297&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe></p></div>subdotmission.comtag:www.subdotmission.com,2005:Post/42523992016-06-27T18:20:39-06:002017-01-12T07:25:05-07:00Agency Spotlight: The Greys<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/feee4f613fb938361a87fa2cdfaf4bace6cece8c/original/the-greys.jpg?1467072806" class="size_l justify_center border_" /><p>Those who believe that DJ’ing is a dying art have a strong argument. In the era of the “DJ/Producer”, the DJ is often an afterthought. Today’s most explosive artists are known for their original productions, and if their sets wreak havoc on the dance floor, it is seen as little more than collateral damage. Many young artists view live sets as an opportunity to push their tunes, dismissing the finesse required to masterfully work a crowd. For dance music enthusiasts, the trend is heartbreaking. <br><br>Still, in the realm of underground dubstep, the DJ’s craft isn’t completely forgotten. UK artist The Greys refuses to be part of the cultural epidemic. More than a “DJ/Producer”, The Greys is better described as a DJ and a producer. Not only does he respect the art – he compensates for those who don’t with an emphatic passion. The Greys brings a contagious energy to his sets and mixes that is exponentially more powerful than any banger alone. He possesses an ear for tension and a touch for double drops: combined with an insane collection of tracks from today’s brightest producers as well as his own productions, the rare talents have a lethal effect. This is the kind of conductor that can be counted on to pop off any party.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270969003&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>There is more to DJ’ing than simply playing good tunes. <a contents="Good DJs ride the energy of a room – great DJs expand on it" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/trusik-interview-with-agency-artist-mesck" target="_blank">Good DJs ride the energy of a room – great DJs expand on it</a> to guide the audience on a sonic adventure. Technical skills play a large part in this, but even more important is a knack for playing the right track(s) at the right time. Special moments call for special songs, and for artists like The Greys, the only way to guarantee that the right track is always handy is to make it themselves. In his productions, The Greys encapsulates the very vibe he unleashes onto the dance floor. He’s a master of the not-so-secret that too many “DJ/Producers” have yet to figure out: if you want an audience to eat up your tunes, play them out with pizzazz.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/230978236&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Given his gritty, aggressive, sub-anchored sound and heavy arsenal of both familiar bangers and lesser-known (and unreleased!) gems, its no surprise that The Greys’ following continues to grow, both stateside and abroad. Check out his debut album, <em>Notions of Emotions</em>, available now on <a contents="Beatport" data-link-label="" data-link-type="url" href="https://www.beatport.com/release/notions-of-emotions/1752072" target="_blank">Beatport</a>. Follow The Greys on <a contents="SoundCloud " data-link-label="" data-link-type="url" href="https://soundcloud.com/greysanonymous" target="_blank">SoundCloud </a>and <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/thegreysuk/?fref=ts" target="_blank">Facebook</a>, and <a contents="check out his agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/the-greys" target="_blank">check out his agency page</a> for tour dates, booking information, and more. Plus, grab <a contents="his newest Sub.mission podcast " data-link-label="" data-link-type="url" href="http://subdotmission.com/podcast" target="_blank">his newest Sub.mission podcast </a>and this free download of his "Forgot About Dre" bootleg, available exclusively from Sub.mission. </p>3:46subdotmission.comtag:www.subdotmission.com,2005:Post/42462892016-06-24T11:40:28-06:002023-12-10T10:03:18-07:00Hustle Knowledge : RDG & KMan<p>RDG and K Man are two of the most seasoned and influential veterans in the dubstep scene. Whether it be behind the decks or behind the studio monitors crafting their sound, both artists bring forth lots of energy and technical rhythms in their productions/dj sets. Each artist adds their own little touch to the sound they put forth. RDG brings very eerily spacious vibes to the table while K Man brings the unforgiving bass lines and deep/gritty synths.What these two put out in their productions really resonates with their listeners. I know that "The Commander" by RDG still gets me to this day when I hear it on a system. Same goes for K Man's most recent classic "Blink". These two combined are a deadly force of true dubstep sounds that will leave you begging for more!<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e8f2a30a68a1ad800fae700f682fd1ba01cefab1/original/duo-1.jpg?1466749691" class="size_l justify_center border_" /></p>
<p>RDG (left) and K Man (right) <br> <br>Denmark’s RDG may not have predicted the impact he would make on the dubstep genre when he first launched into the productions back in 2009. Initially releasing on well-known imprints like Dubliminal, Boka and New World Audio early in his career, the Copenhagen-based music producer launched his take on a digital label in early 2012. Surfase Records, unlike many other young labels, has proven itself to be a reliable staple for quality bass music - for both RDG and other producers. </p>
<p> While RDG’s continued to produce and release his quality bass driven music, his Surfase imprint has also thrived with a number of releases from both new and established artists, such as K Man. Ruben announced that he would venture into other formats with the early 2014 appearance of Circle Vision - a vinyl-only label to accompany his efforts with the digital based Surfase.<br><br><a contents="RDG & Kman - Lost on Earth Vol.1 " data-link-label="" data-link-type="url" href="https://soundcloud.com/rdg/rdg-k-man-lost-on-earth-vol1-circle-vision" target="_blank">RDG & Kman - Lost on Earth Vol.1 </a><br><br>https://soundcloud.com/rdg/rdg-k-man-lost-on-earth-vol1-circle-vision<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/34fd89f353446a472448e5de6044b32a01cb44bc/original/duo-2.jpg?1466749746" class="size_l justify_center border_" /></p>
<p>London’s K Man (The Phantom) has been a front runner in the dubstep scene for many years now. Having released on Mala’s DEEP MEDI imprint proves already he is an artist not to be overlooked. With classics such as “Propane”, “Electro Magnetic Destroyer” and “Blink” all having been released on DEEP MEDI. It shows he is a true power house and is not stopping anytime soon. Now releasing tunes on RDG’s Surfase Digital / Circle Vision, K Man proves his sound really fits anywhere he goes. He is able to adapt to the new sounds being pushed and puts his own twist on it. That’s something not many artist can do nowadays.<br><br><br><br><a contents="K Man - Propane (MED080)" data-link-label="" data-link-type="url" href="https://soundcloud.com/deep-medi-musik/sets/k-man-electro-magnetic">K Man - Propane (MED080)</a><br><br>https://soundcloud.com/deep-medi-musik/sets/k-man-electro-magnetic<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7aecadd514d50a4f0577362e69810c9e4f1bb96a/original/tour-photo.jpg?1466749803" class="size_l justify_center border_" /></p>
<p>Being that these two are on the last leg of their Lost in North America tour, we can safely assume they are not going to be holding back. Hearing how their tour has gone so far, has got me playing their tunes non stop in preparation. They will definitely be bringing the heat this coming Tuesday as they takeover Cervantes : The Other Side for another edition of Electronic Tuesdays presented by Sub.mission. Come out and dance with us into the warm summer night with proper dubstep vibes from two of the most influential artists in the dubstep scene!<br><br>RDG & K Man Links: <br><br>RDG: <br><br><a contents="Soundcloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/rdg">https://soundcloud.com/rdg </a><br><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/RDGCPH/">https://www.facebook.com/RDGCPH/ </a><br><br>K Man: <br><br><a contents="Soundcloud " data-link-label="" data-link-type="url" href="https://soundcloud.com/kman-the-phantom">https://soundcloud.com/kman-the-phantom </a><br><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/kmanmusik/?fref=ts">https://www.facebook.com/kmanmusik/?fref=ts</a></p>
<p><br> <br> Also, joining these two powerhouse artists is Denver native Dalek One. Lookout for this up-and-coming producer who will be closing out the night from 1-2 am. This will a big night you do not want to miss out on!<br><br>Dalek One links:<br><br><a contents="Soundcloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/dalekone">https://soundcloud.com/dalekone</a><br><a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne/?fref=ts">https://www.facebook.com/DalekOne/?fref=ts</a><br><br><a contents="Dalek One - Dimensions (OUT NOW on Version Collective)" data-link-label="" data-link-type="url" href="https://soundcloud.com/versioncollective/dalek-one-dimensions-secrets-of-a-hitman-ep-vcep003">https://soundcloud.com/versioncollective/dalek-one-dimensions-secrets-of-a-hitman-ep-vcep003</a><br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/12a0dcc90132d293e57d30046403b435f0118071/original/dalekone1.jpg?1466749892" class="size_l justify_center border_" /><br>Would you want to learn some production tips from the men themselves?! Head over the event page on the Sub.mission facebook page and see details on how to win! Winners will be chosen Sunday! Hurry!!</p>
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ef4f72c4337885f666bb511345db6543ccd5ed15/original/clinic.jpg?1466750667" class="size_l justify_center border_" /></p>
<p> <br>Written by Tanner Pennington</p>subdotmission.comtag:www.subdotmission.com,2005:Post/42459382016-06-23T19:09:32-06:002022-08-02T03:34:11-06:00The Rewind: Flava D, Subliminal, GBP & More <p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e32ece2da2560a8184dbdcbdb0e35b42cadb7d31/original/flava-d-subliminal-gbp-june-21.png?1466730104" class="size_l justify_center border_" /><br><br>Now that the Summer season has officially arrived and the temperatures are heating up outside, so is the dance floor at Electronic Tuesdays. Each and every week Sub.mission never fails to present us with top-notch bass music talent from both a local, nationwide, and international scale. This past Tuesday night was no exception as we welcomed back London’s very own Flava D along with sets from Sub.mission resident DJ, Subliminal and GBP closing out the night. From beginning to end, the entire night was stacked with talent and dance floor was overflowing with energy. Whether you joined us on the dance floor live in the flesh, or you weren’t able to make it out, this week’s edition of The Rewind is here to give you a feel for how the night went! Check it out! </span></p>
<p style="text-align: center;"><span class="font_large">With massive anticipation going into the night, I made sure to make my way on the dance floor early in the night so that I didn’t miss a beat. After attending Electronic Tuesdays on a weekly basis over the last couple years, I’ve made sure to put in effort to coming out early so that I catch all the DJ’s performing in the DJ battles at the beginning of the night so that I can get a taste of some of the upcoming talent that is emerging onto the scene in Colorado. Each week the battles are comprised of a variety of genres and sounds and it’s always a refreshing experience to see new faces grace the stage week after week and show us what they’re made of. This week, selectors Rettchit, Counterfeit Rainbow, & Mindphunx battled it out in this week’s DJ battles and made the most out of their 30 minute time slots to make a lasting impact on the early Electronic Tuesdays crowd. This week’s battles were comprised of heavier/aggressive dubstep, deeper 140, Drum & Bass, Liquid, & more. Each act put on amazing sets and this was undoubtedly one of the closets battles that I have witnessed so far! After a heated battle among the selectors, Counterfeit Rainbow, comprised of duo ‘Vicix & Djeww’ snatched the win to be crowned this week’s battle winner. Be sure to catch this deadly duo performing in the June Winners Showcase battles taking place next month on July 5 at Electronic Tuesdays! </span></p>
<p style="text-align: center;"><span class="font_large">Following the opening DJ Battles, it was now time for Sub.mission resident Subliminal to take the decks and kick things up a notch. Widely known for his diverse track selection and triple-deck mixing abilities, Subliminal is an artist that appeals to any audience and really knows how to get the crowd moving. If you’ve seen Subliminal perform recently, you’ve definitely noticed a lot more UK Grime being incorporated into his sets and Tuesday night was a fine demonstration of this. He began his set with some raw, uncut Grime tunes and had a good balance of that minimal dubstep that we all know and love from Subliminal. Every time you see Subliminal perform, he brings something new and exciting to the table and no 2 sets are ever the same. His vast experience as a DJ proves how skilled he is behind the decks and to see him perform live is always a special treat. Whenever you see the name ‘Sublminal’ on a lineup, buckle up tight and get ready for the ride! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/4ad4cf86fe1768a1fd80f5f9ab11ea1d17433496/original/screen-shot-2016-06-23-at-7-03-18-pm.png?1466730221" class="size_l justify_center border_" /></span><a contents="Bowzr Photo" data-link-label="" data-link-type="url" href="https://www.facebook.com/burymeinfire/?pnref=lhc">Bowzr Photo</a></p>
<p style="text-align: center;"><span class="font_large">The dance floor was packed, the vibe was thick, and it was now time for the highly anticipated Denver return of Flava D, live and direct! Hailing all the way from London, Flava D is one of the fastest rising talents to emerge onto the bass music circuit and her infectious, upbeat sound catches the ears of listeners worldwide! Recognized as one of the core members of the Butterz Crew, Flava D’s sound is iconic, sexy, and packs plenty of bounce. Having seen Flava D perform at Electronic Tuesdays when Sub.mission brought her out last August, I already knew that she was going to be packing heat and I surely wasn’t disappointed. Her confident stage presence, flawless mixing abilities, and her wide ranging track selection combined to make her performance a very enjoyable one with plenty of twists and turns. Blending a series of her own signature tunes like ‘In The Dance’, ‘Feed ‘Em To The Lions’ along with dance floor bangers ‘Harder’ by Breakage and The Newham Generals, & ‘JME’s ‘Man Don’t Care’, Flava D’s set was not exclusive to a single genre or BPM and catered to the entire audience. Throughout the entire venue, hands were high in the air, feet were moving, and there wasn’t a stagnant body in sight. Her set was a perfect combination of Bassline House, Garage, & Grime and she surely made a lasting impact in her Denver return! <br><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="NSzJpqUmzH8" data-video-thumb-url="http://img.youtube.com/vi/NSzJpqUmzH8/0.jpg" type="text/html" src="https://www.youtube.com/embed/NSzJpqUmzH8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/5867bcbc9bbad8c0d650cb61f3a865efbb34b017/original/screen-shot-2016-06-23-at-7-04-41-pm.png?1466730354" class="size_l justify_center border_" /></span><a contents="Bowzr Photo" data-link-label="" data-link-type="url" href="https://www.facebook.com/burymeinfire/?pnref=lhc"><span class="font_regular">Bowzr Photo</span></a><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2e10b2fe62f521075827b1e227d055e148cfb4dc/original/screen-shot-2016-06-23-at-7-05-52-pm.png?1466730391" class="size_l justify_center border_" /></span><a contents="Bowzr Photo" data-link-label="" data-link-type="url" href="https://www.facebook.com/burymeinfire/?pnref=lhc">Bowzr Photo</a></p>
<p style="text-align: center;"><span class="font_large">As if the night wasn’t already loaded with enough talent, it was now time for the one like GBP to take the stage and close the night out with a bang! Having won both of his previous battles at Electronic Tuesdays in previous months and being crowned the battle champion of January, GBP made his return on Tuesday night to remind us what he’s all about! Following up a headlining performance from Flava D and keeping the crowd engaged may seem like a daunting task or the average DJ. However, on Tuesday night Alex Hamilton, better known as GBP stepped up to the decks and erupted the crowd with energy until the very end. When I first saw GBP coming up and performing in the battles a few years ago, he made an impact with his hard-hitting, wonky, bouncy approach to dubstep, all of which I was a big fan of. Fast-forward to now, GBP’s sound has rapidly evolved and covers multiple spectrums of this sound we call ‘Dubstep.’ On Tuesday night he began his set with a more upbeat and energetic approach to keep the audience hooked and grab their attention from the beginning, all the way to the very end. Among the massive arsenal of tunes that GBP rinsed out, some of my personal favorites were Le Lion’s Timewarp VIP, J:Kenzo’s Ruffhouse, Bukez Finezt’s ‘Under Control’ , Amit’s ‘Acid Trip’ and Dubamine’s ‘Buddha Puff’. This track listing alone demonstrates how well rounded and diverse GBP’s set was on Tuesday night and I couldn’t picture a better talent to close out the night for Flava D! If you left early and weren’t among the intimate crowd that GBP performed for to finish out the night, you definitely missed out! </span></p>
<p style="text-align: center;"><span class="font_large">Big ups to everyone that made it out to this week’s Electronic Tuesdays throwdown and took part in such a massive night in sound! See you all next week for RDG, K Man, Dalek One & more! </span></p>
<p style="text-align: center;"><br><a contents="Author: Carlos Galvan" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">Author: Carlos Galvan</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/42348552016-06-17T01:21:52-06:002022-05-20T07:11:23-06:00Hustle Knowledge: Flava D<p><br><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/b07ba3e6c8b79ebe7b85091daf18545a9dc34af2/original/slimzee-b2b-flava-d03-website-image-gnar-standard.jpg?1466131088" class="size_l justify_center border_" />She’s one of the hardest working Producers/DJ’s in UKG/2-Step/Grime genres. Grime music has increased in popularity over the last three years. The popularity is not just because of the quality of the lyrics but also the quality of beats. Grime has been referred to as “English rap,” but “instrumental grime” music is not only a force to be recon with but a major reason the sound has exploded. In the forefront of the instrumental grime sound in Flava D and her affiliates, the Butterz crew. The Butterz crew is so influential it has almost become its own genre. You might hear a DJ describe the music as, ”that Butterz sound.” She is also a member of the legendary Eskibeats and A list. <br>Flava D brings all the heat you would expect from a Butterz crew member along with a massive sound that is sexy, infectious and reminiscent of the 2-Step glory days. ‘Rhythm & Gash’ was so addictive, it had over one million streams on Soundcloud. Her collaboration with Royal T for ‘On My Mind’ was brilliant and we are begging for more. Since then, Flava has dropped several releases. Her production and live sets are a beautiful journey through RnB vocals, sensual landscapes and hard hittin’ four to the floor basslines. Her sets are perfect for everything from a first date to a mash up with your best homies.<br><br>Get there early for a warm up from the man that puts the "UH" is Stella (Artois). He's a local hero, his track selection and mixing skills are fierce like a tiger but as comforting as petting your cat on Caturday. Also stick around late for one like GBP.</span><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="KMMaL0LkBnI" data-video-thumb-url="http://img.youtube.com/vi/KMMaL0LkBnI/0.jpg" type="text/html" src="https://www.youtube.com/embed/KMMaL0LkBnI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="xzlpL3G2X0U" data-video-thumb-url="http://img.youtube.com/vi/xzlpL3G2X0U/0.jpg" type="text/html" src="https://www.youtube.com/embed/xzlpL3G2X0U?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="BbyuBPTagg4" data-video-thumb-url="http://img.youtube.com/vi/BbyuBPTagg4/0.jpg" type="text/html" src="https://www.youtube.com/embed/BbyuBPTagg4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="scQGXNjpbs0" data-video-thumb-url="http://img.youtube.com/vi/scQGXNjpbs0/0.jpg" type="text/html" src="https://www.youtube.com/embed/scQGXNjpbs0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="8nHLepz-gGc" data-video-thumb-url="http://img.youtube.com/vi/8nHLepz-gGc/0.jpg" type="text/html" src="https://www.youtube.com/embed/8nHLepz-gGc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><span class="font_xl">Pre-game mix suggestion:</span><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="CLfnVnQ0iag" data-video-thumb-url="http://img.youtube.com/vi/CLfnVnQ0iag/0.jpg" type="text/html" src="https://www.youtube.com/embed/CLfnVnQ0iag?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/42285602016-06-13T19:47:03-06:002020-11-25T03:59:52-07:00Agency Spotlight: Aweminus<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8a149acc73602a1fbf76ccc8259f4e4e0ed1fc66/large/aweminus.jpg?1465868445" class="size_l justify_center border_" /><p>For decades, the vampiric music industry fed on the youthful energy and relative naivety of teenagers and young adults. Before SoundCloud and Spotify and iTunes and Limewire, corporate record labels and radio stations had dictatorial authority over the sounds that reached the ears of their most enthusiastic consumers. They built a pop-culture vacuum that relied on young people’s sole exposure to mediocrity. When the punk movement emerged from a young generation, industry masterminds diverted potential fans of the anti-establishment, DIY scene with pop-punk. The method was tried and true: it’d be done with hip-hop, as it had been done with rock n’ roll. They’d execute the strategy once again when dubstep appeared on the mainstream radar. But the commercialization signified the end of the authoritarian reign. Dubstep didn’t die when it was exploited for profit – it was invigorated, if indirectly. Say what you will about today’s newest generation of electronic music fans, but they are the ones who prove that even teenagers recognize good music when they hear it. And if they don’t hear it, they make it themselves.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/87149365&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Aweminus was 16 years old when he won a remix competition for Getter’s track “Fallout”, earning his first formal release on Firepower Records. The LA-based artist has come far since 2013. He’s headlined events across America and far beyond, released on numerous independent labels – including fan favorite Savage Society, and dabbled in a wide spectrum of BPMs and styles. As Aweminus’s fan base grows, he doesn’t submit to complacency. The young producer continues to push himself as a musician. He’s on an audible journey of musical self-discovery, and his passionate fans are along for the ride.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/266175640&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Not too long ago, “underground success” excluded international tours, support from major artists and promoters, and a following tens of thousands strong. It is artists like Aweminus who subvert the corporate music machine by earning their popularity instead of buying it, or sacrificing their artistry for it. Aweminus’s style is a derivative of the same angry, aggressive dubstep that inspired the genre’s commercialization. It is often violent, loud, and always infectious. And, as anybody who’s experienced a set from the artist knows firsthand, it is incredibly powerful. Aweminus’s production and performance packs an authentic energy that cannot be recycled or repackaged. It is a guttural, celebratory release of the frustration and raw passion that is familiar to all of us. Such is the true essence of dubstep, and quality music as a whole.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/199238454&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>With an infinite selection of music at our fingertips, today’s music fans are turning away from the “sponsored content” that once held us captive. When young enthusiasts grow disillusioned by the for-profit production that characterizes the “brostep” phenomenon and EDM culture, they don’t discount dubstep altogether. There’s no need. Instead, they dive deeper. There is a primal need for release fulfilled by Aweminus’s tracks, and his constant creativity and artistic progression sates the natural desire to hear something new. It is Aweminus, his peers, his fans who not only keep dubstep alive and thriving, but are revolutionizing the way all of us experience and consume music. So next time a jaded old scenester starts to wag his fingers at “those damn kids these” days, it is worth remembering that those damn kids really deserve some thanks.<br><br><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/212843642&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br>Follow Aweminus on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/Aweminus" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/aweminus" target="_blank">SoundCloud</a>. <a contents="Check out his agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/aweminus" target="_blank">Check out his agency page</a> for upcoming tour dates, booking information, and more. Plus, grab a free download of Aweminus & KPD - "What" (an unburied Sub.mission Freebie Friday feature originally posted here in 2015) right here, right now.<br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><em><span class="font_small">Amye Koziel</span></em></a></p>5:01subdotmission.comtag:www.subdotmission.com,2005:Post/42280952016-06-13T16:11:20-06:002016-06-13T16:11:20-06:00Roommate Releases Summer Ready "Respect EP" At the risk of speaking in hyperbole, it would be difficult to name a harder working fixture in the US bass-music world than Justin McCauley- known to many as <a contents="Roommate" data-link-label="" data-link-type="url" href="https://soundcloud.com/roommatedubs" target="_blank">Roommate</a>. For nearly a decade he has worked tirelessly at perfecting his craft as both a producer and DJ, and that effort has paid off in droves. The San Francisco based artist has toured tirelessly domestically and internationally, while still finding time to start two new imprints (<a contents="King Dubbist" data-link-label="" data-link-type="url" href="https://www.facebook.com/kingdubbist" target="_blank">King Dubbist</a> & <a contents="Avocaudio" data-link-label="" data-link-type="url" href="https://avocaudio.bandcamp.com/" target="_blank">Avocaudio</a>) and co-found another (<a contents="Hollow Point Recordings" data-link-label="" data-link-type="url" href="https://www.facebook.com/hollowpointrecordings/" target="_blank">Hollow Point Recordings</a>). Nowhere, however, does Roommate's ambition shine brighter than in his productions. Coming from a longtime background as a guitarist, he has an ear for melody and phrasing matched by few, and his innate musical understanding truly ties the room together.<br> <p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223160187&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe></p><br> His latest release, the <strong>RESPECT EP</strong>, brings us 3 tracks of classic Roommate sound, the perfect juxtaposition of carefree dub rhythms and sinister undercurrent. A lazy, sliding guitar riff leads us into a reverb-heavy orchestra of deep reggae sounds. The track is punctuated perfectly with a sneering mid-range bassline. The next track, 'Massive Respect,' builds on this theme seamlessly, while delving into much more psychedelic territory. The apropos vocal sample is stretched and contorted hypnotically beyond recognition, and the tune reaches zenith with a glassy, mischievous synth line from the great beyond. The final track (listen and download below) is the perfect landing-gear for the intense journey of the previous two tracks. Receiving blissful guitar treatment from the talented Josh Greenfield, the melodic banger is sure to put a smile on any listener's face.
<p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/263818966&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe></p><br>Follow the soundcloud link above to hear the whole EP, and be sure to grab your copy of the release on <a contents="Beatport" data-link-label="" data-link-type="url" href="https://www.beatport.com/release/respect/1771212" target="_blank">Beatport</a>!<br><br><span class="font_small">-Evan Franklin 13 Jun 2016</span>subdotmission.comtag:www.subdotmission.com,2005:Post/42240922016-06-11T09:58:10-06:002023-12-10T10:35:52-07:00EshOne Steps Up for 60th Installment of Lexdray's City Series Mix The Sub.mission Agency is proud to announce it will be teaming up with <a contents="Lexdray" data-link-label="" data-link-type="url" href="https://www.lexdray.com/">Lexdray</a> for several installments of their highly renowned <a contents="City Series" data-link-label="" data-link-type="url" href="https://www.lexdray.com/collections/city-series">City Series</a> mixes. The collaboration is off to a massive start with Agency artist <strong>EshOne</strong> on the decks. The <a contents="Elk Beats" data-link-label="" data-link-type="url" href="http://www.elkbeats.com/">Elk Beats</a> boss is known for his sparse, rhythm-driven productions, which he uniquely embellishes with self-recorded soundscapes and samples of the natural world. This sound provides an incredible baseline (no pun intended) for the session, which is punctuated by punchy dancefloor jumpers like Saule's "Kalakuta." However, EshOne's productions are truly the star of the show. His low, rumbling sounds create a monstrous through-line. It takes a talented artist to construct such a varied mix while maintaining a singular, unique voice- and EshOne accomplishes this effortlessly. This mix is a true testament to the skill and talent of young US producers making fresh, disciplined, and forward-thinking bass music.<br><br>Take a listen below and be sure to follow Lexdray on Soundcloud to keep up with the collaborative series! <br> <p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/268481759&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/42246152016-06-10T21:27:59-06:002023-12-10T09:47:21-07:00Sub.Mingling: Sukh Knight and DJ Squarewave<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2918fc05f63015a4c2cdf5900b59b5ed3ddc5702/original/artworks-000123794414-odncpe-t500x500.jpg?1464943436" class="size_l justify_center border_" /><br><br>We caught up with Sukh Knight and DJ Squarewave from East London and talked about Infrasound Music Festival, wild animals, mud, sound systems, influences, grime music,new artists and much more.<br> 26:48subdotmission.comtag:www.subdotmission.com,2005:Post/42227052016-06-09T19:55:23-06:002017-01-12T07:25:05-07:00The Rewind: Sukh Knight, Squarewave, & More!<p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/965771dc3475883137e2da02829d5a2290576c82/original/sukh-knight-squarewave-june-7.png?1465522866" class="size_l justify_center border_" /><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/66b9d2c9289f9fb04e2422a6581745184310188a/original/squarewavee.jpg?1465524120" class="size_l justify_center border_" /><br><br>The Summer season is finally here and as the climate warms up and temperatures rise outdoors, so will the dance floor at Electronic Tuesdays! This past Tuesday night we gathered on the dance floor to embrace yet another massive lineup of bass music presented by none other than Sub.mission. Not only did the night’s lineup feature an impressive roster of some of Colorado’s sickest local talent battling it out in the May Winners Showcase battle, but headlining the 1st installment of Electronic Tuesdays for the month of June, we welcomed London’s very own Sukh Knight & Squarewave from New World Audio! Coming in fresh off of groundbreaking performances at Infrasound Music Festival in Wisconsin over the previous weekend, the London duo had us losing our minds as we raged in the mud at The Beach Stage and I couldn’t wait to catch them bringing that raw, uncut, UK sound to the Mile High City on Tuesday night! </span></p>
<p style="text-align: center;"><span class="font_large">The dance floor was completely packed, the subwoofers were flexing, and this past Tuesday night was one that won’t soon be forgotten! Whether you joined us at Cervantes’ Other Side and danced the night away with us or weren’t able to make it out, this week’s edition of The Rewind is here to give you a feel for how the night went! Check it out! </span></p>
<p style="text-align: center;"><span class="font_large">As soon as doors to the venue opened, the Electronic Tuesdays crowd made their way on to the scene and awaited a fully loaded night in bass music from beginning to end. Weekly host ‘XTS’ graced the microphone and welcomed everyone to the dance floor as the first installment of June’s E-Tuesdays was set to launch. The night began at 9:00pm as local DJ’s Ghost, Davi-D, Jang, & Wadada made their returns to perform in this throwdown and remind everyone what they’re made of. Having won their previous DJ Battles during the month of May, each artists brought their A-Game as they faced off in this showcase battle where only 1 DJ would emerge as the winner and advance to perform a time slot at an upcoming Sub.mission show. Making the most out of their 30 minute time slots to get the crowd moving early in the night and set the tone for Sukh Knight & Squarewave, each battler made quite the impact and put on memorable performances and once again proved how talented and diverse the local music scene in Colorado really is. This week’s battles were comprised of a wide series of styles and genres ranging from Drum&Bass/Jungle, Tear-out Dubstep, and even some more minimal, deeper 140 sounds as well. After a heated battle among the 4 selectors, DJ Wadada beat out the competition and was crowned the battle champion for the month of May. Be on the lookout for the Fort Collins resident ‘Wadada’ as he will be making his return to perform a time slot at an upcoming Sub.mission show in the near future! <br><br>WADADA<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8320dcf0d8ee92d61303dc161684b06d3a9d424d/original/screen-shot-2016-06-09-at-7-48-09-pm.png?1465523330" class="size_l justify_center border_" /></span><br><br><br> </p>
<p style="text-align: center;"><span class="font_large">Now that the battles had come to a close and the audience had been properly warmed up, it was now time for the one like Squarewave to step up to the decks and kick things up a notch! From the moment that he took the stage, Squarewave instantly captured the entire crowd with a fierce and relentless approach to bass music that caught everyone’s ears and had bodies moving throughout the entire venue. Having seen the badman perform the last time that he was in Denver alongside Sukh Knight at a previous installment of Electronic Tuesdays, I knew to fasten my dancing shoes and get ready for some hard hitting bass lines and gut-wrenching drops. The majority of the tunes that Squareawave played out during this set were relatively new to me, along with arsenal of new and exclusive material from the New World Audio imprint. Among the wide array of tunes that were rinsed, one of my favorites happened to be the track ‘Taser’ from underground dubstep badman, Arkwright. The tune had the dance floor hitting optimal vibrations and we couldn’t get enough! <br><br>SQUAREWAVE<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/539a1b9a5a946871426287bd308af031c678fef5/original/screen-shot-2016-06-09-at-7-50-38-pm.png?1465523469" class="size_l justify_center border_" /></span></p>
<p style="text-align: center;"><span class="font_large">Next up in the night’s rotation, it was now time for the don himself, Sukh Knight to take the decks and make some noise! Hailing all the way from London, the birthplace of dubstep itself, Sukh Knight is a name that has become synonymous with old school 140 sound and he is a true innovator when it comes to bass music since the early days. His distinct sound is unmistakable and emulates a modern day evolution of the older, reggae/rootsy dubstep styles combined with today’s more aggressive ‘riddimy’ styles as well. Maintaining a stage presence that was calm, cool, and collected, Sukh Knight got straight down to business and made a true impact in his Denver return. Hyping up the crowd and dropping tunes like ‘Interstellar’ and ‘Hustlerz’ from his latest EP as well as dance floor bangers ‘Diesel Not Petrol’ & ‘Ganja Dub’ the one like Sukh Knight made it clear that he was here to annihilate the crowd and he did nothing less. <br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/50c4194e54cb23c0d8cf81902a8998f186142408/original/screen-shot-2016-06-09-at-7-52-30-pm.png?1465523568" class="size_l justify_center border_" /></span><br><br> </p>
<p style="text-align: center;"><span class="font_large">The clock had hit 1:00am and the energy throughout the entire venue was peaking by the time that Squarewave would join Sukh Knight for a massive back-to-back set to close out the night! The pairing of these two artists is a true deadly combination and this closing set was one of the rowdiest performances that I have experienced at an Electronic Tuesdays in recent years. As I looked out into the crowd throughout the night, I noticed the demographic was made up of old-school heads as well as a younger, newer generation of enthusiasts that were all getting down and raging in unison. The sound of Sukh Knight & Squarewave captures various generations of bass music lovers and does not discriminate any age group or background. </span></p>
<p style="text-align: center;"><span class="font_large">From the moment they took the decks in this tag-team set, the London Duo brought those classic old school UK feels to Denver and put on performance that was nothing short of legendary. Tunes like Egoless’ ‘Like A Nuclear Bomb’ , Coki’s ‘Spongebob’, Kaiju’s ‘Justice’, and an arsenal of Kromestar dubplates ignited the crowd and had me re-evaluating whether I was still in Denver or if I’d been transported to London where this bass heavy sound originated. By the time it was all said and done, Sukh Knight & Squarewave had completely destroyed the dance floor at Cervantes’ Other Side and in every direction that you looked the crowd was full of smiling faces with clapping hands that demonstrated their appreciation for this legendary duo. Whether you are an old-school dubstep head or part of a generation of newer listeners, the story of UK Dubstep can’t be told without an honorable mention to New World Audio generals, Sukh Knight & Squarewave! <br><br>SUKH KNIGHT B2B SQUAREWAVE<br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="O0tTGwwSnYI" data-video-thumb-url="http://img.youtube.com/vi/O0tTGwwSnYI/0.jpg" type="text/html" src="https://www.youtube.com/embed/O0tTGwwSnYI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></span></p>
<p style="text-align: center;"><span class="font_large">Big ups to everyone that made it out and took part in such a huge night in sound as Sub.mission launched us into the first Electronic Tuesdays of the month of June with a bang! See you all next week for performances from Yheti, Gloominoti, Dillard, & more! </span></p>
<p style="text-align: center;"><br>Author: Carlos Galvan</p>subdotmission.comtag:www.subdotmission.com,2005:Post/42160082016-06-06T14:23:59-06:002023-12-10T10:03:18-07:00Agency Spotlight: Kaiju<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a48cb11ad8bf598c9b41c6889c6e2c077dd0869b/original/kaiju.jpg?1465244072" class="size_l justify_center border_" />There can be no light without darkness. The beauty of life is contained by good and evil, and a true celebration of existence must include both. It’s a truth that many people prefer to deny; some of us gather in pitch dark rooms filled with massive sound systems, cast our eyes down, and cling to it. The subfrequent journey through the duality of reality is a sacred rite, and there is no shamanic entity better to lead it than Kaiju.<br> <iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/64390274&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>In Japanese culture, a kaiju is a magnificent mythical beast – a monster that rises from the depths of the sea. The image is a fitting depiction of Kaiju’s sound. The duo is known for their master of visceral subfrequencies immersive enough to drown in. The most powerful aspects of their music are inaudible: meant to be felt rather than heard. The Kaiju experience is a sound system experience. The music is enjoyable to listen to, but the true magic occurs when it swallows you whole.<br><br><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/262312600&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br>Kaiju’s tracks have been sound system staples ever since their first releases on Osiris in 2012. Today, the pair is best recognized from their Deep Medi releases: Justice/Creeper and Burn Down Babylon/Wrong Things are right at home rumbling any proper dance floor. Their style takes a dark twist on dubstep’s reggae roots, leading the listener out of their comfort zone and into the ominous nightmare realm of their own fears. Still, the journey is rarely jarring. During a Kaiju set, the dance floor is always bouncing – and when its over, the crowd emerges fearless.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/183954260&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Despite their iconic releases, Kaiju is most cherished for the tracks they withhold. In sets and mixes, Kaiju demonstrates a profound dominance of patience and timing; they mirror this tension with their releases. The Deep Medi holiday mix unveiled at the end of 2014 teastes out a selection of tunes very gradually beginning to be unleashed, creating an anticipation familiar to anyone who’s experienced one of Kaiju’s sets. Rumors of collaborations with many of today’s most prominent artists – including fellow Sub.mission Agency sweethearts – and phone-quality recordings keep the heads hanging in perpetual suspense. The sense of mystery surrounding Kaiju is fitting. In a music culture where artists tend to flood the internet with tracks, and streaming makes any sound accessible to those who know where to look, it is a rare treat to watch the dance floor explode not the same familiar bangers, but the tunes that have never before graced our ears.<br><br>The Deep Medi label is defined by a feeling rather than a style. While many labels showcase a specific aesthetic, Deep Medi is focused on a vibe. Beneath the sinister, creepy exterior, Kaiju’s music is really about love. They embrace the essential beauty of pain. The Kaiju remix of A Taste Of Struggle’s “Deep End” epitomizes the sweet truth of heartbreak – it is contained by love. “Justice” celebrates the merits of suffering: the vocal, “You can’t have peace without justice” is a testament to an insidious reality of human nature that is ultimately good. The duo exposes our inherent vulnerabilities and celebrates the softness. The Kaiju experience is one of primal tenderness. With a proper sound system, the sensation is something like a long hug from the person who knows the worst parts of you.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/246988283&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p><br>It’s easy to get lost in the world’s darkness. Instead of desperately attempting to escape it, Kaiju embraces the natural evil. It might look like a satanic ritual when we congregate on dimly lit dance floors to take communion from the subwoofers, but really, it’s just that once you submit to total blackness, the sharp edge where the light cuts through shines brilliant and warm like sun. After all, there is no light without darkness.<br><br>Follow Kaiju on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/Kaijudub/?fref=ts" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/kaijudub" target="_blank">SoundCloud</a>. Check out their <a contents="agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/kaiju" target="_blank">agency page</a> for upcoming appearances, booking information, and more.<br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://www.limination.net" target="_blank"><em><span class="font_small">Amye Koziel</span></em></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/42098962016-06-03T01:33:48-06:002017-01-12T07:25:05-07:00Hustle Knowledge: Sukh Knight & Squarewave<p><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6bb8defd566ee37767a1debfb82f008818c1a8b9/original/sukh-square.jpg?1464943436" class="size_l justify_center border_" /><br>Sukh Knight and Squarewave are two of the most eminent masters of bass. This Tuesday is a mega doubleheader because both of these guys have tunes bigger than “ya mama.” Sukh’s Tiger style has been pushing bass and boundaries for over ten years. His rolling basslines and witty wobbles first caught our attention with his instant classics ‘Ganja Dub’ and ‘Diesel Not Petrol’ back in the late 2000’s. He’s an OG in the Grime scene but lately his monstrous rollers have really proved his test of time. His magic is unparalleled especially when he uses dub vocals or even remixes a jungle tune like Congo Natty ‘Get Ready’ Some of his newest tunes really prove how he has mastered the realms of husltin’ vibes and low end frequencies. If Eazy E was around today he’s probably spittin’ flows to Sukh’s ‘Hustlerz.’ Check out Insterstellar and Hustlerz below. His tunes go so hard it will make you want to wheel up with your face! <br><iframe class="justify_inline" data-video-type="youtube" data-video-id="MapFFIfpFfI" data-video-thumb-url="http://img.youtube.com/vi/MapFFIfpFfI/0.jpg" type="text/html" src="https://www.youtube.com/embed/MapFFIfpFfI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="yhCS4oEeGkA" data-video-thumb-url="http://img.youtube.com/vi/yhCS4oEeGkA/0.jpg" type="text/html" src="https://www.youtube.com/embed/yhCS4oEeGkA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="z2uJyZ-6sRU" data-video-thumb-url="http://img.youtube.com/vi/z2uJyZ-6sRU/0.jpg" type="text/html" src="https://www.youtube.com/embed/z2uJyZ-6sRU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="mNYI_qEy0Uo" data-video-thumb-url="http://img.youtube.com/vi/mNYI_qEy0Uo/0.jpg" type="text/html" src="https://www.youtube.com/embed/mNYI_qEy0Uo?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="MXzzjR9DbsU" data-video-thumb-url="http://img.youtube.com/vi/MXzzjR9DbsU/0.jpg" type="text/html" src="https://www.youtube.com/embed/MXzzjR9DbsU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br> <br>Squarewave has released on music on H.E.N.C.H Recordings, New World Audio and Moonshine Recordings. You’ll get lost in the dark abyss of his deep and heavy tunes while listening to his flawless mixing skills. His bass heavy production is the next level of dubby vibes. His sets include a heavy reggae dub, silky synth and fierce drops. <br>Check these guys out in action on the GetDarkerTV #169 video. <br><iframe class="justify_inline" data-video-type="youtube" data-video-id="yGqdTWDwMqA" data-video-thumb-url="http://img.youtube.com/vi/yGqdTWDwMqA/0.jpg" type="text/html" src="https://www.youtube.com/embed/yGqdTWDwMqA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><br><br>Get to Cervantes’ Otherside early to catch an amazing showcase from the May battle winners. <br>Pre-party mix recommendation: <br><a contents="https://soundcloud.com/squarewavedj/sukh-knight-and-squarewave-on-kool-london-radio-170715-repost&nbsp;" data-link-label="" data-link-type="url" href="https://soundcloud.com/squarewavedj/sukh-knight-and-squarewave-on-kool-london-radio-170715-repost">https://soundcloud.com/squarewavedj/sukh-knight-and-squarewave-on-kool-london-radio-170715-repost </a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/42062972016-06-01T06:51:29-06:002017-01-12T07:25:05-07:00This Month In Bass: June<div style="text-align: center;"><p>Its officially summer time and things are seriously heating up here in the Mile High City. No doubt the last few months have had your head spinning and at the end of those nights you were left wondering what will come next and how can it possibly top what has already come through this year. With the recent announcement of two MASSIVE shows later this summer in the Cervantes Ballroom it’s easy to see why that question would come to mind. Those that know how <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> likes to get down in the summer know that those two shows are just the tip of the iceberg when it comes to summertime Sub.mission events. Coming off of a seriously stacked month that was May, we are moving forward into June with a fat line up of artists you’ve been patiently waiting to return to Denver as well as the debut of some seriously big heavy hitters in the dubstep scene. So whether you’re new or an OG, whether you don’t know or are in the know set back and get ready for this edition of This Month In Bass. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/34c2170c9e8ea659b3ea6fb1b5ae83f4b8b7c219/medium/13288748-10206451690154132-245594399-o.jpg?1464757380" class="size_m justify_center border_" /><br> <br>June <a contents="Electronic Tuesday’s" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesday’s</a> are seriously packed to the brim with talent. We start on <a contents="June 7th" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1185211?_ga=1.255011016.1907744445.1430970455&__utma=1.1559369538.1430970455.1462399361.1462820904.54&__utmb=1.4.10.1462820904&__utmc=1&__utmx=-&__utmz=1.1461698771.52.19.utmcsr%3Dfacebook.com%7Cutmccn%3D%28referral%29%7Cutmcmd%3Dreferral%7Cutmcct%3D%2F&__utmv=-&__utmk=69849488">June 7th</a> with the long awaited return of the <a contents="New World Audio" data-link-label="" data-link-type="url" href="https://www.facebook.com/NEW-WORLD-AUDIO-298580380167620/?fref=ts">New World Audio</a> generals <a contents="Sukh Knight " data-link-label="" data-link-type="url" href="https://www.facebook.com/SukhKnightOfficial/?fref=ts">Sukh Knight </a>& <a contents="Square Wave" data-link-label="" data-link-type="url" href="https://www.facebook.com/djsquarewave?fref=ts">Square Wave</a>! Internationally known as one of true innovators of underground dubstep, Sukh Knight & Square Wave are about to bring the raw, uncut UK sound to Five Points for what is going to be an absolutely massive night! Both men are coming off of a MASSIVE performance at Infrasound Music Festival and they both have TONS of new music to drop on you. Starting the night off is the May Winners Round of the DJ Battles and we have DJ Davi-D, Ghost, Jang and Wadada going head to head for bragging rights and a paid slot on at a future Sub.mission show! These guys put their all into the battles last month so you know that this winners round is going to be a gloves off, no holds barred throw down! Definitely not a battle to be missed<br> <br>On <a contents="June 14th" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1185213?_ga=1.217253974.1907744445.1430970455&__utma=1.1559369538.1430970455.1462399361.1462820904.54&__utmb=1.4.10.1462820904&__utmc=1&__utmx=-&__utmz=1.1461698771.52.19.utmcsr%3Dfacebook.com%7Cutmccn%3D%28referral%29%7Cutmcmd%3Dreferral%7Cutmcct%3D%2F&__utmv=-&__utmk=69849488">June 14th</a> we have the return of the one like <a contents="Yheti" data-link-label="" data-link-type="url" href="https://www.facebook.com/yhetimusic/?fref=ts">Yheti</a>! Known for fusing multiple genres and sounds, Yheti has become one of the fastest rising names in the bass music scene over the last few years. Many try to classify his sound as trippy, obscure, abstract and psychedelic, among other things, but none of that matters because it all boils down to one thing, his music hits you hard and makes you dance! He’s been on a serious rampage tearing up the festival circuit and he's bringing his experimental sound with a force to be reckoned with come June 14th! Also on the line up is Sioux Falls duo <a contents="Gloominoti" data-link-label="" data-link-type="url" href="https://www.facebook.com/Gloominoti/?fref=ts">Gloominoti</a>, coming fresh from Infrasound as well, and Sub.mission resident <a contents="Dillard" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">Dillard</a>! <br> <br><a contents="June 21st" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1185215?_ga=1.217253974.1907744445.1430970455&__utma=1.1559369538.1430970455.1462399361.1462820904.54&__utmb=1.4.10.1462820904&__utmc=1&__utmx=-&__utmz=1.1461698771.52.19.utmcsr%3Dfacebook.com%7Cutmccn%3D%28referral%29%7Cutmcmd%3Dreferral%7Cutmcct%3D%2F&__utmv=-&__utmk=69849488">June 21st</a> is another long awaited return of an artist that absolutely smashed Five Points to pieces on her last visit. She is recognized as one of the core members of the Butterz crew and on June 21st <a contents="Flava D" data-link-label="" data-link-type="url" href="https://www.facebook.com/FlavaDMusic/?fref=ts">Flava D</a> is about to bring more UK bass flavor to Five Points! Drawing influences from various genre’s such as Grime, House, Bassline and Garage, she has a sound that is undeniably unique and is guaranteed to move any crowd she plays out to. The night is sure to be a banger as we have supporting sets from Sub.mission resident and trap/grime connoisseur <a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a>, as well as Co Springs homie <a contents="GBP" data-link-label="" data-link-type="url" href="https://www.facebook.com/DJ.GBP.719/?fref=ts">GBP</a>. You might need a fresh pair of dancing shoes for this one because last time we most definitely wore ours out!<br> <br>Finishing off June Electronic Tuesdays we have a Denver debut of epic proportions. On <a contents="June 28th" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/1185217?_ga=1.246689220.1907744445.1430970455&__utma=1.1559369538.1430970455.1462399361.1462820904.54&__utmb=1.4.10.1462820904&__utmc=1&__utmx=-&__utmz=1.1461698771.52.19.utmcsr%3Dfacebook.com%7Cutmccn%3D%28referral%29%7Cutmcmd%3Dreferral%7Cutmcct%3D%2F&__utmv=-&__utmk=69849488">June 28th</a> we have the arrival of <a contents="RDG" data-link-label="" data-link-type="url" href="https://www.facebook.com/RDGCPH/?fref=ts">RDG</a> & <a contents="K Man" data-link-label="" data-link-type="url" href="https://www.facebook.com/kmanmusik/?fref=ts&ref=br_tf&qsefr=1">K Man</a>!! RDG & K Man are a seriously deadly combination, to say the least. Both artists have made some dangerously massive contributions to the realm of underground dubstep and they both continue to push the limits of the sound to places and spaces beyond what any would consider the status quo. Aside from their individual releases on big name labels like Deep Medi, Mindstep, Dubliminal & New World Audio, some of their most recognized collaboration work can be traced back to the February 2016 release of Circle Vision Records’ 'Lost On Earth Vol. 1'. No doubt that you’ve heard it before and if you haven’t you most definitely will alongside the many, many other banging tunes both old and new that they’ll have ready to drop on the Other Side come June 28th. We know the “Denver Massive” have been patiently waiting for this seriously huge debut for some time now and we’re excited to finally bring them to you. If all that wasn’t enough we have none other than one of Colorado's most exciting rising talents on support. <a contents="Dalek One" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne/?fref=ts">Dalek One</a> will be on closing duties and judging by all the noise he’s been making lately with the Version Collective crew, he’s almost certainly going to leave everyone begging for the night not to end. We simply cannot wait for this one! <br> <br>Make sure you get there early each and every Tuesday to support the local artists in the DJ battles. This month we have Kersey, Live Animals, Johny Trapo, Boss Mode, Bubblez, Rettchit, Counterfeit Rainbow, Mindphunkx, CoYoTa, Waylo, Whatley& Froztwreck going head to head for a slot in the June Winners Round next month. Also be sure to stop by the photo wall every Tuesday and talk to Carlos and Ray Jay to enter our ticket give away contest! Every week they are giving away tickets to upcoming Electronic Tueday’s so take the chance to save some money and get in on the action. <br> <br>Also in the month of June Sub.mission heads back to <a contents="Sonic Bloom" data-link-label="" data-link-type="url" href="https://www.facebook.com/sonicbloom/?fref=ts">Sonic Bloom</a>! We have a collection of Sub.mission Residents and Agency artists that are going to smash the Sonic Bloom apart on <a contents="Saturday June 28th" data-link-label="" data-link-type="url" href="https://www.ticketfly.com/purchase/event/903461?skinId=5135&mode=preview">Saturday June 28th</a>! Sub.mission resident and ABM bad man <a contents="Bean" data-link-label="" data-link-type="url" href="https://www.facebook.com/beandubstep/?fref=ts">Bean</a>, Co Springs dubstep boss and fellow resident<a contents=" Ind33p" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PvsGBP/?fref=ts"> Ind33p</a>, Sub.mission Agency rude boy <a contents="NastyNasty" data-link-label="" data-link-type="url" href="https://www.facebook.com/NastyNasty-128765516974/?fref=ts">NastyNasty</a> and fellow Agency artists <a contents="The Widdler" data-link-label="" data-link-type="url" href="https://www.facebook.com/thewiddler/?fref=ts">The Widdler</a> and <a contents="Cloud-D" data-link-label="" data-link-type="url" href="https://www.facebook.com/clouddbass/?fref=ts">Cloud-D</a> will take over the Hummingbird Stage for an afternoon proper bass music. I don’t think we need to reiterate how awesome that afternoon is going to be. We’ll see you at Bloom! <br><br>June is looking pretty good right? It makes you wonder what is on the horizon for the rest of the summer. Well we can’t tell you just yet but you can rest assured that whatever is coming is going to blow you away but lets not focus on what’s to come just yet. After all, June just started and we have a seriously stacked month of music to get through before we can even think about all that. So with that in mind make sure you check out this month’s “Monthly Mixtape” below and get to a preview of everything to come this month. We promise youll love it! See you in the dance ;)<br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/230057986&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe></p></div>subdotmission.comtag:www.subdotmission.com,2005:Post/42040532016-05-30T20:06:06-06:002020-11-25T06:08:27-07:00Agency Spotlight: The Others<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/def280f661eb4e231757f3bf22e26d8989421d60/large/the-others.jpg?1464659996" class="size_l justify_center border_" /><p>Culturally and musically, dubstep’s character is shaped by a strange existential crisis. Like any middle schooler in search of personal identity, the genre underwent an awkward adolescence. It fractured into cliques: whether or not you subscribe to subgenre controversy, the distinctions between “brostep” and “riddim” and “real” dubstep are at least vaguely familiar. An “us vs. them” mentality distinguishes sound system culture from mainstream norms; its adoption within the dubstep community itself is ever apparent in Twitter beef, DJ drama, and sound system politics. There’s a rampant obsession over the things that drive music fans apart – dramatically speaking, a battle raging over ownership of dubstep’s identity. Still, there’s a reason why its soldiers fight on the same field. With a focus on the music that brings people together, The Others oversees this common ground.<br> </p><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/4CtEPz5QDRc" width="560"></iframe>
<p>The Others is a master of the sinister vibe that differentiates dubstep from other styles of dance music. The insidious undercurrent pulsing through tunes like “Voyager” characterizes the genre’s creepy tradition, as well as the people who are drawn to it. But the artist – who, contrary to grammatical sensibilities, is a single individual – also boasts one of the most diverse and extensive catalogues that bass music has to offer. The Others is the most-released artist on the Dub Police roster, and he’s best known for his status as a staple of the iconic label. Dubstep’s fractured identity can be traced back to the inception of the Dub Police sound, which The Others created alongside figureheads like Caspa and Rusko. Nothing about the wonky, aggressive style is inherently commercial. The sound pioneered by the collective was simply commandeered when enough people recognized it as good.<br> </p><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ffP3wmB4JrU" width="560"></iframe>
<p>The Others’ productions straddle aesthetic boundaries and genre conventions in a way that’s less “risk-taking” than genuine musical expression. He boasts collaborations with artists from all sides of the bass music matrix: from J:Kenzo and N-Type, to Joker, to labelmates like Emalkay and Caspa. There’s no religious adherence to the 140 template, either – The Others devotes entire releases to house and other styles. His sound fluctuates from minimalist to massive, catchy and danceable to decidedly underground. But regardless of tempo or appeal, all of The Others tunes remain firmly anchored to the intoxicating subfrequences that give bass music its magic.</p><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/yFOouzIC_zA" width="420"></iframe>
<p>According to a canon of tired old academics, humans, as social animals, derive our personal identities as much from who we’re not as from who we think we are. What it means to be “us” is relative to what it means to be “them” . Sociologists appointed a term for the undefined, amorphous, all-encompassing “them”: the other. It may seem strange, that the singular entity known as The Others chose to retain plurality for his individual musical personality. But, given his inclusive, uniformly nonconforming repertoire, the alias makes sense. Music subcultures are known as havens for all sorts of outcasts – dubstep is no exception. Amidst the pseudo-cultural battle over the genre’s identity, ultimately it is the music that brings the weirdo fans of all brands of bass music together. It’s the subfrequent trance we fall into, on the dance floor that’s home to “the others”.<br><br>Follow The Others on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/OthersDubstep/?fref=ts" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/othersdubstep" target="_blank">SoundCloud</a>. <a contents="Click here for upcoming tour dates, booking information, and more" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/the-others" target="_blank">Click here for upcoming tour dates, booking information, and more</a>.<br> </p><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/cn7eBBrscCk" width="560"></iframe><br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><span class="font_small"><em>Amye Koziel</em></span></a>subdotmission.comtag:www.subdotmission.com,2005:Post/42020982016-05-28T21:33:44-06:002020-11-20T04:05:07-07:00Sub.mingling: Preditah<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/018e85a31d24d1c34fe428e623906a260a17b806/medium/preditah.jpg?1464490976" class="size_m justify_center border_none" alt="" /><p>Recently grime has begun to become popular in several American cities, does this surprise you? <br><br>Preditah: Yeah, because I've grown up on grime and been involved with it awhile, so to see it cross over has been crazy, espescially in the last year or two. </p>
<p>Grime music draws heavily from UK slang and culture, do you think it will always be a genre which comes primarily from the UK, or will producers and MCs from other countries someday begin making grime music? <br><br>Preditah: I think so. But I still think it will imitate UK culture, because like hip-hop even though people do it away from America they still copy the swag, the flows etc. So I feel like people will still do grime their own way, but it will still imitate the UK. </p>
<p>If artists from countries other than the UK did start making grime, would it truly still be grime? <br><br>Preditah: Yeah I think so. </p>
<p>How did you first become involved in making music, and what advice would you have for others who want to make music? <br><br>Preditah: Well before I started making music, I was playing music. I played the guitar. So I was already a musician, and then I started producing music because my friend had software and obviously it intrigued me how to make music so I taught myself. So I always tell people now, learn an instrument first so you understand music. And I went to uni, I studied music, I know how to read notes, so I always tell people to study music as well, but not become too geeked into it because it will limit your creativity. I think it's good to like y'know dive into it yourself, and learn things yourself as well. As well as knowing the basics, so yeah do a bit of both would be my advice. </p>
<p>Who would you consider as some of your influences, both musical and non-musical? <br><br>Preditah: Influences, musical, anybody, I haven't really got someone I look up to musically. I grew up on genres, like R and B, gospel, jazz music, I love jazz music, I like hip-hop, I like everything really. <br><br>So just kind of drawing on whatever strikes you at the moment?<br><br>Preditah: Yeah but honestly I won't make a track for a month sometimes if I'm uninspired. And also people wise my family and friends, because not everyone that's my friend is a musician. So they might advise me, because their normal people that just want to be normal and be humble. But I've also got people like BBK that are musical, and because they are so normal as well, even though they are sucessful people, they are still normal and do normal things, that just inspires me to do normal things like go to the gym, or just play football, or travel.</p>
<p>Who are some grime MCs or producers you would recommend to an American audience looking to broaden their horizons within that genre? <br><br>Preditah: Just Boy Better Know. Boy Better Know, simply because we've been true to the sound from the beginning. Espescially Skepta, even though he's well known now, they've been doing it from when it was garage. And their isn't any better MCs then Boy Better Know either. Producer wise now, you've got Rude Kid, you've got Swifta Beater, there's so much producers that make grime, you've got Spyro. So producers there's loads that are good, but MCs? Definitely Boy Better Know. </p>
<p>Any major releases coming up from you, or other artists you might be working with that your fans should keep a look out for? <br><br>Preditah: I've got a lot of garage music coming out more then anything. I've got a few grime tracks with JME that might be dropping this year. But mainly I've got loads of garage, sick songs, dubs stuff like that, yeah look out for that. </p>
<p>Who are some of your favorite artists to listen to, either electronic/dance or not?<br><br>Preditah: You know what? I haven't really got a favorite artist. But right now, I like all UK artists. I haven't really got a favorite. <br><br>Name a few artists we should keep an eye on. <br><br>Preditah: I would say Stormzy, because he's young. Section Boys. Everyone in the UK is killing it right now. Merky Ace, can't forget them family. Everyone in the UK is killing it, so just look out for the UK in general.<br><br>Sub.mission's .mission is moving people through sound, what is your mission?<br><br>Preditah: My mission is to push the UK sound world wide, that is my mission. </p>subdotmission.comtag:www.subdotmission.com,2005:Post/41992972016-05-27T02:25:22-06:002022-05-17T12:02:18-06:00Hustle Knowledge: LAS & Mikael<p><span class="font_regular"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ba5bcd04aa78c1b803b52dabd705ce3b7f130dca/original/las-m-pic.jpg?1464338289" class="size_l justify_center border_" /><br><br>A deep, dark and heavy wave of bass is about to come crashing in on Denver this Tuesday. When it comes to deep dubstep, LAS and Mikael are at the forefront of the movement right now. These guys go deep. We’re not really sure what’s in the water in Finland that makes these guys bring the heat but we’re about to get a taste of it. Their collaboration on the Innaminds label entitled, "LAS x Mikael" is a soundscape of heavy basslines, fierce percussion and a breath of fresh air for sound system culture. LAS and Mikael have created a special vibe. Whether you are in the mood to meditate on bass weight or just ready to skank out, this will be the perfect combination of both. <br>LAS and Mikael have fully captured the essence of sound system culture with their special blend of low end bass and samples of Jamaican toasting. Denver culture embraces this rich culture. Anyone who is not familiar with this culture is invited to experience a “way of life.” Sound system culture represents not only a way of life but a way of listening, a way of hearing and most importantly a way of feeling. These two have released music on some of the biggest labels including Innamind, System and ZAMZAM, just to name a few. The following sound clips will give you an idea of the vibe they are going to bring. However, to capture the full effect of their tunes, it must be experienced in person on a proper sound system. Tuesday is your chance to experience and truly feel why these artists from Finland moved crowds around the world. Make sure to get there early for the DJ Battle and stick around after for a special set from Astral.<br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="ckfxPcVvJi8" data-video-thumb-url="http://img.youtube.com/vi/ckfxPcVvJi8/0.jpg" type="text/html" src="https://www.youtube.com/embed/ckfxPcVvJi8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br> <br> <br><iframe class="justify_inline" data-video-type="youtube" data-video-id="-TBMXUrUqXY" data-video-thumb-url="http://img.youtube.com/vi/-TBMXUrUqXY/0.jpg" type="text/html" src="https://www.youtube.com/embed/-TBMXUrUqXY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe> <br><iframe class="justify_inline" data-video-type="youtube" data-video-id="BMRkLwWHVyQ" data-video-thumb-url="http://img.youtube.com/vi/BMRkLwWHVyQ/0.jpg" type="text/html" src="https://www.youtube.com/embed/BMRkLwWHVyQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="jOb7cqYMNY4" data-video-thumb-url="http://img.youtube.com/vi/jOb7cqYMNY4/0.jpg" type="text/html" src="https://www.youtube.com/embed/jOb7cqYMNY4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br> <br><iframe class="justify_inline" data-video-type="youtube" data-video-id="qKds3q17A64" data-video-thumb-url="http://img.youtube.com/vi/qKds3q17A64/0.jpg" type="text/html" src="https://www.youtube.com/embed/qKds3q17A64?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe> <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="jvRX36A0L44" data-video-thumb-url="http://img.youtube.com/vi/jvRX36A0L44/0.jpg" type="text/html" src="https://www.youtube.com/embed/jvRX36A0L44?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="5jW6ftO0RKM" data-video-thumb-url="http://img.youtube.com/vi/5jW6ftO0RKM/0.jpg" type="text/html" src="https://www.youtube.com/embed/5jW6ftO0RKM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="F2A2CRJf688" data-video-thumb-url="http://img.youtube.com/vi/F2A2CRJf688/0.jpg" type="text/html" src="https://www.youtube.com/embed/F2A2CRJf688?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></span><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="HN7YhPLbcO0" data-video-thumb-url="http://img.youtube.com/vi/HN7YhPLbcO0/0.jpg" type="text/html" src="https://www.youtube.com/embed/HN7YhPLbcO0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/41990192016-05-26T21:03:10-06:002017-01-12T07:25:04-07:00The Rewind: Preditah, Crix Saiz, The Toddfatha & More!<p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e064a2406c053cf901f7754bcf71e2fc88fbc96b/original/preditah-crix-saiz-toddfatha-cover.png?1464317146" class="size_l justify_center border_" /><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/bf0a267c611202e0cf28873dcfea021b63538ccc/original/crowd-shot.jpg?1464317590" class="size_l justify_center border_" /><br><br>With no shortage of top-notch bass music talent to be enjoyed each and every week at Electronic Tuesdays, Sub.mission continues to showcase some of the sickest DJ’s from throughout the state of Colorado and far beyond. This past Tuesday night we gathered on the dance floor at Cervantes’ Other Side to welcome Grime sensation, ‘Preditah’ for his highly anticipated Denver debut hailing all the way from Birmingham, UK! As if Preditah’s Mile High appearance wasn’t already enough to get me excited, Crix Saiz & The Toddfatha would also be gracing the decks on this massive night. Not to mention there was some serious local talent performing in this week’s DJ battles to get the night started on a proper note and it was an evening that won’t soon be forgotten! Here’s the rewind! </span></p>
<p style="text-align: center;"><span class="font_large">The night began at 8:00pm sharp as local acts ‘Scout Dashveen’, ‘ Dream Snatcha’ , & ‘Wadada’ took the stage to throw down at this week’s DJ Battles. Each artist came equipped with their A-Game and set the tone early in the night. Making the most out of their 40 minute time slots, each DJ proved to be no easy competitor and showed the crowd and judges what they’re all about. Once again this week’s battles demonstrated just how talented the local scene from throughout Colorado really is. Comprised of styles and sounds ranging from Heavy Dubstep, Trap, and Minimal 140 beats, all 3 DJ’s played unique sets that had the early Electronic Tuesdays crowd moving their feet and nodding their heads. After a heated battle among the 3 selectors, DJ Wadada from Fort Collins was able to beat out the competition to be crowned this week’s winner! Wadada will advance to the next round of the competition taking place at Electronic Tuesdays on June 7 where he will battle it out against the fellow battle winners of the month of May! Don’t miss it! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/87db38aacc1b83f607c6c1686f374464b20b7768/original/wadada.jpg?1464317630" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></p>
<p style="text-align: center;"><span class="font_large">Now that the crowd had been properly warmed up from the beginning segment of the night’s DJ battles, it was now time for the one like Crix Saiz to take the stage and amplify the energy in the room. Having seen Crix Saiz perform at a handful of Sub.mission events in the past, I knew to fasten my dancing shoes and get ready for a performance that was going to touch on a variety of styles and sounds. From the moment that he took the stage, he got straight down to business and properly set the tone for Preditah’s headlining set. Mr Saiz put on a set that displayed a good balance of dubstep and of course, some Grime! Among the vast selection of tunes that he played out, we were also fortunate enough to hear a good amount of some new, original tunes as well. Regardless of time slot or setting, whenever you see the name Crix Saiz on a lineup, buckle up tight because you’re in for a ride! </span><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0fd5fb5561e1660154db46300d839d1efde7f94b/original/crix-saiz.jpg?1464317861" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></p>
<p style="text-align: center;"><span class="font_large">As the UK Grime movement continues to grow and expand in the United States, it was only right that Sub.mission brought out the one like Preditah to make his Denver debut in 1 of only a select amount of United States appearances. Gaining massive momentum on an international scale and being widely recognized for his contributions to the Grime scene, Preditah’s sound also displays influences stemming from Garage and on Tuesday night we got to experience a well-rounded set from the man himself. As remarkable as his bouncy, Grime style is, Tuesday night’s set from Preditah was not exclusive to a single genre or sound. His set was well-rounded and offered something for everyone in the crowd to get down to. A slew of his own original tunes combined with tracks from artists like Flava D, & Skream demonstrated Preditah’s ability to read the crowd and play out to his audience. From beginning to end, Preditah’s next level track selection and flawless mixing abilities combined to put on a performance that had everyone in attendance losing their mind! Big ups to Preditah for coming through and kicking a true lesson in the raw, uncut, UK Grime at Cervantes’ Other Side! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/3bd0deb9e320c12848b5774d9954e51302a37cf9/original/preditahhh.jpg?1464317888" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(Eyediola Photography)</span></a><br><br><span class="font_large"><iframe class="justify_inline" data-video-type="youtube" data-video-id="21qcM_T9BdQ" data-video-thumb-url="http://img.youtube.com/vi/21qcM_T9BdQ/0.jpg" type="text/html" src="https://www.youtube.com/embed/21qcM_T9BdQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></span></p>
<p style="text-align: center;"><span class="font_large">Closing out the night it was now time for long-time Sub.mission family ‘The Toddfatha’ to take the stage. No stranger to Electronic Tuesdays, The Toddfatha has been known to lay down some truly memorable sets over the years and every time you see him spin, he brings something new and refreshing to the table. Though he is primarily known for his Dubstep sets, The Toddfatha can also be credited as one of the first DJ’s to play Grime tunes in his performances and I couldn’t picture a better talent to close out this night and keep the energy in the room going strong ‘til the very end. Whenever you see The Toddfatha perform, his confident stage presence is a clear indicator of how knowledgeable and experienced he is as a DJ and his sound speaks for itself. The way he combines old school classics with modern day dance floor bangers is a pleasure to experience and is sure to get you moving. <br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/377796753ab8211fc2b4218a476805c49ce9c221/original/todd.jpg?1464317993" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></p>
<p style="text-align: center;"><span class="font_large">Big ups to everyone that made it out to this week’s edition of Electronic Tuesdays. The vibe was thick, the bass was hitting hard, and I can’t wait to do it all again next week as we welcome underground dubstep heavy hitters LAS & Mikael along with Astra! </span><br><br>Author: Carlos Galvan</p>subdotmission.comtag:www.subdotmission.com,2005:Post/41938252016-05-23T19:51:11-06:002022-05-23T03:25:02-06:00Agency Spotlight: Mesck<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/dbf9335eabb60d7e7a5825878c4e47af8454dcd4/original/mesck.jpg?1464054141" class="size_l justify_center border_" /><p>Dubstep has come a long way in America. The commercialization that defined the genre’s mainstream moment has mostly subsided, as have the brash declarations that “dubstep is dead!” from every click-hungry U.S. media outlet. In its wake is a renewed enthusiasm for the dark, minimal 140 sound that’s stirring up a hellish momentum all across the country. Socio-cultural speculations attempting to explain the way underground dubstep now tunnels its way from coast to coast are endless, but ultimately, there’s only one universal explanation – and it’s personal.</p>
<p>Following two releases on the prominent <a contents="Chestplate" data-link-label="" data-link-type="url" href="https://www.facebook.com/Chestplate-267307096647968/timeline" target="_blank">Chestplate</a> label, Los Angeles-based artist <a contents="Mesck " data-link-label="" data-link-type="url" href="https://www.facebook.com/mesckmusic/?fref=ts" target="_blank">Mesck </a>is rising to the forefront of the dubstep community not only in the US, but worldwide. If last year’s <em>Dead Language</em> EP didn’t do the trick, Mesck’s sound permeated every corner of the international scene in sets from Distance, Truth, Youngsta, Joe Nice, and many more – as well as via his recent guest mix on N-Type’s RinseFM segment. Mesck is a sophisticated producer and a charismatic DJ. His tracks have been featured by respected outlets like <a contents="FatKidOnFire" data-link-label="" data-link-type="url" href="http://www.fatkidonfire.com/news/mesck-dead-language-chst037/" target="_blank">FatKidOnFire</a>, <a contents="Trusik" data-link-label="" data-link-type="url" href="https://trusik.co.uk/2016/05/09/interview-mesck-lucid-forms/" target="_blank">Trusik</a>, and <a contents="Vice" data-link-label="" data-link-type="url" href="https://thump.vice.com/en_us/article/dubstep-legend-distance-signs-mesck-as-first-non-uk-artist-to-chestplate" target="_blank">Vice</a>; his live sets seduce audiences around the country, from established sound system hubs LA and Denver to emerging crowds in cities like Atlanta. Mesck is one of a modest handful of American artists who Americans make a consistent effort to see. In this way, he’s a trailblazer actively bridging the US and UK communities. But more than an unassuming cultural leader, Mesck is a creative visionary.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/260123110&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Dubstep’s magnetic energy is characterized by a raw intimacy which, like much masterful music, eludes commercial appeal. The honest quality sacrificed by the genre’s profit-driven incarnations is perhaps the very quality that drags young fans underground in its pursuit. Dubstep’s notoriously dark vibe contradicts the utopic, neon-packaged bliss sold by EDM parties and festivals. Yet, anybody who’s packed onto a dimly-lit dance floor when the DJ drops <a contents="“Dead Language”" data-link-label="" data-link-type="url" href="https://soundcloud.com/mesck/dead-language" target="_blank">“Dead Language”</a> understands that the subversive energy is powerfully contagious. Mesck has a touch for capturing primal emotion and captivating listeners with it. His sonic mastery over the dangerously sharp edge of human nature is the essence of his place on Chestplate’s iconic release catalogue. Mesck’s productions are far from conventional “party music”, but the parties his music inspire tend to transcend the conventional. It’s an undeniable component of dubstep’s legacy: genuine expression promotes genuine interpersonal connection.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/263291276&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>In a recent <a contents="interview with Trusik," data-link-label="" data-link-type="url" href="https://trusik.co.uk/2016/05/09/interview-mesck-lucid-forms/" target="_blank">interview with Trusik,</a> Mesck discusses the visual side of his artistic personality. He’s designed artwork for Epoch, Oxossi, and Mikael: some of the genre’s most inventive producers. The art is intuitive. Like all great release art, the imagery whispers hints of the sound it envelopes, serving as a bridge between the mediums. The natural creative connection is indicative of the genuine expression that epitomizes Mesck as an artist – and the magic of underground dubstep as a whole.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a5fbdb42b6d8adf5b64fc91661b82a640de11116/medium/epoch-art.jpg?1464054437" class="size_m justify_center border_" /></p><iframe frameborder="no" height="20" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/260298793&color=000000&inverse=false&auto_play=false&show_user=true" width="100%"></iframe><br> <p>Today, dubstep in America is encompassed by an electricity conducted through every one of its artists, supporters, and fans. This summer, dubstep appears on the festival circuit once again; this time around, smaller gatherings like <a contents="Infrasound " data-link-label="" data-link-type="url" href="https://www.facebook.com/events/154696121573882/" target="_blank">Infrasound </a>feature Mesck and a slew of fellow Sub.mission Agency artists, along with international staples including Goth-Trad, Seven, and Joker. Underground music’s growing prevalence isn’t simply a passing trend. It’s a genuinely passionate response to the intimate, honest, resonant expression that fans – humans – crave.<br><br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/108835209&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br>Follow Mesck on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/mesckmusic/?fref=ts" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/mesck" target="_blank">SoundCloud</a>. For tour dates, booking information, and more, <a contents="check out his agency page here" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/mesck" target="_blank">check out his agency page here</a>.<br><br><a contents="amye koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><span class="font_small"><em>amye koziel</em></span></a>subdotmission.comtag:www.subdotmission.com,2005:Post/41892522016-05-20T01:06:50-06:002017-01-12T07:25:04-07:00The Rewind: Ivy Lab, Content, Despise, Valac & More at Electronic Tuesdays<p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ed6c49cab3ba248e4db40c77fd2d0324067325d4/original/ivy-lab-content-cover.png?1463726565" class="size_l justify_center border_" /><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/eea1f0f4f377f282f1c8bc3df64e9b34870e2496/large/ivy-lab-crowd-shot.jpg?1463726787" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(Eyediola Photography)</span></a><br><br><span class="font_large">Now that the Spring season is officially here and the temperatures have been warming up outdoors, so has the dance floor at <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a>. This past Tuesday night <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> joined forces with Denver Drum & Bass juggernaut ‘<a contents="Recon DNB" data-link-label="" data-link-type="url" href="https://www.facebook.com/recondnb/?fref=ts">Recon DNB</a>’ to present a massive night of some of the sickest local and international bass music talent all under the same roof. From the moment that I had found out that <a contents="Stray" data-link-label="" data-link-type="url" href="https://www.facebook.com/straydnb/?fref=ts">Stray</a> from <a contents="Ivy Lab" data-link-label="" data-link-type="url" href="https://www.facebook.com/IvyLab/?fref=ts">Ivy Lab</a> would be making his highly anticipated Denver debut, my calendar had been marked with great anticipation and when the night finally came, I surely wasn’t disappointed. As if that wasn’t enough, <a contents="Encrypted Audio" data-link-label="" data-link-type="url" href="https://www.facebook.com/EncryptedAudio/?fref=ts">Encrypted Audio</a> label head ‘<a contents="Content" data-link-label="" data-link-type="url" href="https://www.facebook.com/contentsounds/?fref=ts">Content</a>’ was making his Mile High return along with performances from Recon DNB’s very own ‘Despise’, and the boys of <a contents="‘Valac" data-link-label="" data-link-type="url" href="https://www.facebook.com/ValacDubstep/?fref=ts">‘Valac</a>’ would be closing out the night. This fine evening was the perfect harmonious balance of upbeat Drum & Bass along with heart-thumping Dubstep for bass music lovers of every spectrum to enjoy. Here’s how the night went! <br> <br>With such a huge lineup of talent performing all in one night, this edition of Electronic Tuesdays began at an earlier time of 7:30pm rather than 8 o’clock. Per usual, things started off with the local DJ battles featuring 4 different opening acts from throughout the state battling it out and performing 30 minute time slots to move the crowd and set the tone early in the night. This week’s battlers included ‘Rave Booty’ , ‘Illadope’ , ‘J. Jewtre’ & ‘Ghost’. The battle styles this week were well-rounded and comprised of heavy dubstep, liquid DNB, and some Jungle as well and once again demonstrated how diverse and skillful the local music scene from Colorado really is. The early Electronic Tuesdays crowd made their way to the dance floor and packed out the narrow-hall venue of Cervantes’ Other Side and the night was only beginning. After a heated battle among the 4 selectors, Colorado Springs’ very own ‘<a contents="Ghost" data-link-label="" data-link-type="url" href="https://www.facebook.com/DjGHoST719/?fref=ts">Ghost</a>’ beat out the competition to be crowned this week’s battle winner! If you were feelin’ the DNB sound that Ghost brought to the table on Tuesday night, make sure to catch him performing once again in the May Winners Showcase Battle where he will battle it out against the fellow battle winners in May, taking place on June 7! <br><br>GHOST<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/19afeec75a1e056249c534d796794a6e2e3b70f0/original/ghosttt.jpg?1463726908" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></p>
<p style="text-align: center;"><span class="font_large">Following the DJ Battles, it was now time for Recon DNB boss lady ‘Despise’ to take the stage and kick things up a few notches. Having just been named as one of the top 10 DJ’s in Denver in a recent Westword article, it comes as no surprise that Despise is an artist that knows how to truly work a crowd and lay down some serious DNB sound that gets your heart racing and feet moving. With well over 15 years of experience as a DJ under her belt, Despise has become a true household name throughout the underground bass music scene in Denver and if you’ve ever seen her perform live, you know exactly what I’m talking about. From the moment she approached the stage, Despise got right down to business and flawlessly set the tone for Ivy Lab’s headlining performance. Her diverse-ranging track selection combined with masterful mixing abilities prove how knowledgeable and experienced she is when it comes to DJ’ing and her deep and dark sound amplified the energy throughout the entire venue without a stagnant body in sight. Out of the dozens of times that I’ve seen Despise throw down over the years, Tuesday night’s was one of my personal favorites. Each time she’s in the mix, she’s got something refreshing and new up her sleeves and no 2 sets are the same. If you were feelin’ the sound that Depsise was performing on Tuesday night or weren’t able to make it out on this fine Tuesday night, be sure to catch Despise performing an all minimal DNB set alongside Shoebox in the <a contents="Recon DNB Resident Showcase" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/1695762530688450/?ref=br_tf&qsefr=1">Recon DNB Resident Showcase</a> at Club Vinyl’s basement on Saturday May 21! <br><br>DESPISE<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/9f3537effa93bb0e8190a1e9321035f579f4ce63/original/despise-e-tuesday.jpg?1463726935" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></p>
<p style="text-align: center;"><span class="font_large">The vibe was thick, the bass was hitting hard, and it was now time for <a contents="Stray" data-link-label="" data-link-type="url" href="https://www.facebook.com/straydnb/?fref=ts">Stray</a> from <a contents="Ivy Lab" data-link-label="" data-link-type="url" href="https://www.facebook.com/IvyLab/?fref=ts">Ivy Lab</a> to make his highly anticipated Denver debut on this massive night. Hailing all the way from North London, Ivy Lab’s sound has really taken off over the years and they are known as some of the most innovative and forward-thinking talents on the scene today. Widely recognized for their old school Drum & Bass sound as well as their more recent hybrid Hip-Hop beats released under the <a contents="20/20" data-link-label="" data-link-type="url" href="https://www.facebook.com/2020.LDN/?fref=ts">20/20</a> label imprint, Ivy Lab has a style that catches the ears of bass music enthusiasts from various backgrounds which would explain why there was such a diverse demographic throughout the entire crowd. The beginning of Ivy Lab’s set featured more of the newer experimental/hybrid bass sounds and later progressed into the upbeat DNB style that is reflected in their earlier productions. Going into Ivy Lab’s set, I really had no idea what to expect as their sound is ever-evolving and touches on a wide series of genres. Needless to say, this was definitely one of the most impressive and well-rounded sets that I had seen in a long time and the ongoing roar from the crowd spoke for itself. Among the vast array of tunage that Stray was playing out, some of my personal favorites were the Ivy Lab tunes ‘Third World Cop’ and ‘Pharaoh’ featuring The Upbeats. When it was all said and done, Ivy Lab put on one of the most memorable performances I’ve ever seen and I am truly looking forward to seeing ‘em perform at <a contents="Infrasound Music Festival" data-link-label="" data-link-type="url" href="https://www.facebook.com/InfrasoundFestival/?fref=ts">Infrasound Music Festival</a> coming up in less than 2 weeks! <br><br>STRAY - IVY LAB<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/5b1e2020c848b4909b54ce2f1a5a8fbc22331198/original/ivy-lab-shot.jpg?1463727008" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)<br><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="z5wKYy8A7wY" data-video-thumb-url="http://img.youtube.com/vi/z5wKYy8A7wY/0.jpg" type="text/html" src="https://www.youtube.com/embed/z5wKYy8A7wY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></a></p>
<p style="text-align: center;"><span class="font_large">With nearly 3 primarily Drum & Bass performances in a row from Ghost to Despise, leading into Ivy Lab, <a contents="Encrypted Audio" data-link-label="" data-link-type="url" href="https://www.facebook.com/EncryptedAudio/?fref=ts">Encrypted Audio</a> label boss ‘<a contents="Content" data-link-label="" data-link-type="url" href="https://www.facebook.com/contentsounds/?fref=ts">Content</a>’ took the stage to slow down the pace and break us off with some true 140 sound from one of the UK’s finest. Internationally recognized as one of the leading labels in the game today, Encrypted Audio continuously pushes the boundaries of bass music and who better than the boss man himself to kick a proper lesson in that raw uncut UK sound? Over the years, Content’s contribution to underground bass music has been undeniable and to see him perform in the intimacy of Cervantes’ Other Side was a very special treat. A true master of his craft, his supreme mixing skills and arsenal of dubs make him a true lethal weapon when he’s behind the decks. On Tuesday night <a contents="Content" data-link-label="" data-link-type="url" href="https://www.facebook.com/contentsounds/?fref=ts">Content</a> played out an extensive catalogue of dance floor bangers from the <a contents="Encrypted Audio" data-link-label="" data-link-type="url" href="https://www.facebook.com/EncryptedAudio/?fref=ts">Encrypted Audio</a> imprint and had bodies moving and heads nodding throughout the entirety of his set. Inducing listeners into a deep state of meditation, the projection of Content’s deep and profound bassweight flexed the subwoofers to their limit and had the ground beneath our feet rumbling like a stampede of rhinos. His minimal 140 sound had me reevaluating whether I was still in Denver or had been transported to an underground bunker somewhere in the UK where this deep sound originated. Among the extensive amount of tunes that Content played out on this night, my personal favorite was when he rinsed <a contents="Samba" data-link-label="" data-link-type="url" href="https://www.facebook.com/sambadubs/?fref=ts">Samba</a>’s ‘Sadist’ from ENV007. His set was just what I needed to follow up Ivy Lab’s performance and I sure hope to see the one like Content back in the United States in the near future! <br><br>CONTENT<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/62b55f400724d8b3785338cb600a6e3fc18fa0f9/original/contenttt.jpg?1463727046" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)<br><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="4D_ZGw33vY8" data-video-thumb-url="http://img.youtube.com/vi/4D_ZGw33vY8/0.jpg" type="text/html" src="https://www.youtube.com/embed/4D_ZGw33vY8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></a><br> </p>
<p style="text-align: center;"><span class="font_large">Running on pure adrenaline, my body may have been exhausted from dancing for several hours on end, but it was now time fasten my shoe laces and get ready for the boys of <a contents="Valac" data-link-label="" data-link-type="url" href="https://www.facebook.com/ValacDubstep/?fref=ts">Valac</a> (<a contents="DMVU" data-link-label="" data-link-type="url" href="https://www.facebook.com/DamnesiaVuOfficial/?fref=ts">DMVU</a> & <a contents="Binary" data-link-label="" data-link-type="url" href="https://www.facebook.com/BinaryDubstep/?fref=ts">Binary</a>) to take the stage and close the night out with a bang! Also members of the <a contents="Encrypted Audio" data-link-label="" data-link-type="url" href="https://www.facebook.com/EncryptedAudio/?fref=ts">Encrypted Audio</a> collective, I couldn’t picture a better act to close out the night and keep the vibe in the room flowing strong. If you’ve been in tune with the Denver dubstep scene, you know that DMVU & Binary have been putting in work for many years now and their sound is making waves and reaching heights far beyond the state of Colorado. The pairing of DMVU & Binary is a truly deadly combination and if you’ve seen any of the old-school Valac sets, you know how special and rare of an occasion Tuesday night really was. Having been well over 1 year since the last time that Valac graced the decks as a duo, this was the perfect return and I had been anxiously anticipating this performance from the moment that it was announced. Playing out a bunch of original’s from both<a contents=" DMVU" data-link-label="" data-link-type="url" href="https://www.facebook.com/DamnesiaVuOfficial/?fref=ts"> DMVU</a> & <a contents="Binary" data-link-label="" data-link-type="url" href="https://www.facebook.com/BinaryDubstep/?fref=ts">Binary</a> along with some Widdler & Durandal exclusives, and Trisicloplox’s infamous tune ‘Monolith’ , Valac made a true impact in their Electronic Tuesdays return. Seeing the duo take the stage and going tag team in this massive performance brought back memories of previous Valac sets from over the years and I hope there’s more where that came from! <br><br>VALAC<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/5158c9675ac1fd6424be26983e64587073e460c9/original/valac-e-tues.jpg?1463727088" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography) </a></p>
<p style="text-align: center;"><span class="font_large">Big ups to everyone that came out and took part in such a huge night at Cervantes’ Other Side. Every time that Sub.mission and Recon DNB team up, it’s pure madness of monumental proportions and if you haven’t been making it out to recent editions of Electronic Tuesdays, you’ve definitely been missing out! <br><br><br>Author: <a contents="Carlos Galvan" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">Carlos Galvan</a></span><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/41890792016-05-19T21:57:08-06:002017-01-12T07:25:04-07:00Hustle Knowledge: Preditah<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/af8f12701dfa456486fb4ac9bdfa01478391c9d3/medium/preditah-elastic-image-1.jpg?1463713470" class="size_m justify_center border_none" alt="" />Recently in Denver, Grime music has began to become more and more popular. For the upcoming Electronic Tuesdays this week, Sub.mission is pleased to be bringing Preditah, a highly popular Grime producer and DJ to Denver for a debut set. Hailing from Birmingham in the United Kingdom, Preditah's moniker is as instantly recognizable as his signature musical styles in the grime world. First noticed by JME, for his break out track <a contents="The Big Wok" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=mTW7LBt0jN8">The Big Wok</a>, Preditah has been busy producing and performing ever since. Preditah is skilled in both production as well as mixing, this performance for <a contents="Boiler Room" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=m4WMBLC3-4s">Boiler Room</a> highlights a tendency to blend tracks from several different genres incorporating selections from grime, garage, and house. Much of his work seems to take on a minimalistic tone, allowing the instrumentation he uses to shine through cleanly and speak for itself. For example his <a contents="Green Goblin" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=z22uCYrvnuQ">Green Goblin</a> track chiefly consists of a sinister sounding horn section over a grimey bass line (along with a drum beat and vocal samples), by using this scaled down production style each element of this track contributes more to the overall sound from less. Many grime instrumentals are known for using a more skeletal, minimalist approach, some other example from Preditah's arsenal being <a contents="Afghanistan" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=riGWifmTPjA">Afghanistan</a> and <a contents="Guinness Punch" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=prnZ0fpNAnM">Guinness Punch</a>. Preditah also produces garage music and he has recently also been producing bassline house with tracks like <a contents="Selecta" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=ZB68FcOXmeM">Selecta</a> and <a contents="Zero" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=iVeyGVIpvXo">Zero</a> so I wouldn't be surprised if he showcases some selections from those genres in his set. <br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ecdc80f4b1403db614598881d2f830740756aa26/medium/216627-495065627213336-1707295379-n.jpg?1463715182" class="size_m justify_center border_none" alt="" /><br>On support for the night we have recent Denver transplant from Albuqurque, New Mexico, Crix Saiz. Crix Saiz has performed for Sub.mission several times in the past and his selections typically incorporate dubstep with a heavy helping of grime. His talent as a DJ can be readily heard while listening to his <a contents="Bass Tew Durk" data-link-label="" data-link-type="url" href="https://soundcloud.com/crixsaiz/bass-tew-durk">Bass Tew Durk</a> mix. He was also recently featured in our <a contents="Sub.cast series" data-link-label="" data-link-type="url" href="http://www.subdotmission.com/track/895086/podcast-170-crix-saiz?feature_id=220448">Sub.cast series</a>, again bringing a selection that draws heavily from both dubstep and grime. A member of Esh One's Elk Beats crew, Crix Saiz is not only a DJ but has also produced many of his own dubs and exclusives. <a contents="This mix " data-link-label="" data-link-type="url" href="https://www.mixcloud.com/datasetclothing/crix-saiz-exclusive-mix-021/">This mix </a>he did for Dataset Clothing showcases an extensive selection of his originals. Crix credits J:Kenzo, Matty G, and Dillinjah as some of his main influences production-wise and their influence definitely shines through in his work. Crix Saiz's talent for both production and mixing has me looking forward to his performance at this upcoming event. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a3ca66ae66802198c74e2994e7fdf10a3df35216/original/12718205-1316433978372346-8689129044560208343-n.jpg?1463716087" class="size_l justify_center border_" /><br>Closing out the night will be The Toddfatha. Long time member of Sub.mission's crew, Toddfatha began performing for crowds a few years ago. He chose to focus many of his sets on grime music and for many of our fans these sets served as their introduction to grime music as a whole. Since this edition of Electronic Tuesdays features one of grime's most prolific producers and recognizable DJs, it is only right that Toddfatha get the honor of closing down the night. Toddfatha's mix for <a contents="Rage Colorado" data-link-label="" data-link-type="url" href="https://soundcloud.com/rage-colorado/rage-colorado-guest-mix-008-the-toddfatha">Rage Colorado</a> showcases his talent for track selection and features many different grime tunes throughout. With two local DJs well known for pushing grime music and one of grime musics biggest talents appearing for the coming week's Electronic Tuesdays things are set to get very grimey indeed. subdotmission.comtag:www.subdotmission.com,2005:Post/41838282016-05-16T20:15:41-06:002023-12-10T11:15:30-07:00Agency Spotlight: Saule<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/98b33d7b6f3ce2e409829d2c47dd451973c7c599/original/saule.png?1463450885" class="size_l justify_center border_" /><p>Not so long ago, the European dubstep community was very far away. The ocean separating our continents wasn’t so easily bridged by a Skype call or a SoundCloud link. The UK sound made its way to America, but America was inherently distant from the UK scene. Today, American artists are receiving more and more attention in the newly-formed international community. This is no coincidence. The distance between America’s relatively small cohort of producers allowed space for creativity. In a time when music aficionados are in constant pursuit of something new, artists like Saule deliver it. <br> <br>Saule’s digital releases date back to 2009. The California-based producer’s experience is more extensive than that of most artists rising onto the radar today, and his expertise is apparent in his music. Saule’s tracks display a creative edge that is unconventional without being shocking. His deviations from dubstep’s recognizable structure aren’t a deliberately striking rejection of the norm – a jarring brand of experimentation that often feels forced. Instead, Saule’s surprises take the form of twinkling melodies that complement a track’s dark vibe rather than convolute it, or vocal samples manipulated in cleverly musical ways. In true dubstep fashion, it is the subtleties that sparkle. There is the sense that Saule doesn’t make a conscious effort to do something different, because that’s what he’s done all along.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/159906530&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Such is the amorphous quality that characterizes the allure of many American artists. Producers like Malleus, Mesck, EshOne, Subtle Mind, and Saule aren’t “new”, although their heightened exposure is. In fact, these artists have been working together for years before any international market truly congealed. Collaborations between American artists – notably Malleus and Saule – reveal the stylistic shimmer that defines their growing role in the dubstep community. Due to the geographic space that once kept stateside producers at an arm’s length from the heart of their scene, their artistry was never explicitly directed toward a market. The result is, perhaps, a creative freedom that now attracts the market to them.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/205354491&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>The vocal sampled in Saule’s premiere vinyl release – a collaborative EP with <a contents="Malleus " data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/agency-spotlight-malleus" target="_blank">Malleus </a>– encompasses the concept. The assertion- “With a big label, if you don’t sell a certain amount, you’re really gonna be in trouble”- followed by some musings about not sticking to a particular sound- are fitting commentary on the blossoming <a contents="Gourmetbeats " data-link-label="" data-link-type="url" href="https://soundcloud.com/gourmetbeats" target="_blank">Gourmetbeats </a>label as well. Saule and Malleus’s <em>Bad Kids</em> EP (<a contents="forthcoming June 3" data-link-label="" data-link-type="url" href="https://www.facebook.com/gourmetbeats/posts/974297575968791" target="_blank">forthcoming June 3</a>) is yet another testament to Joe Nice’s legendary ear. The two artists will join the label head to represent Gourmetbeats on this summer’s tour. The only way to truly know what the trio will bring to the dance floor is to find out firsthand by <a contents="booking the tour in your city" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/dates-available-for-gourmetbeats-summer-tour" target="_blank">booking the tour in your city</a>.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e9f8217ad5bfab15b71ab31ab1a48294f5976ac6/medium/gb-tour.jpg?1463000242" class="size_m justify_center border_" /><br><br>Follow Saule on <a contents="SoundCloud " data-link-label="" data-link-type="url" href="https://soundcloud.com/saul-e" target="_blank">SoundCloud </a>and <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/SauleDubs/" target="_blank">Facebook</a>. <a contents="Click here" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/saule" target="_blank">Click here</a> for booking information and more on the artist, and email emma.ceaglske@subdotmission.com with inquiries about the Gourmetbeats summer tour.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/203873073&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><em><span class="font_small">Amye Koziel</span></em></a>subdotmission.comtag:www.subdotmission.com,2005:Post/41799852016-05-13T13:52:34-06:002017-01-12T07:25:04-07:00Now Booking Compa North America Tour<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/051a746b3e77e98d8b2c3770d91c628a998d6781/large/compa-tour.png?1463168936" class="size_l justify_center border_" /><p><a contents="Compa " data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/agency-spotlight-compa" target="_blank">Compa </a>is scheduled to return to North America for tour dates this summer. The tour celebrates March’s release of Compa’s <a contents="Truth In Sound EP" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/compa-releases-massive-new-ep-on-deep-medi-musik" target="_blank"><em>Truth In Sound</em> EP</a> on Deep Medi Musik. The EP is the artist’s second release on the iconic international label. <br><br>Dates are available from July 1st –July 10th. For booking information, <a contents="click here" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/compa" target="_blank">click here</a> or contact <a href="mailto:bookings@subdotmission.com" target="_top">bookings@subdotmission.com</a>.<br><br><br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/232766513&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe>subdotmission.comtag:www.subdotmission.com,2005:Post/41789392016-05-12T22:30:10-06:002017-01-12T07:25:04-07:00Hustle Knowledge: Ivy Lab & Content<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8ca6df87d928236636ed81c578b600053c565ea4/original/ivylab-pic.png?1463112346" class="size_l justify_center border_" /><br>On Tuesday May 17th, the Denver underground forces known as Sub.Mission and Recon team up to bring you a fully stacked Electronic Tuesdays. With two international headliners on the bill and a cast of solid local support, this one is set to be a marathon. Hailing from the UK, Ivy Lab will be making their Denver debut. </p>
<p>If you pay any attention to drum and bass, you know there has been some serious hype around Ivy Lab ever since they became a thing. Composed of artists Halogenix, Sabre, and Stray, the trio made their debut in 2012 with the seductive ‘Oblique’. Gaining momentum with a series of releases on Critical, people fell in love with their smooth, liquid rollers that shine as much as they rumble.</p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="fzQi8st4Zfs" data-video-thumb-url="http://img.youtube.com/vi/fzQi8st4Zfs/0.jpg" type="text/html" src="https://www.youtube.com/embed/fzQi8st4Zfs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p>Last year, they really stirred things up as they mined new territory in the half-time drum and bass sound. Inspired by hip hop, Ivy Lab’s new 20/20 sound is nasty, sparkly, and most of all fat. You may recognize these tunes from one of Youngsta’s memorable Denver appearances in recent years. And as even more artists (such as Noisia & Alix Perez) hop on board, it’s clear that this is just the beginning for Ivy Lab. </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="pX8rahOiNKM" data-video-thumb-url="http://img.youtube.com/vi/pX8rahOiNKM/0.jpg" type="text/html" src="https://www.youtube.com/embed/pX8rahOiNKM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p>After Ivy Lab, things get dark and murky for the first time with badman Content. In the constantly evolving dubstep scene, Content has really stepped up to the plate in recent years. His label Encrypted Audio is leading the charge in evil dubstep, filling the void that Osiris left behind. Avoiding being pigeonholed to one sound and remaining stylistically diverse, Encrypted Audio is helping shape modern dubstep with a heavy emphasis on an otherworldly aesthetic.</p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="WX52SLBS-s8" data-video-thumb-url="http://img.youtube.com/vi/WX52SLBS-s8/0.jpg" type="text/html" src="https://www.youtube.com/embed/WX52SLBS-s8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p><br>Content’s recent collab project with Samba, known as Δ, journeys even further into leftfield with messages like “we are all Equilateral but some are more Rhombus than others”. It is this striking medium of weirdness and functionality that keeps it fresh. The sheer output on Encrypted is a testament to the current state of dubstep - with so many up-and-coming producers making waves. </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="XLmw8vKv3xc" data-video-thumb-url="http://img.youtube.com/vi/XLmw8vKv3xc/0.jpg" type="text/html" src="https://www.youtube.com/embed/XLmw8vKv3xc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p>To map out the night, we have Recon boss Despise, who always kills it with the selection, getting things going after the battlers. Then after an hour and a half each from Content and Ivy Lab (represented by Stray), we get a heavy outing from Denver locals Valac (comprised of DMVU and Binary). For those of you with work on Wednesday, we salute you! This is going to be a long night of fresh and sinister sonic wizardry. Big ups Recon and Sub.Mission for making this happen!</p>subdotmission.comtag:www.subdotmission.com,2005:Post/41760192016-05-11T15:07:21-06:002017-01-12T07:25:04-07:00Dates Available for GourmetBeats Summer Tour<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e9f8217ad5bfab15b71ab31ab1a48294f5976ac6/large/gb-tour.jpg?1463000242" class="size_l justify_center border_" /><p>The Sub.mission Agency is proud to announce the first ever <a contents="GourmetBeats tour" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/gourmet-beats-tour" target="_blank">GourmetBeats tour</a> this summer. Following the June 3rd release of the <em>Bad Kids</em> EP on <a contents="GourmetBeats" data-link-label="" data-link-type="url" href="https://soundcloud.com/gourmetbeats" target="_blank">GourmetBeats</a>, <a contents="Malleus " data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/agency-spotlight-malleus" target="_blank">Malleus </a>and <a contents="Saule " data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/saule" target="_blank">Saule </a>will join label head and American dubstep pioneer <a contents="Joe Nice" data-link-label="" data-link-type="url" href="https://www.facebook.com/JoeNiceDJ/?fref=ts&ref=br_tf&qsefr=1" target="_blank">Joe Nice</a> for a series of shows in July. <br><br>Don’t miss the opportunity to catch the artists in your city. Dates are available from July 22 – 31. For booking information, contact <a href="mailto:emma.cegealske@subdotmission.com" target="_top">emma.cegealske@subdotmission.com</a>.<br> </p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/199449161&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe>subdotmission.comtag:www.subdotmission.com,2005:Post/41756242016-05-11T12:04:12-06:002021-11-27T20:21:39-07:00Trusik Interview with Agency Artist Mesck<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/74845c2f91caa06f1da87490020e714c35b314c5/large/mesck.jpg?1462989649" class="size_l justify_center border_none" alt="" /><p><em>"'Good DJ’s read the crowd, great DJ’s lead the crowd' – that sounds like some shitty new-age motivational slogan you would see on some poorly drawn Tiesto fan art, but there is a bit of truth to it. – Mesck</em><br><br>The good people at <a contents="Trusik " data-link-label="" data-link-type="url" href="https://www.facebook.com/trusik/?fref=nf" target="_blank">Trusik </a>interviewed LA-based DJ/Producer and Sub.mission Agency artist Mesck about his current projects, artistic passions, and multi-media creative involvement within the music community and beyond. Get inside the artist’s head <a contents="over at Trusik" data-link-label="" data-link-type="url" href="https://trusik.co.uk/2016/05/09/interview-mesck-lucid-forms/" target="_blank">over at Trusik</a>, and bump Mesck’s recent guest mix for N-Type’s RinseFM show while you read.<br><br>Follow Mesck on <a contents="Facebook " data-link-label="" data-link-type="url" href="https://www.facebook.com/mesckmusic/?fref=ts" target="_blank">Facebook </a>and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/mesck" target="_blank">SoundCloud</a>. <a contents="Click here" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/mesck" target="_blank">Click here</a> for tour dates, booking information, and more.<br><br><br><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/260123110&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br><em><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://www.limination.net" target="_blank"><span class="font_small">Amye Koziel</span></a></em></p>subdotmission.comtag:www.subdotmission.com,2005:Post/41729212016-05-09T18:49:01-06:002020-11-25T04:51:02-07:00Agency Spotlight: NastyNasty<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2fb5315c1a9640596e61680c7b7cac20b6325d73/original/press-nn-1.jpg?1462840955" class="size_l justify_center border_" /><p>According to nearly any breed of American electronic music fan, dubstep’s commercial explosion can be easily pinpointed as the root of all evil. In fact, the EDM era marked the beginning of a nightmare for record labels, radio stations, and (of course) parents as well as initiated listeners. But half a decade after Skrillex emerged on the scene, it’s clear that the phenomenon’s consequences aren’t all bad, after all. The movement catalyzed a powerful undercurrent as producers and their fans learned to combat commercialization with innovation. <br><br>A scroll through NastyNasty’s <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/jaspey" target="_blank">SoundCloud</a> stream reveals that the artist does pre-date the EDM explosion. His tracks display the creative sophistication of an experienced producer. A consistent emphasis on immersive sub-bass suggests a background in – or at least familiarity with – dubstep’s original incarnations. But, unlike many artists who possessed the production skills to jump on the brostep bandwagon immediately when it passed through town, NastyNasty set off in another direction. Instead of following the formulas laid out for popular success, he dove into experimentalism.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/203989485&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>For NastyNasty and his contemporaries, the structure of EDM presents a golden opportunity to break the rules. For those still lamenting dubstep’s mainstream moment, there is good news: it laid fertile ground for the development of experimental bass music. In fact, NastyNasty is a pioneer in the sub-anchored experiment now known as “trap”. His masterful integration of hip-hop sounds and samples with traditional sound system styles marks him as a true innovator of the aesthetic. Selections like those contained by 2012’s “LAZERBRAIN” rumble of the same gritty bass and heavy, hip-hop influenced sound popularized by artists like RL Grime and Salva.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/44977821&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Of course, the “trap” style was the next sound to receive a thorough hollowing from mainstream spheres. As a musician, NastyNasty’s trajectory was unaffected by the trend. He continued to push his limits as a producer, raising the bar for all bass music artists as he did. NastyNasty’s tracks don’t reflect fads in electronic music – they pave and expand on them. “Acid Bubblebath” is vaguely reminiscent of the international sensation Flume, but boasting more texture, depth, and a dirty vibe. Many of his tunes play out as a dystopian twist on glitch hop, featuring warped, funky beats that emphasize “glitch” over “hop”.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/236796326&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Despite the pervasive re-appropriation and commercialization of virtually every electronic genre in existence by the music industry’s profit machine, independent electronic music is thriving in America like it never has before. Fans are becoming more sophisticated, their tastes increasingly refined. It’s an evolution made possible by artists like NastyNasty, who prefers creativity to complacency. And, by offering an alternative to the easy, contrived music that now bores its first generation of fans, NastyNasty is on the brink of receiving the recognition he deserves. <br><br>Catch NastyNasty at the Emissions and Infrasound festivals this spring. <a contents="Check out this page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/nastynasty" target="_blank">Check out this page</a> for tour dates, booking information, and more.<br><br><a contents="" data-link-label="" data-link-type="" href="http://www.limination.net" target="_blank"><span class="font_small"><em>-Amye Koziel</em></span></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/41618542016-05-01T20:41:42-06:002017-01-12T07:25:04-07:00This Month In Bass: May<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/9f519fb3b00e0b1b684ea4b2068d713bc8b8944b/medium/tmib.jpg?1462156799" class="size_m justify_center border_" /><p style="text-align: center;">Can you feel it? The heat is beginning to rise in the City of Denver and we’re definitely not talking about the weather. With the vibes from the 9 year still fresh in our minds it would seem as if we’re all on the edge of our seats just waiting to see what exactly is coming next. Fear not though, Sub.mission has you covered and we can promise you that, as always, we’re bringing the heat! May is going to be another month of stacked line ups week in and week out. Get ready Denver because we’re about to drop some seriousness on you in this edition of This Month in Bass. <br><br>We start off with some amazing news from our family in Hawaii. For three years now Sub.mission Hawaii has been Moving People Through Sound Not Hype by pushing Sound System Culture to The Aloha State and you can bet that things won’t be slowing down any time soon. On May 7th we’re celebrating three years of island bass by bringing in the one and only Thelem for the Sub.mission Hawaii Three Year Anniversary! He’s coming in hot from some slamming performances in Denver, Houston, Seattle and Montreal to name is few and he’s about to bring some serious fire to Nextdoor in Honolulu. We also have locals Mike King, Sejika and Toki on support! This one is 18+ and to top it all off its only $10! There’s no excuse to sleep on this one so lace up your dancing shoes and we’ll see you in the dance! <br><br>Next up we return to Denver for what is about to be an absolutely stacked edition of Electronic Tuesdays. We start off with a headlining set from one of Sub.mission’s latest additions to the residency roster. On May 3rd the kid from Colorado Springs and Mile High Club bad man, Aowl, takes the stage in his first E Tuesday headlining set AND it also happens to be his birthday! This guy has some serious talent and he’s been making some serious waves in the scene in the last few years. Needless to say that we have no doubt that he has some absolutely slamming bangers cooked up for us and we can’t wait to see what he has in store for us. Joining him on stage are fellow Sub.mission resident’s Ind33p & Swayd and getting us started in the April winner’s round are DJ’s Unicornrave, Wrek Dubz & Pocket Rocks. On May 10th we have the west coast homie NastyNasty in town for what looks to be an amazing headlining performance. He’s been in the game putting out heaters since 2009 on labels such as Rwina, Frite-Nite, Planet Mu & Robox Neo-Tech and he’s coming back to Denver to put down a proper set for the E-Tuesday massive. We have Denver favorites GrymeTyme and Cloud D on supporting duties and you know it’s always a party when either of these guys returns to Five Points. On May 17th Sub.mission and Recond DnB join forces once again to bring you the LONG awaited arrival of one of drum and bass’s hottest trio, Ivy Lab! Consisting of DJ’s Sabre, Stray and Halogenix; this North London trio has been smashing dancehalls for quite some time now and we’re excited to finally have them here in the mile high for some serious “Junglist Massive” business. Also on the bill is dubstep heavy hitter Content, Recon boss Despise and Valac, consisting of bad boys DMVU + Binary. This one is sure to have Five Points rocked to its core! May24th is the arrival of Birmingham dance music heavy hitter Preditah! Representing labels such as Circles, C4 and Boy Better Know as well as being a regular on KISS FM, Preditah is going to bring some serious flavor to E Tuesdays and he’s got New Mexico bad man Crix Saiz and local homie The Toddfatha. Closing out May Electronic Tuesdays on May 31st is the return of Innamind bad boys Las and Mikael. Both are playing solo and b2b sets and we have the homie Astra on support. Going head to head in the battles this month for a slot in the May Winners Round next month are DJ’s The Caretaker, Gump, R-Doo, Davi-D, Rave Booty, Illadope, J. Jewtre', Ghost, Scout Dashveen, Dream Snatcha, Wadada, Xkape, Creature, Quinitic Calabi and Jang. May is seriously bringing the heat this month!! <br><br>Finishing off May is the resident takeover @ BASSMent Sessions @ Club Vinyl. The last two have been a lot of fun as every resident goes back to back in a massive tag rotation followed by sets from some surprise guests. This one is free so there’s no excuse to miss it. <br><br>May is going to be another month where serious talent is continuously flowing through Denver. Summer is about be in full swing and Sub.mission’s May lineup is just hinting at how hot things are going to get this summer. There is some serious business on the horizon, like Caspa & Rusko for example, and Sub.mission is going to continue to keep you informed and bring you the very best in bass music. We’ll see you in the dance!</p>
<div style="text-align: center;"><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/221314624&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe></div>subdotmission.comtag:www.subdotmission.com,2005:Post/41585892016-04-28T21:13:12-06:002020-09-14T01:45:17-06:00The Rewind: Hudson Mohawke, Ethan Glass, DMVU & More!<p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/da7f44803525231b6276aa7eece94ed7b60b4412/large/dual-venue-image.png?1461898968" class="size_l justify_center border_" /><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/50a028676295361475c50980338b44d25f94b2ab/original/dual-venue-pic.jpg?1461899068" class="size_l justify_center border_" /></span><span class="font_regular"><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></span><br><br><span class="font_large">As the month of April comes to an end, Sub.mission presented us with a special edition dual-venue throwdown at Electronic Tuesdays to close out with a bang! Performing on the main venue side of Cervantes Masterpiece Ballroom we had the likes of Subliminal, Gunkst, Andrew Luce, and headliner Hudson Mohawke live in the mix. On The Other Side, we enjoyed sets from a series of local talent performing in the DJ battles as well as DMVU, Ind33p, and headliner Ethan Glass making his Denver debut. With 2 full rooms of music to choose from, the variety was endless and there was top-notch bass music being performed from beginning to end. Here’s the rewind! </span></p>
<p style="text-align: center;"><span class="font_large">I spent the majority of then night amongst the crowd at The Other Side as I made my way to the dance floor early in the night as soon as doors opened at 8:00pm. Every week the local DJ battles are Electronic Tuesdays are a chance to see some of the sickest upcoming local talent from throughout the state and I always make an effort to catch all of the acts that are competing. This week battlers ‘In Motion’, ‘Gahlaktus’, ‘The Blotter Bunch’, and ‘Wrek Dubz’ took to the stage to show the crowd what they’re all about and set the tone early in the night. This week’s battles featured a vast array of electronic music styles ranging from Glitch Hop, Minimal 140, Aggressive Dubstep, and even some Hip-Hop performances with live vocals being performed. Each act demonstrated their unique talents and abilities and made the most out of their 30-minute time slots in hopes to advance to the next round of the competition. After one of the closest battles to ever be performed at Electronic Tuesdays, Wrek Dubz beat out the competition to be crowned this week’s winner! His upbeat sound erupted the crowd with energy and had the early E Tuesdays crowd skankin’ out in the front row and the night had just begun. Be sure to catch Wrek Dubz making his return to Cervantes’ Other Side next week to perform in the April Winners Showcase battle to face-off against the fellow battle winners of the month of April! <br><br><a contents="Wrek Dubz" data-link-label="" data-link-type="url" href="https://www.facebook.com/OfficialWREK/?fref=ts">Wrek Dubz</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/3dd37502b71ad65ccf81533438101edc48937cbc/medium/wrek-dubz.jpg?1461899113" class="size_m justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></p>
<p style="text-align: center;"><span class="font_large">Next up in the night’s rotation, it was now time for Damnesia-Vu (DMVU) to take the decks and take us on a musical journey packed with new sounds and a refreshing change of pace. I must say, if there’s truly one artist that is reinventing the game and pushing the boundaries of bass music with each and every production, it’s DMVU. Over the years that I’ve been living in Denver and attending shows on a regular basis, I have been able to see the constant evolvement and progression of DMVU and it’s been quite the journey. His sound is uniquely his own and he harnesses and completely original style that cannot be imitated. If you’ve ever seen him perform, you know that no 2 performances are the same and you can always expect a set packed with plenty of twists and turns that will keep you busy on the dance floor. Having just seen DMVU perform last week in the DJ battles as he performed under his more instrumental alias ‘Pocket Rocks’ I was looking forward to his Electronic Tuesdays return to see what he had in store this time around. He started his set with a smooth and subtle approach that had heads nodding and feet moving. As a common stalker of DMVU’s Soundcloud account, I’ve been in tune with a lot of the more Hip-Hop and soulful soundscape that he is constantly developing and on Tuesday night we heard a generous amount of fresh new material played out. Among the heads in the crowd on this massive Tuesday night was the one and only ‘Kruza-Kid’ from The Mile High Sound Movement. Widely known as a true staple in the Colorado music scene for spitting conscious raps with a fresh approach to free-styling vocals, Kruza Kid couldn’t resist the urge to join his fellow Mile High Sound Movement family on stage and he decided to snatch the microphone and lay down some vocals over the beats that DMVU was kickin’. If you haven’t been keeping up with the one like DMVU, be sure to keep your eyes peeled and your ears open as this is one emerging talent that can’t be slept on! <br><br><a contents="DMVU" data-link-label="" data-link-type="url" href="https://www.facebook.com/DamnesiaVuOfficial/?fref=ts">DMVU</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/43c48f0a3aa4c8833dbe1becb1efe4c1072ba6d7/original/skrrrrrr.jpg?1461899149" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></p>
<p style="text-align: center;"><span class="font_large">Following DMVU’s set, Ethan Glass took the stage in his highly anticipated Denver debut. The crowd made their way toward the front of the venue and gathered to witness this first time appearance in the intimacy of Cervantes’ Other Side. Hailing all the way from Virginia, Ethan Glass is also a talent that has been making some serious waves and standing out with his unconventional approach to bass music. His experimental sound is heavily rooted in Hip-Hop influences and low-end ‘Trap.’ From the moment that he took the stage, the entire crowd was ignited with energy as Ethan Glass’ next level track selection and flawless mixing abilities served as a catalyst for the audience to get low on the dance floor. Having spoke with Mr. Glass prior to his performance on Tuesday night, he informed me that the vast majority of the tunes that the would be performing were comprised of an arsenal of original material as well as new and exclusive tunes from producers such as ‘Sayer’ who I am also a big fan of. During the entirety of Ethan Glass’ performance, I found myself dancing non-stop and there wasn’t a stagnant body throughout the entire venue. Being aware of his crowd and the affinity that Denver has for old-school Dubstep, Ethan Glass threw down Coki & Benga’s classic ‘Night’ and had the entire crowd going bonkers! After Tuesday night’s performance, I definitely foresee bright future for this emerging talent and I see his groundbreaking style fitting in seamlessly at Emissions Festival in a couple weeks. If you’ll be in attending Emissions, make sure to catch Ethan Glass live in the mix! I can assure you that you won’t be disappointed! <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="xHlChUu_e4k" data-video-thumb-url="http://img.youtube.com/vi/xHlChUu_e4k/0.jpg" type="text/html" src="https://www.youtube.com/embed/xHlChUu_e4k?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><a contents="Ethan Glass&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/EthanGlassMusic/?fref=ts">Ethan Glass </a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c30601f839792d697f999d7f76efe6cfe059ab55/original/ethan-glass.jpg?1461899202" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(Eyediola Photography)</span></a></p>
<p style="text-align: center;"><span class="font_large">Once Ethan Glass’s set was over, I headed over to the main side of Cervantes’ Masterpiece Ballroom to see what Hudson Mohawke would be bringing to the table. The Scottish-born DJ/Producer has been a huge influence in today’s bass music scene as his multi-faceted productions catch the ears of listeners from all ages and backgrounds. Highly renowned for his work alongside ‘Lunice’ as bass music duo- ‘TNGHT’ and his contributions to Kanye West’s label ‘Good Music’ , Hudson Mohawke is a talent that has no limit. The crowd was full of a diverse range of enthusiasts that came out to witness this intimate set and the vibe was thick. His set further demonstrated how well-rounded he is as a DJ as he tapped into some of his 808 Trappy style along with Hip-Hop and some more experimental styles as well. Among the variety of tunes that he performed on this set, some of my favorites were when he dropped Rustie’s ‘After Light’ along with his own originals ‘Fuse’ & ‘Goooo’. After much anticipation and speculation as to what a live set from Hudson Mohawke would sound like, I was glad to finally have been able to cross him off my list of must-sees and he definitely made an impact on this massive edition of Electronic Tuesdays. <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="EKR7E2sR-Xg" data-video-thumb-url="http://img.youtube.com/vi/EKR7E2sR-Xg/0.jpg" type="text/html" src="https://www.youtube.com/embed/EKR7E2sR-Xg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><a contents="Hudson Mohawke" data-link-label="" data-link-type="url" href="https://www.facebook.com/hudsonmohawke/?fref=ts">Hudson Mohawke</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/cc678ec594803322657d25090f18ad949affa82d/original/hudmooo.jpg?1461899289" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></p>
<p style="text-align: center;"><span class="font_large">Big ups to everyone that made it out and took part in this special edition dual-venue throwdown! See you all next as we embrace a takeover from Sub.mission/Mile High Club residents ‘AOWL, Swayd, & Ind33p’! Don’t miss it! <br><br><br>Author: <a contents="Carlos Galvan" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">Carlos Galvan</a></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/41535352016-04-25T19:12:04-06:002021-10-11T23:02:43-06:00Agency Spotlight: Ethan Glass<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/95d503fc4c2dd649883865fe39c5cd3f2506e3fd/original/ethan-glass.png?1461632930" class="size_l justify_center border_" /><p>Even by experimental standards, there’s nothing conventional about Ethan Glass. In an era where every young artist claims to make genre-transcendent music “like nothing you’ve ever heard before”, Ethan Glass actually does it. His biography does conform to today’s trend of nutty, social media-sized snippets bearing brief reference to pseudo-obscure pop-culture trends – but “Dance Dance Revolution on acid” is an amusingly accurate description of the producer’s sound. Based on the merit of such a comparison, it is safe to say that this emerging artist will be a hit at Emissions Festival in May. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/eb0db9dfebac96544a705b98b11aeccf518730ac/medium/emissions.jpg?1461632977" class="size_m justify_center border_" /><br> <br>In the tradition of innovative artists like Eprom and DMVU, Ethan Glass’s wacky style gives aspiring “Future Bass” producers something to strive for. The artist builds off the postmodern tag’s most attractive assets, notably its hip-hop influenced “trap” roots and low-end emphasis. Ethan Glass’s signature style is punctuated by the kind of gritty, industrial bass that begs for a sound system: a characteristic often overlooked by less experienced producers in pursuit of the elusive anti-melodic melody (which, incidentally, Ethan Glass has a flair for as well). His music is defined by a rare, other-worldly depth that can only be achieved through patient, masterful production.</p><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=4265915013/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/transparent=true/" style="border: 0; width: 350px; height: 470px;">&lt;a data-cke-saved-href="http://saturaterecords.bandcamp.com/album/ethan-glass-molten-chore-strtep034" href="http://saturaterecords.bandcamp.com/album/ethan-glass-molten-chore-strtep034"&gt;Ethan Glass - Molten Chore (STRTEP034) by Ethan Glass&lt;/a&gt;</iframe><br> <p>In a <a contents="recent interview" data-link-label="" data-link-type="url" href="https://euphoric.net/blog/2016/04/18/emissions-interview-with-ethan-glass/" target="_blank">recent interview</a> with Emissions Festival, Ethan Glass cites the video arcade as a prominent musical inspiration. The influence shines through in his production. Perhaps another way to describe his unique style is as a juxtaposition of classic rave aesthetics and modern sound system sensibilities. It’s a testament to the idea that one needn’t eradicate the old to create something new. When asked what fans could expect from his festival set, the artist stated his preference for playing out unreleased tracks live. In many ways, this approach mirrors the same idea. Today, too many artists forgo the opportunity to introduce their audience to new sounds in favor of catalyzing collective crowd singalongs with familiar bangers. But, as any die-hard dubstepper would tell you, there’s nothing quite like the thrill of feeling an unreleased track emanate from a sound system. <br> <br>As an exceptionally unique, forward-thinking young producer, Ethan Glass is an ideal complement to the Sub.mission Agency’s diverse roster of underground talent. Stay in tune to Ethan Glass on <a contents="Facebook" data-link-label="" data-link-type="url" href="https://www.facebook.com/EthanGlassMusic/?fref=ts" target="_blank">Facebook</a> and <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/ethanglassmusic" target="_blank">SoundCloud</a>, and check out <a contents="his agency profile" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/ethan-glass" target="_blank">his agency profile</a> for information on booking and upcoming appearances. This emerging artist won’t be a secret for long.</p>subdotmission.comtag:www.subdotmission.com,2005:Post/41518702016-04-24T19:14:41-06:002020-11-25T06:06:01-07:00Sub.mingling: Subtle Mind<p style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8f3351c305849cd9e2711c213278e5ed4f30c949/original/subtle-mind.jpg?0" class="size_l justify_center border_" /></p>
<p style="text-align: center;">Last Electronic Tuesday was the Denver debut of the California production/DJ duo Subtle Mind. Paul and Austin have been making some serious noise over the last couple of years with releases on Tuba NYC, Surfase Records, Dubs Alive, Deep Heads, Foundation Audio and Lutetia Dubz. They have also been getting some serious airplay from the Dubstep Ambassador himself, Joe Nice, on his GourmetBeats show on Sub.fm. Only Austin was able to make the trip to Electronic Tuesdays last week and his solo performance was a perfect set that represented the Subtle Mind sound. We had a chance to sit and talk with Austin after his set about upcoming Subtle Mind releases, future collaborations and a few other fun topics. Here’s what he had to say. <br> </p>
<p>DiS_1: How are the travels brotha? <br><br>SM: Pretty good, the flight from Burbank was nice; it was a little bit cooler when I got to Denver but its awesome out here and over all everything has been going really well. <br><br>DiS_1: Sweet man. So aside from Denver what other cities are you visiting? <br><br>SM: Im goin to down to Albuquerque to play Burt’s Tiki lounge on Thursday and its Donnie EshOne’s birthday. <br><br>DiS_1: Ohhhhh Shit! So it’s definitely going be good time then? <br><br>SM: Yeah it should be a wild and fun time. *laughs* <br><br>DiS_1: You guys have had some big tunes get played out over the last couple of years via Joe Nice & the GourmetBeats crew. Without giving away too much, what<br>music do you have coming out this year? <br><br>SM: Well I can tell you that mid June our debut LP will be coming out. It’s a ten track LP with 3 vocalists, lots of musicians and all original music and it'll be out on Tuba records. Other than that we definitely have a ton of other music waiting to see the light of day. We cant really talk about it right now but there will definitely be more than just the LP out this year. <br><br>DiS_1: One thing we all love about your sound is how diverse it is. You guys have made dubbed out reggae tunes with the likes of Matt Deco and jazzy chilled out tunes with Freud. When you’re making a tune do you go into it thinking “This is going to sound a certain way” (ie. Deep, reggae, jazzy vibes) or do you just go with it and let the creative process take its course? <br><br>SM: Honestly it’s a case by case situation. I make music based on what I’m listening to at the time. I can’t speak for Paul because unfortunately he couldn’t make it out this time but I think we get inspiration similarly. We’ll listen to some stuff and then take away what we think can be translated into our sound. We're all over the place as currently Paul’s been listening to a lot of dub techno stuff and I’ve been listening to a lot of jazz but in the end it all just depends on what we’re listening too at the moment. <br><br>DiS_1: So aside from dubstep, what other genres have you played with as Subtle Mind? <br><br>SM: We definitely like to get down on some drum and bass for sure. If we’re not playing a Subtle Mind set we might step outside the boundaries a little bit and play some hip-hop or drum and bass or some stuff that can tie in but might not be exactly in the same realm of dubstep or drum and bass and it’s great to have two different minds working on that process because we both have such broad music tastes and that allows for more diversity within the set. It really all depends on the party too. Tonight was a good example because it’s Sub.mission Electronic Tuesdays, you guys represent that 140 sound extremely well here in Denver and I felt that stepping outside the 140 range wouldn’t really work with the crowd ya know? It really is all about the party though. If the vibe is right we’ll step outside the box a bit. <br><br>DiS_1: Are there any collabs coming up or in the works we should be on the lookout for? <br><br>SM: We definitely like keep the collab selection open. We’ve got a few tunes in the works but that’s about all I can say at the moment. I can say that we have stuff with Dubsworth on our upcoming LP so keep an eye out for that! <br><br>DiS_1: Sweet! Well with that in mind, the b2b thing is becoming pretty big in the DJ scene as of late and it’s been awesome to see different DJ’s play off each other and create some really amazing sets. Is there any DJ or DJ’s who you like to go b2b with or maybe would like to do a b2b set with? <br><br>SM: Dubsworth! We played a back to back set with him Thanksgiving night at a Ritual party and it was a lot of fun. We went into it with no practice and just vibed off each other and it went really well. Other than that we’d definitely like to get a b2b set together with Saule. He’s a homie and we worked on a couple tunes together; one of which, Omerta, was released on Foundation Audio. That was cool tune and we’d definitely like to work with him more and doing a b2b with him would be cool. Paul and I have talked about doing a b2b set with Artronik out of Eastern Europe. Arn is a really cool guy, we’ve swapped tunes and we’ve kind of hit it off on the music front and I feel like if we got on some decks it would be a lot of fun because it would be an awesome representation of his side of the spectrum and ours and I think that kind of collaboration would be really cool musically. <br><br>DiS_1: Do you guys have any plans this summer? Are there any festivals or events out in Cali we should come see guys you at? <br><br>SM: Nothing really planned as far as gigs. We’ve been really focused on making music so nothing is planned gig wise as of now. I will say that tonight was a lot of fun! We’d only heard good things about Sub.mission and Denver and I can honestly say that tonight far beyond exceeded every expectation I had. I can’t wait to come back! <br><br>DiS_1: So who have you been following lately? Any artists or labels we should keep an eye on? <br><br>SM: Definitely keep your eyes on Saule, he’s making some seriously crazy tunes right now. DTR has some really cool stuff out, I played a couple of his tracks tonight. He’s a bad ass producer that is definitely pushing the limits production wise and bringing the dub element to the table. Personally, I’m a big fan of Pocket Rocks and DMVU. Matt’s music is amazing and I definitely support everything he’s doing. Oxóssi out of California has some seriously bad ass tunes and if you haven’t heard his Crucial release yet then you need to do that immediately. Jonah Freed out of New York has some really cool deep 808 driven shit that will smash on a system. I don’t know, I could go on for days man! *both of us laugh* For real! But label wise keep your eyes on Tuba NYC, Foundation Audio and obviously GourmetBeats. Lots of amazing stuff coming from them. <br><br>DiS_1: As artists we draw our inspiration from a lot of sources but mainly music. Looking back, what was the one tune you heard or artist you saw live that made you say to yourself “I want to do music full time”? <br><br>SM: You know I think the first actual moment when I was in the crowd looking at the act on the stage and I said to myself “I want to play music for the rest of my life” was when I saw Hieroglyphics at Rock the Bells in 2007. Musically, I had produced a couple of things but I didn’t know a thing about DJing yet. When I saw all of the MC’s and DJ’s corresponding and feeding off each other and having fun as a crew together on stage it really set something off in me. It wasn’t about who they were or the festival they were playing, it was about the music and seeing that made me want to pursue something like that whether it was production or DJing. I was never a rapper so I wasn’t gonna try that route. *both of us laugh* <br><br>DiS_1: Our last question is one we ask every artist that we are fortunate enough to sit and chat with. Sub.mission's .mission is Moving People Thru Sound Not Hype, what would you say is your .mission? <br><br>SM: Well I can tell you that along this journey that we’ve had we’ve met some really amazing people and played at some really awesome events. To hear something we made on a home studio being played out on a proper sound system and seeing people react to it is beyond humbling. Music connects people around the world and we’ve met so many amazing people and been to some really cool places because of it, so I guess you could say that our .mission is to continue to be a catalyst for those connections and to push not just the music but everything that comes along with it like friendships, fun memories and all the other fun stuff about the scene that we know and love. <br><br>DiS_1: Hell yeah man, that’s what it’s all about! Well I want to give you a big thanks for sitting and chatting with me. That was an amazing set and I know I’m not alone when I say please, please come back soon and bring Paul with you. Before we go do you have any shout outs? <br><br>SM: Thank you guys for having me. Its been an amazing night! Definitely want to give a shout out and big up the homies Oxóssi, Saule, Jonah Freed, Wulf, Dubsworth, Joe Nice and everyone that’s helped push the music so far! </p>subdotmission.comtag:www.subdotmission.com,2005:Post/41514632016-04-24T11:19:53-06:002016-04-25T17:04:50-06:00Hear a Sizzling New Single by Legendary MC Juakali, Plus Two Remixes!Longtime fans of bass music and UK club music at large are likely familiar with singer and MC <strong>Juakali</strong>. The Trinidadian legend has been synonymous with the dubstep scene from its early stirrings, and was an integral part of the much lauded Dub War NYC. If this is your first time hearing the name then you're in luck, as his new single 'Rule The Night" couldn't be a better introduction. The club-ready tune - produced by Nashville-based <a contents="Secret Agent Gel" data-link-label="" data-link-type="url" href="http://secretagentgel.com/" target="_blank">Secret Agent Gel</a> - contains all the elements of dancehall and 2-step that are sure to get a listener moving. This tune is certain to be a massive staple of Summer '16, check it out below and <a contents="click here" data-link-label="" data-link-type="url" href="http://topbillinmusic.com/promo-juakali-secretagentgel-rulethenight/" target="_blank">click here</a> to hear remixes from <strong>Nobel</strong> and <strong>ErrorrE</strong>.
<p><iframe frameborder="no" height="150" scrolling="no" src="https://www.reverbnation.com/widget_code/html_widget/artist_4739223?widget_id=55&pwc%5Bsong_ids%5D=25705027&context_type=song&pwc%5Bsize%5D=small" style="width:0px;min-width:100%;max-width:100%;" width="100%"></iframe><br><br><br><br><span class="font_small">-Evan Franklin</span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/41486742016-04-22T01:55:27-06:002022-01-06T01:56:44-07:00Hustle Knowledge: Hudson Mohawke, DMVU, Ethan Glass<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a2e287534d7b93b2964c34b43c20b66ee6367a38/original/hudson.jpg?0" class="size_l justify_center border_" /><br><br>A lot of DJ’s can be put into a category or genre. That’s not true for Hudson Mohawk or as we like to call him, "HudMo." The music he plays and produces comes in all different genres and sounds. His early beginnings as a hip hop DJ landed him a spot in the UK DMC finals. The DMC is one of the most prestigious and well-known DJ competitions in the world. At the time he went by the name DJ Itchy and he was the youngest DJ to ever to make it to the UK DMC finals. Rarely do we hear about a hip hop DJ playing happy hardcore but HudMo is no ordinary DJ. He shared his love and passion for happy hardcore in his hometown of Glasgow by spinning the fast tempo (180 BPM) music at local bars. His love for hardcore music was unparalleled but he remained a hip hop head at heart and continued to pursue his passion for hip hop music and working with mainstream rappers. </p>
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<p><br>Hudson Mohawke teamed up with Lunice for a project entitled TNGHT. Through this project they pushed the boundaries of hip hop and trap music to a new realm. The hard hitting 808, unique sounds and samples along with low end bass made dance floors move across the world. This project lead to a collaboration with Kanye West entitled, “Blood on the Leaves” and appeared on the Kanye West album, “Yeezus.” He continued to collaborate with Kanye West and eventually signed to Kanye’s label, GOOD Music. </p>
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<p> <br>With a rich and brilliant background of rave and hip hop music it is no surprise that HudMo creates some of the most forward thinking and diverse music right now. Even though he’s busy touring he always makes time to produce music no matter where he is, even if it’s on the plane. HudMo has been known to push out a couple of bangers on a flight. <br>His music is contagious and we can’t wait for more. Check out one of his latest collaboration with AHONI and Oneohtrix Point Never: <br>https://anohni.bandcamp.com/album/hopelessness <br> <br>On Tuesday, we get to witness the amazing sounds of HudMo, currently on his “Smoachella Tour,” just a couple days after he plays Coachella “Weekend 2.” We are very excited to see and hear what one of the most remarkable DJ’s has in store for us in Denver at Cervantes Masterpiece Ballroom. No matter what kind of genre you like this is a must see. Who knows we may even hear some music that has not been classified into a genre yet. Either way, the bass will be heavy and the dance floor packed. See you in the dance. <br> <br>Get to know HudMo </p>
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<p> <br><br> <br>DMVU is one Denver’s brightest producers. Wait, DMVU is one of Denver’s darkest produces. No wait, who is DMVU? He is well-known for making music he likes. It could be bright and fresh or deep and dark. He’s not out to impress anyone or make the latest and coolest dubstep tune but he continues to impress us with his production. DMVU music can be music to dance to, music to drive to, music to meditate to or music to finish off that bottle of sizzurp you’ve been saving for a special occasion. He has a beat for almost every mood and we are anticipating his set in Denver at Cervantes’ The Other Side. Hold on to your guts, this one is going to rattle your insides.<br><br><a contents="https://soundcloud.com/damnesiavu/tracks" data-link-label="" data-link-type="url" href="https://soundcloud.com/damnesiavu/tracks">https://soundcloud.com/damnesiavu/tracks</a><br><br>Hailing from Virgina, Ethan Glass brings heat with his special style of trippy and trappy bass music. His EP, "Molten Chore" sounds like an acid trip down East Colfax. We are in for quite a ride this Tuesday in Denver at Cervantes' The Other Side.<br><br><a contents="http://saturaterecords.bandcamp.com/album/ethan-glass-molten-chore-strtep034" data-link-label="" data-link-type="url" href="http://saturaterecords.bandcamp.com/album/ethan-glass-molten-chore-strtep034">http://saturaterecords.bandcamp.com/album/ethan-glass-molten-chore-strtep034</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/41484032016-04-21T20:16:46-06:002017-01-12T07:25:03-07:00The Rewind: Grimblee, Subtle Mind, Bean & More! <p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1f3f828baef52e2e2fd3fdc4e1061830c62dfc7f/original/grimblee-subtle-mind-cover.jpg?0" class="size_l justify_center border_" /><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f949395e2d7a86d27f107deeeea84120f845ce60/original/grim-grim.jpg?0" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(Eyediola Photography) </span></a><br><br><span class="font_large">When it comes to Tuesday nights in Denver, <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> has the game on lock. Each and very week <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a> is showcasing some of the sickest talent in bass music and if you haven’t come out in recent weeks, you’ve been missing out! This past Tuesday night we gathered on the dance floor to embrace the Denver return of long time Sub.mission family, <a contents="Grimblee" data-link-label="" data-link-type="url" href="https://www.facebook.com/Grimblee/?fref=ts">Grimblee</a> along with the Denver debut of <a contents="Subtle Mind" data-link-label="" data-link-type="url" href="https://www.facebook.com/SubtleMindMusic/?fref=ts">Subtle Mind</a> hailing from Los Angeles and it was a night that won’t soon be forgotten. The entire night was comprised of a wide series of sound and offered styles and genres for bass music lovers of every spectrum to enjoy. The vibe was thick, the room as packed, and the sound system was thumping all night long. If you were in attendance, you already know massive Tuesday night was, and if you weren’t able to make it out, we’re here to give you a feel for how the night went in this week’s edition of The Rewind! </span></p>
<p style="text-align: center;"><span class="font_large">Upon doors opening at Cervantes’ Other Side, the Electronic Tuesdays crowd made their way inside early in the night as Sub.mission was hosting giveaways on limited edition grinder cards and discounted deals on ganja-related merchandise to get the 4/20 festivities started properly. It was 8:00pm sharp when this week’s DJ battles took off in full swing featuring selectors: <a contents="Mudge" data-link-label="" data-link-type="url" href="https://www.facebook.com/MudgeOfficial/?fref=ts">Mudge</a>, <a contents="Magnum" data-link-label="" data-link-type="url" href="https://www.facebook.com/yaboimag/?fref=ts">Magnum</a>, <a contents="D0KT3R" data-link-label="" data-link-type="url" href="https://www.facebook.com/SkratchDoKtor/?fref=ts">D0KT3R</a>, & <a contents="Pocket Rocks" data-link-label="" data-link-type="url" href="https://www.facebook.com/pocketrocksbeats/?fref=ts">Pocket Rocks</a>. This week’s battle consisted of a diverse range of sounds including Bassline House, Dubstep, Trap, Hip-Hop, and some experimental beat music as well. Each artist made the most out of their 30 minute time slots to showcase their skills and abilities to get the crowd moving early in the night and show what they’re all about. This week’s battle was one of the best that I’d seen at Electronic Tuesdays in recent memory and after an intense battle among the 4 selectors, ‘<a contents="Pocket Rocks" data-link-label="" data-link-type="url" href="https://www.facebook.com/pocketrocksbeats/?fref=ts">Pocket Rocks</a>’ beat out the competition to be crowned this week’s winner. His original tunes show an unorthodox approach to bass music and offered a refreshing sound for the crowd to enjoy and I can’t wait to see him make his <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a> return to perform in the April Winners Showcase battle on May 3! <br><br><a contents="Pocket Rocks" data-link-label="" data-link-type="url" href="https://www.facebook.com/pocketrocksbeats/?fref=ts">Pocket Rocks</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2b61ad71503ec7cb5f627b30a4cb84574003845d/original/pocket-rocks.jpg?0" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(Eyediola Photography) </span></a><br><br><span class="font_large">Next up in the rotation on this massive night in sound, it was now time for <a contents="Subtle Mind" data-link-label="" data-link-type="url" href="https://www.facebook.com/SubtleMindMusic/?fref=ts">Subtle Mind</a> to make his 1st ever Denver appearance. Hailing from Los Angeles, Subtle Mind is a dubstep duo consisting of members Austin & Paul and this time around Austin would be holding down the stage in a solo-performance fully reppin’ the Subtle Mind sound. A couple weeks prior to this performance, a friend of mine from Los Angeles had mentioned the boys of ‘<a contents="Subtle Mind" data-link-label="" data-link-type="url" href="https://www.facebook.com/SubtleMindMusic/?fref=ts">Subtle Mind</a>’ and spoke of them in very high regards and I was overly excited to experience the deep, minimal sound live and direct at Cervantes’ Other Side for the Denver debut. Upon taking the stage, Austin spent zero time messing around and began to unleash some serious low-end frequencies that flexed the subwoofers to their limit and rumbled the ground beneath my feet. Everyone that was in attendance was instantly captivated by the weighty sound that was being projected and not a single body was stagnant throughout the entire venue. The set began with a relaxing, meditative approach and transitioned to a more rootsy 140 style toward the end. The set was well refined, soulful, and impossible not to dance to. The majority of the tunes that Subtle Mind performed were new to my ears offered a refreshing approach to dubstep that felt like I was rediscovering the sound all over again for the very first time. It all came back to the vibe and the feeling of low-end frequencies penetrating my body and compelling me to dance to the beat. Various times throughout the set I closed my eyes and found myself fully immersed in the sound and I couldn’t get enough. The lighter crew ignited the dance floor as Subtle Mind proceeded to take us on a voyage through sound and he made a ground-breaking impact in this highly anticipated Denver debut. <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="yFkYBJzxsK0" data-video-thumb-url="http://img.youtube.com/vi/yFkYBJzxsK0/0.jpg" type="text/html" src="https://www.youtube.com/embed/yFkYBJzxsK0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><a contents="Subtle Mind" data-link-label="" data-link-type="url" href="https://www.facebook.com/SubtleMindMusic/?fref=ts">Subtle Mind</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8f3351c305849cd9e2711c213278e5ed4f30c949/original/subtle-mind.jpg?0" class="size_l justify_center border_" /></span></p>
<p style="text-align: center;"><a contents="(Eyediola Photgraphy)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(Eyediola Photgraphy)</span></a><br><br><span class="font_large">As a sea of bass heads flooded the dance floor at The Other Side from front-to-back, it as now time for the main event as <a contents="Grimblee" data-link-label="" data-link-type="url" href="https://www.facebook.com/Grimblee/?fref=ts">Grimblee</a> would be taking the stage to amplify the energy in the room and kick things up a few notches. Having seen Grimblee perform a number of times throughout the years, I knew to buckle up tight and prepare for a set that would be well-rounded and would not be exclusive to a single genre or sound. Dating back to the first time that I saw Grimblee perform at the Sub.mission 6 year anniversary, he has always stood out as one of the most forward-thinking and innovative talents in bass music. The Utah-based DJ/Producer has a style that is uniquely his own and every time that you see him perform, he’s got something completely new and original up his sleeves. He will always keep you guessing and will undoubtedly have you on edge from the moment he takes the decks, all the way ‘til the very end of his set. This past Summer in June, <a contents="Grimblee " data-link-label="" data-link-type="url" href="https://www.facebook.com/Grimblee/?fref=ts">Grimblee </a>performed at the highly renowned Sonic Bloom Music Festival and delivered one of my personal favorite sets of the entire weekend and I couldn’t wait to see him destroy the dance floor in the intimacy of Cervantes’ Other Side. On Tuesday night he began his set with a deeper, low-end approach and further demonstrated his versatility as a DJ before transitioning into his signature upbeat, and high-energy style. Among the extensive catalogue of tunes that he played out, some of my personal favorites included ‘Wild Vine’ by Grimblee & Ganja White Night, along with dance floor banger, ‘I Got Trust Issues’ that he released under his experimental alias, ‘<a contents="Hecka" data-link-label="" data-link-type="url" href="https://www.facebook.com/HeckaOfficial/?fref=ts&ref=br_tf">Hecka</a>’. On Tuesday night he performed one of the most well balanced and versatile sets that I’ve ever seen and by the time it was all said and done, I only wanted more. Whether he’s throwing down in front of a sea of people at a music festival or getting up-close-and-personal at a small venue, Grimblee is sure to take you on a complete musical journey with plenty of twists and turns so fasten you dancing shoes and get don’t get caught slippin! <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="uAZcDLcyPaM" data-video-thumb-url="http://img.youtube.com/vi/uAZcDLcyPaM/0.jpg" type="text/html" src="https://www.youtube.com/embed/uAZcDLcyPaM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><a contents="Grimblee" data-link-label="" data-link-type="url" href="https://www.facebook.com/Grimblee/?fref=ts">Grimblee</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a3fbf19c65ed1aaaeaccd03c51bad9dc3aabcf7c/original/grimblee-e-tues.jpg?0" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(Eyediola Photography)</span></a><br><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/525e035061692495d5f47972878f55516de3686f/original/grimbleeeeeee.jpg?0" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(Eyediola Photography)</span></a><br><br> </p>
<p style="text-align: center;"><span class="font_large">Finishing off the night and providing some much needed decompression from such a diverse night in sound, it was now time for Sub.mission resident DJ, ‘<a contents="Bean" data-link-label="" data-link-type="url" href="https://www.facebook.com/beandubstep/?fref=ts">Bean</a>’ to take the stage and close out with a bang! No stranger to Cervantes’ Other Side, Bean is a name that has become a staple throughout the entire Denver Dubstep scene and he’s been putting in work for many years now. Widely known as one of the early members of the Sub.mission crew and a true Sub.Soldier advocating the ‘Moving People Through Sound Not Hype’ moniker, Bean has emerged as one of the sickest talents throughout Colorado and has proven to be a true force to be reckoned with when he’s behind the decks. His next-level track selection and flawless mixing abilities are what set him apart from the average DJ and his bass-driven sound is unmistakable. His set on Tuesday night consisted of his signature 140 style with tunes like Quantum Soul’s ‘Strong Root’, Proxima’s ‘Trapped’ and even some UK Grime by the likes of ‘D Double E’s –Badman! Regardless of your previous knowledge on the one like ‘Bean’, he’s one of the most exciting recent additions to the Sub.mission roster of resident DJ’s and he’s one that you want to keep close eyes on! <br><br><a contents="Bean" data-link-label="" data-link-type="url" href="https://www.facebook.com/beandubstep/?fref=ts">Bean</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/3a721ee03a7e463d2b4a7f0458f79655669446c7/original/bean-dubs.jpg?0" class="size_l justify_center border_" /></span></p>
<p style="text-align: center;"><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></p>
<p style="text-align: center;"><br><br><span class="font_large">Author: <a contents="Carlos Galvan" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">Carlos Galvan</a></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/41460732016-04-20T15:15:03-06:002017-02-05T05:56:23-07:00Preview The Greys' Highly Anticipated Debut LP "Notions of Emotions" Up-and-coming Bristol-based producer <strong>The Greys</strong> shares his moniker with the storied race of extraterrestrials infamous for cosmic abductions. Coincidentally, "cosmic abduction" is a perfect description of his deep, engulfing productions. He has only been performing solo since 2013, but since then the young artist has accomplished a great deal. From playing international clubs and festivals to finishing up his debut LP: 'Notions of Emotions,' he's been hard at work.<br> <p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/259404169&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br> The aforementioned LP - dropping soon on Portland's <a contents="Gradient Audio " data-link-label="" data-link-type="url" href="http://gradientaudio.com/">Gradient Audio </a>imprint - is an impressive showcase of TG's seemingly endless talent as a producer. The record title is extremely apropos, as it guides the listener through a cohesive journey of auditory emotions. The diversity of musical styles on display throughout the album's 13 tracks is well executed and genuine, with no sense of contrivance. There is also a clear musical identity present. The album courses with signature Bristolian attitude, but leaves plenty of room for sounds unique to the artist who made it. "Need You" bathes a futuristic bounce in washing, sweeping synths and at times borders on the glitchy. "Happy Birthday," - a collaboration with fellow sub.mission artist <a contents="DMVU" data-link-label="" data-link-type="url" href="https://soundcloud.com/damnesiavu" target="_blank">DMVU</a> - is another track that defies description. An vaporwave ballad of sorts, it is most certainly an album highlight. TG also manages to nail shuffling UK garage and downtempo-dancehall rhythms ("Leaving" and "Believe," respectively) with apparent ease. Dubstep purists will love this album as well, with plenty of atmospheric subs and massive head-bobbing 140 tunes like "500 Years" and "Wobbly Wendy," the latter of which can be previewed below:<br><br><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/230978236&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe></p> <br><span class="font_large">Preorder 'Notions of Emotions' now and receive a free version of "Need You" over at Gradient Audio's <a contents="Bandcamp" data-link-label="" data-link-type="url" href="http://gradientaudio.bandcamp.com/album/notions-of-emotions" target="_blank">Bandcamp</a>!</span><br><br><br><br><br><span class="font_small">-Evan Franklin</span>subdotmission.comtag:www.subdotmission.com,2005:Post/41423702016-04-18T18:13:48-06:002023-12-10T10:03:18-07:00Agency Spotlight: Grimblee<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/44483c3be9c80dda321246ebed77bf14b114e8ed/original/grimblee-fing-loves-swindle.jpg?0" class="size_l justify_center border_" /><p>As dubstep splits off from itself – or diversifies – it seems as if we need additional qualifiers to accurately encapsulate what any given artist’s angle on the genre actually sounds like. Some of the most common not-exactly-subgenres that I hear include the predictable “deep”, “riddim”, and “brostep”; but there’s (apparently) also “bandwagon”, “trippy”, “trappy”, “profitable”, “pre-2011 brostep”, “heavy but not annoying”, “Deep Medi” (yes, delegated as a genre descriptor with no attachment to the label) – the list goes on. With so many supposed sub-genres, it’s rare to find an artist who’s signature style doesn’t fit any bill. Then again, how can one classify an artist who makes music unlike anyone else?<br><br><a contents="Grimblee " data-link-label="" data-link-type="url" href="https://soundcloud.com/grimblee" target="_blank">Grimblee </a>is one such anomaly. The Utah-based producer draws influence from a huge palette of sounds: from the funky beats that typify glitch hop, riddim’s violent wonks, wobbles reminiscent of early Rusko (“Woo Boost” is a staple in his live sets), and the immersive basslines that give dubstep its distinct character. Yet, not a single artist who “sounds like Grimblee” comes to mind. His unmistakable style draws in fans from every pocket of electronic music; his diverse appeal extends far beyond dubstep’s usual purview. Evidenced by electric, well-attended festival sets, Grimblee’s music possesses a unique energy that resonates with young partygoers across the nation.</p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/68327669&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Still, regardless of the twists Grimblee applies to the tradition, the bulk of his music is unquestionably dubstep. He isn’t the first artist to revel in the art of sonic cacophony – breaking the listener’s trance rather than building it – he’s simply the most recent producer to do it well. Like in some glitch hop and neurofunk, Grimblee often keeps his audience guessing with unexpected variations in the beat. Distorted mid-range bass is among his trademarks and strengths. Another is the use of space, both as a mechanism for building tension and relieving it. The most exciting moments in Grimblee’s tracks are not always created by the sounds he uses, but the places where those sounds are absent.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/153449505&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Grimblee’s DJ sets are known for a certain danceability foreign to many of dubstep’s head-nodding fans. But he’s also liable to dive into the deep end, delivering bangers that some of his crowd likely never heard before. His song selection is a testament to dubstep’s unmatched stylistic versatility, as well as his own personality as a producer. As a DJ, Grimblee proves that dubstep does have a place outside of the dark basements, warehouses, and modestly-sized clubs from which it sprouted from.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/21319559&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>The artist’s alter-ego is also worth a listen. The <a contents="Hecka " data-link-label="" data-link-type="url" href="https://soundcloud.com/heckaofficial" target="_blank">Hecka </a>alias is an outlet for house-influenced beats that don’t quite fit into Grimblee’s aesthetic, although the growing frequency of Grimblee vs. Hecka sets challenges that idea. Hecka’s tunes adopt a different structure than the producer’s 140 work, but boast much of the same infections sound aesthetic. Many artists establish alternative aliases anticipating that the deviation in style may alienate existing fans. Turns out, most of Grimblee’s fans are quite fond of Hecka, especially on the dance floor.<br>.</p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/226179334&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Grimblee is yet another artist on the Sub.mission Agency roster who’s music defies the rote categorization that so many modern music fans expect. Anybody wondering about the merits of Grimblee’s music will need to find out the old-fashioned way: by listening for themselves<br><br><a contents="Follow this link" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/grimblee" target="_blank">Follow this link</a> for booking information, and follow <a contents="Grimblee " data-link-label="" data-link-type="url" href="https://www.facebook.com/Grimblee/?fref=ts" target="_blank">Grimblee </a>and <a contents="Hecka&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/HeckaOfficial/?fref=ts" target="_blank">Hecka </a>on Facebook for more.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/210336096&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><span class="font_small"><em>Amye Koziel</em></span></a>subdotmission.comtag:www.subdotmission.com,2005:Post/41401232016-04-17T01:25:23-06:002020-11-25T04:08:19-07:00Sub.mingling: Thelem<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ea2d067435dfc90a5b4bade7811db4be6445d8dc/original/thelemmm.jpg?0" class="size_l justify_center border_" /><br><br>Q: Who would you consider as some of your influences both musical, and non-musical?<br><br>Thelem: Well I try and draw influences from lots of different things. So musical wise I try not to draw from one specific genre, or one specific artist or sound. So I might try and draw influences say from like hip-hop stuff, grime, trap, dubstep, and the last couple of years try and incorporate lots of different styles into one sound. Non-musical wise, that's tough, I guess non-musical wise I try and take influence from a lot of films, so when I go to cinema I'll always be listening to sound design in films or kind of like how their doing stuff like the effects their using, stuff like that. So I guess film is kind of a big influence to be honest. As far as artists, there's too many too mention. So many artists I try and draw influence from. <br><br>Q: We were wondering about the future direction of your music, because we noticed when it first came out it was more dubstep, and now it's moving more towards bass in general...<br><br>Thelem: Yeah, well again, it's like drawing influences from that but also incorporating it with the UK sound. The dubstep and UK grime sound, with the American kind of bass music sound, to try and kind of combine a bit of both. It's really cool actually, because a lot of people in the UK haven't heard like the American bass music kind of trappy sound I guess. It's really exciting because when I play those tunes for producers over here for example Bleep Bloop, or people like that, some of them are really open to it. And it's cool to see that it works really well with the UK sound as well. So, it's a good direction, and I think that's the way it's kind of going, it's more hybrid, rather then solely dubstep or solely this. It's just like a hybrid of sounds, and I think that's the direction I'm aiming for.<br><br>Q: How did you discover dubstep?<br><br>Thelem: I discovered dubstep through my mate Tom. A guy I was living with, he was heavily into drum and bass, and he had been into dubstep a while, since like the beginning of it. And he showed me it in his room, we had a little sound system in his room, and we played tunes. And he took me to my first dubstep night as well, and yeah, first time I heard it on a proper system, I had never heard a system like that, or bass like that, so I actually instantly fell in love I wanted to go out the following night. <br><br>It's kind of like that with dubstep...<br><br>Thelem: It really resonated with me for some reason. Growing up I was really into hip hop. And some of the first tunes my mate showed me was Loefah. And I think his earlier beats were actually quite hip-hop influenced, just the grooves of them were quite hip-hoppy in a way. And when I heard them on a system I instantly fell in love with them. <br><br>Q: What made you decide to become a producer/DJ?<br><br>Thelem: I didn't really kind of decide that I wanted to be a producer and a DJ. It was like, I got into the music, and then I used to watch my mate make tunes in his room, and I kind of just wanted to have a go. And then once I got into it, I fell in love with making tunes. But when I started it was never my intention, or my goal to be like right I'm going to be a producer, I'm going to be a DJ. It just kind of happened kind of naturally. Like the more I did it, the more I got into it, I started sending my tunes about, and it was just kind of like a natural transition, rather then kind of being like I want to be a producer and a DJ. It just kind of happened naturally. <br><br>Q: What advice would you have for young producers and DJs who might be considering making a career out of music?<br><br>Thelem: Always do it for the love and the fun, of course. Like, personally I don't think it will always turn out the best if your kind of going in their with the intentions of trying to be a superstar DJ or make loads of money at it. Their isn't much money in it really, unless your doing like I don't know like the superstar level, maybe then. But I guess, keep it for the fun, and the love really. As long as your having fun, that's the main importance. Because when your doing it for the money, it's not going to work out as well. <br><br>Q: How do you achieve the ethereal, otherworldly quality of some of your music?<br><br>Thelem: I think that might be to do with the samples I use, and the way I make sounds. I use a lot of granular synthesis. It's kind of like almost 50-50, fifty percent sample based, fifty percent sythesizers and stuff like that. A lot of the kind of granular synthesis I use, has a weird tone and a weird feel to it. And I think, the last couple years, all the weird kind of sounds I've been using in my tunes, I think that's really kind of helped build my sound and the character of my tunes. <br><br>Q: What are some of your favorite styles outside of dubstep or grime?<br><br>Thelem: Hip-hop, like I was saying I kind of grew up on hip-hop, and I've actually got really back into recently. And trap stuff, as much as a bad word that is, some trap tunes, their so creative man. They use some really cool sounds, and they're really free in the sounds that they use, a non-specific sound set, and that's kind of really inspirational, like yeah hear what they use, and it's kind of like I can use whatever I want, not just this palette of sounds. <br><br>Q: If you could collab with anyone, who would it be?<br><br>Thelem: I'd have to say, way out of my league, but probably Amon Tobin. If I could collab with anyone that would probably be the first.<br><br>Q: Name a few artists we should keep an eye on. <br><br>Thelem: I'd say artist wise, no specific order, Soloman, Commodo, Eva 808 from Sweden, she's doing some cool stuff. Tsuruda I think his music is amazing. Bleep Bloop, he's really sick. Mesck, Sleeper. <br><br>Q: Sub.mission's .mission is moving people through sound, what is your mission?<br><br>Thelem: What is my mission? My mission is, to make music that I like I guess, and hopefully other people will like it is as well. I get them dancing in the club, nothing makes me happier then when I play a new tune, or another DJ plays a new tune of mine, the reaction, people love it in the club, that's a great feeling to me. So I guess my mission is to make music that I love, and hopefully other people love it as well. <br> subdotmission.comtag:www.subdotmission.com,2005:Post/41372382016-04-14T19:43:20-06:002017-01-12T07:25:03-07:00The Rewind: Thelem, The Aliens UK, Sektah & More!<p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a8ab2a18f185469f39e3446deb83ba36950a059d/original/thelem-the-aliens-uk.png?0" class="size_l justify_center border_" /><br><br>Following a massive sold out <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> 9 year anniversary show this past Saturday night, the vibe was still running high as we welcomed <a contents="Thelem" data-link-label="" data-link-type="url" href="https://www.facebook.com/thelem.music/?fref=ts">Thelem</a>, <a contents="The Aliens UK" data-link-label="" data-link-type="url" href="https://www.facebook.com/The-Aliens-uk-317968001605291/?fref=ts">The Aliens UK</a>, & <a contents="Sektah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">Sektah</a> for a serious decompression session at this week’s Electronic Tuesdays. Having seen Thelem perform a handful of times over the years, my excitement was through the roof and I anxiously awaited his headlining performance. Not to mention this would be the Denver debut of The Aliens UK, Sektah would be closing out the night, and the March Winners Showcase battle would also be in full effect to start the night off proper! For well over 5 years now, Electronic Tuesdays presented by Sub.mission has been the hottest electronic music weekly in Denver and if you haven’t been a part of the madness lately, you are definitely missing out! Here’s the rewind! </span></p>
<p style="text-align: center;"><span class="font_large">As many of us were still in recovery mode from the Sub.mission 9 year anniversary party, a massive lineup comprised of both local and international bass music talent would offer the perfect decompression session to wind down and keep the festive spirits running high. The night began with the March Winners Showcase at 8:30pm featuring battle winners: Crimsic, The Toddfatha, & Gumshoe. Each of these 3 acts had won their previous battles at Electronic Tuesdays during the month of March and on Tuesday night they made their return to battle it out once again and show us what they’re made of. The Electronic Tuesdays crowd came out early and made the most out of their Tuesday night as we embraced such an epic battle take place right before our eyes. Performing styles of more aggressive dubstep, deeper styles, and even some UK Grime, this winners showcase battle was very well rounded and once again proved how talented the local scene in Colorado really is. After a heated battle among the 3 selectors, Gumshoe emerged as the battle champion as he beat out his competitors in one of the closest battles to date. His minimal, 140 sound resonated with the entire audience and had the floor rumbling early in the night. No stranger to the Electronic Tuesdays stage, Gumshoe has always proven to be a fierce competitor in the DJ battles and this time he walked away with the crown and earned the title of the March battle champion! Congratulations to Gumshoe on this very well deserved victory among some very talented competitors!<br> *Disclaimer: Any time an artist starts their set with Skream's tune 'Chest Boxing', buckle up tight! It's about to get SERIOUS!* </span><br><br><span class="font_large">GUMSHOE<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/326314b7434b3ea8ae4be767bc4faed27a92668f/original/gumshoe-e-tues.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a></p>
<p style="text-align: center;"><span class="font_large">Following the winners showcase battle, it came as a pleasant surprise that<a contents=" Sektah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts"> Sektah</a> would be playing a 30-minute set and opening up for <a contents="The Aliens UK" data-link-label="" data-link-type="url" href="https://www.facebook.com/The-Aliens-uk-317968001605291/?fref=ts">The Aliens UK</a>! Initially I had thought that Sektah would only be closing out the night but I was excited to see him play 2 sets and hold it down on the primary support slot for The Aliens UK and close out the night as well. Proving his versatility as a DJ and demonstrating his extensive skill set, Sektah took a non-traditional approach to this 30 minute set and began with a deeper, weightier style and later transitioned to his signature wonky style toward the end of the set. It was refreshing to see Sektah perform different styles and set the tone flawlessly for The Aliens UK and now the night was in full swing! </span><br> </p>
<p style="text-align: center;"><span class="font_large">The narrow-hall dance floor was growing steadily by the time that <a contents="The Aliens UK" data-link-label="" data-link-type="url" href="https://www.facebook.com/The-Aliens-uk-317968001605291/?fref=ts">The Aliens UK</a> took the stage in his Denver debut! Rockin’ a T-Shirt that read ‘EXTERMINATE’, The Aliens UK began to unleash those signature hard-hitting bass lines that literally annihilated the dance floor and instigated one of the rowdiest crowds that I’ve seen at Electronic Tuesdays. On Tuesday night Cervantes’ Other Side was under attack from an extraterrestrial life form that was out of this world. The Aliens UK took the decks and amplified the energy in the room to have heads banging, bodies rocking, and fists flying high in the air! Laser-like melodies and bouncy wavelengths erupted the audience and The Aliens UK took no prisoners in his highly anticipated Denver debut! His energy was highly infectious as his supreme mixing abilities and next level track selection combined to make the entire crowd bounce from beginning to end! My favorite part of the set was when he dropped the tune ‘Enough Said’ and had the entire audience losing their minds in an all-out skank zone! After witnessing such an adrenaline-pumping throwdown from The Aliens UK, I am 100% convinced that he is an artist that is not from this terrestrial realm we call Earth. Big ups to The Aliens UK for slaying the dance floor and delivering a performance of groundbreaking proportions! <br><br><a contents="THE ALIENS UK" data-link-label="" data-link-type="url" href="https://www.facebook.com/The-Aliens-uk-317968001605291/?fref=ts">THE ALIENS UK</a>:<br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="WOpUoY19t2w" data-video-thumb-url="http://img.youtube.com/vi/WOpUoY19t2w/0.jpg" type="text/html" src="https://www.youtube.com/embed/WOpUoY19t2w?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/30a36a7cb17ed5041a433a5fbb51acc4bca53472/original/aliens-ukkkk.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)&nbsp;&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(EYEDIOLA PHOTOGRAPHY) </span></a><br><span class="font_large"> <img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7acb6cd6230b40689620636811ac7582b6608479/original/alienssss.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(EYEDIOLA PHOTOGRAPHY)</span></a><br><br><span class="font_large">The subwoofers were hitting hard, the vibe was thick, and it was now time for the one like <a contents="Thelem" data-link-label="" data-link-type="url" href="https://www.facebook.com/thelem.music/?fref=ts">Thelem</a> to take the decks in his warmly welcomed Denver return. If you’ve been keeping up with the world of underground bass music throughout the years, ‘Thelem’ is a name that can’t be overlooked. He is undoubtedly one of the most innovative and forward thinking artists in the game today and his experimental sound truly pushes the limits and boundaries of bass music as a whole. Going into Tuesday nights’ show, my excitement was at an all time high and I couldn’t’ wait to see what tricks and surprises Thelem had up his sleeves this time around. Though he is widely recognized for his 140 tunes, Thelem is also known to dabble with Drum & Bass, Grime, Hip-Hop, and ‘Future Bass’ as well. A true DJ possesses the ability to grasp the attention of every soul in the room and take it on a musical journey from start to finish and on Tuesday night that is precisely what Thelem did. Performing some of his classic tunes as well as new-aged dance floor bangers like ‘Haunted Harmonics’, ‘Bring Me Down’ ‘Bokeh (Thelem Remix), & ‘React (Thelem Remix)’. Ever since his emergence to the realm of underground bass music, his tunes have rumbled dance floors throughout the globe and he’s become a true staple in the scene. Tuesday night’s performance was yet another demonstration of just how talented and well rounded Thelem is as both a DJ and a Producer and there was not a stagnant body throughout the entire venue. When it comes to Thelem, no 2 sets are ever the same and they hardly resemble any similarities. His live performances cater to the crowd and offer something for everyone to enjoy and on Tuesday night he only left us wanting more. If you were in attendance, you already know how spectacular his set was and if you ever get the chance to see him perform live in the upcoming future, do not pass it up! <br><br><a contents="THELEM:" data-link-label="" data-link-type="url" href="https://www.facebook.com/thelem.music/?fref=ts">THELEM:</a><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="y-2QvJFnUCw" data-video-thumb-url="http://img.youtube.com/vi/y-2QvJFnUCw/0.jpg" type="text/html" src="https://www.youtube.com/embed/y-2QvJFnUCw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ea2d067435dfc90a5b4bade7811db4be6445d8dc/original/thelemmm.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(EYEDIOLA PHOTOGRAPHY)</span></a><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/5b29c94a6113b29d120a1b6ec802d1183ecffbd5/original/thelem.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a></p>
<p style="text-align: center;"><br><span class="font_large">Closing out the night, it was now time for <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> x <a contents="Villainz" data-link-label="" data-link-type="url" href="https://www.facebook.com/villainzdubstep/?fref=ts&ref=br_tf">Villainz</a> resident DJ Sektah to make his return to the stage for a 2nd set and finish the night with a bang! Not holding anything back, Sektah took the decks and got straight to business with a bouncier, wonkier set to close out the night and keep the late night Electronic Tuesdays crowd on their toes. When it comes to the local scene in Colorado, Sektah has been one of the fastest-evolving talents over the years and he is known to bring the heat each and every time. Regardless of his time slot, Setkah is a talent that will get the dance floor busy and fully satisfy your urge to dance. Flawless transitions combined with his signature chopping abilities to simultaneously drop 2 tunes in unison are some of the capabilities that set him apart from the average DJ and you should know to expect breath-taking sets when you see the name ‘<a contents="Sektah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">Sektah</a>’ on a lineup! </span></p>
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<p style="text-align: center;"><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a></p>
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<p style="text-align: center;"><span class="font_large">Author: <a contents="Carlos Galvan" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">Carlos Galvan</a></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/41269552016-04-08T11:13:14-06:002017-01-12T07:25:03-07:00Hustle Knowledge: Thelem and The Aliens UK<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a0e462e6a0a137b4b47d72f81bbc2a698634963a/original/original.jpg?0" class="size_l justify_center border_" /><br>Thelem is a versatile DJ and producer who has rapidly became one of our favorite artists here at Sub.mission. Inspired by Aleister Crowley and his philosophy of Thelema, Thelem's tracks usually have a very dark tone. Well known in the dubstep world for his hit <a contents="Haunted Harmonics&nbsp;" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=1szwMJfBpqU">Haunted Harmonics </a>, we are very excited to have Thelem back to be playing our 9 Year decompression session at Electronic Tuesdays. Thelem usually releases music under J:Kenzo's Artikal imprint, his first release for Artikal in 2013 included <a contents="Grainform&nbsp;" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=1szwMJfBpqU">Grainform </a>, <a contents="Petrichor" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=1iuhkO-OQJI">Petrichor</a>, and <a contents="Synthetic Artifacts" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=PU70b90LqkA">Synthetic Artifacts</a>. Thelem usually produces tracks on the deeper end of the spectrum, which showcase an eerie atmosphere throughout his music typically featuring otherworldy sounding synth work and spooky sound effects. One of my personal favorites of his is <a contents="Forces of Nature" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=Vrc4jM-YTUw">Forces of Nature</a> from the Haunted Harmonics EP. Another of his very popular tunes is a grime song released for Innamind Recordings, <a contents="Bring me Down featuring T-Man" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=_8yVui3z7EU">Bring me Down featuring T-Man</a>. Thelem's unique style and talent as a DJ makes him a perfect fit to headline the 9 Year decompression party, and we are definetley looking forward to his set. <br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/4594df3a309775b87a40a87ae8aa77a68477e482/original/12249870-904458579622894-7078254224258740528-n.jpg?0" class="size_l justify_center border_" /><br>Joining Thelem for the 9 Year decompression, we have The Aliens UK on support. The Aliens UK have releases for several different labels, including Dubstar Recordings, Bassclash Records, Southside Dubstar, Alien Noize Recordings, One Gun Salute, and Dubstep Onslaught. <a contents="Enough Said" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=KffuLNr47D8">Enough Said</a> is a well known track of theirs, which has been <a contents="remixed" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=upUvxURQSuc">remixed</a> by Badklatt, as well as Megalodon whose <a contents="Enough Said VIP" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=PDEL6WOhoR4">Enough Said VIP</a> is very popular among selectas. The Alien's style will be a nice counterpoint to Thelem's deeper, darker selection because their music tends to be of the harder end of the spectrum, adding a variety of styles to the night. I really enjoy their tune <a contents="Space Bomb" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=lXc203y-QSs">Space Bomb</a>, which uses an in your face bassline and laser sounds to really get the listener pumped up. One of their latest releases, <a contents="Exterminate" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=WFZFgOSxaQA">Exterminate</a> is sure to get riddim fans packed on the dancefloor and moving. The Aliens UK are on their first US Tour, making their second stop in Denver for the 9 Year decompression party. It will be very interesting to see what they have in store for us for their Denver debut. <br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/16bf4c4e1c5593f82fe77685ddb47fca352dc50d/original/12931107-10154047100882370-6793840568910752021-n.jpg?0" class="size_l justify_center border_" /><br>Closing out the 9 Year decompression will be a DJ that needs little introduction in Denver, Sub.resident and crowd favorite Sektah. Sektah is a versatile DJ who is a member of Villainz Dubstep as well as being on Sub.mission's roster of residents for quite some time now. Sektah's sets typically blend both the harder wonkier styles of dubstep, along with the deeper more melodic tracks, often incorporating a bit of grime to round everything out. He also often plays riddim sets, showcasing his ability to mix tracks and program sets for each unique style of dubstep. Closing out the 9 Year decompression should be no problem for Sektah, as he is well known for keeping crowds energetic and engaged with his sets. Check out his <a contents="soundcloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/sektahdubs">soundcloud</a> to listen to some of his mixes. subdotmission.comtag:www.subdotmission.com,2005:Post/41263152016-04-07T21:12:51-06:002017-01-12T07:25:03-07:00The Rewind: Requake, Badklaat, & More at Electronic Tuesdays! <p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/fe9f12899cb8011f7c2239d034187a5a225b111d/medium/requake-badklaat-denver.png?0" class="size_m justify_center border_" /><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c33d5d654e6dcf8a1f16f31157cf57ba0af961a7/original/crowd-shottt.jpg?0" class="size_l justify_center border_" /><br><br>The excitement leading into Tuesday night’s show was surreal. From the moment that I had found out that I would finally be seeing Requake’s Denver debut at Electronic Tuesdays along with Badklaat, my calendar had been marked with great anticipation and it was everything that I had hoped for and so much more. With the Sub.mission 9 year anniversary looming around the corner, Tuesday night was the best pre-game to launch the festivities and hundreds of people experienced one of the most groundbreaking Electronic Tuesdays of all time. Here’s the rewind! </span></p>
<p style="text-align: center;"><span class="font_large">The night began at 9:00pm sharp as Sub.mission residents Trisicloplox & Caustik took the stage to set the tone early in the night with a massive back-to-back session. The bass heads made their way to the dance floor and prepared for the madness that would ensue. Trisicloplox’s signature dark and obscure sound combined with Caustik’s weighty style to deliver a fully balanced round of bass weight to get us started. Before I knew it, the dance floor was packed from front-to-back and smiling faces graced the entire crowd. Both Caustik and Trisicloplox have been putting in some serious work and pushing the limits of bass music for quite a while now and each performance is refreshing and unique in its own right. The vibe was thick, the ground was rumbling, and the night had only begun. </span></p>
<p style="text-align: center;"><span class="font_large">Next up in rotation it was now time for AOWL & Swayd to amplify the energy in the room kick things up a notch. If you’ve been keeping up with the local scene in Denver, Swayd & AOWL are 2 names that can’t be overlooked. Not only are they known for their top-notch production and original tunes, but their live DJ sets are earth shattering as well. As they are no strangers to Electronic Tuesdays, Swayd & AOWL have performed insane back-to-back sets at Cervantes’ Other Side over the years and on Tuesday night they set the tone flawlessly. Their energy is infections and consumed the entire crowd upon taking the stage. The duo chopped up the decks and riled up the audience with their bouncy, wonky sound and proved why they are a true force to be reckoned with when they’re live in the mix. Tunes like Swayd & AOWL’s very own ‘Impregnate’, ignited the crowd along with other dance floor bangers like Rusko’s ‘Woo Boost’ and Gentlemen’s Club’s ‘LNDN TWN’ were crowd favorites and the duo put on a crazy performance as we’ve all come to expect from them. Be sure to catch AOWL & Swayd crushing Cervantes’ Other Side once again on May 3rd at Electronic Tuesdays along with Ind33p! <br><br>AOWL & SWAYD<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/319a4707f888f965fda67d67d752eaa90e0a628d/original/swayd-and-aowl.jpg?0" class="size_l justify_center border_" /></span></p>
<p style="text-align: center;"><span class="font_large">(EYEDIOLA PHOTOGRAPHY)<br><br>Having patiently waited for the Denver debut of Requake for well over 5 years now, my excitement for this long awaited performance was truly immeasurable and indescribable. Requake are some of the artists that truly got me hooked on Dubstep and they’ve been a huge inspiration to me since I first discovered their sound. Hailing all they from Belgium, to see Requake perform in the United States was a true test of patience and I have Sub.mission to thank for this very special performance. Requake’s set began with a deeper, more minimal side of 140 and transitioned to the wobbly, bouncy style that we all know and love. Hands were high in the air and the roar from the crowd was immense as Requake’s next level track selection and flawless mixing abilities had the entire room on edge. Playing out to the Denver crowd and being well aware of the Sub.mission 9 year anniversary only a few days away, Requake’s set catered to bass music lovers of every spectrum and was one of the most well rounded performances that I have ever seen. The diversity in the set was remarkable and touched on several bases on the sound from a wide variety of styles from some of my favorite artists like Commodo*, Bukez Finezt, Skream, Mala, and many more. To finally hear tunes like Requake’s ‘Razzia’, & ‘Waterdrops’ live from the source was breathtaking and a relatively emotional experience that I will never forget. When it was all said and done, I can’t believe I finally got to cross ‘Requake’ off of the top of my list of ‘must-sees’! <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="ZYK2ppWL0F8" data-video-thumb-url="http://img.youtube.com/vi/ZYK2ppWL0F8/0.jpg" type="text/html" src="https://www.youtube.com/embed/ZYK2ppWL0F8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br> <br>REQUAKE<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/5640ac86fbcdf627957da263c3515e85812312bb/original/quakeee.jpg?0" class="size_l justify_center border_" />(EYEDIOLA PHOTOGRAPHY)<br><br>As if the night wasn’t already stacked enough it was now time for the UK’s very own Badklaat to make his Denver return to annihilate the dance floor at Cervantes’ Other Side once again. Having seen Badklaat perform a handful of times in the past, I knew to fasten my dancing shoes and anticipate a rowdy and upbeat performance that would raise the energy in the room to unprecedented levels. Upon taking the stage, Badklaat spent zero time messing around and got straight to business. From his opening tune, all the way to the end of the set, he captured the entire crowd and didn’t let go until the very end. A series of inevitable mosphits broke out on multiple occasions as the audience couldn’t contain their energy and excitement. My favorite part of his set was when he threw down his dance floor destroyer ‘Head Crush’ into ‘Bare Knuckles’ and double -dropped them simultaneously. Those tunes have always been some of my favorites from Badklaat and he brought the heat like never before. <br><br>BADKLAAT <br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f4582426c5c270c78e28a5773d74464382b4d69f/original/badklaaat.jpg?0" class="size_l justify_center border_" />(EYEDIOLA PHOTOGRAPHY)<br><br>Closing out then night, Requake made his return to the stage to send us off with a bang in a massive back-to-back performance alongside Badklaat. To see them both take the stage as a true deadly-duo was a very special treat and the set they delivered was nothing short of legendary. The energy they brought to the stage was immense and the crowd couldn’t get enough. Kahn & Flowdan’s ‘Badman City’ along with Crowell & Bommer’s ‘Nah Nah VIP’ and Coki’s ‘Red Eye’ ignited the dance floor and we couldn’t get enough. <br><br>REQUAKE B2B BADKLAAT <br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f2f5c603f4ff81374e603b76e62e4dcfa8682578/original/requake-badklaat-b2b.jpg?0" class="size_l justify_center border_" /></span></p>
<p style="text-align: center;"><span class="font_large">(EYEDIOLA PHOTGRAPHY) <br><br>All in all, last Tuesday night was one of the craziest performances that I have ever witnessed and it was well worth the wait and I have Sub.mission to thank for it! <br>Friends from throughout the nation made their way out from various corners of the country to witness this monumental night in sound and it was a night I’ll never forget. Big ups to everyone that took part in this incredible gathering! <br><br><br><br>Author: Carlos Galvan</span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/41203902016-04-04T17:53:54-06:002023-12-10T09:44:05-07:00Agency Spotlight: EshOne<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/84549b952b8880ed9840d157e7ed87f4959aa3cf/original/eshone-photo.jpg?0" class="size_l justify_center border_" /><p>As one of a modest handful of American dubstep producers with releases on prominent overseas labels, it’s fair to say that <a contents="EshOne " data-link-label="" data-link-type="url" href="https://www.facebook.com/eshonemusic/?fref=ts" target="_blank">EshOne </a>has earned the respect of the international community. His releases on <a contents="Artikal Music UK" data-link-label="" data-link-type="url" href="https://www.facebook.com/ArtikalMusicUK/?fref=ts" target="_blank">Artikal Music UK</a> planted EshOne firmly on the worldwide radar, beginning with 2014’s <em>Petroglyphs </em>EP. Today, EshOne’s music is inescapable. Following a spot on Artikal’s 2014 compilation, EshOne released <em>Monopoly </em>to wild reception. With the doors flung open, one might assume that EshOne is biding his time before the next prolific release. Of course, “big” releases are always a possibility – but for now, the New Mexico- based artist appears to have other plans.<br><br>EshOne believes that music should be about art, not prestige or status. This is especially true in underground niche scenes such as dubstep, where artists rarely see significant profits for their work. While EshOne is in a position to chase releases on well-known labels, he prefers to spread his music directly where it’s intended: to the ears of his fans.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/245485800&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>EshOne’s most recent release, the nine track <a contents="Perpetual Motion EP" data-link-label="" data-link-type="url" href="http://www.limination.net/blog/2016/2/26/eshone-perpetual-motion-ep-release" target="_blank"><em>Perpetual Motion</em> EP</a>, was released via <a contents="Bandcamp" data-link-label="" data-link-type="url" href="https://eshone.bandcamp.com/album/perpetual-motion-ep" target="_blank">Bandcamp</a> at the end of February, seemingly spontaneously. The unannounced EP is typical of the artist, who is also known to unleash unexpected free downloads over social media for followers lucky (or attentive) enough to catch the link. The practice is unconventional in a community where many producers build hype around tracks for months – even years – before considering a release. Still, judging by the pervasive presence of EshOne’s tunes on the dance floor, the approach works.<br><br>EshOne’s dedication to endowing the underground with audio blessings is furthered by his label, <a contents="Elk Beats" data-link-label="" data-link-type="url" href="http://elkbeats.com/" target="_blank">Elk Beats</a>, where he released a limited vinyl pressing of Flight/Ups & Downs VIPs. The self-distribution endeavor is yet another testament to EshOne’s passion-driven DIY ethos, both as an artist and a proponent of America’s underground community.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/201664625&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br>Given his pure motivations and devotion to maintaining the integrity of music, EshOne is a most fitting addition to Sub.mission’s agency roster. His approach to production and distribution is an uncompromised embodiment of “moving people through sound, not hype”. Follow <a contents="EshOne " data-link-label="" data-link-type="url" href="https://soundcloud.com/eshone" target="_blank">EshOne </a>and <a contents="Elk Beats" data-link-label="" data-link-type="url" href="https://soundcloud.com/elkbeats" target="_blank">Elk Beats</a> on SoundCloud for periodic sonic surprises from the artist, and <a contents="check out this page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/eshone" target="_blank">check out this page</a> for booking information and more.<br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><span class="font_small"><em>Amye Koziel</em></span></a>subdotmission.comtag:www.subdotmission.com,2005:Post/41186952016-04-03T16:27:45-06:002020-11-24T03:46:55-07:00Sub.Mingling : P0gman <p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/4febdc9ca1959c00cca1d97bc6937d2abd3c0252/original/p0gman-tuesday.jpg?0" class="size_l justify_center border_" />In the last installment of the month of March, p0gman opened up and shared his knowledge of music production to up & coming producers as well as chat one on one with me about his persistence and motivation to achieve the recognition he deserves. You can find him on all of the usual streaming platforms; <a contents="Beatport" data-link-label="" data-link-type="url" href="https://pro.beatport.com/artist/p0gman/195995/tracks">Beatport</a>, <a contents="Soundcloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/p0gman">Soundcloud</a>, Spotify, and etc.<br><br><br>-------</p>
<p><strong>Where did you just come from? </strong></p>
<p>What I’ve been doing is spending all of my downtime in LA. I just did Boston, Detroit, here now, back to LA tomorrow, Friday I go to Bloomington, Saturday I go to New York, then I go to Toronto for a week, stay with some friends, then I play Toronto, Chicago, then I go home. It should have been a much longer tour, but we had some visa problems, I had to cancel seven shows, it was f*cked, but at least it got sorted in the end. </p>
<p><strong>How did you get into dubstep? </strong></p>
<p>I use to be into death metal, I use to be in a death metal band for three years but the whole time my brothers and cousins were listening to garage music, drum and bass, stuff that I hated at first but the one thing that I really liked was bass lines. Then a couple years later, one of my friends came down, who was also in a death metal band, who was into dubstep, and he showed me “<a contents="Diary of an Afro Warrior" data-link-label="" data-link-type="url" href="https://pro.beatport.com/search?q=Diary+Of+An+Afro+Warrior">Diary of an Afro Warrior</a>” which was <a contents="Benga" data-link-label="" data-link-type="url" href="https://soundcloud.com/iambenga">Benga</a>’s first album (2008)... and then I was like, “what the f*ck is this?” ‘Cause it was just all bass lines, so I really, really liked it. So I started to get into it more, then the band split up and I just wanted to carry on in music and I thought I could do something solo instead of carrying on in a band. I challenged dubstep and it flourished from there. </p>
<p><strong>Did you teach yourself?</strong> </p>
<p>No, I went to uni for five years. I started to self teach myself, but then, it was kinda like, I was doing things that kinda sounded good and I was so wrong, so I went to uni to get the technical side of everything, I studied Music Tech at uni. I came out of uni and got signed to a label, the last four years has been up and up! </p>
<p><br><strong>How long have you been producing? </strong></p>
<p>I started in late 2010. Made and EP in 2011, that’s when I found my sound. So six years, time is flying! <br> </p>
<p><strong>When you found your sound was it [an ah-ha moment?] </strong></p>
<p>I was really into the deeper side from listening to Benga and stuff like that, and then <a contents="Skream" data-link-label="" data-link-type="url" href="https://soundcloud.com/skream-official">Skream</a>, <a contents="Mala" data-link-label="" data-link-type="url" href="https://soundcloud.com/mala-essential-mix/mala-essential-mix-on-radio1-13-4-2013">Mala</a> , <a contents="Horsepower" data-link-label="" data-link-type="url" href="https://en.wikipedia.org/wiki/Horsepower_Productions">Horsepower</a>, all the originals. That was all the heavy stuff that i was really about. Then <a contents="Caspa" data-link-label="" data-link-type="url" href="https://soundcloud.com/caspaofficial">Caspa</a> & <a contents="Rusko" data-link-label="" data-link-type="url" href="https://soundcloud.com/rusko-3">Rusko</a> released <a contents="Fabriclive.37" data-link-label="" data-link-type="url" href="https://soundcloud.com/threethreethree-quinn-w/sets/fabriclive-37-caspa-rusko">Fabriclive.37</a> (<a contents="2008" data-link-label="" data-link-type="url" href="https://en.wikipedia.org/wiki/FabricLive.37">2008</a>), then I was like “Shit, this the sort of music I want to make!” But I still wanted to [meet] kind of in the middle. So that was where that wobbly sound kind of came. Then just kept pushing it from there. My sound has evolved a lot now, it’s a lot heavier than it use to be, but I still got that P0gman sound. No matter how heavy I go, people still know it’s P0gman. I am still trying to evolve with the sound because I wanna keep relevant to trends and stuff like that, so I try to keep it as fresh as I can. <br> </p>
<p><strong>Do you find it difficult to keep up with the trends? </strong></p>
<p>New styles are coming out all the time, there are certain things that hit me, and I’m like, “that’s sick! That’s where I want to take my sound but keep my element.” The sound that’s the rage at the moment is that <a contents="Never Say Die" data-link-label="" data-link-type="url" href="https://soundcloud.com/neversaydie">Never Say Die</a> sort of sound, so I am reeaaally about that. <a contents="Disciple" data-link-label="" data-link-type="url" href="https://soundcloud.com/disciple">Disciple</a> are really pushing it as well, and I have had relations with both of those guys, so they are supporting what we’re doing as well. Trying to take it to that next level. So, yea, Never Say Die is a big influence at the moment. All those guys are just f*cking killing it. </p>
<p><br><strong>How did you come up with your name? </strong></p>
<p>After I made my first song, I was sitting around with one of my oldest friends, and if I was going to start producing I needed a name. I wanted to have something that was not so serious but not so stupid at the same time. Do you remember pogs (aka <a contents="milk caps game" data-link-label="" data-link-type="url" href="https://en.wikipedia.org/wiki/Milk_caps_(game)">milk caps game</a>) ? I just loved pogs, as a kid, so I said f*ck, I’ll be called “p0gman,” the character was called pogman, and so I’ll probably get sued one day, until then it’s ok… I put a number in it for some reason, because it was cool. </p>
<p>We recently just rebranded everything, that went really good. (The number 0 has been modified with a large “X” overlayed on top.) I got myself a new manager about eight months back, and that guys killing it as well, so it’s really good. The zero thing ended up paying off. <br> </p>
<p><strong>Is there a particular track that makes your set or do you feel that there is a particular influence in your set? </strong></p>
<p>Well, the thing I have tried to do on this tour, is because obviously I am really enjoying that new sort of sound, the Never Say Die stuff. A few years ago I wouldn’t have really played that stuff because it was too heavy for my style. But now, on this tour what I’ve tried to do on this tracklist is from straight down to the old school riddimy sound that I use to make straight through <a contents="Skrillex" data-link-label="" data-link-type="url" href="https://soundcloud.com/skrillex">Skrillex</a> [and new released] tracks, just trying to cover the whole board. I am really enjoying it ‘cause I think as dubstep has come along, it’s become much more energetic. So you need to keep that energy in longer sets and that’s where that new sort of style helps because it’s energetic as f*ck. </p>
<p>There’s really not one sort of track, maybe the one I enjoy playing the most is “<a contents="Wooboost" data-link-label="" data-link-type="url" href="https://soundcloud.com/rusko-3/woo-boost">Wooboost</a>” by Rusko, I f*ckin love playing that track ‘cause you can play it anywhere in the world and people just know it straight away, it’s nice to just put a little bit of that old school back in there… especially somewhere in Denver where I know, for a fact, every single person in the crowd is going to know that track. </p>
<p><strong>What is your favorite venue or festival you have played at so far? </strong></p>
<p>I played at <a contents="Rampage" data-link-label="" data-link-type="url" href="http://rampage.be/livestream/">Rampage</a> in Belgium last year and that was f*cking unbelievable, that was crazy. But I am also into the small intimate sort of venue, that’s why I really like <a contents="Webster Hall " data-link-label="" data-link-type="url" href="http://www.websterhall.com/">Webster Hall </a> in New York, it’s got a nice crowd, Denver’s exactly the same. The reason I like these sort of crowds is that you guys are here to listen to the music and that’s what good about it, they really appreciate it. Sometimes it’s better to play to 200 people opposed to 2,000 people because I would rather play to 200 people where every single person is enjoying it, than 2,000 where you have people [completely immersed in the music] up front and the rest of the crowd is dormant. One of my favorites in the whole world is Perth, in Australia. I played a show at a place called <a contents="Bassment" data-link-label="" data-link-type="url" href="https://www.facebook.com/bassmentperth">Bassment</a>, that was actually where I met my manager. It’s f*cking unbelievable. There’s like 1,500-2,000 people there, but they are all about the music, so it’s like an intimate show on a bigger level, It’s f*cking amazing, so sick. There’s lots of places, the first time I played in LA, in Hollywood, it was my biggest show and it blew me away. As long as people are enjoying the show, I don’t care where I am playing to be honest. </p>
<p><br><strong>Do you have a piece of advice you would give producers? </strong></p>
<p>When I was telling guys at the clinic earlier, a big thing that changed my outlook on everything was I would work on a tune and get to a point where I f*cking hated it ‘cause I would listen to it so much. Then something clicked in my head, I was like, “well, I’ve listen to it for days, but nobody else in the whole world has heard this song.” So I started getting to the point where I was putting it on my Soundcloud to see what the reaction was like. Some of the songs that I didn’t necessarily think would do that well, ended up doing really f*cking really, really well, so I think you really need to believe in what you’re doing. The beauty of music is that it is not wrong or right, just do what the f*ck you want to do, and believe in what you want to put out. Don’t be worried to put something out if it’s a bit different because it could open a whole new fanbase that never liked you before. If you’ve got true fans as well, they will stick by you with whatever you do. Just keep pushing, keep f*cking exploring the sound and everything, don’t worry about not putting something out because only a few people might like it, because yet, 10 people might think this is a bit different, but 100 people might think “this is f*ckin sick!” </p>
<p><br><strong>Sub.mission’s .mission statement is to “move people through sound not hype,” what is your .mission? </strong></p>
<p>My ultimate standard for everything is, if you believe [in yourself], you can get it no matter what. That’s what I did all the way through. I always said from day one, I am going to be on the big stage one day and I am going to be pushing my own records and it’s gonna happen. But I think if you’ve got enough passion and enough belief in yourself, you’ll f*ckin do it, no matter what anybody tells you. If somebody tells you, you’re shitty, don’t even listen to that. That’s in any walk of life. </p>
<p>I tell myself every year, I set myself goals on what I want to achieve that year, sometimes it doesn’t happen, sometimes it does and you just gotta keep pursuing, to not be scared; just take a leap into something that you may not be that comfortable with. If you think it is going to progress you in the right way, then do it, definitely, f*ck yea.<br><br><br>-jordan</p>subdotmission.comtag:www.subdotmission.com,2005:Post/41163762016-04-01T14:54:41-06:002017-01-12T07:25:03-07:00Hustle Knowledge: Badklaat & Requake<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c58cc7d7924ed78d34ae744c938d99fb308169fa/original/9fb-apr5-0201.png?0" class="size_l justify_center border_" /><br><br>This next installment of Electronic Tuesdays will be one for the books as Badklaat and Requake (U.S. debut) plan to destroy the other side! </p>
<p>Badklaat: </p>
<p>Comin’ at ya hot for the opening April installment of Electronic Tuesdays is Badklaat. (https://soundcloud.com/badklaat) </p>
<p>It is apparent that he was busy in 2015 writing tracks that represent the Never Say Die label respectivly. His track “Swagsville” (https://soundcloud.com/badklaat/badklaat-swagsville-clip ) is featured on recent Never Say Die Volume 4 by Skism, in addition, “Go Zerk” (https://soundcloud.com/badklaat/badklaat-go-zerk-out-now) was premiered as an opening track in Megalodon’s Blalck Label XL 3 MIx on the Never Say Die’s Black Label series. <br> <iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/253976199&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe></p>
<p>You can tell Badklaat is genuine artist of his craft, he expresses gratitude to his supporters by releasing free tracks via Soundcloud, such as the “The Leviathans (https://soundcloud.com/badklaat/badklaat-the-leviathans ).” This track's title, Leviathan, is synonymous with any large sea monster or creature. With analyzing it upon the first listen, the sound accurately represents such a powerful mythical creature, holding your attention with a steady metronome of deep mechanized bass wobbles. </p>
<p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/250632725&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe> </p>
<p>With the recent popularity and adoption of quicker, upbeat and high pitched samples peppered into dubstep sets; Badklaat stays true to his sound with deep downtempo grime, signature wobbles, and electric snare pulsing with each beat. His has collaborations include Trampa, Requake, Megalodon, Beezy, Disonata, and many others. </p>
<p>Go Zerk </p>
<p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/253976199&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe> </p>
<p>Requake: </p>
<p>Also making his U.S. debut in Denver for E-Tuesdays is the duo known as Requake! (https://soundcloud.com/requake ) </p>
<p>Their style mimics an old school riddim sound, representing an authentic eerie, garage gem, complemented by a leaky background snare. Requake creates an environment involving deep, grimy sound waves that will be sure to please the vibrations of your auditory nerve on a warning level. </p>
<p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/253927637&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe> </p>
<p>Requake & Badklaat are no strangers to collaborating, in addition to collaborations with Badklaat; Requake has played along the likes of Bukez Finezt, Trolley Snacha, Black Sun Empire, Funtcase, Emalkay, and SKisM. </p>
<p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/119950938&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe> </p>
<p>You can score a meet and greet with Badklaat & Requake in the link below! WIN a Meet and Greet with Requake & BadKlaat at Electronic Tuesdays. All you have to do is comment here and let us know why we should choose you to be a part of this experience. Winners will get to watch sound check and sit down with the artist for a chat before the show. Winners will be chosen Sunday April 3, 2016. </p>
<p>https://www.facebook.com/events/190726331286622/permalink/206167633075825/ </p>
<p>Also, arrive early to catch B2B sets from our own residents for the Sub.mission 9 Year PreParty !!! </p>
<p>9:00 Caustik b2b Trisicloplox </p>
<p>10:00 AOWL b2b Swayd </p>
<p>11:00 Requake </p>
<p>12:30 Badklaat</p>subdotmission.comtag:www.subdotmission.com,2005:Post/41157992016-03-31T22:48:19-06:002017-01-12T07:25:03-07:00This Month In Bass: April<div style="text-align: center;"><p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7f81acce393eb9a61c984f156d841f5a1ecd67a4/original/12914807-10206111019957590-1653901327-o.jpg?0" class="size_l justify_center border_" /><br><br>Spring time is in full swing here in Denver and even though the weather is bipolar you know you can always count on <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> to stay consistent. This month is absolutely stacked with talent from all over the globe. The spectrum of bass music is ever expanding and we have worked tirelessly to bring nothing but the best in Bass Music to the Mile High City. From Electronic Tuesdays to our one off events to our locals’ night to our 9 year anniversary party and even stretching way out west over the Pacific to our family in Hawaii, Sub.mission is bringing the heat this April! So whether you’re new to the scene or a long time fan, sit back relax and get ready for this edition of This Month in Bass. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6060175b65168da79bb5912adde9634d02c683cf/medium/hawaii.jpg?0" class="size_m justify_center border_" /><br><br>We start off with an update from our <a contents="Sub.mission Hawaii" data-link-label="" data-link-type="url" href="https://www.facebook.com/submissionhawaii/?fref=ts">Sub.mission Hawaii</a> family. Moving forward starting this month we are moving Bento Bass Box to Nextdoor in Chinatown. Not only are we moving venues but we are doing something new by switching up the rotation between locals in the upstairs lounge and touring acts downstairs every other month. This will open up room for more touring acts to come and play as well as provide a spot for our local talent to showcase their skills. The first one features our good friend SLVRSNKRS from the SIB crew in Maui! This one is 21+ in the upstairs lounge of Nextdoor, FREE w/ RSVP or $5 at the door. Those of you in the islands are in for a serious treat so make sure to get down extra hard for all of us on the main land! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/b54170e52359b44dd64db9308a1824795de5310f/medium/etuesapril.jpg?0" class="size_m justify_center border_" /><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e4908f9b8a4b7c66c6ed7009e50515b2ce542c66/medium/hudmo.jpg?0" class="size_m justify_center border_" /><br><br>Next up is Denver’s best weekly, <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a>. We start off with the Sub.mission 9 year Anniversary Pre-Party on April 5th with the long awaited arrival of <a contents="Requake " data-link-label="" data-link-type="url" href="https://www.facebook.com/Requakeofficial/?fref=ts">Requake </a>alongside rude boy <a contents="Badklaat" data-link-label="" data-link-type="url" href="https://www.facebook.com/badklaat/?fref=ts">Badklaat</a>. It’s been a long time coming for this one and we can’t think of a better way to kick off 9 years of Denver Dubstep than with these two bringing The Other side to its knees. We have <a contents="Caustik" data-link-label="" data-link-type="url" href="https://www.facebook.com/caustikbass/?fref=ts">Caustik</a> b2b <a contents="Trisicloplox " data-link-label="" data-link-type="url" href="https://www.facebook.com/Trisicloplox/?fref=ts">Trisicloplox </a>and <a contents="AOWL " data-link-label="" data-link-type="url" href="https://www.facebook.com/TheOfficialAOWL/?fref=ts">AOWL </a>b2b <a contents="Swayd " data-link-label="" data-link-type="url" href="https://www.facebook.com/SwaydDubs/?fref=ts">Swayd </a>getting us started so make sure get there early to catch all the madness. The following week, on April 12th, is the 9 year Decompression party with the return of <a contents="Thelem" data-link-label="" data-link-type="url" href="https://www.facebook.com/badklaat/?fref=ts">Thelem</a> alongside Dubstar Records entity <a contents="The Aliens" data-link-label="" data-link-type="url" href="https://www.facebook.com/The-Aliens-uk-317968001605291/?fref=ts">The Aliens</a> with Fort Collins bad man <a contents="Sektah " data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">Sektah </a>on support and local selectah’s Unicorn Rave, Crimsic, Gumshoe & The Toddfatha battlimg it out in the March Winners Showcase. The week after on April 19th is our 4/20 party with Denver favorite <a contents="Grimblee " data-link-label="" data-link-type="url" href="https://www.facebook.com/Grimblee/?fref=ts">Grimblee </a>and the arrival of Cali rude boys <a contents="Subtle Mind" data-link-label="" data-link-type="url" href="https://www.facebook.com/SubtleMindMusic/?fref=ts">Subtle Mind</a>! Grimblee is no stranger to the Mile High and the Subtle Mind boys have been making serious moves lately so you know that this is going to be one hell of party PLUS we have Sub.mission resident and ABM bad man <a contents="Bean " data-link-label="" data-link-type="url" href="https://www.facebook.com/beandubstep/?fref=ts">Bean </a>on support. Closing out April Electronic Tuesdays is a very special event that we have been patiently waiting for. April 26th is a dual room party with <a contents="DMVU" data-link-label="" data-link-type="url" href="https://www.facebook.com/DamnesiaVuOfficial/?fref=ts">DMVU</a>, <a contents="Ethan Glass" data-link-label="" data-link-type="url" href="https://www.facebook.com/EthanGlassMusic/?fref=ts">Ethan Glass</a> & <a contents="Ind33p " data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PvsGBP/?fref=ts">Ind33p </a>in The Other Side and none other than <a contents="Hudson Mohawke" data-link-label="" data-link-type="url" href="https://www.facebook.com/hudsonmohawke/?fref=ts">Hudson Mohawke</a> with special guests in The Ballroom. This is going to be a night of serious bass crossing all spectrums of the sound. Make sure you get there early because none of these artists are to be missed. Battling this month for a slot in the April Winners Showcase are local DJ’s Mudge, Magnum, D0KT3R, Pocket Rocks, In Motion, Gahlaktus, The Blotter Bunch & Wrek Dubz. Don’t forget that we have photo contests giving away tickets to each of these shows weekly next to the merch booth so swing by and say hi to Ray & Carlos to get in on the action. After all, who doesn’t want a free ticket to one of these ridiculously awesome events? <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8b299ddaf7083066d183d6439d75f76646097c2b/original/9yr.png?0" class="size_l justify_center border_" /><br><br>April 9th is the most anticipated event of the year, the Sub.mission 9 year Anniversary. For 9 years Nicole and crew and have been moving people through sound not hype and each anniversary party has had some of the most legendary performances the US has ever seen. This year is no different as we bring you the <a contents="Deep Medi" data-link-label="" data-link-type="url" href="https://www.facebook.com/deepmedi/?fref=ts">Deep Medi</a> 10yr Tour! <a contents="Mala" data-link-label="" data-link-type="url" href="https://www.facebook.com/malamystikz/?fref=ts">Mala</a>, <a contents="Kahn " data-link-label="" data-link-type="url" href="https://www.facebook.com/kahnofficial/?fref=ts">Kahn </a>& <a contents="Neek " data-link-label="" data-link-type="url" href="https://www.facebook.com/itsneekofficial/?fref=ts">Neek </a>and <a contents="Gorgon Sound" data-link-label="" data-link-type="url" href="https://www.facebook.com/gorgonsound/?fref=ts&ref=br_tf">Gorgon Sound</a> will be taking over The Fusion Factory on the Bass Couch System for what is sure to be a night of seriously proper sound system music. Not only that but we have the womp goddess herself, <a contents="Lotus Drops" data-link-label="" data-link-type="url" href="https://www.facebook.com/LotusDropsWomp/?fref=ts">Lotus Drops</a>, making her long awaited return to Denver as well! Bean & Ind33p will be going back to back to kick things off followed by a back to back set from <a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a>, <a contents="Dillard " data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">Dillard </a>and <a contents="CurlyOne" data-link-label="" data-link-type="url" href="https://www.facebook.com/djcurlyone/?fref=ts">CurlyOne</a>. This one is almost sold out so if you plan on attending this epic night you better get your tickets ASAP! Trust us when we say that this is one event not to be missed. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/bcc5cdf9b0c6662f02133a054d0707c305f559ce/original/djez.jpg?0" class="size_l justify_center border_" /><br><br>On April 16th Sub.Mission and <a contents="TheHundreds " data-link-label="" data-link-type="url" href="https://www.facebook.com/TheHundredPresents/?fref=ts">TheHundreds </a>team up once again to bring you a very special artist that we are excited to see in the Mile High City. Make sure you make your way to Club Vinyl for the legendary <a contents="DJ EZ" data-link-label="" data-link-type="url" href="https://www.facebook.com/djezofficial/?fref=ts">DJ EZ</a>! There is no introduction needed when it comes to this master selectah but in case you’re a bit lost let us bring you up to speed. DJ EZ (pronounced DJ EEE ZED) is widely regarded as one of the most innovative and progressive DJ's in the world. Coming hot off of a 24 HOUR SET raising nearly £60k for Aid in Cancer Research; he is widely regarded as being one of the greatest DJ’s to grace the decks. He can only be described as a charming music phenomenon and he is honored by the industry for being one of the most creative DJ’s in the game. It is truly an honor to have this man grace the decks in Denver! On top of all that we have master selectors Digi & Caustik on support so you know that this will be a night to remember. We’ll see you in the dance! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/17f011528b93de008e715c3a472d3460af5ebdf8/original/bassment.jpg?0" class="size_l justify_center border_" /><br><br>Finally on April 30th we close out the month with the second installment of our monthly event in the Club Vinyl basement with The BASS:ment Sessions featuring Sub.mission Residents and Friends. We start off with a massive tag session from ALL of the Sub.mission residents and if you’ve never witnessed how fun these “All In” tag sessions are then we encourage you to show up early and check it out. Every resident has a style that is different and unique and it really is amazing to see all of them feed off one another and take the crowd to unexpected places. Afterwards bad man <a contents="Sektah " data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">Sektah </a>takes control of the decks to showcase his skills followed by a set from local homie <a contents="DiS_1" data-link-label="" data-link-type="url" href="https://www.facebook.com/DiS_1-276535765693878/?fref=ts">DiS_1</a>. Closing out the night is the “Last DJ Standing” set where everyone from the night goes head to head until last call. This one is 18+ and FREE on a Saturday night so there’s no excuse to miss out on what is becoming a fun night friends and bass. Who knows, with all the friends & family Sub.mission has you might just catch a surprise set from someone special in town ;) You never know. <br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/211501031&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>Historically the month of April brings the heat early to Denver and this year is no different. For 9 years Denver has been ground zero for stateside dubstep. We have artists from across the globe ranging from veteran to new comer gracing the Mile High City and we couldn’t be happier and more excited to bring them all to you. The biggest headliner of course is all of you, the Denver Massive. Without you none of this would be possible. Here’s to the 9 year, the 10 year and beyond! We are, one. We are family. We are Sub.mission!</p></div>subdotmission.comtag:www.subdotmission.com,2005:Post/41154812016-03-31T19:30:29-06:002017-01-12T07:25:03-07:00The Rewind: P0gman, Ind33p, Sektah & More! <!--[if gte mso 9]><xml>
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<![endif]--><!--StartFragment--><p style="text-align: center;"><br><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/308eb9062aee1c2b0f02e2d6142a514b3564a875/medium/12710833-10153903108087370-308024920145135355-o.jpg?0" class="size_m justify_center border_" /><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2943045e64feb7dea357cb31cf97687161920fe1/large/crowd-shot-p0gman.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br>The final installment of <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a> for the month of March went off with a bang as we welcome back Denver favorite, <a contents="P0gman" data-link-label="" data-link-type="url" href="https://www.facebook.com/p0gman1/?fref=ts">P0gman</a> for a headlining performance hailing all the way from Wolverhampton! Internationally renowned for his bouncy, high-energy bass lines, P0gman is known to set off any crowd and on Tuesday night Cervantes’ Other Side was no exception! To only add to this already massive night in sound, Sub.mission resident <a contents="Ind33p" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PvsGBP/?fref=ts">Ind33p</a> held it down on the primary support slot and <a contents="Sektah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">Sektah</a> closed out the night proper! Here’s the rewind! </span></p>
<p style="text-align: center;"><span class="font_large">The E-Tuesdays crowd flooded the narrow hall of Cervantes’ Other Side and made their way to the dance floor early in the night as the DJ battles kicked off at 8:00pm sharp. Selectors Raw Dawg, Fastlife, The Toddfatha, & GDLK took to the stage to make the most out of their 30 minute time slots to set the tone early in the night and show the audience and panel of judges what they’re made of. Each act demonstrated their unique skillsets and talents behind the decks and proved once again why it is important to make your way to the dance floor as soon as doors open. After a well fought battle to get the night started, ‘The Toddfatha’ beat out the competition to emerge as this week’s battle winner. A well-balanced combination of deeper dubstep sounds and some UK Grime resonated with the entire audience and reminded us why The Toddfatha is a fierce competitor in the DJ Battles. In case you haven’t noticed by now, Colorado undoubtedly has one of the most rich and profound local scenes in the nation and we are reminded of this every Tuesday night in the DJ Battles so make sure to come out early and show your support for all of your highly talented locals! <br><br><a contents="THE TODDFATHA" data-link-label="" data-link-type="url" href="https://www.facebook.com/toddfatha/?fref=ts">THE TODDFATHA</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/de562b0707568deeb1a4a8fa1f61e0956e89a78b/original/toddfatha.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></span><br> </p>
<p style="text-align: center;"><span class="font_large">Following the DJ battles, it was now time for newly added Sub.mission resident Ind33p to take the stage and kick things up a notch. Marvin Hearn, better known as ‘<a contents="Ind33p" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PvsGBP/?fref=ts">Ind33p</a>’ is a talent that has been making some serious waves throughout Colorado and his recent addition to the Sub.mission roster of resident DJ’s didn’t come as a surprise to many. His countless devotion to underground bass music as both a cutting edge DJ and a producer have solidified him as one the sickest talents from throughout the state and he shows no sign of slowing down. His set on Tuesday took us on a weighty journey that began with the deeper, minimal side of Dubstep and later transitioned into some wonkier, grittier sounds that are reminiscent of Ind33p’s earlier styles. Playing out to his crowd, he was able to read the energy of the audience and put on a set that got us nice and warmed up by the time that P0gman was ready to take the stage in his headlining performance. <br><br><br><a contents="IND33P" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PvsGBP/?fref=ts">IND33P</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/124bd017ade34623e9dd3b4ce277e588305f971d/original/ind33ppp.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br> </span></p>
<p style="text-align: center;"><span class="font_large">As the night progressed, this edition of Electronic Tuesdays experienced a very solid turnout as bass heads from a diverse background and age range came out to let loose on the dance floor and welcome <a contents="P0gman" data-link-label="" data-link-type="url" href="https://www.facebook.com/p0gman1/?fref=ts">P0gman</a> back to the Mile High City. The venue was comprised of both new and familiar faces that eagerly awaited P0gman’s return and they surely weren’t disappointed. Having seen P0gman perform at Sub.mission’s mountain edition of Bass Invasion along with his set at Electronic Tuesdays last year, I knew to buckle up tight and fasten my dancing shoes prior to the bass heavy madness that would be taking place. Hailing all the way from the depths of Wolverhampton, UK, P0gman is a true innovator in today’s underground scene and his aggressive, yet bouncy style captivates audiences and shakes dance floors throughout the globe. From the instant that he took the stage, all the way ‘til the end of his set, P0gman had the entire crowd on their toes and delivered one of the rowdiest performances to date! His upbeat borderline tear-out tunes served as a catalyst to the inevitable moshpits that ensued and adrenaline fueled the entire audience. Flawlessly blending dance floor bangers such as Rusko’s classic ‘Woo Boost’, Dubloadz’ ‘Fight Music’, and P0gman’s very own ‘Pizza’, his set on Tuesday night offered something for bass music lovers of every spectrum to enjoy and when it was all said and done, he only left us wanting more! Along with the identifiable tunes that P0gman rinsed out, there was an extensive list of exclusives presumably from the ‘I.Am.Audio’ imprint that P0gman manages and runs. The bass was hitting hard, the crowd was headbanging, and P0gman sure made a statement in his Denver return! <br><br><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="a88eSPCfCGw" data-video-thumb-url="http://img.youtube.com/vi/a88eSPCfCGw/0.jpg" type="text/html" src="https://www.youtube.com/embed/a88eSPCfCGw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><br><a contents="P0GMAN" data-link-label="" data-link-type="url" href="https://www.facebook.com/p0gman1/?fref=ts">P0GMAN</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/4febdc9ca1959c00cca1d97bc6937d2abd3c0252/original/p0gman-tuesday.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br> <br>Closing out the night it was now time for Sub.mission resident <a contents="Sektah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">Sektah</a> to send us off in style. Coming in fresh off a performance in Houston, Texas, for the ‘<a contents="Villainz" data-link-label="" data-link-type="url" href="https://www.facebook.com/villainzdubstep/?fref=ts">Villainz</a>’ crew only a few days before, Sektah brought the heat on Tuesday night and reminded us what he’s all about! No stranger to Cervantes’ Other Side, Sektah has emerged to become a local favorite at Electronic Tuesdays and the late night crowd was in for a treat as he closed out the show with a bang! His signature, bouncy style is truly contagious and spread throughout the entire crowd like a wildfire. Chopping up the decks and double-dropping tunes to ignite the dance floor is what Sektah specializes in and on Tuesday night he made that very clear. Whenever he’s live in the mix, you already know it’s about to go down and I couldn’t picture a better talent to close out this night other than Sektah. If you were feelin’ the vibes during his set on Tuesday night, be sure to catch him closing out the night following Thelem’s headlining set on <a contents="Tuesday, April 12" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/999698200117399/">Tuesday, April 12</a>! <br><br><a contents="SEKTAH" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">SEKTAH</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e18630fe75b21ceeb8fcff65c04f046d622cd649/original/jared.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></span></p>
<p class="MsoNormal" style="text-align: center;"><br><br><a contents="Author: Carlos Galvan" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts"><span class="font_large">Author: Carlos Galvan</span></a><br> </p>
<p> </p>
<p> </p><!--EndFragment-->subdotmission.comtag:www.subdotmission.com,2005:Post/41143402016-03-31T10:19:46-06:002017-01-12T07:25:03-07:00Thelem Steps Up to the Decks for Latest Edition of Lexdray Mix SeriesSub.mission Agency artist and Colorado favorite <strong>Thelem</strong> is in the mix, dropping the 57th edition of the <a contents="Lexdray City Series" data-link-label="" data-link-type="url" href="http://www.lexdray.com/collections/city-series" target="_blank">Lexdray City Series</a>. He joins the ranks of myriad musical legends who have also produced for the series, and deservedly so. This mix, entitled 'Welcome to Denver' (!) wastes no time, its haunting psychedelic intro giving way to one of the most fluid and well-selected mixes of 2016. 'Welcome to Denver' really does speak for itself however, so without further ado:<br> <p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/255866531&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> </p>Also check out Thelem's North American Tour Dates below to see if he's coming to a city near you!<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/9daf9089387c40f076b27f702a6abea32642e12c/original/12143245-1109831405705320-2007858042532283277-n.jpg?0" class="size_l justify_center border_" /><span class="font_small"><em>-Evan Franklin</em></span>subdotmission.comtag:www.subdotmission.com,2005:Post/41112562016-03-29T15:39:12-06:002016-03-29T15:40:24-06:00Check Out LX One's Remix of Argo's 'Recurrence' 2015 saw bass music fixture <strong>LX One</strong> release his debut LP - the much-lauded 'Motions' - on <a contents="Wheel &amp; Deal Record" data-link-label="" data-link-type="url" href="http://wheelanddealrecords.co.uk/" target="_blank">Wheel & Deal Record</a>s. The noted DJ and producer has been releasing music on imprints such as <a contents="Osiris Music uk" data-link-label="" data-link-type="url" href="http://www.osirismusicuk.co.uk/" target="_blank">Osiris Music uk</a> and <a contents="Tempa" data-link-label="" data-link-type="url" href="http://www.tempa.co.uk/" target="_blank">Tempa</a> for more than half a decade, and his first LP truly demonstrates his versatile prowess as a musician.<br> <p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/213702132&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe></p>LX One builds upon his massive momentum with a remix of young Paris-based <strong>Argo</strong>'s debut single '<a contents="Recurrence" data-link-label="" data-link-type="url" href="https://soundcloud.com/argosounds/argo-recurrence-distances-chestcast-vol9-clip" target="_blank">Recurrence</a>.' LX One builds upon the pulsing, sinister original wit jet-powered subs a chopping bassline. Both tracks stand on their own as enormous singles and are sure to have dancefloors crumbling.<br><br>Check out a preview of the remix below, and be sure to purchase both tracks <a contents="here" data-link-label="" data-link-type="url" href="http://www.unearthedsounds.co.uk/products/argo-recurrence-recurrence-lx-one-remix" target="_blank">here</a>!<br> <p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/239327863&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br><span class="font_small"><em>-Evan Franklin</em></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/41097452016-03-28T18:23:04-06:002017-01-12T07:25:02-07:00Agency Spotlight: Malleus<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/cb0767122f5d7e397c2954f352bcd4866b166302/large/cmon-malleus-rly.jpg?0" class="size_l justify_center border_" /><p>Most people think of electronic music as a mechanism for escapism. It’s a sonic portal to technicolor utopia, characterized by glowsticks and an ecstatic state of collective effervescence. As the soundtrack to rave, EDM, and festival cultures, electronic music is stereotyped as the empassioned embrace of the world’s brightest beauty. It’s a channel for evading – or denying – a less-than-ideal state of reality. <br> <br>So, it makes sense that dubstep’s most striking quality lies in its notoriously dark aesthetic. The genre is arguably a celebration – but it’s a celebration of evil rather than bliss. Dubstep embodies a complex philosophical outlook, especially for a style more reliant on instrumentation than words. Aesthetically, the genre’s tradition is often described as “deep, dark, and dangerous”. Among dubstep’s most sinister artists emerges <a contents="Malleus" data-link-label="" data-link-type="url" href="https://www.facebook.com/malleusdub" target="_blank">Malleus</a>. </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/161978486&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>The new addition to Sub.mission’s agency roster already has a reputation for crafting the most twisted tunes electronic music has to offer. Malleus’s affinity for horror films and life’s grotesque pleasures shouldn’t surprise anyone familiar with his music. His style is unapologetically insidious, often in unexpected ways. Unlike many popular artists who fancy themselves purveyors of evil, Malleus forgoes the spectacular cinematics in favor of genuinely creepy nightmare vibes. His tracks emanate blackness – the anti-celebration at the heart of dubstep’s demonic essence. <br> <br>Malleus’s rich musical background is apparent in his production as well. His ear for unconventional, discordant, sometimes cacophonous anti-melodies is demonstrated throughout his release catalogue. Likewise, Malleus’s attention to detail is crucial to his mastery of minimalism. The artist’s trademark is in the perfect placement of those echoes and slowly-approaching creaks: the touches that make his music chilling instead of campy. His command over tension within tracks explains much of his undeniable success. Malleus’s tracks add a fitting flourish to those sacred sets that rumble pitch-dark venues across the world.<br> </p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/141233261&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Last year, Malleus made his debut on Joe Nice’s iconic <a contents="Gourmetbeats " data-link-label="" data-link-type="url" href="https://soundcloud.com/gourmetbeats" target="_blank">Gourmetbeats </a>label alongside Moonstones for the label’s third EP. The artist recently announced a second Gourmetbeats release, this one with fellow Sub.mission Agency artist <a contents="Saule" data-link-label="" data-link-type="url" href="https://soundcloud.com/saul-e" target="_blank">Saule</a>. Check out the preview clips for GB005, and stay tune for more news on the forthcoming release.<br> </p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/199449161&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br>Follow Malleus on <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/malleusdub" target="_blank">SoundCloud</a>. For booking information and more on Malleus, check out <a contents="his agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/malleus" target="_blank">his agency page</a>.<br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><span class="font_small"><em>Amye Koziel</em></span></a>subdotmission.comtag:www.subdotmission.com,2005:Post/40988132016-03-21T17:25:16-06:002023-12-10T10:19:18-07:00Agency Spotlight: The Widdler<div class="captioned justify_center"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e76aeeac6f4d6ece8c6e52c6383c7bcf4014b4fc/large/widdler-for-spotlight.jpg?0" class="size_orig justify_center border_" /><p class="caption"><a contents='Eyediola Photography' data-link-label='' data-link-type='url' href='https://www.facebook.com/eyediolaphotog/?fref=ts' target='_blank'><span class='font_small'><em>Eyediola Photography</em></span></a><br><br><br> For many of the music industry’s most profitable sectors, the digital revolution proved apocalyptic. The death of traditional channels forced unprecedented innovation as the industry struggled to keep up with ever-evolving technology. But as the music business flounders, musicians find new ways to thrive. In the process of establishing himself as one of bass music’s most inventive producers and energetic DJ’s, <a contents='The Widdler' data-link-label='' data-link-type='url' href='https://www.facebook.com/thewiddler' target='_blank'>The Widdler</a> also shaped the untamed Internet frontier into a playground of creative possibilities for independent artists and their fans.<br><br><br><iframe frameborder='no' height='166' scrolling='no' src='https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/247771686&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false' width='100%'></iframe><br><br> To The Widdler, musical imagination always supercedes the music industry. That’s why the Texas-based artist has such a diverse, multi-genre following: artistic sincerity doesn’t always conform to prescribed structural conventions. His shapeshifting approach to bass music magnetizes fans from every stylistic niche. Still, The Widdler’s place in the heart of the underground dubstep community is profound. His respect for tradition, paired with his dedication to originality, unites old-school enthusiasts and the low-end’s new guard under the banner of genuine music. In his DJ sets, The Widdler is known to simultaneously introduce veteran heads to something new, and treat young initiates to something old.<br> </p></div><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/252446757&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p style="text-align: center;">The same knack for bringing people together extends into his virtual presence. As a leader of a generation, The Widdler is at the forefront of an exceptionally rich production-based online community. His weekly Twitch stream is a breeding ground for collaborations between emerging talents; the positive energy perpetuated through the community even led to a grant from Twitch itself to further the platform.<br><br>As an icon of underground music, The Widdler is one of the busiest figures in today’s artistic landscape. He’s been featured at transformational festivals such as Infrasound, and as evidenced by widespread headlining appearances, he’s in high demand. Last week The Widdler went back-to-back with fellow scene guardians Truth for two special nights in Asheville, NC and Atlanta, GA. His scheduled spring dates continue through May, and include a mini-tour with <a contents="Levitation Jones" data-link-label="" data-link-type="url" href="https://soundcloud.com/levitationjones" target="_blank">Levitation Jones</a> in April. Peep the tour poster below or <a contents="check out this page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/the-widdler" target="_blank">check out this page</a> to find out when you can catch the artist in your city.<br><br>The Widdler’s legacy is not only as a producer and a DJ, but that of a creative visionary. His bass-powered quest to inspire personal ingenuity, free thinking, and collaborative energy is a radiant embodiment of Sub.mission’s principle devotion to “moving people through sound, not hype”. Follow The Widdler on <a contents="SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/the_widdler" target="_blank">SoundCloud</a>, tune into his <a contents="Twitch stream" data-link-label="" data-link-type="url" href="https://www.twitch.tv/the_widdler" target="_blank">Twitch stream</a>, and check out the Sub.mission blog’s interview feature, <a contents="Sub.mingling" data-link-label="" data-link-type="url" href="http://subdotmission.com/blog/blog/sub-mingling-with-the-widdler" target="_blank">Sub.mingling</a>, for a glimpse of the world through the artist’s eyes.</p>
<p><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/589e726dd215e55fc8a16cef278f1a221190f805/large/widdler-spring-tour.png?0" class="size_l justify_center border_" /><br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><em><span class="font_small">Amye Koziel</span></em></a></p>
<div> </div>subdotmission.comtag:www.subdotmission.com,2005:Post/41056182016-03-20T13:55:00-06:002023-12-10T11:04:52-07:00Ohmtrix Releases Blistering New "Image" EP<p>Starting off with the EP title track Image, Ohmtrix opens things up with some lush elements before he dumps you in to some great skippy drums and bulldozer bass. Solid stuff that sets thing up nicely for the rest of the EP. Myriad comes in with a meaty punchy vibe and when it comes in on the first drop, it really comes to life. A true roller of a track layered up with a fantastic blend of bass and percussion. There is already a vibe developing now as we move to Tearing Me Down. A great vocal hook leads to things dropping into a busy and engaging combination of moving bass and rhythms that is carried on the percussion. All Alone closes things with a vocal sample that we will all recognize before everything jumps into life. This one has a hint of Summer going on for sure. The hook that comes from the plucky little synth is a great touch as everything rolls along with the bass keeping it on track.<br><br>Preview below and be sure to grab a copy from <a contents="Juno Download" data-link-label="" data-link-type="url" href="http://www.junodownload.com/" target="_blank">Juno Download</a> when the EP drops on April 15th!<br><br><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/252594524&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40937832016-03-17T19:46:23-06:002017-01-12T07:25:02-07:00The Rewind: Radikal Guru, Congi, Nikka T, Syte, & More! <p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f0c62750c2ee279c9d0d71b9f05c0e99b6c840a8/medium/10604103-10204636189379724-7107126036957375071-o.jpg?0" class="size_m justify_center border_" /><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/df8b19420a2a95a4ee3cde0ce3d5794f39dcc01f/original/radikkkallll.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br>Going into Tuesday night’s show, my level of anticipation was at an all time high and I couldn’t wait for such a massive throwdown at Cervantes’ Other Side. It was a night packed with nothing but top-notch talent from beginning to end and the talent was through the roof. As if a headlining performance from Poland’s very own <a contents="Radikal Guru " data-link-label="" data-link-type="url" href="https://www.facebook.com/RadikalGuruOfficial/?fref=ts">Radikal Guru </a>wasn’t enough to get me excited, <a contents="Syte" data-link-label="" data-link-type="url" href="https://www.facebook.com/djsyte/?fref=ts">Syte</a> and <a contents="Congi" data-link-label="" data-link-type="url" href="https://www.facebook.com/congimusic/?fref=ts">Congi</a> would also be making their highly anticipated Denver debuts and taking us on a complete musical journey on this fine Tuesday night. Everyone that was in attendance contributed to the thick vibe that consumed the entire dance floor and it was a Tuesday night that won’t soon be forgotten. Here’s the rewind! </span></p>
<p style="text-align: center;"><span class="font_large">The night began at 8:00pm sharp as local DJ’s ‘King Doja’ , ‘New Renaissance’, and ‘Gumshoe’ took the stage to battle it out and show get the crowd moving early in the night. This week’s battles were some of best that we’ve seen at Electronic Tuesdays over the last couple weeks and every DJ brought their ‘A Game’ to demonstrate their abilities behind the decks and show us what they’re made of. Making the most out of their 30 minute time slots, each act performed amazing sets and once again proved how talented the local electronic music scene in Colorado really is. After a heated battle among the 3 DJ’s, Gumshoe ended up being crowned this week’s winner and will advance to the next round of the DJ battle competition taking place on April 12. </span><br><br> </p>
<p style="text-align: center;"><span class="font_large">Following the DJ battles, it was now time for the UK’s very own ‘<a contents="Syte" data-link-label="" data-link-type="url" href="https://www.facebook.com/djsyte/?fref=ts">Syte</a>’ to take the decks and amplify the energy in the room. Upon stepping up to the stage, Syte instantly had me questioning and reevaluating whether I was still in Denver at Cervantes’ Other Side, or if I’d been teleported to an underground warehouse in London where this deep, minimal style that he was performing had originated. The vast majority of the tunes that Syte was performing were new to me and it was evident that his entire set was comprised of exclusive and original material. Having listened to Syte’s ‘Get Darker’ set from the Mindstep Music Takeover prior to Tuesday night’s set, I knew to expect a deep and low-end journey of sub bass and I surely wasn’t disappointed. Throughout his entire set, the crowd chanted and roared in approval as Syte’s sound was rumbling the entire dance floor and he made quite the impact in his Denver debut. <br><br><a contents="SYTE" data-link-label="" data-link-type="url" href="https://www.facebook.com/djsyte/?fref=ts">SYTE</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8857cb146f1b2a99a66bbedba2b74eadc338582b/original/syteee.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></span><br><br> </p>
<p style="text-align: center;"><span class="font_large">Next up in rotation on this massive night was the one like <a contents="Nikka T" data-link-label="" data-link-type="url" href="https://www.facebook.com/OfficialNikkaTpage/?fref=ts">Nikka T</a>. Although he is a highly respected member of the cannabis industry in Colorado and well-known for his solventless method of hash extractions, Nikka T also spends his time DJ’ing and he turns heads when he’s live in the mix. His performance was packed with a good mix of Reggae, Dancehall, and Hip-Hop and on Tuesday night he perfectly set the tone for Radikal Guru’s headlining performance. I was particularly a fan of Nikka T's mixing abilities and next level track selection. Heads were nodding, bodies were moving, and the audience had been properly warmed up by the time that Radikal Guru took the stage. </span></p>
<p style="text-align: center;"><span class="font_large"><a contents="NIKKA T&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/OfficialNikkaTpage/?fref=ts">NIKKA T </a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/b5287ea1b51d7030df016016886850ada8317110/original/nikkkaaaa.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br><br>The dance floor at Cervantes’ Other Side was packed out from front-to-back as it was now time for <a contents="Radikal Guru" data-link-label="" data-link-type="url" href="https://www.facebook.com/RadikalGuruOfficial/?fref=ts">Radikal Guru</a> to make his highly awaited Denver debut at Electronic Tuesdays. Having listened to Radikal Guru’s sound throughout the years and been an avid listener of his ‘Rootsteppa EP’ I was overly excited when I found out that he would finally be making his was to the United States hailing all the way from Poland. Internationally recognized for his unique sound that encompasses true roots-influenced soundsytem culture, seeing him perform in the intimacy of Cervantes’ Other Side was a very special treat and I have Sub.mission to thank for it! From the moment that Radikal Guru took the stage, Radikal Guru spent zero time getting straight down to business and began to unleash suffocating levels of bassweight with smooth reggae-influenced tones that were impossible not to dance to. On Tuesday night I found Radikal Guru’s set to be a rather meditative and therapeutic experience. Often times throughout his set I found myself closing my eyes and surrendering my soul to the low-end vibration that was being transmitted from the sound system and shaking the ground beneath my feet. His silky smooth, dubbed-out, vibrant energy purveyed his world class abilities as both a DJ and a producer. The lighter crew illuminated the dance floor as Radikal Guru’s classic tunes such as ‘Dread Commandments’, ‘Sound System’, and ‘Stay Calm’ had the entire audience lost in a daze. His tropical, vibey sound was refreshing and there wasn’t a stagnant body throughout the entire venue. He also performed an arsenal of tunes from his hometown label ‘<a contents="Moonshine Recordings" data-link-label="" data-link-type="url" href="https://www.facebook.com/Moonshine.Rec/?fref=ts">Moonshine Recordings</a>’ and instated a proper lesson in true soundsytem culture that was much needed. When it was all said and done, Radikal Guru made a lasting impression in his Denver debut and I’m very fortunate to have been able to finally see this legend perform live and direct at Electronic Tuesdays. <br><br><a contents="RADIKAL GURU&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/RadikalGuruOfficial/?fref=ts">RADIKAL GURU </a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ab3b724317f67ad9e042493a8d0ca02f46411afb/original/radikal-guru.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="I1QA3ck0ZNs" data-video-thumb-url="http://img.youtube.com/vi/I1QA3ck0ZNs/0.jpg" type="text/html" src="https://www.youtube.com/embed/I1QA3ck0ZNs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></span><br><br> </p>
<p style="text-align: center;"><span class="font_large">Following up a massive headlining performance from Radikal Guru, it was now time for Congi to take the stage and close out the night with a bang! Representing the ‘<a contents="Chord Marauders" data-link-label="" data-link-type="url" href="https://www.facebook.com/ChordMarauders/?fref=ts">Chord Marauders</a>’ ‘Mimm’ & ‘<a contents="Deep Heads" data-link-label="" data-link-type="url" href="https://www.facebook.com/Deep-Heads-282814701798319/?fref=ts">Deep Heads</a>’ collectives, Congi is widely known for an experimental and unique approach to bass music. On Tuesday night Congi had the late night crowd vibing ‘til the very end and delivered a set that was well rounded and packed with surprises. Some of my favorite tunes such as Skream’s ‘Rutten’ , Vivek’s ‘Asteroids’ and a remix of Congi’s very own ‘Somnium’ that I was not very familiar with. Congi’s closing set blended euphoric soundscapes with half-steppy influences that transformed the dance floor into a melodic atmosphere. Congi tested the limits of the sound system at The Other Side and those subtle bass lines penetrated the entire room until the night drew to a close.<br><br><a contents="CONGI" data-link-label="" data-link-type="url" href="https://www.facebook.com/congimusic/?fref=ts">CONGI</a><br><a contents="" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d901c9c4d9da05634b9dbb7d9f7e47c90407be84/original/congiii.jpg?0" class="size_l justify_center border_" /></a><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br><br><br>Author: <a contents="Carlos Galvan" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">Carlos Galvan</a></span><br><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/40878332016-03-14T17:47:31-06:002023-12-10T10:19:18-07:00Agency Spotlight: AxH<div class="captioned justify_center"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c78d6c622fd0a2ea9a1268f97bb53095f7bb7afb/large/axh-bside.jpg?0" class="size_orig justify_center border_" /><p class="caption"><a contents='Hartman Media' data-link-label='' data-link-type='url' href='https://www.facebook.com/HartmanPhoto/?fref=photo' target='_blank'><em><span class='font_small'>Hartman Media</span></em></a><br><br> America has a tendency to claim ownership of anything that dares to touch it. The United States are a notorious hub for the exploitation and commercialization of genuine art; dubstep is one of its most recent victims. But the traditionally minimalistic, low-end anchored style of sound system music is beginning to thrive in America’s increasingly vibrant underground communities, due largely to the precedent paved by <a contents='AxH' data-link-label='' data-link-type='url' href='https://www.facebook.com/AxHdubstep/?fref=ts' target='_blank'>AxH</a>.<br><br>The former British colony is home to a fair share of dubstep figureheads, including the pioneer DJ Joe Nice and west coast don Matty G. Still, music and culture share an intimate bond: many of America’s most respected artists are known for the distinct stateside flair they bring to the genre. Given his uncompromisingly minimal aesthetic notably reminiscent of European dance floors, many fans are surprised to learn that AxH resides in the USA. The Boston artist was the first American with a full solo release featured on <a contents='Tempa' data-link-label='' data-link-type='url' href='https://www.facebook.com/pages/Tempa/138858702964220?fref=ts' target='_blank'>Tempa</a>, and among the country’s most influential proponents of the proper 140 sound.</p></div>
<p style="text-align: center;">Of course, as a hand-picked member of the label famously represented by Youngsta, AxH is not only a US trailblazer – he’s an international staple. His signature sinister style emanates of humanity’s most evil undercurrents. Darkly danceable, AxH’s music celebrates the insidious essence that forms the foundation of dubstep’s twisted aesthetic. His 2015 Tempa EP, <em>Numbskull</em>, is a contagious collection of anthemic sound system tunes; <a contents="its title track " data-link-label="" data-link-type="url" href="https://soundcloud.com/duploc/premiere-axh-numbskull" target="_blank">its title track </a>was one of the year’s most played (and emulated) releases. And last year’s “Unsigned Unreleased” mix overflows with the relentless energy that characterizes the premiere airtime of highly anticipated music. The selection prompted a uniformly emphatic response from the worldwide community.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/208909213&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p style="text-align: center;">The mix contains some departures from the typical 140 template, including hints of the artist’s past life. Before he discovered dubstep, AxH released drum and bass under the alias <a contents="Prodigal Son" data-link-label="" data-link-type="url" href="https://soundcloud.com/prodigal-son" target="_blank">Prodigal Son</a>. His wicked signature is detectable through the furious, fast-paced aggresion that defines drum and bass. AxH’s musical trajectory mirrors a pattern familiar to the veteran heads whose tastes and preferences evolved alongside dubstep itself. Following years of involvement in the drum and bass community, the style’s demonic cousin incarnation seduced AxH in the late 2000’s. He was inducted as a resident DJ for the iconic <a contents="BASSic Boston" data-link-label="" data-link-type="url" href="https://www.facebook.com/bassicboston/?fref=ts" target="_blank">BASSic Boston</a> night shortly thereafter.</p>
<p style="text-align: center;">By the time AxH made his Tempa debut with 2014’s <em>Destroy</em> EP, “dubstep” was already a pervasive – if misunderstood – catchphrase in the US pop culture dictionary. But rather than a travesty, AxH noted the explosive mainstream phenomenon as an opportunity. Prior to the EP’s release, <a contents="FatKidOnFire asked the artist about his perspective on the momentous trend" data-link-label="" data-link-type="url" href="http://www.fatkidonfire.com/interviews/axh/" target="_blank">FatKidOnFire asked the artist about his perspective on the momentous trend</a>. AxH replied with a measured assessment: “Now that it’s hit the mainstream, however, my hope is that some fans have taken a step back, and done a little homework.” Nearly three years – and seven releases – later, AxH’s optimism holds true. American dubstep has already come a long way since the inception of “brostep”. The region’s rising visibility and role in the international scene is marked by prominent releases from artists such as Mesck and EshOne; promising young talent emerges from the States with increasing regularity. Proper dubstep is solidified on the country’s underground radar, and we can thank AxH for his role in carving the path.</p>
<p style="text-align: center;">Stay locked to <a contents="AxH’s SoundCloud page" data-link-label="" data-link-type="url" href="https://soundcloud.com/axhdubstep" target="_blank">AxH’s SoundCloud page</a>: there is much to look forward to from the artist, <a contents="including a forthcoming release" data-link-label="" data-link-type="url" href="https://soundcloud.com/fatkidonfire/axh-artroniks-untitled-axh-devil-shogun-forthcoming-wheel-deal-fkof-promo" target="_blank">including a forthcoming release</a> on N-Type’s Wheel & Deal Records. AxH will also be featured on the <a contents="Sub.mission podcast" data-link-label="" data-link-type="url" href="http://subdotmission.com/podcast" target="_blank">Sub.mission podcast</a> this upcoming Wednesday. <a contents="Check out his agency page" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/axh" target="_blank">Check out his agency page</a> for show dates and more information.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/219966887&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><span class="font_small"><em>Amye Koziel</em></span></a>subdotmission.comtag:www.subdotmission.com,2005:Post/40893212016-03-12T14:55:00-07:002016-03-15T14:55:30-06:00London Nebel Drops Surprise Free Download "Damn Daniel"Berlin's very own<strong> London Nebel</strong> graces fans with a massive new track- available as a free download on his <a contents="Soundcloud page" data-link-label="" data-link-type="url" href="https://soundcloud.com/london-nebel/london-nebel-damn-daniel-free-download" target="_blank">Soundcloud page</a>. The new tune, entitled "Damn Daniel" (featuring vocal samples of the same phrase) is a multi-faceted one. While it's sure to be popular on the dance floor, the nuanced production makes it a treat on headphones as well. A sinister undercurrent of sub-bass creates a foundation for a tapestry of intricately-weaved melodies. Despite the track's intelligent production, it has plenty of attitude to get things moving.<br><br>Listen below, and don't forget to download (this one demands multiple plays)!<br> <p><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/251229210&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe></p><br><br> subdotmission.comtag:www.subdotmission.com,2005:Post/40834842016-03-11T09:39:32-07:002023-12-10T10:19:18-07:00CRIMES! Teams Up With Dark Dred for Genre-Defying "Krystal"Sub.mission Agency artist <a contents="CRIMES!" data-link-label="" data-link-type="url" href="https://www.facebook.com/CrimesOfficial/" target="_blank">CRIMES!</a> prides himself on making forward-thinking music without being tethered down by genres and easy descriptions. This is abundantly clear on "Krystal" - his new collaborative single with Atlanta-based Dark Dred. The track cherrypicks the best elements of several genres. Glacial-synth patches reminiscent of contemporary grime slice through jazzy horn samples. The sliced up jazz samples - along with the syncopated drum pattern - are an inventive take on Chicago footwork and juke. Haunting vocal samples and familiar 808 hi-hat skitters tie it all together as a massive and mesmerizing tune.<br><br>Enjoy streaming the song below OR as a free download!<br> <p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/250042897&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br><span class="font_small"><i>-Evan Franklin</i></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40829012016-03-10T19:45:39-07:002017-01-12T07:25:02-07:00The Rewind: Lory Kong, Durandal, Heatbox, Thanom & More! <p style="text-align: center;"><br><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f6e2c234cdc2b2bb2b7df6fb17ac19ed74bb74dd/medium/12711188-10153903079022370-4973451287341824293-o.jpg?0" class="size_m justify_center border_" /><br><br>As the month of March is in full effect,<a contents=" Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts"> Sub.mission</a> has presented us with no shortage of top-notch electronic music talent to provide us with our weekly bass fix at <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a>. The anticipation going into Tuesday night was at an all time high as recently added Sub.mission Agency artists Lory Kong and Durandal would be gracing the stage in a massive headlining performance in this week’s throwdown. Not to mention there would be some serious local talent starting the night off in the DJ battles, along with a special guest appearance from beat-boxer ‘Heat Box’ and the one like Thanom would be closing out the night. The dance floor was packed, the vibes were thick and the entire night was stacked with talent from beginning to end. Here’s the rewind! </span></p>
<p style="text-align: center;"><span class="font_large">The night began at 8:00pm sharp as the weekly DJ battles featuring a wide assortment of Colorado’s finest local talent took the stage to showcase their talents and abilities to set the tone early in the night. This week’s battles further demonstrated how diverse and well rounded the local music scene in Colorado really is and we were treated to a good variety of styles and sounds including Dubstep, Downtempo, Giltch-Hop, Drum & Bass, and some Trappier/Hip-Hop styles as well. Selectors ‘Sexualmente, Xenolinguist, Unicorn Rave, and Rem & Ryuk’ were this week’s competitors and they brought the heat early in the night and proved why it is important to make your way on to the dance floor as soon as doors open. Making the most out of their 30 minute time slots, each act showed what they’re about and came out swinging! After a heated battle among the 4 acts, Unicorn Rave won over the crowd and judges to be crowned this week’s winner! His track selection and mixing abilities loosened up the crowd early in the night and had the energy in the room peaking and the night had only begun. Big ups to <a contents="Unicorn Rave" data-link-label="" data-link-type="url" href="https://www.facebook.com/unicornrave0925/?fref=ts">Unicorn Rave</a>! Catch him performing in the March Winners Showcase battle taking place at Electronic Tuesdays on April 12! <br><br><a contents="UNICORN RAVE&nbsp;&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/unicornrave0925/?fref=ts">UNICORN RAVE </a> <br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d8e1ff45f579b1d87f21f3a53823c817b427a878/original/unicorn-rave.jpg?0" class="size_l justify_center border_" /><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a></span><br> </p>
<p style="text-align: center;"><span class="font_large">Following the DJ battles, it was now time for the one like ‘<a contents="Heat Box" data-link-label="" data-link-type="url" href="https://www.facebook.com/heatbox/?fref=ts">Heat Box</a>’ to take the stage and offer a unique, yet refreshing change of pace to the night. Having done some brief research on Heat Box prior to his set on Tuesday night, I was well aware that his guest appearance wouldn’t be a traditional DJ set, by any means. Instead, Heatbox put on an all-original and experimental beatbox performance that was unlike anything I had ever seen before at any previous editions of Electronic Tuesdays. His live singing, beat boxing, and looping combined to put on a performance that was entertaining and fun to witness. His stage presence was witty and portrayed a goofy sense of humor that the crowd couldn’t help but laugh along to and clap their hands accordingly. His original vocalist and beatboxing abilities brought forth a unique twist to the night and the entire audience was smiling from ear to ear. There was a considerable amount of live improv and playfulness during Heat Box’s 1 hour performance and I’m glad he was a special guest on this given night. <br><br><a contents="HEATBOX&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/heatbox/?fref=ts">HEATBOX </a><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="JlT4oNOT9mA" data-video-thumb-url="http://img.youtube.com/vi/JlT4oNOT9mA/0.jpg" type="text/html" src="https://www.youtube.com/embed/JlT4oNOT9mA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/bead92ffb238ad0223e0fcceb8f285ed3e481ff0/original/heatbox.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a></p>
<p style="text-align: center;"><span class="font_large">Next up in the night’s rotation, it was now time for <a contents="Lory Kong " data-link-label="" data-link-type="url" href="https://www.facebook.com/korykong?fref=ts">Lory Kong </a>to take the decks in his highly anticipated Denver debut! Hailing from the southern state of Texas, Lory Kong is a member of the ‘Villainz’ dubstep collective and his tunes have been in constant rotation throughout the underground scene for quite some time now. Widely known for his bouncy and upbeat bass lines, Lory Kong’s flow offers a good balance of both new and old school sounds that resonate with dubstep lovers of every spectrum. Performing a wide array of his own original tunes such as ‘Dubstep Epidemic’ , ‘Carrot Juice’ & ‘Viddim’ along with old school dubstep bangers like 16 Bit’s ‘Frzr 9000’ & Skream’s ‘Filth’ , Tuesday night’s performance from Lory Kong demonstrated his versatility behind the decks and needless to say, he sure made an impact in his 1st ever Denver appearance. As I write this review, I have Lory Kong to blame for the current soreness in my neck that was brought on by non stop head-banging throughout his set and I still have yet to fully recover. <br><br><a contents="LORY KONG" data-link-label="" data-link-type="url" href="https://www.facebook.com/korykong?fref=ts">LORY KONG</a><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="NwJTZ3iHgaA" data-video-thumb-url="http://img.youtube.com/vi/NwJTZ3iHgaA/0.jpg" type="text/html" src="https://www.youtube.com/embed/NwJTZ3iHgaA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/69c0214ecc25c4dfa57cf539017d3c69b1999838/original/lory-kongg.jpg?0" class="size_l justify_center border_" /><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a><br> <br>The narrow-hall venue of Cervantes’ Other Side was packed out from front-to-back as it was now time for fellow Sub.mission Agency artist <a contents="Durandal" data-link-label="" data-link-type="url" href="https://www.facebook.com/durandaldubstep/?fref=ts">Durandal</a> to take the stage in his Electronic Tuesdays return. Having witnessed Durandal’s performance at Cervantes’ Other Side in September of 2015, I eagerly awaited his Denver return for his own headlining performance and he definitely didn’t disappoint! Hailing from Utah, the one like Durandal has been gaining some serious momentum throughout the underground bass music circuit and is turning heads for both his original production and his DJ’ing abilities as well. When I first found out about ‘<a contents="Durandal’" data-link-label="" data-link-type="url" href="https://www.facebook.com/durandaldubstep/?fref=ts">Durandal’</a> earlier in 2015, he was considered to be an upcoming talent in the game, but as time passed, it is clear that he is making his presence in this industry felt and is becoming one of the most exciting state-side producers that is pushing the limits of proper dubstep. His style of production embodies traditional dubstep roots with catchy drum patterns and heavy emphasis on low frequency bass lines that penetrate the crowd and make the ground rumble beneath your feet. On Tuesday night he performed an arsenal of his own original material with some of my favorite tunes such as ‘Speaker Test’ , along with his recent collaboration with The Widdler, titled ‘Space Crusin’ and he even threw down a fresh new one called ‘Hot Fire’ that he made specifically for his performance at Electronic Tuesdays a few nights ago. Throughout the entirety of Durandal’s set I found myself in a deep state of meditation with my eyes closed, surrendering myself to the sound. Regardless of your previous knowledge on the one like Durandal, I’d recommend keeping a close eye on him as his sound continues to evolve and make waves throughout 2016 and far beyond! <br><br><a contents="DURANDAL" data-link-label="" data-link-type="url" href="https://www.facebook.com/durandaldubstep/?fref=ts">DURANDAL</a><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="oNJvHzhFytM" data-video-thumb-url="http://img.youtube.com/vi/oNJvHzhFytM/0.jpg" type="text/html" src="https://www.youtube.com/embed/oNJvHzhFytM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/787fb1da6baf0134901db7dac8e1980ef332092b/original/durandal.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a></p>
<p style="text-align: center;"><span class="font_large">Closing out the night it was now time for <a contents="Thanom" data-link-label="" data-link-type="url" href="https://www.facebook.com/thanomdubs/?fref=ts">Thanom</a> to keep the energy in the room high and finish out the night with a bang! No strange to Cervantes’ Other Side, Thanom is a talent that you can always count on to get your body moving and head nodding on the dance floor. Some of you might remember Thanom from his massive performance at Electronic Tuesdays a few weeks ago when he held it down on the primary support slot for Jakes and brought the heat like never before. This time around, Thanom was closing out the night and he still projected an intensity that was unmatched. Regardless of his previous performances, Thanom is an artist that you can always count on to bring something new and refreshing to the table each and every time. His flawless mixing abilities combined with unparalleled track selection combine to deliver breath taking performances that compel your body to move and keep you on your toes. It was evident that the late night Electronic Tuesdays crowd had plenty of energy left in them as the entire dance floor was skankin’ out to a load of Thanom’s original tracks as well as classic dubstep tunes like Jakes’ ‘3K Lane’ , as well as Bukez Finezt’s ‘Under Control’ and ‘You Don’t Belong Here.’ Sometimes it’s hard to believe that such massive throwdowns take place on Tuesday nights every single week and we have no one but Sub.mission to thank for it! <br><br><a contents="THANOM" data-link-label="" data-link-type="url" href="https://www.facebook.com/thanomdubs/?fref=ts">THANOM</a><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/3bc36c12e52dcaee62fbe41231abccf64f47181c/original/thanomm.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a></p>
<p style="text-align: center;"><span class="font_large">Big ups to everyone that made it out and contributed to such an awesome night at Cervantes’ Other Side. Hope to see everyone out next week for a headlining performance from the legendary ‘Radikal Guru’! </span><br><br><br><br>Author: <a contents="CARLOS GALVAN" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">CARLOS GALVAN</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40772692016-03-07T17:41:25-07:002017-01-12T07:25:02-07:00Agency Spotlight: Sukh Knight & Squarewave<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e773c0671a3eb46d6f6033c12b1f679c82fb1285/original/new-world-audio.png?0" class="size_l justify_center border_" /><p>Dubstep is a fundamentally hybrid genre. The direct evolution from UK garage also draws elements from drum and bass, techno, grime, hip-hop, reggae, jazz, even metal. The genre’s diverse foundations are reflected by its wide stylistic spectrum – dubstep isn’t confined to a specific aesthetic, and aside from explicit genre qualifications, it doesn’t encompass one particular sound. Still, dubstep has grown into itself, and no artists capture its defining essence as comprehensively or recognizably as the London-based DJ/producers <a contents="Sukh Knight" data-link-label="" data-link-type="url" href="https://soundcloud.com/sukhknight" target="_blank">Sukh Knight</a> and <a contents="Squarewave" data-link-label="" data-link-type="url" href="https://soundcloud.com/squarewavedj" target="_blank">Squarewave</a>.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/139193368&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Like dubstep itself, Sukh Knight and Squarewave rise from versatile backgrounds. Squarewave was first established in the drum and bass scene; Sukh Knight was a member of the grime collective True Tiger. Together, the artists form a tenacious team. <a contents="Their chemistry on the decks is well-documented by recorded sets" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=x2NPsaZJ1_I" target="_blank">Their chemistry on the decks is well-documented by recorded sets</a> and tag team mixes. The two are featured in <a contents="the most recent installment of the Sub.mission podcast" data-link-label="" data-link-type="url" href="http://subdotmission.com/track/981253/podcast-179-sukh-knight-and-square-wave?feature_id=220448" target="_blank">the most recent installment of the Sub.mission podcast</a>. The duo’s distinct sound is unmistakable and inimitable. It is the signature of their label, <a contents="New World Audio" data-link-label="" data-link-type="url" href="https://soundcloud.com/nwa-uk" target="_blank">New World Audio</a>, and perhaps the most uniformly infectious rendition of dubstep’s character.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/20274654&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br>An impressive array of stylistic evolutions come together under the “dubstep” banner. Fans and artists tend to gravitate towards their preferred aesthetic pockets: from the deep and uncompromisingly subtle, the desperately dark, the heavy, existential frustration (recognizable as Chestplate’s trademark), to the aggressive maximalist twist highlighted in “tearout” and “riddim” styles. The music of Sukh Knight and Squarewave is best described as “all of the above”. They’re known to capture the abrasive, pointedly personal verbal quality of grime vocals... in instrumental tracks. The sound defies perceptions of “mature” music: it’s aggressive and variable enough to hook fans of dubstep’s newer incarnations, but mindful of the meditation celebrated by minimalists and deep-end dwellers.<br> <iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/233772915&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>The duo’s nuanced relationship with dubstep’s defining characteristics is displayed flawlessly in their <a contents="Sub.mission podcast mix" data-link-label="" data-link-type="url" href="http://subdotmission.com/track/981253/podcast-179-sukh-knight-and-square-wave?feature_id=220448" target="_blank">Sub.mission podcast mix</a>. The beauty of minimalism is its unwavering control of tension. Dubstep differentiates itself from other genres by paying equal mind to the release. Sukh Knight and Squarewave are masters of that moment. Their heaviest tunes shock the audience not out of a trance, but into an elevated state of meditation. The hour- and seventeen minute- mix – comprised largely of the artists’ original productions - guides the listener into a comfortable place (credit to Squarewave) for the purpose of shattering it (Sukh Knight's specialty). Each point of release introduces a new wave of increased intensity. The effect is a listening experience usually reserved for live sets. <br> <br>Of course, such expert touch for the modern “mixtape” form begs for a huge sound system and a proper party. Sukh Knight and Squarewave will make their way to North America soon. Stay locked to each of their pages (<a contents="Sukh Knight " data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/sukh-knight" target="_blank">Sukh Knight </a>// <a contents="Squarewave" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/squarewave" target="_blank">Squarewave</a>) for all the information you need to catch the team on a dance floor near you. Check out <a contents="New World Audio on Bandcamp" data-link-label="" data-link-type="url" href="https://newworldaudio.bandcamp.com/" target="_blank">New World Audio on Bandcamp</a> for the label's full release collection - <a contents="including Sukh Knight's newest EP" data-link-label="" data-link-type="url" href="https://newworldaudio.bandcamp.com/album/interstellar-hustlerz">including Sukh Knight's newest EP</a> - and other goodies.<br><br><br> </p><iframe allowfullscreen="" class="justify_center" frameborder="0" height="315" src="https://www.youtube.com/embed/MapFFIfpFfI" width="560"></iframe><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><em><span class="font_small">Amye Koziel</span></em></a>subdotmission.comtag:www.subdotmission.com,2005:Post/40767092016-03-07T12:50:24-07:002021-05-17T04:11:19-06:00Compa Releases Massive New EP on Deep Medi Musik Fans of bass music have almost certainly seen the name <strong>COMPA</strong> cropping up with regularity since the turn of the decade. Within these 5 years, William Brown (who plays and produces music under the Compa alias) has quickly climbed the ranks of UK club music. While significantly younger than many of his musical peers, his career is already brimming with milestones. He has closed out London's legendary <a contents="Fabric Nightclub" data-link-label="" data-link-type="url" href="http://www.fabriclondon.com/">Fabric Nightclub</a>, put together timeless mixes for fixtures like <a contents="FACT " data-link-label="" data-link-type="url" href="http://factmag.com/">FACT </a>Magazine (listen below), and was enlisted for iconic dubstep record label <a contents="DEEP MEDi MUSIK" data-link-label="" data-link-type="url" href="http://deepmedi.com/" target="_blank">DEEP MEDi MUSIK</a> early in his career.<br> <p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/139991782&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br> Beyond his impressive resume as a producer, Compa is a master on the decks as well. He's a DJ's DJ, strictly playing vinyl and dubplates. This purism helped to get him recognized by dubstep mainstays such as <a contents="Mala" data-link-label="" data-link-type="url" href="http://www.residentadvisor.net/dj/mala" target="_blank">Mala</a>, whose aforementioned label Deep Medi Musik is home to Compa's scorching new EP: <u><strong>Truth In Sound</strong></u>.<br><br> Available as both a digital download and 12" vinyl, the release boasts 4 unique tracks. We open with the title track, an energetic gumbo of bouncy dancefloor rhythms, punctuated by deconstructed dancehall-style horns which seem to attack from all angles. The following track "Noctule" is much darker fare: ominous vocal samples lead into sparse drum patterns and windmills of punchy sub-bass, with some notes exploding like depth charges without warning. "Tibetan Chant" is the first B-side, although existing fans will recognize it as a staple of recent live sets (it's featured as an unreleased track the FACT Mix above). The song is a psychedelic pan-flute laden journey, and eponymous chants masterfully acknowledges the importance of deep vibrations, from Tibetan Monks to dubstep culture. The EP closes with "Four Four Clap," a nasty club track peppered with the titular claps and plenty of attitude. <br><br>Hear a preview of the EP below, and purchase through <a contents="Deep Medi's websit" data-link-label="" data-link-type="url" href="http://deepmedi.com/" target="_blank">Deep Medi's websit</a>e:<br><br><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/248863420&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br>Compa currently has dates scheduled in the UK and Australia, see them <a contents="here" data-link-label="" data-link-type="url" href="https://www.bandsintown.com/Compa" target="_blank">here</a>.<br><br><em><span class="font_small">-Evan Franklin</span></em></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40735892016-03-05T14:40:13-07:002017-01-12T07:25:02-07:00Tunnidge Drops Debut Album "Mobius Strip" Achieving longevity in the music industry is an immense challenge, especially in the ever-changing continuum of "club music." The realm of club music can be fickle, often driven by fads and anomalies. It takes a talented and determined person to maintain a following while effortlessly releasing new and interesting music. One such character is the storied Londoner Tim Langridge, better known in music circles as <a contents="Tunnidge" data-link-label="" data-link-type="url" href="http://www.tunnidge.com/" target="_blank">Tunnidge</a>. He has an impressive resume of deep and contemplative music with a churning, energetic undercurrent. His first official release was on the legendary <a contents="DEEP MEDi MUSIK" data-link-label="" data-link-type="url" href="http://deepmedi.com/" target="_blank">DEEP MEDi MUSIK</a> (for whom he illustrates the iconic album art), and he was the first person on the roster for Distance's <a contents="Chestplate " data-link-label="" data-link-type="url" href="http://www.chestplate.co.uk/" target="_blank">Chestplate </a>imprint.<br> <div style="text-align: center;">
<iframe class="justify_inline" data-video-type="youtube" data-video-id="xBoC5Gv_zB8" data-video-thumb-url="http://img.youtube.com/vi/xBoC5Gv_zB8/0.jpg" type="text/html" src="https://www.youtube.com/embed/xBoC5Gv_zB8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br> </div>
<div> Tunnidge continues to impress with his debut album <strong>Mobius Strip</strong>-, released on <em>Shining Tyge</em>r. The album not only demonstrates his versatility as a producer, but his ability to create a completely cohesive 50-minute musical odyssey. The latter is especially significant as electronic music is driven primarily by singles, with LPs often taking a back seat as far as artist priorities (not to say there aren't incredible LPs released every year!). This release is purely engaging from front-to-back. Tunnidge weaves in and out of genres with ease. The ambient introduction of leading track Golden Bough gives way to sparse, traditional 140bpm bass music, with layered vocal samples melting over sharp snare rim-shots. He also flexes his hand with higher tempos, from the bombastic jungle vibes of Amygdala to the relentless 160bpm drum and bass of Hold Tight. The album is punctuated by excellent 140 tunes for the dubstep purists, but features styles outside of the traditional realm as well. Eyes of Fear is a slow, churning, almost techno-influenced track, while Avalon borders on "<a contents="weightless" data-link-label="" data-link-type="url" href="http://www.rbmaradio.com/shows/mumdance-weightless-an-introduction" target="_blank">weightless</a>" territory.<br><br><a contents="https://soundcloud.com/tunnidge/tunnidge-stone-circle" data-link-label="" data-link-type="url" href="https://soundcloud.com/tunnidge/tunnidge-stone-circle"><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/246247426&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe></a><br><br>Check out <a contents="Tunnidge's Website" data-link-label="" data-link-type="url" href="http://www.tunnidge.com/" target="_blank">Tunnidge's Website</a> to purchase this release and explore his massive catalog of legendary music.<br><br><span class="font_small">~Evan Franklin</span>
</div>subdotmission.comtag:www.subdotmission.com,2005:Post/40721692016-03-03T20:41:23-07:002023-12-10T10:19:18-07:00The Rewind: Levitation Jones, Toadface, & More at Electronic Tuesdays<p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6c448649a5ffa17ae46a4d3d5e1cda69ed4fb93d/medium/12803220-1264316680249899-4928185297422010113-n.jpg?0" class="size_m justify_center border_" /><br><br>Tuesdays are my favorite day of the week for a variety of reasons. The way I see it, there is no other weekly event in Denver that showcases such a wide spectrum of musical talent, crafty vendors, unique painters, and a highly supportive local fan base that adds a special vibe to the night. Now that March is finally here, <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> has presented us with yet another completely stacked month of bass music talent from a wide range of genres and styles. This week we kicked things off with the ‘Living In A Bubble EP Tour’ featuring <a contents="Levitation Jones" data-link-label="" data-link-type="url" href="https://www.facebook.com/LevitationJones/?fref=ts">Levitation Jones</a> & <a contents="Toadface" data-link-label="" data-link-type="url" href="https://www.facebook.com/Toadfacetoadface/?fref=ts">Toadface</a>. To only add to the excitement of the night, local DJ’s/Producers <a contents="Dalek One" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne/?fref=ts">Dalek One</a> and <a contents="Iant" data-link-label="" data-link-type="url" href="https://www.facebook.com/iantmusik/?fref=ts">Iant</a> would be making their <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a> returns to face off in the February Winners Showcase DJ Battles where only 1 would be crowned as the battle champion from the previous month. The night was packed with talent, the bass was hitting hard, and the 1st Electronic Tuesdays of the month of March went off with a bang! Here’s the rewind! </span></p>
<p style="text-align: center;"><span class="font_large">The night launched in full force at 9:00pm sharp as soon as Dalek One took the stage to demonstrate his extensive talents as both a DJ and a Producer in a highly anticipated bassweight battle versus the one like ‘Iant’. Having made an impact in their previous battles at Electronic Tuesdays and delivering memorable performances, the dance floor on Tuesday night packed out early as Dalek One and Iant would be competing head-to-head with 1 hour time slots to give us a full sense of their mixing abilities and track selections to get the crowd moving. </span></p>
<p style="text-align: center;"><span class="font_large"> If you’ve been keeping up with the Denver dubstep scene over the years, you know that Dalek One is one of the rawest upcoming local talents that is making waves throughout the state of Colorado and far beyond. Coming fresh off of a 100% original performance at last week’s battle, Dalek One came fully equipped yet again and reminded us what he’s all about. An arsenal of original tunes along with some classic 140 bangers combined to put on a heart-thumping performance to kick things off and the night was only beginning. </span></p>
<p style="text-align: center;"><span class="font_large">Following Dalek One’s opening performance Iant took the stage and proved to be no easy competitor. No stranger to Cervantes’ Other Side, Iant has performed at Electronic Tuesdays a grip of times and has beat out the competition in a series of battles that earned him a time slot at Colorado’s highly renowned Sonic Bloom Music Festival this past Summer. Even though Iant might lurk under the radar, his weighty sound is unmistakable and he’s sure to rumble the dance floor wherever he performs. </span></p>
<p style="text-align: center;"><span class="font_large">After a heated battle between the 2 selectors in one of the closest and best competitions we’ve seen yet, Dalek One emerged as this battle champion and was crowned the winner. Congratulation to Dalek One and big ups to Iant for putting on amazing sets to set the tone early in the night and further demonstrate just how talented the local bass music scene in Colorado really is. If you haven’t been making it out to Cervantes’ early enough to see the locals perform in the battles, you’ve really been missing out! <br><br><br><a contents="DALEK ONE&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne/?fref=ts">DALEK ONE </a><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/9fd43bd7cdd279c8f4bd108735e1b6694aa79aa3/original/dalek-one-showcase-winner.jpg?0" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span style="font-size: 17px;">(Eyediola Photography)</span></a></p>
<p style="text-align: center;"><span class="font_large">Next up it was time for the one like <a contents="Toadface" data-link-label="" data-link-type="url" href="https://www.facebook.com/Toadfacetoadface/?fref=ts">Toadface</a> to take the stage in his Colorado return. Having seen Toadface perform at Electronic Tuesdays back in June alongside Yheti, I knew to fasten my dancing shoes and prepare myself for a diverse set that would not be exclusive to a single genre or sound. Fusing elements from Dubstep and Trap, along with experimental psychedelic 808 beats, Toadface’s sound is ever evolving and kept the dance floor bumpin’ from beginning to end! The vast majority of the tunes that Toadface played out were definitely new to me and offered a refreshing change of pace to previous editions of Electronic Tuesdays. My personal favorite part of his set was when he rinsed out Noisia & Ivy Lab’s tune ‘Possession.’ Similar to the title of the tune itself, my body was taken over and captivated by breaky-synths and crunchy percussions. Toadface brought the heat in his Colorado return with a track selections that kept you guessing and an energetic stage presence that was unmatched. Thankfully for us, Toadface would be returning to the stage for the final hour of the night for a massive back-to-back performance alongside Levitation Jones to send us off and close out the night. <br><br><a contents="TOADFACE" data-link-label="" data-link-type="url" href="https://www.facebook.com/Toadfacetoadface/?fref=ts">TOADFACE</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/63268a95a79e275bdfee8fffce5e6297126f1309/original/toadfaceeeee.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></span><br> </p>
<p style="text-align: center;"><span class="font_large">The night was still young and the audience had been properly warmed up by the time that <a contents="Levitation Jones" data-link-label="" data-link-type="url" href="https://www.facebook.com/LevitationJones/?fref=ts&ref=br_tf">Levitation Jones</a> took the stage. This would be my 1st time seeing Levitation Jones perform and he undoubtedly made a lasting impression on the dance floor. As soon as he took the stage, Levitation Jones spent zero time messing around and got straight to business unleashing some hard-hitting 140 beats blended with his own futuristic soundscape. Feeding off of the energy in the room and playing out to his crowd, Levitation Jones must’ve known that Denver LOVES dubstep and he accommodated our needs masterfully. Going into his set, I had no idea what to expect from Mr. Jones, but by this time, it was far too late. He graced the decks with an upbeat and aggressive energy that was contagious as he proceeded to drop some of my all time favorite dubstep tunes from a variety of artists like Requake, Badklaat, DMZ, & many more. He also threw down his tune ‘Invisible Beat’ toward the end of his set which was a special treat to hear played live as he informed us that it’s rarity for him to play this one out nowadays. <br><br><a contents="LEVITATION JONES" data-link-label="" data-link-type="url" href="https://www.facebook.com/LevitationJones/?fref=ts&ref=br_tf">LEVITATION JONES</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d0350d7c3cc57e232573758cbf114ecf21bf27d9/medium/levitation-jones.jpg?0" class="size_m justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></span><br> </p>
<p style="text-align: center;"><span class="font_large">Time really does fly when you’re having fun and before I knew, it was already 1am and there was an entire hour left to go. At this point Levitation Jones takes the microphone to inform us that he’d be welcoming his counterpart Toadface back to the stage to close out the night with a bang! The announcement was well received from the audience and was accompanied by clapping hands and crowd that roared in approval. The duo took the decks and combined in full force to close out the night strong and give us exactly what we came for. Opening their set with Genetix’ classic tune ‘Squid Attack’, this song was indicative that the remainder of their set would be packed with aggressive bass lines that made you question your sanity while embracing the dance floor in its energetic wholesomeness. Tracks like JPhelpz ‘Big Up King’ dropped into Rusko’s ‘Woo Boost’ had the crowd losing their minds and breaking a sweat on in the narrow-halled venue that is Cervantes’ Other Side. The entire set had an upbeat fluidity to it and there was no such thing as catching your breath or getting a break. Their relentless energy had the crowd captivated and there wasn’t a stale moment throughout any of their back-to-back session. Tunes like Bommer & Crowell’s ‘Nah Nah VIP’, Emalkay’s ‘Fabrication’, Sukh Knights’ ‘Diesol Not Petrol’ and even Datsik’s ‘Hydraulic’ took us through a full journey of dubstep and I personally can’t remember the last time that I raged so hard. I found my home at the front of the dance floor closest to the subwoofers and I was permanently glued during the entire duration of the set. Toward the end of their performance they slowed down the tempo and broke us off with their tune ‘Living In A Bubble’ and the rest was history. <br><br>Levitation Jones b2b Toadface opening with 'Squid Attack!'<br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="bbOzUEo0jV4" data-video-thumb-url="http://img.youtube.com/vi/bbOzUEo0jV4/0.jpg" type="text/html" src="https://www.youtube.com/embed/bbOzUEo0jV4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d107a86e41554e2cabfc4639c8b0691a84dc698b/original/levitation-jones-b2b-toadface.jpg?0" class="size_l justify_center border_" /></span><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></p>
<p style="text-align: center;"><span class="font_large">Going into the night, I had an idea of what to expect from Levitation and Jones & Toadface but those expectations were completely shattered and blown out of the water! It’s no surprise that Toadface and Levitation Jones are gaining massive momentum and turning heads in the realm of bass music and if you ever get the chance to see either of them perform, I wouldn’t think twice! </span><br><br><br><span class="font_large">Author: <a contents="Carlos Galvan" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">Carlos Galvan</a></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40721282016-03-03T20:00:18-07:002023-12-10T11:02:39-07:00Hustle Knowledge: Lory Kong and Durandal <p style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c2ec88c3ca74faca002bf5cb707b7838ed50db17/original/12745907-10153933854302370-3890780363522378562-n.jpg?0" class="size_l justify_center border_" /></p>
<p><br>For more than 5 years, Sub.mission's Electronic Tuesdays have hosted artists from all over the world and across all spectrums of music, from the ones who have been in the game for a while, to the ones that are newer to the scene but gaining momentum fast. On Tuesday March 8, Lory Kong and Durandal will be taking the stage for a night that is sure to dig deep, push the soundsystem, and take you on a journey through the sounds. </p>
<p>Coming from Utah, Durandal is a name that is gaining momentum in todays ever changing and evolving dubstep scene. His unique and wobbly style stems from his history of drumming, and involves skilled percussion and an array of samples that make each piece of production different from the others. With an awesome collection of originals, collabs involving The Widdler, Pushloop, and more, and remixes of tunes by artists such as Truth, Caspa, and Wiley, Durandal perfectly showcases his ability to take his own personal style and add it to anything to give it a distinct flare. 2015 was a big year for Durandal, including an EP on Unified Audio tittled “Into the Darkness” as well as a long list of new tunes - each with a style of their own - and in 2016 and beyond he has no plans to slow down. Durandal was just recently welcomed on to the Sub.mission Agency team, and we have big plans for his well deserved career in music. </p>
<p style="text-align: center;"><a contents="Durandal - Rewind " data-link-label="" data-link-type="url" href="https://soundcloud.com/fatkidonfire/durandal-rewind-fkof-free-download">Durandal - Rewind </a> </p>
<p>Lory Kong is from the southern state of Texas, and it’s safe to say that he is well accustomed to the special dubstep scene that the US has going on today. He is a member of the Texas based dubstep crew “Villainz” and is also surrounded by the Gritsy bassweight family from Houston. Lory Kongs style balances on his love for drums/percussion, as well as his ability to add the perfect headnoddin' baseline to any tune, and it incorporates his appreciation for the dubby/reggae style of music that stands strong as one of the biggest inspirations to dubstep music producers today. With releases on Milc, Duploc, and a few EPs released with The Villainz crew, Lory Kong has had a consistent flow of music that proves he has a pot of talent brewing. 2016 is already looking to be a good year for Lory, and this upcoming Tuesday is his first show in Denver and we are excited to show him how we do it here. Lory Kong was also just recently welcomed to the Sub.mission Agency team and is a really great addition with a lot to look forward to. </p>
<p style="text-align: center;"><a contents="Lory Kong - Trials " data-link-label="" data-link-type="url" href="https://soundcloud.com/keepdeep/lory-kong-trials-premiere">Lory Kong - Trials </a></p>
<p>Be sure to catch Durandal and Lory Kong at Sub.mission’s Electronic Tuesdays on March 8, alongside Heatbox and Thanom. There will also be a podcast coming from Lory Kong on March 9, so be sure to light one up and listen to that once it’s out. Aside from the music in this article we have also included an old but gold podcast from Durandal that you should definitely check out. You won't regret it. </p>
<p style="text-align: center;"><a contents="Thanom - Analysis VIP" data-link-label="" data-link-type="url" href="https://soundcloud.com/abysmalentities/thanom-analysis-vip-ae-promo">Thanom - Analysis VIP</a><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e8c3e7cb96e33894040a4bfd81c95375e5a73cdc/original/jakes13.jpg?0" class="size_l justify_center border_" /></p>
<p style="text-align: center;"><br><a contents="Heatbox - Jumpers " data-link-label="" data-link-type="url" href="https://soundcloud.com/heatbox/03-jumpers">Heatbox - Jumpers </a><br><br> </p>1:02:35subdotmission.comtag:www.subdotmission.com,2005:Post/40719622016-03-01T11:35:00-07:002016-03-04T15:42:45-07:00Sukh Knight Releases 2 New Tracks on New World Audio Imprint<p> While dubstep music has seen a dramatic and tumultuous evolution from small, smoke-filled clubs to high-profile festivals, there has always been a vibrant through-line of deep, atmospheric productions. Sukh Knight has been a key contributor to the genre for nearly a decade. He’s had an impressive career, from releasing music with the infamous, now-defunct grime/dubstep collective True Tiger, to producing for Kromestar’s Nebula imprint, to starting his own label New World Audio with brother and fellow producer Squarewave. </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="yGqdTWDwMqA" data-video-thumb-url="http://img.youtube.com/vi/yGqdTWDwMqA/0.jpg" type="text/html" src="https://www.youtube.com/embed/yGqdTWDwMqA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p><br><br> Knight is coming fresh off the heels of a massive 2-single release on the aforementioned New World Audio, formally entitled Interstellar/Hustlerz. The lead track opens with a spine-tingling sample of an extra-terrestrial nature over murky ambiance, before delving into lurching, sinister sub-bass. A distorted lead-synth melody emerges from the depths, breathing a subtle aggression into the track and – true to its name – ascending to the cosmos. </p>
<p style="text-align: center;"> <br><iframe class="justify_inline" data-video-type="youtube" data-video-id="z2uJyZ-6sRU" data-video-thumb-url="http://img.youtube.com/vi/z2uJyZ-6sRU/0.jpg" type="text/html" src="https://www.youtube.com/embed/z2uJyZ-6sRU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p><br> The B side, Hustlerz (though it hardly deserves to be called a B-side) is much more wonky and bellicose compared to the lead track, and really demonstrates Knight’s range as a producer. Punchy and biting, Hustlerz is sure to get a dancefloor bouncing. <br> Follow <a contents="this link" data-link-label="" data-link-type="url" href="http://newworldaudio.bandcamp.com/album/interstellar-hustlerz">this link</a> to purchase the release and explore other New World Audio releases.<br><br><em><span class="font_small">~Evan Franklin</span></em></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40669612016-03-01T00:32:47-07:002017-01-12T07:25:02-07:00This Month in Bass: March 2016<div style="text-align: center;">
<p><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/25baf034bf5e5c08371e5789131c96c36faf38cc/medium/12810316-10204545857481483-640191500-o.jpg?0" class="size_m justify_center border_" /><br><br>February has come and gone and 2016 is shaping up to be one memorable year. With every passing Tuesday and Saturday we continue to be blown away by artist after artist, each set more amazing than the last. Spring is almost here and <a contents="Sub.mission " data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission </a>is ready to move you forward into what is looking like an absolutely smashing month ahead. So whether you’re ready for what lies in the coming month or you just moved into town and you’re looking to experience something different, amazing and potentially life changing, get ready for this edition of This Month In Bass. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7e189cb2bd55c2b45061b722bccff9524497afad/medium/mar-monthly-0202.png?0" class="size_m justify_center border_" /><br><br>We start with <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a> and what better way to start than with the battle. Last month only saw two battles and both victors are going head to head in the February Winners Showcase. Denver rude boys <a contents="Iant." data-link-label="" data-link-type="url" href="https://www.facebook.com/iantmusik/?fref=ts">Iant.</a> & <a contents="Dalek One" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne/?fref=ts">Dalek One</a> will take the stage @ 9pm and give us their all in what will be a very serious battle. both of these guys are extremely talented producers and DJ's so make sure you get in early because this is going to be a winners round not to be missed. Following the winners round we have <a contents="Toadface " data-link-label="" data-link-type="url" href="https://www.facebook.com/Toadfacetoadface/?fref=ts">Toadface </a>and<a contents=" Levitation Jones" data-link-label="" data-link-type="url" href="https://www.facebook.com/LevitationJones/?fref=ts"> Levitation Jones</a>. These two are currently on tour and have making big waves in the last year, leaving a ton of new fans and followers in their wake. By the looks of that line up every DJ in the house is sure to have us going off from open to close, we hope you're ready. The following week one of the latest additions to the <a contents="Sub.mission Agency" data-link-label="" data-link-type="url" href="https://www.facebook.com/subdotagency/?fref=ts">Sub.mission Agency</a>,<a contents=" Lory Kong" data-link-label="" data-link-type="url" href="https://www.facebook.com/korykong?fref=ts"> Lory Kong</a>, makes his Electronic Tuesday debut alongside fellow agency artist <a contents="Durandal" data-link-label="" data-link-type="url" href="https://www.facebook.com/durandaldubstep/?fref=ts">Durandal</a>. Adding to this already big night, we have experimental beatbox & acapella genius <a contents="Heatbox" data-link-label="" data-link-type="url" href="https://www.facebook.com/heatbox/?fref=ts">Heatbox</a> and local up and comer <a contents="Thanom" data-link-label="" data-link-type="url" href="https://www.facebook.com/thanomdubs/?fref=ts">Thanom</a> on support. On March 15th we have the long awaited arrival of Polish dub music master <a contents="Radikal Guru" data-link-label="" data-link-type="url" href="https://www.facebook.com/RadikalGuruOfficial/?fref=ts">Radikal Guru</a> alongside Nottingham duo <a contents="Congi" data-link-label="" data-link-type="url" href="https://www.facebook.com/congimusic/?fref=ts">Congi</a>, California transplant <a contents="Nikka T" data-link-label="" data-link-type="url" href="https://www.facebook.com/OfficialNikkaTpage/?fref=ts&ref=br_tf">Nikka T</a> and <a contents="Mindstep" data-link-label="" data-link-type="url" href="https://www.facebook.com/mindstepmusic/?fref=ts">Mindstep</a> homie <a contents="Syte" data-link-label="" data-link-type="url" href="https://www.facebook.com/djsyte/?fref=ts">Syte</a>. The week after is the Electronic Tuesday’s Spring break party with round two of versus sets from <a contents="Mikey Fisher" data-link-label="" data-link-type="url" href="https://www.facebook.com/djmikeyfisher?fref=ts">Mikey Fisher</a>, <a contents="Shoebox" data-link-label="" data-link-type="url" href="https://www.facebook.com/dnbradio/?fref=ts">Shoebox</a>, <a contents="Trisicloplox" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trisicloplox/?fref=ts">Trisicloplox</a>, <a contents="DMVU" data-link-label="" data-link-type="url" href="https://www.facebook.com/DamnesiaVuOfficial/?fref=ts">DMVU</a>, <a contents="Omega" data-link-label="" data-link-type="url" href="https://www.facebook.com/omegadubstep/?fref=ts">Omega</a> & <a contents="RumbleJunkie" data-link-label="" data-link-type="url" href="https://www.facebook.com/rumblejunkiedubstep/?fref=ts">RumbleJunkie</a> and closing out March is the highly anticipated return of <a contents="P0gman" data-link-label="" data-link-type="url" href="https://www.facebook.com/p0gman1/?fref=ts">P0gman</a> alongside Sub.mission residents <a contents="Ind33p" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PvsGBP/?fref=ts">Ind33p</a> & <a contents="Sektah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sektahdubs/?fref=ts">Sektah</a>! Make sure you get to each event early to catch the weekly battles as well! The Sub.mission crew has selected DJ's Sexualmente, Xenolinguist, Unicornrave , Rem & Ryuk, King Doja, Nofrendo, New Renaissance, Gumshoe, DJ SOLI, Masta Dre, Crimsic, Disciple 13, RAW DAWG, Fastlife, The Toddfatha & GDLK to all go head to head for a slot in the March Winner’s round before <a contents="Badklaat" data-link-label="" data-link-type="url" href="https://www.facebook.com/badklaat/?fref=ts">Badklaat</a> & <a contents="Requake" data-link-label="" data-link-type="url" href="https://www.facebook.com/Requakeofficial/?fref=ts">Requake</a> on April 5th for the Sub.mission 9 year Pre-Party. That one is going to be a seriously massive night so you know these artists are going to bring their "A" game. March Electronic Tuesdays is stacked to the brim with talent and it’s a safe bet that each week we’ll be left amazed and begging for more as each artist takes Five Points by storm. We cant wait!<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/346b7252fafd068e9e925889dbb78879cd273ac1/medium/2016-03-04-bondax-1.jpg?0" class="size_m justify_center border_" /><br><br>Friday March 4th Cervantes, Sub.mission and <a contents="Dirty/Clean" data-link-label="" data-link-type="url" href="https://www.facebook.com/DRTYCLN/?fref=ts">Dirty/Clean</a> Present: <a contents="Bondax" data-link-label="" data-link-type="url" href="https://www.facebook.com/Bondax/">Bondax</a> and Friends w/ <a contents="Henry Krinkle" data-link-label="" data-link-type="url" href="https://www.facebook.com/henrykrinklemusic/">Henry Krinkle</a> <a contents="option4" data-link-label="" data-link-type="url" href="https://www.facebook.com/option4music/">option4</a>, <a contents="Gilligan Moss" data-link-label="" data-link-type="url" href="https://www.facebook.com/gilliganm0ss/">Gilligan Moss</a> & <a contents="Dawn Safari" data-link-label="" data-link-type="url" href="https://www.facebook.com/DawnSafariMusic/">Dawn Safari</a>. If Bondax isn’t on your radar then you need to change situation that immediately. These two are a force to be reckoned with and their creative versatility and high energy is sure to have the crowd at Cervantes going all night! Joining them is Florida producer/DJ Henry Krinkle, Chicago boss Gilligan Moss and locals option4 & Dawn Safari. If you know the music you know it’s a switch up from the usual sound but we’re sure that if you’re going to love it. This is going to be an intimate night of chill music that would be a perfect setting for a date *ahem hint hint fellas* so we promise you’re going to have a blast. Check out the interview and mix below for a taste of things to come.<br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/237969184&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br> <br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/b3c1d713905c9f5b36475d20606ee7a3f7f8da07/medium/sub-hawaii.jpg?0" class="size_m justify_center border_" /><br> <br>Saturday March 5th we take it to The Paradise of The Pacific when Sub.mission Hawaii and Nextdoor present CloZee! We are beyond excited to join forces with <a contents="Nextdoor" data-link-label="" data-link-type="url" href="https://www.facebook.com/nextdoorhi/">Nextdoor</a> and <a contents="Half/Scene" data-link-label="" data-link-type="url" href="https://www.facebook.com/halfscene/info/?tab=page_info">Half/Scene</a> for a very special event featuring one of the scenes fastest up and comers alongside some of Oahu's best locals! In the last year French producer <a contents="CloZee" data-link-label="" data-link-type="url" href="https://www.facebook.com/CloZee/?fref=ts">CloZee</a>, aka Chloé, has been making huge waves within the downtempo scene with appearances at massive festivals all over the globe and we cannot wait for you to experience her unique performance live. Adding to the already amazing vibe of the night we have local supporting sets from MF Coon vs Sam Lamb, Safe Travels & DJ Jem. This one is sure to be another massive event for Sub.mission Hawaii!! <br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/217288757&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/76a058c29532ca1d751b89caab7f5f0ad9b6d5fa/medium/bassment.jpg?0" class="size_m justify_center border_" /><br><br>We finish this edition with the announcement of the return of a legendary night in the Denver dubstep scene. Saturday March 12th marks the return of The BASS:ment Sessions w/ Sub.mission Residents and Friends. The night gets started with a resident tag session as <a contents="Caustik" data-link-label="" data-link-type="url" href="https://www.facebook.com/caustikbass/?fref=ts">Caustik</a>, <a contents="Dillard" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">Dillard</a>, Sektah, <a contents="AOWL" data-link-label="" data-link-type="url" href="https://www.facebook.com/TheOfficialAOWL/?fref=ts">AOWL</a>, <a contents="Bean" data-link-label="" data-link-type="url" href="https://www.facebook.com/beandubstep/?fref=ts">Bean</a>, <a contents="CurlyOnE" data-link-label="" data-link-type="url" href="https://www.facebook.com/djcurlyone/?fref=ts">CurlyOnE</a>, <a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a>, Ind33p, and <a contents="Swayd" data-link-label="" data-link-type="url" href="https://www.facebook.com/SwaydDubs/?fref=ts">Swayd</a> go head to head in a massive back to back session. Following that madness we have individual sets from Trisicloplox & <a contents="Confidential. Collective" data-link-label="" data-link-type="url" href="https://www.facebook.com/ConfidentialCo/?fref=ts">Confidential. Collective</a> rude gal <a contents="Siren" data-link-label="" data-link-type="url" href="https://www.facebook.com/itmesiren/?fref=ts">Siren</a>. We finish the night with a set from the “Last DJ Standing”. What does that mean? Well your just going to have to come and find out ;) This one is 18+ and FREE so get yourself to the <a contents="Vinyl Basement " data-link-label="" data-link-type="url" href="https://www.facebook.com/VinylClub/?fref=ts">Vinyl Basement </a>and prepare to experience Denver Dubstep at its core!<br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/241296520&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe></p>
<p>Sub.mission is charging through 2016 with a serious force. The amount talent coming through only adds to the reputation that Denver carries as a major epicenter for music in the country. Sub.mission is proud to be a big part of that but none of this would be possible without the love and support from all of you, the fans, who give such an amazing amount of love to the scene week in and week out. With the massive amount of people that have been moving here in the last few years we can honestly say that it’s been amazing to watch new comers from around the globe make Denver home and join us in the underground united in beats, bass and vibes. We look forward to raging on the floor with all of you at every upcoming Electronic Tuesday, BASS:ment Session and "One Off" event that is on the horizon. Let’s not get ahead of ourselves though, we know what lies ahead and we’re all really excited too but let’s get through this one event at a time. March is too amazing to not enjoy. We’ll see you in the dance!</p>
</div>subdotmission.comtag:www.subdotmission.com,2005:Post/40658942016-02-29T13:23:43-07:002020-11-20T04:17:42-07:00Agency Spotlight: Compa<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ae2db1dd41e3f9ee181e02a3a092fe83c179d7b1/medium/compa-tour.png?0" class="size_m justify_center border_" /><br><br>The mystery of music lies in its fundamentally abstract nature. Music cannot be seen nor held – still, to many, the medium is as essential as the air we breathe. In an era when digital audio dominates, physical formats are often seen as outdated; vinyl records, a collector’s novelty. Manchester artist <a contents="Compa" data-link-label="" data-link-type="url" href="https://soundcloud.com/compauk" target="_blank">Compa</a>’s affinity for vinyl is far from a stubborn attachment to tradition. Rather, it’s a testament to his relationship with the music he plays and creates. <br> <br>Compa understands that music is meant to be felt, not simply heard. His extensive history with <a contents="Deep Medi Music" data-link-label="" data-link-type="url" href="https://www.facebook.com/deepmedi/?fref=ts" target="_blank">Deep Medi Music</a> illustrates the intimacy that defines his music: the label, of course, is known for the emotional purity encompassed by its releases. Compa’s predominantly vinyl releases complement two other Deep Medi traditions. The physical satisfaction of holding a record in your hands is a sensation similar to the static on your skin as sub-bass emanates from a sound system, and how your gut may clench around a particularly resonant tune. It gives music a tangible dimension- only appropriate given the way it tends to touch our lives.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/237110602&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>That’s why Compa continues to play all-vinyl sets while most modern DJ’s succumb to the convenience of CDJ’s. He likes the way wax feels on his fingers. The immersive quality of his music is equally evident in the artist’s attentive work on the decks, and it certainly isn’t lost on the crowd. Compa’s ability to spin romance with sound isn’t a novelty. It’s magic. <br> <br><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/232766513&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br>The same shine is invariably present in his productions. Compa makes the kind of tracks that DJ’s save until the end of their sets – and fans spend hours combing the internet for. Many of Compa’s most infections tunes won’t see a release anytime soon. His tendency to hold onto highly sought after tracks is not exclusivity for its own sake. Instead, it’s another sign of Compa’s regard for the transcendent power of the dance. The full impact of a tune can only be unleashed over a proper sound system. In this spirit Compa makes his return to North America this summer: the artist has plenty of new tunes, and he intends to play them out the way they’re meant to be heard. <a contents="Click here for more information about the upcoming tour or to book the dubstep don in your city" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/compa">Click here for more information about the upcoming tour or to book the dubstep don in your city</a>. <br> <br>In the meantime,<a contents=" pre-order Compa’s forthcoming four-track EP" data-link-label="" data-link-type="url" href="https://store.deepmedi.com/vinyl/medi091" target="_blank"> pre-order Compa’s forthcoming four-track EP</a> from Deep Medi today.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/585856ef8e4c7f96ba66e261408592c3b6e7ac24/medium/compa-medi-head.jpg?0" class="size_m justify_center border_" /><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><span class="font_small"><em>Amye Koziel</em></span></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40647912016-02-28T18:08:10-07:002017-01-12T07:25:02-07:00At a Glance: History of Sub.mission Hawaii<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/36f1b49f1549b8bbc381429f0ca1e0ffe9f440e3/original/sub-mission-hawaii-logo.jpg?0" class="size_l justify_center border_" />By: Corey Blecha<br><br>I moved to Maui in 2012, a few months after I graduated from CU Denver. At this point, I had been interning with Sub.mission for about two years, helping out with Electronic Tuesdays and vendors mostly. I just got my degree in Music Business, and it was off into the real world! What was supposed to be a break from music and the hustle of shows in Denver, turned into the catalyst for a journey that four years later I couldn’t be more proud of, despite some interesting challenges along the way. <br> <br>When I first got to the islands, I was enjoying the peace and quiet at first, however I didn't realize just how much I would miss the noise of it all. Setting up shows, dancing with friends, meeting my favorite artists.. It was a lot to abandon so quickly, and before too long, I knew that I wanted to at least try to get things going and bring out some DJ’s. In a place that is so small and isolated, the line-ups can get stagnant pretty quick, despite the locals best efforts, so I knew there was room for some fresh sounds; if only for my own enjoyment and familiarity. So I set out to look for venues and make it happen, and throughout the process, I met some amazing people, many who are still helping rep the .mission in Hawaii. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/49b3549417fd0222707fdae39f20019cceb38d4c/original/sub-hawaii-crew-with-ill-esha.jpg?0" class="size_l justify_center border_" /><br> <br> Our first show was set for May 10, 2013, after months of trying to find a place that would even let us throw a party. Being the new guy in a place like Maui, with a small, tight-knit community of promoters and venues can be tough, but thankfully Casanova stepped up and took a chance on us, after I had a few (awkward) conversations about what “dubstep” is with the elderly owner. After we finally had the date locked, there was really no debate about who to bring, as we didn't have the budget for a UK guy, and I knew I needed someone who would educate proper every time, without fail, to really set the tone from the get-go... Clearly, the choice was Joe Nice, and after a quick chat on the phone with him, it was ON!! That first show had a pretty low turn out, and the few people who were there had obviously not been exposed to this kind of music before, with most of the attention going towards the expensive bar drinks. The challenges were numerous, just getting turntables for Joe was half road-trip/half turntable repair 101, but the feeling of pulling the first show off was amazing, and at that point I knew I would have something besides work to fill my time with on the islands. <br> <br>From there, we put together an impromptu warehouse party the next night with Joe, ill-esha (who I had met serendipitously the week prior at a jungle party), and Alex Incyde, the OG Hotflush intern-turned Dub War resident, who I had met the night before at dinner through (of course) Joe. This was the party that things really got going, with about 100 people jammed into a small dance studio in downtown Kahului, and energy through the roof the entire night, at times for music that many had never heard. I’ve got to give credit to the locals, because even at those early shows, there were a few people that were feeling the deep shit, and it was so inspiring to see that there was potential to build something new in this nearly foreign place. If we do the shows for anyone, it's those guys, along with the DJ’s and promoters that helped us get into venues early on. I appreciate the shit out of you all and what you have done for the music scene there! But I digress.. <br> <br>Alex delivered a classic crash-course in bass music, spanning the Hot Flush back catalogs and beyond, to show many first-timers just what the “Maui Mongoose” is all about: Superb track selection and a calmness and Zen rarely shown on the decks, even in such a “chill” place as Hawaii. It is worth noting that he had to play his entire set on one turntable, due to janky connection issues with the other one, and it is still to this day one of the best sets I have ever heard on Maui. The dude is a true professional, and his wisdom is years ahead of the rest. Salute brother! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8d3949c4d509e5aa01252cba27505056fbb0d71a/original/illesha-hawaii.jpg?0" class="size_l justify_center border_" /><br> <br>Next up was ill-esha, and she stunned everyone in typical fashion, with her hybrid style of mixing, singing, and performing, showing just how versatile she can be, and stretching the limits of what a DJ/Producer is “supposed” to do. The girl has a gift, and she ain’t afraid to share it. I still look back at pictures from her set and laugh, that place was going bonkers and the reflection from all the mirrors on the walls was playing into the completely surreal experience! What a moment!! <br> <br>With only the headliner left to perform, the line was literally out the door, the breakers had blown twice, and cops (we later found out) were on the way, but nothing was stopping Joe from stepping up to the decks and delivering one of the most memorable sets I have ever seen. Maybe it was the setting, maybe it was the music, definitely it was the smiles beaming from people’s faces, either way, I was in heaven, and you can check the pictures to prove it. Front row with a “five in the sky” for nearly every drop of his set... Joe absolutely destroyed Maui, and I was positively certain there was more ahead for the Sub.mission Hawaii team. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/4c7f11337b148f33a0a4a0ba3d7c807e040856ae/original/corey-5-hawaii.jpg?0" class="size_l justify_center border_" /><br> <br>Fast forward to NYE 2014.. We’ve hosted Grenier in a tiny comedy club/beach bar (No drinks on the dance floor? Turn it down?), as well as a bunch of locals at smaller parties around the island, and now its time to make the leap to Oahu. Early on, I realized we could benefit the scene by doing shows on all the main islands, and although it was a bit of a struggle to expand outward at this point, we secured a spot for NYE. I was back on the mainland now, so I headed out with two of the strongest contenders I could think of, Valac and Dillard, who were both coming up in the game with some of the cleanest productions coming out of Colorado, as well as long time Sub.mission staple, Roommate. My good friend Shaun (amazing local DJ and promoter) that I run Sub.mission Hawaii with, had an artist out from L.A. named Pretty Low, who was also on the bill, so we all met up on the 31st and headed to the club. <br> <br>The show went fairly smoothly, and besides a pretty meager turnout, everyone had a great time partying in the city, listening to Roommate mash up the place and spraying champagne onto each other into the wee hours of the morning. Choosing to do a show on NYE in Oahu may not have been the most prime choice, but looking back, I am so glad we did it, and honestly there wasn’t a lot of time to second guess ourselves, as we had another show just a few days later in Maui with the same crew, minus Roommate, who was “headed back to Cali”… Luckily, he would return! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d7628df2bd170ee9c8a72c4fc108f9a8bbf6b135/original/roommate-hawaii-nye-flyer.jpg?0" class="size_l justify_center border_" /><br> <br>For most of 2014, I was back in CO, figuring out what to do with my life and beginning to question what the plan for Sub.mission Hawaii was. I knew I loved the purpose of it all… From the beginning, all I wanted to do was bring better music to one of the most magical places on earth, but at this point, I had lost money on nearly all the shows due to the higher costs of sending artists out and putting them up, not to mention the fact that our network on the islands was only a fraction of what we had on the mainland, so getting the word out was a completely different challenge. We didn't even have enough people to rep a proper street team! The last run of shows had been particularly draining, on both my mental well-being and my bank account, and I wasn’t sure how I would be able to keep the ship afloat going forward. When I was living there, it was one thing to bring artists out and host them, but living in CO and trying to run the shows from here presented a whole new set of obstacles… <br> <br>Fortunately, my love for Hawaii and dubstep trumped everything, and whether I was going to do more shows or not, I was most definitely heading back to the islands ASAP for some R&R. Lo and behold, by the following year, I had saved enough money to fly out with Roommate for another crack at it, and joining us would be repeat offender Dillard. There is no denying the impact both of these artist’s music has on me, and Justin’s tunes in particular are almost perfectly suited to the setting of Hawaii shows, so I was feeling refreshed and ready as we headed down for the next phase of our plan, if only for the fact that I was with good friends and making a return to my favorite island of all, Maui! <br> <br>That show was so good for Sub.mission Hawaii in a few ways, one being that we had a decent turn-out, but more importantly, because people were actually enjoying themselves as Roommate and the openers dropped a mixture of reggae, dubstep, and jungle. A huge lesson I learned at this show was the value of slotting appropriate locals on our line-ups as openers, as well as to vary the styles of music we were pushing, because no matter how much I loved dubstep, the reach of it was only going to go so far at that point, in this different setting. While the scene on the mainland and beyond was thriving and had transformed after an awkward year of post-brostep convolutions (see: Riddim, Future Trap, etc.), into a more mature and stripped-down version of itself, the scene in Hawaii was still acclimating to things, and with the naturally slower pace of life, I knew we would need to tap into some different markets and take things back, before we moved forward too quickly. This meant broadening our scope, and bringing the best from all genres of dance music, not just dubstep. I had learned years before through my work with Sub.mission that a promoter’s job is as much to educate people, as it is to book flights and secure hotels and equipment for artists, and this was a big turning point for me. There was so much more we could do to impact people, not only bringing good music, but also pushing people to explore new sounds and helping to foster a scene that the locals wanted to be a part of, and more importantly, that they cared about. By doing this, I believe we started to resonate with more people, and in all honesty, my tastes have always gone beyond simply “140 stuff”, so it was a bit of a natural progression for Sub.mission Hawaii. There was so much more to bring to the islands, and I knew we could maintain our integrity even if we delved into other genres and tempos. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2c1d6c461749915f579641f630625a8ea4f063d6/original/brooks-and-millar-hawaii.jpg?0" class="size_l justify_center border_" /><br> <br>From this point, we started tapping into an L.A.-based label called Perfect Driver, and with this relationship we were able to start filtering some of their house guys out to the islands, further expanding our network of affiliates and interested labels. From the first days of doing shows, we were getting hit up by artists to come out and play (some for free!), and I can attribute that fully to the reputation Nicole and Sub.mission have worked for over the years, an advantage that I will forever be grateful for. We now could begin taking people up on their offers, with more trust from venues and fans around the islands, and I could finally see some doors opening up for us, albeit nearly three years into it. Although we were still a blip on the radar of the big Hawaii promo companies and venues, I was more confident than ever in our .mission, and the wheels started turning in my head for what could ultimately be possible. <br> <br>Which brings us up to this year, with a new ongoing series of events called BENTO BASS BOX in Oahu, and plans fully in motion for a Sub.mission Hawaii festival. We have been able to team up with other promoters/crews (Jantsen & Dirt Monkey Halloween Throwdowns!), expanded our network, even done some beach and harbor parties, and we have successfully hosted dubstep, house, dnb, and even a breaks one-off, so we aren’t looking to slow down anytime soon. With BENTO BASS BOX, we are able to highlight locals every other month, and we send out headliners from the agency on the remaining months, so we are stoked to start offering a great “mixed plate” of bass music to the Oahu crew! Our main man Mesck headlined the first one, and for February, my good friend TAI SUN from the Big Island held it down. March is a special collaboration show with the amazing CloZee, and April, we have the homie SLVRSNKRS coming over from Maui to play. Our goal with the Sub.mission Hawaii festival is to bring some of the artists we have booked over the years back to the islands, as well as some surprise headliners that we think everyone will be super stoked on! We also want to create an event where the crew can enjoy themselves in a tropical paradise each year, and the locals can come out for a weekend of music that they may not get a chance at very often. We are definitely going to have a locals stage, and we hope to book at least two reggae bands to rock the daytime vibes for us. Time will tell where things go with Sub.mission Hawaii, but I couldn’t me more happy with how the journey has been so far, and I am more excited than ever to “ride the wave” into 2016!! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ad4af17ec5ec09aae5b10350c6e95ae24e4507ad/original/mesck-hawaii.jpg?0" class="size_l justify_center border_" /><br> <br>Big up to all the supporters from Day 1, Shaun, Brandi, Rigz, Trevor, Niko, Jamie, the whole Maui crew, and obviously thank you so much to the crew here in Colorado for helping to push this and keep me sane in the process. BIGGEST OF UPS goes to Nicole for giving me her blessing on all of this, I am so happy to call you one of my best friends and mentors, and I absolutely couldn't do this without you. Last but not least, all the artists who believe in us and who have played for us, you the real MVP’s and none of this would be possible without your generosity and hard work!!! THANK YOU!!!<br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6a8ed9d831a4614e720ef5ed57ff72efe2d2b7ed/original/jungle-crew-hawaii.jpg?0" class="size_l justify_center border_" /><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/020cc4895982911d522f9fe3b49a1a01320986d1/original/sadboys-hawaii.jpg?0" class="size_l justify_center border_" /><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/40632042016-02-27T01:01:26-07:002017-01-12T07:25:02-07:00Sub.Mingling: Jakes<span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/68b8d08ffff2dddb79242262eeb0fe488e033620/original/jakes-stage-shot.jpg?0" class="size_l justify_center border_" /><br>He has an unforgettable voice in the jungle/dnb scene and a huge catalogue of massive dubstep tunes. We caught up with Jakes to discuss how he got started, what he's doing now and what's coming up next. You do not want to miss this interview, "truss me," as Jakes would say.</span><br><br><br><br> 21:24subdotmission.comtag:www.subdotmission.com,2005:Post/40613132016-02-25T23:21:16-07:002023-12-10T10:19:18-07:00Hustle Knowledge: Doctor Jeep<div style="text-align: center;"><p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/b74d5c15a04d133f45f38d8deda3f4b790febdf5/original/12792335-726982964068650-7840962486674213009-o.jpg?0" class="size_l justify_center border_" /><br>Denver has long been a hot bed for music of all genres. Bass music is obviously no exception and <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> has a history of bringing artists that span the entire spectrum of the sound. BASSment Underground has followed suite since its inception and tomorrow night is no exception. After having L-Wiz and the Dirt First crew come through its only right that we return to the Vinyl basement to close out February with the versatile sounds of the one like <a contents="Doctor Jeep" data-link-label="" data-link-type="url" href="https://www.facebook.com/doctorjeep/?fref=ts">Doctor Jeep</a>. Unlike the other installments of BASSment Underground, this one is unique because we are coming into this not knowing what type of set the headliner is playing. Not only that, we have New Mexico homie <a contents="Crix Siaz" data-link-label="" data-link-type="url" href="https://www.facebook.com/crix.saiz?fref=ts">Crix Siaz</a> and Sub.mission residents <a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a> & <a contents="Ind33p" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PvsGBP/?fref=ts">Ind33p</a> on support. This one is going to be a night to remember and to get you all ready we have everything you need to know in this edition of Hustle Knowledge. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c591e8949131cbadd933e1d0bd70d33bb9421562/medium/jeepflyer-0119.png?1453832258" class="size_m justify_center border_" /><br><br>Doctor Jeep is one of those artists that has such an array of sounds in his and styles in his arsenal that sometimes it’s hard to tell what type of set you’re going to see. To understand that you first have to know where the man comes from and how he came to develop such a versatile display of production skills. Andre Lira started getting attention as an eclectic selector while attending college in Boston. Coming at the art of with a palette of sounds ranging from global sounds of funk, dancehall, old-school UK garage, African percussion and more; he took those sounds and blended them with upbeat house and techno. With DJ sets that flawlessly blended the past, present, and future of dance music in some of Boston and New York’s best known clubs, he has proven that he is a true selector by adapting to any crowd at any party and make it his own. <br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/213654209&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>As far as his production goes, Lira’s sound has been described as “a style somewhere between the tropical inclinations of Dutty Artz, the grinding 808 electro of Swamp81, and the breakbeat-heavy sound of 90s UK rave music.” And that couldn’t be more spot on. The 2012 release of the “Turok EP” on the Freshmore label had equal elements of house, trap and breaks while 2013’s “Sphinx EP” on the Hot Mom USA label was his take on dubstep and grime.<br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/63051935&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/77950299&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>2014 saw the release of two EP’s from Doctor Jeep on the Trouble & Bass label. “Vortex” was the EP that felt like “Turok” & “Sphinx” came together to make an amazing collection of tracks that displayed elements of our favorite sounds of house, dubstep, techno, breaks and everything in between while “Angel” is a perfect blend of heavy percussion and bass driven club music that can move any dance floor across the globe.<br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/140186970&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/177672899&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>2015 saw the release of the “Violinz EP” on Tumble Audio and flawlessly brought together the sounds of all his past releases while moving forward and pushing the creative envelope of his sound. In a recent interview with Fat Kid On Fire, Doctor Jeep stated that he has a remix on TUBA out next month for the duo Folding City, an EP with Chaos Clan (a new label from Star Eyes of Trouble & Bass) sometime in the spring/early summer and a collection of new unreleased music in a personal playlist he’s calling “Jeep Tunes 2016” that we all can’t wait to hear. It is without a doubt that Doctor Jeep is going to take us on a spectacular ride across the spectrum of bass music tomorrow night. We simply cannot wait. <br><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/164397482&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>Adding to the awesomeness of the night we have long time Sub.mission friend Criz Siaz on support and if you caught his set at Electronic Tuesdays last month you already know he is a bad man on the decks. Also we have veteran Sub.mission resident Subliminal and one of Sub.mission’s newest additions to the residency roster Ind33p. All three of these men are no strangers to the Denver massive and are sure to have us warmed up and ready when Doctor Jeep hits the stage. BASSment Underground is about to go off with a serious bang. Make sure you get your <a contents="presales" data-link-label="" data-link-type="url" href="https://nightout.com/events/submission-presents-doctor-jeep-crix-saiz-subliminal-and-ind33p/tickets?a=a1af03e5de37ec7b85c690e0">presales</a> to save some money for drinks and check out the full FKOF interview and exclusive mix <a contents="here" data-link-label="" data-link-type="url" href="https://soundcloud.com/fatkidonfire/doctor-jeep-x-fatkidonfire-mix?in=drjeep/sets/mixes-live-dj-sets">here</a>. We’ll see you in the dance! <br> </p></div>subdotmission.comtag:www.subdotmission.com,2005:Post/40610972016-02-25T20:15:57-07:002017-01-12T07:25:01-07:00The Rewind: Jakes, Thanom, Subliminal & More! <p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d63f644851b929c8c80a132df344638ed65c4c82/medium/12573742-998323293542137-1883871841017366014-n.jpg?0" class="size_m justify_center border_" /><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/68b8d08ffff2dddb79242262eeb0fe488e033620/large/jakes-stage-shot.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(EYEDIOLA PHOTOGRAPHY)</span></a><br><br><span class="font_large">Regardless of your personal preferences when it comes to bass music, the entire month of February at Electronic Tuesdays was completely stacked with talent and offered something for everyone to love and get down to. From the massive 5 Year anniversary party with Youngsta, Hatcha, & Commodo, to the jazzy smooth sound of Swindle, and Headhunter last week… Sub.mission came full equipped all month long! To top-off such a huge month of UK headliners, Hench bossman JAKES came through to close out the month with a bang and delivered a skull crushing performance at Cervantes’ Other Side. If there’s one thing you should know by now, it’s that <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> takes Tuesday nights very seriously and if you haven’t been making it out to the recent installments of <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a>, you’ve been missing out! Check the rewind! </span><br> </p>
<p style="text-align: center;"><span class="font_large">The night began at 8:00pm sharp as local selectors Bonkerz, DJ Stumpy, Gorilliphant, & Dalek One took to the stage to get the night started proper with the weekly DJ battles. Each artist brought their ‘A-Game’ and took full advantage of their 30-minute time slots to showcase their unique sound and prove that they have what it takes to advance to the next round of the competition. Similar to last week’s battle, each DJ brought a fierce competitive edge and proved once again why it is important to show up as soon as the music begins so that you don’t miss a beat! The local bass music scene in Colorado is truly one of the richest and most diverse of any scene in the country and we are reminded of this every Tuesday night in the opening battles. <br>After a heated battle among the 4, <a contents="Dalek One" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne/?fref=ts">Dalek One</a> emerged as this week’s winner and will square off against ‘Iant’ in the February Winners Showcase battle taking place next week at Electronic Tuesdays. Dalek One’s 100% original performance resonated with the entire crowd and demonstrated that he’s a true force to be reckoned with behind the decks. Be sure to catch Dalek One live in the mix next week as he takes the stage at 9:00pm! <br><br><a contents="DALEK ONE" data-link-label="" data-link-type="url" href="https://www.facebook.com/DalekOne/?fref=ts">DALEK ONE</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7310d77814bd9d57fb8b0aca6d2eb1c67e29d7d9/original/dalek-one.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)&nbsp;&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(EYEDIOLA PHOTOGRAPHY) </span></a><br><span class="font_large"> <br>A sea of both new and familiar faces crowded the dance floor as the night progressed and it was now time for the one like <a contents="Thanom" data-link-label="" data-link-type="url" href="https://www.facebook.com/thanomdubs/?fref=ts">Thanom</a> to kick things up a notch and set the tone for a headlining performance from Jakes! No stranger to Electronic Tuesdays, Thanom has thrown down some adrenaline-pumping performances in the past and I couldn’t picture a better supporting talent for this night’s show. ‘Thanom’ is a true household name to those that keep up with the Denver dubstep scene and he’s been making some serious waves with no sign of slowing down. Widely known for his top notch original production and bass heavy tunes, he is definitely one to keep a close eye on. I’ve noticed that Jakes is one of Thanom’s biggest inspirations and on Tuesday night he stepped up to the plate and proved why he was the ideal opener for this special occasion. Equipped with an extensive catalog of his own, original material as well as dubstep bangers like N-Type’s ‘Tolerance’, Thelem’s ‘Bring Me Down’ , Caspa’s ‘Submission’ , and Vivek’s ‘The Big Bang’ , Thanom had the dance floor shaking with low end frequencies and sub bass that rumbled the ground beneath your feet and the night was only midway through. <br><br><a contents="THANOM" data-link-label="" data-link-type="url" href="https://www.facebook.com/thanomdubs/?fref=ts">THANOM</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c0843c33e1466e3d61a331558cd1e257012dd4af/original/thanom-tues.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(EYEDIOLA PHOTOGRAPHY)</span></a><br><br> </p>
<p style="text-align: center;"><span class="font_large">As the audience grew in numbers and the dance floor was occupied from front-to-back, it was now the time that we had all been waiting for as we welcomed <a contents="Jakes" data-link-label="" data-link-type="url" href="https://www.facebook.com/jakeshench/?fref=ts">Jakes</a> in his highly anticipated Denver return! From the moment that I discovered that Jakes would be playing a headlining set at Electronic Tuesdays a couple weeks ago, my calendar had been marked with anticipation and this was undoubtedly one of the events that I was looking forward to the most. The first time that I had ever heard of Jakes or seen him perform was at the Sub.mission 4 year anniversary party when I had just moved to Denver and dubstep as a whole was still relatively new to me. To this day I still remember the raw and uncut energy that Jakes brought to the dance floor and at the time I had never experienced anything like it before. His wonky, upbeat bass lines and heart-thumping sound captivated me from the very beginning and his set at the Sub.mission 4 year anniversary is one of the primary reasons why I fell in love with Dubstep. Fast-forward nearly 5 years later and Jakes still stands out as a personal favorite. In an industry that is oversaturated with similar-sounding tunes and producers that are imitating previous styles, Jakes is credited as a true originator and the Bristol-based DJ/Producer/MC/Label Owner has played a pivotal role in the development of underground bass music. To be able to witness such massive performances from some of the most prolific artists in the game week-after-week in the intimacy of Cervantes’ Other Side is a very special treat and we have Sub.mission to thank for it. On Tuesday night Jakes performed an arsenal of his own original material including tunes such as his timeless classics ‘Rock The Bells’, ‘3K Lane’, ‘Somebody Say’, ‘Rhythm’, and many more. Having established himself as a true legend among both the old-school dubstep heads and the younger enthusiasts as well, Jakes attracted a diverse crowd from a multitude of backgrounds and age ranges this past Tuesday night. From the moment he took the stage, Jakes spent zero time messing around and got straight down to business unleashing his signature heavy sound in a ruthless manner and he brought that UK filth to the Mile High City. Toward the final portion of his set Jakes shifted gear and sped up the pace of the night with some Drum & Bass/Jump Up action that had the crowd going off! By the time he had finished his set, my body was consumed with exhaustion as his set had me on my toes from beginning to end and I felt like I had just completed a full on marathon, but better. Who needs cardiovascular exercise when you have the rowdy, rudeboy sound of Jakes to accelerate your heart beat and get your adrenaline pumping? <br><br><br>Check out this video of Jakes amping up the crowd with his tune 'Somebody Say'!<br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="uQtAzrKIBzA" data-video-thumb-url="http://img.youtube.com/vi/uQtAzrKIBzA/0.jpg" type="text/html" src="https://www.youtube.com/embed/uQtAzrKIBzA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><a contents="JAKES" data-link-label="" data-link-type="url" href="https://www.facebook.com/jakeshench/?fref=ts">JAKES</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e5b09248c05499c87491dc02e289c33aacdc7d6a/original/jakessss.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_regular">(EYEDIOLA PHOTOGRAPHY)</span></a><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/95e3620c3af4cdd225c8124a4bad020349e37aec/original/jakes-mic.jpg?0" class="size_l justify_center border_" /></span></p>
<p style="text-align: center;"><span class="font_large">Closing out the night it was now time for Sub.mission resident DJ ‘<a contents="Subliminal’" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal’</a> to keep the vibe going and send us off in style. Known for his supreme triple-deck mixing abilities and next level track selection, Subliminal performed a healthy balance of UK Grime and 140 tunes to finish off the night strong and keep the late night E-Tuesdays crew busy on the dance floor. Accompanied by the lyrical flow of weekly resident host ‘The X-Tra Stamina Emcee (XTS)’ Sublminal closed out the night in style and wrapped up a massive night at Cervantes’ Other Side! If you like the sound that Subliminal was performing on Tuesday night or if you missed his set and had to leave early, make sure to catch him live in the mix this upcoming Saturday night at Sub.mission’s ‘BASSment Underground’ party at Club Vinyl’s basement as he closed out the night for Doctor Jeep! <a contents="RSVP HERE&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/209945412682616/">RSVP HERE </a><br><br><a contents="SUBLIMINAL" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">SUBLIMINAL</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1b8737d3e3e0df9f0da4d6743eef62e709eeac92/original/subliminal-tues.jpg?0" class="size_l justify_center border_" /></span><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a><br> </p>
<p style="text-align: center;">Author: <a contents="CARLOS GALVAN" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">CARLOS GALVAN</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40534042016-02-22T03:25:29-07:002023-12-10T10:15:00-07:00Agency Spotlight: Damnesia-vu (DMVU)<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1cea668e714ef449028db83fe2f35cc6c8be458b/medium/dmvu-pic.jpg?0" class="size_m justify_center border_" /><p>Damnesia-vu doesn’t want everybody to like his music. <br> <br>It’s counterintuitive: in a culture where SoundCloud plays is a principal metric for quality, artists feel obligated to appeal to everyone. Too often we assume that “good music” transcends personal preference to enchant each and every ear it falls upon. But basic psychology explains that humans are attracted to familiarity: individual tastes are closer to a reflection of what we’re used to than an objective assessment. Anyway, there’s a name for music that is consistently and uniformly liked: Pop. <br> <br>For <a contents="DMVU" data-link-label="" data-link-type="url" href="https://www.facebook.com/DamnesiaVuOfficial" target="_blank">DMVU</a>, making music isn’t about hooking fans. It’s an intimate release. To pander to the preferences of some amorphous imagined audience defeats the purpose of production altogether. He doesn’t care about followers – he cares about feelings. DMVU has a special touch for spinning his guts into sound waves. Instead of a pre-determined template, his songs start with emotion. His music won’t sound “familiar” upon the first listen. Still, to many, his honesty resonates. <br> <br>Like most fans of underground music, DMVU never held normativity in high regard. He was first inspired by the decidedly anti-commercial vibe of deep dubstep and the soothing power of subfrequencies it contains. He found a home in Denver’s dubstep community of misfits and social deviants. In a scene overflowing with dubstep producers, DMVU’s interpretation of the style stood out. His technical prowess and discerning ear certainly played a role in the success of his 140 endeavors, but there’s an elusive quality that accounts for his music’s true shine. Perhaps it can be explained, simply, by the fact that DMVU didn’t necessarily set out to make good dubstep. Genre conventions and expectations come second to self-expression. Of course – as evidenced by releases on <a contents="Abyssal Audio" data-link-label="" data-link-type="url" href="http://www.junodownload.com/products/dmvu-10-gram-zoot/2847668-02/" target="_blank">Abyssal Audio</a> and <a contents="Encrypted" data-link-label="" data-link-type="url" href="http://buyencryptedaudio.bandcamp.com/album/damnesia-vu-006" target="_blank">Encrypted</a> – the dubstep community ate it up.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/233327572&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Even within a genre characterized by unique stylistic and structural parameters, unoriginality runs abound. Unapologetic imitation crowds space for creativity. Even the most technically skilled producers can trap themselves chasing the success of somebody else’s sound. So the appeal of DMVU’s dubstep is illustrated best by his lack of commitment to the template. When he doesn’t feel the 140 sound, he makes something else. For artists concerned with building themselves as a brand, this can be a kiss of death. But DMVU’s shift toward hip-hop inspired beats and futuristic, experimental tunes performed a sort of exorcism on his dubstep fan base: at least a handful followed his sound out of their comfort zone, and stayed there. <br> <br>This is a rare case where the ambiguous “future bass” label is the most appropriate descriptor. DMVU’s recent work fuses his minimalistic, bass-anchored foundations; hip-hop’s trademark swinging rhythm; the contagious energy that fuels electronic trap music; and a subtly optimistic sincerity that is unmistakably his own. <a contents="Inventive, style-bending remixes of artists like Author" data-link-label="" data-link-type="url" href="https://soundcloud.com/damnesiavu/author-my-only-dmvu-remix-free-shit-yo" target="_blank">Inventive, style-bending remixes of artists like Author</a> prove that music needn’t be obscure or inaccessible to have artistic merit. Songs inspired by photographs and dreams speak to the power of a shared existential experience: translated into sound, the profoundly personal is beautifully relatable. DMVU makes music about what it means to be human. <br><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/244792735&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe> <br>And, yes, individuality is part of humanity, too. DMVU’s alter-ego, <a contents="Pocket Rocks" data-link-label="" data-link-type="url" href="https://soundcloud.com/pocketrocks" target="_blank">Pocket Rocks</a>, highlights his most experimental endeavors – <a contents="“weird avant-garde music that [I’m] pretty sure no one will like”" data-link-label="" data-link-type="url" href="http://www.limination.net/tunes/2015/11/12/the-weird-side-of-dmvu-exclusive-interview-pocket-rocks-guest-mix" target="_blank">“weird avant-garde music that [I’m] pretty sure no one will like”</a>. Here his dedication to authentic expression (as well as constant progression as a producer- and person) is especially obvious. So, when once upon a recent road trip, my dad abruptly pulled the plug on a Pocket Rocks mix – I smiled and counted it a success. My dad should hate my music. <br> <br>To an artist devoted to offending the norm, this is a true sign of approval.</p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/232809302&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br><br><a contents="Follow Damnesia-vu on SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/damnesiavu" target="_blank">Follow Damnesia-vu on SoundCloud</a><br><a contents="For more information and upcoming tour dates, click here." data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/damnesia-vu" target="_blank">For more information and upcoming tour dates, click here.</a><br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><span class="font_small"><em>Amye Koziel</em></span></a>subdotmission.comtag:www.subdotmission.com,2005:Post/40526722016-02-21T11:33:39-07:002017-01-12T07:25:01-07:00Sub.mingling: Headhunter<div style="text-align: center;">
<p><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f43ae3a8bef867ad12b06ca4961481fa54f03685/original/ag.jpeg?0" class="size_l justify_center border_" /></p>Last Electronic Tuesday was a very special experience. From beginning to end the night was on point and the one like Headhunter showed us no mercy as he took us across the spectrum of the sound with a proper blend of classics, new releases and even a few dubplates that us all looking at each other with that "What the fuck is this?!" look on our faces. It was definitely a night to remember.<br>Beforehand I had a chance to sit and have a conversation with Headhunter and ask him a few questions about traveling music and few other things and he definitely had some awesome things to say. Have a listen as we talk about Addison Groove, the UK BMX scene, and tequila in this edition of Sub.mingling</div>17:55subdotmission.comtag:www.subdotmission.com,2005:Post/40504852016-02-19T14:17:28-07:002020-11-25T05:33:46-07:00Hustle Knowledge: Jakes<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a7e3771f41744d616da1a2933160ff32728df7e6/original/jakes.jpg?0" class="size_l justify_center border_" /><br>This Tuesday at Cervantes we have a triple threat. We’re talking about the mc, producer, and DJ known as Jakes. Jakes exploded onto the jungle scene in the early 2000’s with his unique and unforgettable voice. He has recorded and performed with some of the biggest names in dnb/jungle music. Check out this rarely seen footage of Jakes spitting fire while Tech Itch rocks the acetate dubplates. </span><br> </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="R-bGciFt-4U" data-video-thumb-url="http://img.youtube.com/vi/R-bGciFt-4U/0.jpg" type="text/html" src="https://www.youtube.com/embed/R-bGciFt-4U?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p><span class="font_large">His most notable lyrical work has been collaborations with Technical Itch and TC. <br> </span><br> </p>
<p> </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="48LnL-a77Hc" data-video-thumb-url="http://img.youtube.com/vi/48LnL-a77Hc/0.jpg" type="text/html" src="https://www.youtube.com/embed/48LnL-a77Hc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe> <iframe class="justify_inline" data-video-type="youtube" data-video-id="29k2YtNJ5AE" data-video-thumb-url="http://img.youtube.com/vi/29k2YtNJ5AE/0.jpg" type="text/html" src="https://www.youtube.com/embed/29k2YtNJ5AE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><iframe class="justify_inline" data-video-type="youtube" data-video-id="HfRo1Pw2BxI" data-video-thumb-url="http://img.youtube.com/vi/HfRo1Pw2BxI/0.jpg" type="text/html" src="https://www.youtube.com/embed/HfRo1Pw2BxI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p><br><br><br><span class="font_large">In 2006, Jakes took the dubstep world by storm with his dark, dance floor smasher, “3Kout” which later became the first release on his label H.E.N.C.H Recordings. This massive tune was taken to the next level when Jakes and Joker combined forces with “3kout”and “Gully Brook Lane.” Take the sinister sound of Jakes and mix in the purple sound of Joker and there you have it, “3K Lane.” It was very clear that Jakes was no longer “just” a jungle MC. His music made him a powerhouse and force to be recon with in the dubstep scene. </span><br> </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="4oP6zp4ipu4" data-video-thumb-url="http://img.youtube.com/vi/4oP6zp4ipu4/0.jpg" type="text/html" src="https://www.youtube.com/embed/4oP6zp4ipu4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe> <iframe class="justify_inline" data-video-type="youtube" data-video-id="mHe4T0TtDAo" data-video-thumb-url="http://img.youtube.com/vi/mHe4T0TtDAo/0.jpg" type="text/html" src="https://www.youtube.com/embed/mHe4T0TtDAo?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p><br><br><span class="font_large">Jakes continued to amaze listeners with his jaw-dropping brand of bass, wobble and sounds. Tracks likes “Modem,” “Warface,” “Somebody Say,” and “Rock the Bells” have left dance floors completely mashed up. </span><br> </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="a1A0PAxCuhI" data-video-thumb-url="http://img.youtube.com/vi/a1A0PAxCuhI/0.jpg" type="text/html" src="https://www.youtube.com/embed/a1A0PAxCuhI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe> <iframe class="justify_inline" data-video-type="youtube" data-video-id="E3UdPPAGAK0" data-video-thumb-url="http://img.youtube.com/vi/E3UdPPAGAK0/0.jpg" type="text/html" src="https://www.youtube.com/embed/E3UdPPAGAK0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p style="text-align: center;"><br><span class="font_large"><iframe class="justify_inline" data-video-type="youtube" data-video-id="EzJTat38Dzs" data-video-thumb-url="http://img.youtube.com/vi/EzJTat38Dzs/0.jpg" type="text/html" src="https://www.youtube.com/embed/EzJTat38Dzs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe> <iframe class="justify_inline" data-video-type="youtube" data-video-id="yHM4mftUXyU" data-video-thumb-url="http://img.youtube.com/vi/yHM4mftUXyU/0.jpg" type="text/html" src="https://www.youtube.com/embed/yHM4mftUXyU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></span><br><br><br><span class="font_large">Dubstep Mix from Jakes: <br><a contents="Jakes Dubstep Mix" data-link-label="" data-link-type="url" href="https://soundcloud.com/arcanerecs/arcane-podcast-008-jakes">https://soundcloud.com/arcanerecs/arcane-podcast-008-jakes </a><br>Drum n Bass Mix <br><a contents="Jakes DnB Mix" data-link-label="" data-link-type="url" href="https://soundcloud.com/jakeshench/free-hugs-ep1sode-1">https://soundcloud.com/jakeshench/free-hugs-ep1sode-1</a> <br> </span></p>
<p><br><span class="font_large">Jakes and Sub.Mission have a very close bond. He has played Denver several times including the Sub.Mission 4 year anniversary and our very own Nicole’s Birthday. If you’ve seen Jakes before, you know that attendance is a must. If you have never seen Jakes live, now is your chance to catch this legendary MC, Poducer and DJ. You also have a chance to win a meet and greet with the man himself. Check out the Sub.Mission Facebook page for more info!<br> <br>Make sure to get to the venue before 10 PM to catch the ribcage rattling sounds of Thanom. Stick around after Jakes to hear Subliminal close out the night. Longtime Sub.Mission resident Subliminal is known for his deep, dark and grimey sets. <br> <br> <br>Here’s some recent tunes to get you ready for Tuesday. </span><br> </p>
<p style="text-align: center;"><span class="font_large"><iframe class="justify_inline" data-video-type="youtube" data-video-id="pBuzoQGcNtA" data-video-thumb-url="http://img.youtube.com/vi/pBuzoQGcNtA/0.jpg" type="text/html" src="https://www.youtube.com/embed/pBuzoQGcNtA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><iframe class="justify_inline" data-video-type="youtube" data-video-id="ynhZkTbo9Do" data-video-thumb-url="http://img.youtube.com/vi/ynhZkTbo9Do/0.jpg" type="text/html" src="https://www.youtube.com/embed/ynhZkTbo9Do?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe> <iframe class="justify_inline" data-video-type="youtube" data-video-id="xtEfO-m_deY" data-video-thumb-url="http://img.youtube.com/vi/xtEfO-m_deY/0.jpg" type="text/html" src="https://www.youtube.com/embed/xtEfO-m_deY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40493512016-02-18T20:12:41-07:002017-01-12T07:25:01-07:00The Rewind: Headhunter, Cetadon, Dillard & More! <p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e171d9bb2ab7c4b9403f7d743088d4ed4c5ffd56/original/headhunter-updated-cover.jpg?0" class="size_l justify_center border_" /><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6db595d10f7760dc810e54a870d4078388e761c0/original/headhunter-crowd.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br>As the month of February rolls along, <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts&ref=br_tf">Sub.mission</a> has provided us with no shortage of top quality bass music to keep us entertained at <a contents="Electronic Tuesdays." data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays.</a> Coming fresh off a performance from Swindle last week, the UK madness continued 2 nights ago with a headlining performance from the one like <a contents="Headhunter" data-link-label="" data-link-type="url" href="https://www.facebook.com/dubheadhunter/?fref=ts">Headhunter</a>! Known as a man of many talents that doesn’t abide to a single genre or sound, Headhunter is one of the leading forces of underground bass music and to see him perform in the intimacy of Cervantes’ Other Side was a very special treat. As if a headlining performance from Heady wasn’t enough, the entire night was completely stacked with some of Colorado’s sickest local talent from the beginning of the night’s DJ Battles, all the way ‘til the closing set. <br> <br>One of my absolute favorite parts about Electronic Tuesdays is witnessing the local battles at the beginning of the night. It’s always a new and refreshing experience to see hear what the upcoming talent from throughout the state brings to the table and to see what they’re made of. This week , selectors Killa Nilla, Synchronicity, Ether, & Iant took the stage to battle it out and make the most of their 30 minute time slots to move the crowd and set the tone early in the night. Upon the announcement of this week’s show, I was especially excited to see the local battles as these 4 DJ’s are all forces to be reckoned with and I knew that this battle would be one of the best to date. After one of the closest battles that I’ve ever seen at Electronic Tuesdays, Ian Tobias, better known as ‘Iant’ beat out the competition to be crowned this week’s winner. Iant has been a serious contender in the DJ battles at Electronic Tuesdays over the years and on Tuesday night he proved he’s got what it takes to advance to the next round and throw down in the February winners showcase. Congratulation to Iant and an honorable mention to Killa Nilla, Synchronicity, and Ether for putting on amazing performances as well! <br><br><a contents="Iant" data-link-label="" data-link-type="url" href="https://www.facebook.com/iantmusik/?fref=ts">Iant</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/5a6cff883ddc01fd5a785eac06af452af2c2b033/original/ianttt.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br>The narrow-hall venue of Cervantes’ Other Side began to grow in numbers and flooded out with bass music enthusiasts from a multitude of ages and background as it was time for Cetadon to take the decks. A member of the group ‘Jesus Piece’ as well as his alias ‘DJ Chris’ , some of you may remember Cetadon from previous performances at Sub.mission shows throughout the years. ‘Cetadon’ can be said to be a more experimental alias of DJ Chris that focuses on the deeper, minimal spectrum of Dubstep and has a flavor that is more reminiscent of the old-school UK sound. On Tuesday night Cetadon showcased this more refined and evolved style and had the crowd moving from beginning to end. Tunes like Commodo’s ‘Free Focus Remix’ , Biome’s ‘Cypher’ Loefah’s ‘Disko Rekah’ & Benga & Coki’s ‘Night VIP’ were among some of my favorite tunes that Cetadon played out and he played the role of the supporting slot for Headhunter flawlessly. Big ups to Cetadon for warming up the crowd properly and giving us a taste of his newly developed alias in his ‘Cetadon’ Electronic Tuesdays debut. <br><br><a contents="Cetadon" data-link-label="" data-link-type="url" href="https://www.facebook.com/thedonofwhales/?fref=ts">Cetadon</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c30d461e0f2c187024a714d9c824c2f406a8eb1e/original/cetadon.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography) </a></span></p>
<p style="text-align: center;"><span class="font_large">Next up it was now time for Headhunter to take the stage in his Mile High return. Having seen him perform a handful of times in previous Denver performances, I knew to expect a fairly well-rounded set that touched upon various spectrums of bass music and maintain a constant fluidity throughout the entire set. Boasting an extensive catalogue of releases on highly esteemed labels such as Tempa and Trusik, Headhunter’s style is constantly evolving and on Tuesday night he performed a wide variety of his own original material as well as an arsenal of dubplates and exclusives as well. Headhunter is widely known for his forward thinking approach to dubstep and bass music in general and on Tuesday night he blended classic material with new aged bangers to deliver a massive headlining performance that won’t soon be forgotten. Tunes like Las’ ‘Uuah’ , Distance’s Remix of Mala’s ‘Changes’ , and Kryptic Minds’ ‘Six Degrees’ had the lighter crew in full effect and Headhunter instituted a proper lesson in true underground UK sound with an extended set. The bass was hitting hard, the vibe was thick, and Headhunter made a true statement in in Mile High return. Smiles from ear-to-ear graced the entire crowd and there wasn’t a stagnant body in the entire venue. Those that were in attendance witnessed a very special treat and this was undoubtedly one of the sickest sets I’ve seen in recent memory. That raw, uncut UK sound captivated me from the very beginning and by the time it was all said and done, Headhunter only left us wanting more! <br><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="zd0yBvTTgj0" data-video-thumb-url="http://img.youtube.com/vi/zd0yBvTTgj0/0.jpg" type="text/html" src="https://www.youtube.com/embed/zd0yBvTTgj0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><a contents="Headhunter" data-link-label="" data-link-type="url" href="https://www.facebook.com/dubheadhunter/?fref=ts">Headhunter</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a04dbe7266e7315c281c4b2f819b75ba660f9641/original/headyyyy.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography) </a></span></p>
<p style="text-align: center;"><span class="font_large">Following up Headhunter’s headlining set, it was now time for Sub.mission resident DJ Dillard to finish off the night with a bang. Widely known as one of the freshest talents throughout Colorado, Dillard is an artist that you can always count on to deliver a top-notch performance that emphasizes plenty of sub bass to get your feet moving and keep you busy on the dance floor. His skillset as both a DJ and a producer have established him as a true staple in the Denver dubstep realm and he never disappoints. On Tuesday night he put on a set that was far from the average Dillard performance. As soon as he took the decks, he captured the audience and kept our attention directed to the front of the room where the subwoofers projected heavy vibration and melodic tones. Dillard’s set on Tuesday night was diverse and he touched upon heavy, upbeat, and even a little bit of smooth, reggae vibes as well. My personal favorite part of his set was when he threw down J. Robinson’s ‘Lions in Croatia’ that had the dance floor clapping their hands and nodding their heads in approval. The late night crowd was amped up ‘til the very end and Dillard once again proved why he is a true badman behind the decks! <br><br><a contents="Dillard" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">Dillard</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/cd60bf56d81cdca21b8f5a96b8286df6304a4890/original/dillardddd.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></span><br> </p>
<p style="text-align: center;"><span class="font_large">Big ups to everyone that made it out and took part in such a massive night in sound presented by Sub.mission. Each and every week at Electronic Tuesdays is a special occasion that showcases the finest in underground bass music and if you haven’t made it out recently, you’ve really been missing out! See you all next week as the one and only Jakes makes his Denver return to close out the month of February with a bang!</span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40424492016-02-15T11:41:28-07:002020-11-25T04:01:49-07:00Agency Spotlight: P0gman<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c28d554b41df6c46bcbbdd26388d369e77b5ba12/original/pogman-tour.jpg?0" class="size_l justify_center border_" /><p>“Dubstep” just may be one of the most misunderstood words of the 21st century. The meaning of the label is so confused that today, even fans of the genre qualify their tastes with sub-categorizations. But before there was “riddim”, or “brostep”, or “tearout”, dubstep was simply dubstep. Music and culture have changed immeasurably since 2011. Many artists sold out to commercial interests, or abandoned the styles they once loved. Still, five years after his first releases, today <a contents="P0gman" data-link-label="" data-link-type="url" href="https://www.facebook.com/p0gman1/" target="_blank">P0gman</a> unquestionably continues to make dubstep.<br><br>Hailing from the UK, P0gman is an icon of the aggressive styles of dubstep that initially fascinated American audiences and now spark its stateside revival. He isn’t only a master of the genre’s most energetic, adrenaline-inducing personality: he helped to shape it. Equally suited for partying and punching holes in walls, the infectious quality of P0gman’s sound is evidenced by the slew of young artists who emulate and imitate it. The heavy aesthetic continues to gain momentum (despite the popular insistence that “dubstep is dead”), but creativity can’t be copied. P0gman’s signature is the now-pervasive low end wobble that defines the dubstep genre in the minds of many fans. Spoken out loud, his name is even reminiscent of the sound.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/126914493&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>P0gman’s connection to classic dubstep styles is obvious in his older productions. His collaborations with Boy Kid Cloud are staples for any fans of the style now known as “riddim”. Among his earliest SoundCloud uploads is a track with Doctor: <a contents="“Tearing The World Apart”" data-link-label="" data-link-type="url" href="https://soundcloud.com/p0gman/p0gman-doctor-tearing-the" target="_blank">“Tearing The World Apart”</a> makes undeniable sense of the aggressive sound’s contagious appeal to fans of deep end dubstep, and for newer initiates exploring the genre, it may also work the other way around. For proof of P0gman’s dedication to preserving and refining the style he loves, his recent track with Killa P, “Panty A Drop”, packs similarly explosive vibes while showcasing his progression as a producer. His most recent release, the <a contents="ZERO EP" data-link-label="" data-link-type="url" href="https://pro.beatport.com/release/zer/1601480" target="_blank"><em>ZERO</em> EP</a>, is met with enthusiastic reception from new fans and original followers alike. As an artist, his style evolves along with the genre and its listeners. He neither piggybacks off the success of his past productions, nor compromises the integrity of his sound. In a time when popularity is transient and trend dependent, it is no surprise that P0gman maintains an ever-growing loyal fan base.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223859954&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>Thanks to the relentless “riddim” movement, dubstep in America is facing a second resurgence. Eager to capitalize on the opportunity, many artists inevitably succumb to the soul-sucking kiss of commercial interest. But the explosion is led by artists like P0gman, who prove that the true essence of dubstep will always prevail. In his upcoming US tour, P0gman promises to energize stateside dance floors with low end passion. For tour information, <a contents="click here" data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.misison/artist/p0gman" target="_blank">click here</a>. Follow <a contents="P0gman on SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/p0gman" target="_blank">P0gman on SoundCloud</a> for more from the artist.<br><br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><em>Amye Koziel</em></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40414902016-02-14T16:54:24-07:002023-02-21T21:11:31-07:00Sub.Mingling: Swindle<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e907227b7d748c89932b70383d08a94f70d00302/original/swindle-pic.jpg?0" class="size_l justify_center border_" /><br><span class="font_large">Swindle (Butterz/Deep Medi) is one of the most influential artists in dubstep and grime music right now. His combination of dubstep, jazz and grime has made him a forerunner in the dubstep scene. His love for music and his fans shines bright. We caught up with Swindle to discuss how he got started in music, his latest album and how grime and jazz have influenced his sound. Check out the interview. (Swindle mentions his experience in The Philippines in this interview. You can see what he is talking about in the video below.)<br> <iframe class="justify_inline" data-video-type="youtube" data-video-id="zxwEPybBB6k" data-video-thumb-url="http://img.youtube.com/vi/zxwEPybBB6k/0.jpg" type="text/html" src="https://www.youtube.com/embed/zxwEPybBB6k?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></span><br><br> 16:21subdotmission.comtag:www.subdotmission.com,2005:Post/40377482016-02-11T23:07:49-07:002023-12-10T10:59:35-07:00Hustle Knowledge: Headhunter<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f43ae3a8bef867ad12b06ca4961481fa54f03685/original/ag.jpeg?0" class="size_l justify_center border_" /><br><br>Continuing the lethal doses of Tuesdays this February, Sub.Mission welcomes back the mighty Headhunter to the mile high city. Perhaps better known as Addison Groove in recent years, any fan of dubstep in the early years will know Headhunter for his impressive releases on Tempa. Boasting a legacy of Denver appearances, Headhunter sets from the influential dubstep producer are a rare occurrence nowadays. However, having recently dropped his first Headhunter release in nearly 5 years on the esteemed dubstep blog turned label Trusik, Tuesday night may summon a collection of unheard dubs to complement his legendary Tempa classics. <br> </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="cuf3-X8OZzI" data-video-thumb-url="http://img.youtube.com/vi/cuf3-X8OZzI/0.jpg" type="text/html" src="https://www.youtube.com/embed/cuf3-X8OZzI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p>Finding dubstep back in 2005 at university, Headhunter was no stranger to music with a history in garage, drum and bass, psytrance, etc. Upon discovering the sound, he found a home at Tempa where he would release half a dozen records over the course of 3 years. As the first producer outside London to be signed to the label, he also brought a flowing, techy dnb sort of feel to the label. Considering the progression of dubstep over the years, it’s clear that Headhunters approach to the genre was a massive influence on the sound. Fast forward to 2012 and the scene was overflowing with deep, dark dub-techno grooves. His Tempa back catalog, including the 2008 album Nomad, shamelessly portrays his multi-genre interest. Each track encompasses the mysterious simplicity of dubstep along with the percussion focused hypnotism of techno and flavors from other facets of electronic music. </p>
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<p>As dubstep rose in popularity and more aggressive mutations began to take form, he jumped ship and began making more juke-inspired music under the alias Addison Groove. Having the opportunity to tour the world as Addison Groove, it appears the producer is more than happy to revisit the darker sounds of Headhunter with his newfound experience and production tools. His most recent release on Trusik revisits the 2007 vibe but with modern precision and poise. This being my first Headhunter show, I could not be more excited to skank out to some elegant, percy dubstep that journeys through the recently proven ripples of spacetime. Opening up for the rare gem, we have the almighty local Dillard alongside DJ Chris, so be sure to come out early and catch them after the battlers. This is what it’s all about.</p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="dhy6_WiUJyo" data-video-thumb-url="http://img.youtube.com/vi/dhy6_WiUJyo/0.jpg" type="text/html" src="https://www.youtube.com/embed/dhy6_WiUJyo?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40373222016-02-11T17:22:57-07:002022-03-11T13:20:41-07:00The Rewind: Swindle, Dubwol & More at Electronic Tuesdays! <p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0ed874e56ed354a5c4c6df9ccc94beddb2817bba/medium/12509719-998322640208869-8236098196008645559-n.jpg?0" class="size_m justify_center border_" /><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/08c401e66d4f8e9ccc6f1209362d1704d12e9c63/large/clap-swindle.jpg?0" class="size_l justify_center border_" /><br><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br>Coming in fresh off the monumental Electronic Tuesdays 5 year anniversary, <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> presented us with yet another massive artist to keep the momentum going through February. This past Tuesday night the one and only <a contents="Swindle" data-link-label="" data-link-type="url" href="https://www.facebook.com/swindleuk/?fref=ts">Swindle</a> made his Denver return grace us with a headlining performance and present us with some more Peace, Love, and Music. If you’ve ever seen Swindle perform in the past, you know that his track selections, and unmatched stage presence combine to put on some of the most epic performances and this past Tuesday night was no exception. To only add to this madness, Sub.mission resident Dubwol was in town from Los Angeles to close out the night, and the January Winners Showcase battles were also in full effect! Here’s the rewind! </span></p>
<p style="text-align: center;"><span class="font_large">The night began at 9:00pm sharp as DJ’s SANDOS, Sin7, & GBP made their <a contents="Electronic Tuesday" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesday</a> returns to square-off once again in this championship edition of DJ Battles. Having won each of their previous battles at E-Tuesdays during the month of January, each of these 3 artists was eager to make their return to the stage to battle it out once again in hopes to advance to be crowned the champion and win the opportunity to perform a time slot at an upcoming Sub.mission show. The battles this week were comprised of a variety of styles and sounds ranging from Hip-Hop/Trap, Deeper Sub-bass, as well as heavier, wonky dubstep as well. Each battler attracted a diverse fan base that came out to show their support and the dance floor was increasingly growing at the beginning of the night. After a heated battle among the 3 selectors, <a contents="GBP " data-link-label="" data-link-type="url" href="https://www.facebook.com/DJ.GBP.719/?fref=ts">GBP </a>won over the audience and judges and was crowned the battle champion for the month of January. Congratulations to GBP! Be on the lookout for his return at an upcoming Sub.mission show and be sure to keep tabs on this fine talent! <br><br><a contents="GBP" data-link-label="" data-link-type="url" href="https://www.facebook.com/DJ.GBP.719/?fref=ts">GBP</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/3ff28e2f3fb2b119a30f0f0afb48118139316861/original/gbp-tuesdayyy.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography) </a><br> <br>Following the January Winners Showcase battles, it was now time for a headlining performance from the man himself, <a contents="Swindle" data-link-label="" data-link-type="url" href="https://www.facebook.com/swindleuk/?fref=ts">Swindle</a>! Having seen Swindle perform a handful of times in previous years, I knew to expect a well-rounded and assorted set that would not be exclusive to a single genre or BPM range. On Tuesday night Swindle performed one of the most electrifying sets that I have seen from him to-date as he took the stage and proceeded to unleash his signature funky, jazzy smooth sound that he is internationally recognized for. One of the thigns that I love most about Swindle is that his unique sound caters to a wide audience of listeners from a multitude of backgrounds and age ranges. Hailing from the depths of Croydon, Swindle has an extensive musical knowledge stemming from jungle and rootsy sounds and he has been collecting records since he was only 12 years old. His vast musical varieties were evident on Tuesday night as he delivered a set packed with his classic jazzy/grime sound as well as some upbeat Drum & Bass, and of course, Dubstep. Performing a healthy balance of tunes from both the Deep Medi imprint as well as his Butterz crew, Swindle’s set was energetic and lively. Tune after tune, there were hands high in the air and a roaring sensation that was projected from the audience. Tracks ranging from Kahn’s ‘Abbatoir’ , Skepta’s ‘Shutdown’ , JME’s ‘Man Don’t Care’ , and of course Swindle’s very own ‘Forrest Funk’ , ‘Do The Jazz’, ‘London to LA’ and the tune ‘Denver’ that Swindle made just for us ignited the dance floor and had everyone erupting in excitement. We were even lucky enough to hear some highly exclusive material like ‘DMZ vs MZN’ Digital Mystikz remix which was a very special and rare treat. Swindle always has surprises up his sleeves when he performs in Denver and on Tuesday night this was certainly the case. The love and energy that Swindle puts in to his live performances is truly unmatched and is one of the many things that separates him from the ordinary DJ/Producer. Peace, Love, and Music is exactly what Swindle captures in his music and he is undoubtedly one of the most innovative and forward thinking artists pushing the boundaries of bass music. <br><br>Check out this video of Swindle dropping his tune 'Denver' that he made just for us! <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="ffUFDEstzsM" data-video-thumb-url="http://img.youtube.com/vi/ffUFDEstzsM/0.jpg" type="text/html" src="https://www.youtube.com/embed/ffUFDEstzsM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><br><br><a contents="SWINDLE" data-link-label="" data-link-type="url" href="https://www.facebook.com/swindleuk/?fref=ts">SWINDLE</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/5fe2ccc54e83d56d4d6171d2f06624add2c23fab/original/swindle-light-shine.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography) </a><br> <br>Following up a massive headlining set and continuing to gauge and capture the crowd’s interest after an artist like Swindle is no easy task. The average DJ may find the occasion intimidating, but on Tuesday night Sub.mission resident <a contents="Dubwol" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dubwol/?fref=ts">Dubwol</a> stepped up to the decks and took charge like a true boss. No stranger to Cervantes’ Other Side, Dubwol has been performing at Electronic Tuesdays on various occasions throughout the years and is recognized for his multi faceted sound schemes. His multi-layered, clean mixing abilities move crowds from beginning to end and they solidify him as one of the most exciting talents on the Sub.mission roster of resident DJ’s. Since his earlier days as a DJ throughout Colorado, Dubwol now resides in California where he has been experimenting with producing tunes of his own and his style has much evolved and is emphasizing the deeper, minimal styles of low-end sound. On Tuesday night Dubwol opened up his set with some UK Grime tunes to keep the crowd hooked and he transitioned to some more dungeon-like abysmal tones. Maintaining a stage presence that was centered and focused, Dubwol was in the zone as he proceeded to induce the audience into a deep state of meditation, flexing the subwoofers and rumbling the ground beneath your feet. Dubwol performed an arsenal of exclusive tunes that offered a new and refreshing feel to his performance, while also still rinsing out some classics like Gantz’ ‘Spry Sinister’ Coki’s ‘Gangster For Life’, and Commodo’s ‘Free Focus Remix’ to close out his set. The late night crew was getting busy on the dance floor and gave Dubwol a warm welcoming in his Colorado return. Big ups to everyone that came out to witness such a massive night as Sub.mission keeps presenting us top-notch talent week after week with no sign of slowing down! <br><br><a contents="DUBWOL" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dubwol/?fref=ts">DUBWOL</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/60ddb2b0d3e0f110eec5227b3d2073c9021ec8ec/original/dubwollll.jpg?0" class="size_l justify_center border_" /><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/defaa46c888397128954c3bdde474bee3a92c272/original/dubbbb.jpg?0" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></span><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/40260272016-02-04T20:47:32-07:002022-05-24T08:12:37-06:00Hustle Knowledge: Swindle<p><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c4eb94bc9ec5e224f981a1f5bbf956cab97ae732/original/1237318-551570408224062-1961291899-o.jpg?0" class="size_l justify_center border_" /><br><br>Hold tight rudeboy/rudegirl, Swindle is on his way to Denver. This Tuesday, Sub.mission is proud to host Swindle at the number 1 weekly event in Denver 5 years in a row. The Sub.mission family and E-Tuesday recently celebrated its 5 year birthday as a weekly event. What better way to celebrate 5 years of E-Tuesdays than with a Producer/DJ that has really made his mark in the last 5 years. He’s the king of the “Mood Swing” (Butterz) and the bringer of the funk and the jazz to our beloved dubstep music. <br> Let’s rewind back to 2011 when Swindle started to really burst on the dubstep scene. His collaboration with Silkie on the track “Unlimited,” and his first releases on Deep Medi music, “Do the Jazz” really showed that Swindle was a major force in the dubstep music scene. In 2012, Swindle kicked down the doors with his instant underground classic, “Forest Funk.” This tune took the sounds of jazz in the dubstep scene to a whole new level. If you haven’t heard “Forest Funk” yet please stop what you are doing and press play. <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="9fePcmU8drI" data-video-thumb-url="http://img.youtube.com/vi/9fePcmU8drI/0.jpg" type="text/html" src="https://www.youtube.com/embed/9fePcmU8drI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="CdTzrfFo0GA" data-video-thumb-url="http://img.youtube.com/vi/CdTzrfFo0GA/0.jpg" type="text/html" src="https://www.youtube.com/embed/CdTzrfFo0GA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br> <br>Since then, Swindle has traveled the world playing his signature style of jazz, dubstep and grime. He has traveled across the globe sampling everything from Los Angeles MC’s to the sound of indigenous music from the Philippines. You can hear the many samples from around the world on his latest album, “Peace, Love & Music.” You can hear samples and purchase the album here: <br><a contents="https://swindleuk.bandcamp.com/&nbsp;" data-link-label="" data-link-type="url" href="https://swindleuk.bandcamp.com/">https://swindleuk.bandcamp.com/ </a><br> <br>6 years ago, Swindle dreamed of playing his own music with a full band. He made that dream come true and you can experience it for yourself. You can watch Swindles production come to life in this live performance. This brilliant performance makes me excited to see what the future brings for live dubstep performance. <br><iframe class="justify_inline" data-video-type="youtube" data-video-id="_Rc8VLhRLzs" data-video-thumb-url="http://img.youtube.com/vi/_Rc8VLhRLzs/0.jpg" type="text/html" src="https://www.youtube.com/embed/_Rc8VLhRLzs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br> <br>Swindle always makes sure he has time for his fans. “Peace, Love & Music,” was the first full album release for the Grime label Butterz. His dedication to his fans is unparalleled in the dubstep scene. You can see him signing albums while practicing below. <br><br>https://www.facebook.com/swindleuk/videos/914799108567855/<br><br>We can’t wait to see what he’s going to do this Tuesday. Hopefully we will hear the final version of his Roni Size remix.<br> <br>https://www.facebook.com/swindleuk/videos/962993237081775/</span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40259962016-02-04T20:17:12-07:002017-01-12T07:25:01-07:00The Rewind: Youngsta, Hatcha, & Commodo* Electronic Tuesdays 5 Year<p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/879f0420d4af83df8c8efba3ab66930718f9b16c/medium/5-year-anniversary.jpg?0" class="size_m justify_center border_" /><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/3922c006bf274c824b1da5fd4ec879876bebb52a/large/crowd-shot.png?0" class="size_l justify_center border_" /></span><a contents="(TJ Jerrod Photo)" data-link-label="" data-link-type="url" href="https://www.facebook.com/therance.jerrod.9?__mref=message_bubble"><span class="font_regular">(TJ Jerrod Photo)</span></a><br><br><span class="font_large">The month of February is finally here and this past Tuesday night Sub.mission celebrated the 5th anniversary of their highly acclaimed weekly event, Electronic Tuesdays. For the past 5 years, this event has served as the premier platform to showcase the sounds of the highly talented upcoming locals, as well as top-notch international headliners from around the globe, all under the same roof. To celebrate this monumental occasion, Sub.mission presented us with a lineup completely stacked from top to bottom and the night could not have been more special. Fans and supporters ventured from various corners of the country to take part in this legendary gathering and it was one that won’t soon be forgotten. The bass was hitting hard, the vibe was thick, and this past Tuesday night will go down in the books as one of the best Electronic Tuesdays of all time. Here’s the rewind! </span></p>
<p style="text-align: center;"><span class="font_large">It was 9:00pm sharp when newly added Sub.mission residents AOWL, Ind33p, Trisicloplox, & Bean took to the stage to warm up the decks and set the tone for the massive night ahead. No strangers to Cervantes’ Other Side, this batch of DJ’s have graced the decks at Electronic Tuesdays many times in the past and have become local favorites throughout the scene in Colorado and have proved themselves worthy to hold the title of a Sub.mission resident DJ. Alternating between every 2-3 tunes, each DJ showcased their styles/abilities and joined forces start the night proper and loosen up the early crowd at Cervantes’ Other Side. Accompanied by the vocals and emceeing of The X-Tra Stamina Emcee (X-TS), the group carried us throughout the earlier segment of the night and made a true impact in their official residency debuts. <br> <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8f011a9fa203288c98d4ccd65733246d0daadb8f/original/resident-b2b-anniversary.png?0" class="size_l justify_center border_" /></span><a contents="(TJ Jerrod Photo)" data-link-label="" data-link-type="url" href="https://www.facebook.com/therance.jerrod.9?__mref=message_bubble"><span class="font_regular">(TJ Jerrod Photo)</span></a><br><span class="font_large"> <br>The dance floor was quickly occupied from front-to-back and a sea of both new and familiar faces flooded the narrow hall that is Cervantes’ Other Side just as it was time for the legend himself, DJ Hatcha to take the decks. Known as one of the true pioneers and Godfathers of UK bass music since the earliest days, the story of Dubstep’s origin cannot be told without an honorable mention to DJ Hatcha. Hailing all the way from Croydon, it was a very special rarity to have Hatcha join us on this night to kick a proper lesson in true underground style. From the moment he stepped up to the stage, Hatcha made his presence felt and began to unleash some massive bassweight that had the entire dance floor rumbling with serious low-end frequencies that induced the audience into a state of deep meditation with eyes low and sound up. As I surrendered myself to the sound of the devilish growls and dungeon-like melodies that Hatcha was unleashing, his sound had me questioning whether I was still in Denver or if I had been transported to an underground bunker in the UK where his style originated. Having seen Hatcha perform a handful of times in the past, I knew to expect set that would take me through a journey of sounds with unexplainable track selections and truly masterful mixing abilities. From the moment he took the stage, Hatcha captured the crowd in unison and conducted our every move in a conscious effort to move people through sound, not hype. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2a2499cb0c4994db78c42f69f861489bc1c3c7c3/original/hatchhhh.png?0" class="size_l justify_center border_" /></span></p>
<p style="text-align: center;"><a contents="(TJ Jerrod Photo)&nbsp;" data-link-label="" data-link-type="url" href="https://www.facebook.com/therance.jerrod.9?__mref=message_bubble"><span class="font_regular">(TJ Jerrod Photo) </span></a><br><br><span class="font_large">Following Hatcha’s set, it was now time for London’s very own Youngsta to step up and kick things up notch. Youngsta is no stranger to Colorado and over the years he has become a true crowd favorite. Just like Hatcha, he is considered to be Sub.mission family. Playing a pivotal role in the development of Dubstep from the very beginning, Youngsta has also had an undeniable influence in the industry for many years now and the magnitude of his imprint is immense. Among his highly impressive accolades, Youngsta is internationally recognized for his impeccable skills behind the decks, his weekly Rinse FM streams, founding A&R position at his label Tempa Records, and his club night ‘Contact’. To have Youngsta in the building for the 5 year anniversary was an extraordinary treat and he surely delivered in his Mile High return! Opening his set with Skream’s timeless tune ‘Filth’ , yunx made it clear that he meant business and he brought that raw, uncut UK sound to The Other Side just as we expected him to. The entire audience erupted in excitement as he proceeded to drop classic after classic including some of my personal favorites like Skream’s ‘Chest boxing’ double-dropped with Amit’s ‘Fatty Batty’, SP:MC & Lx One’s ‘Hunted’ and Skream’s ‘Make Me’ , to only name a few. As I looked out into the crowd, I observed an audience packed with bass music enthusiasts of various age ranges and backgrounds, all gathered for the purpose of music and not a single body in the venue was stagnant. Smiles from ear-to-ear and undeniable emotions of excitement flooded the crowd and the night was only midway through. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e3c64d576eedbde7fa5cfee64805e286955b7044/original/yunxxxx.png?0" class="size_l justify_center border_" /></span><a contents="(TJ JERROD Photo)" data-link-label="" data-link-type="url" href="https://www.facebook.com/therance.jerrod.9?__mref=message_bubble">(TJ JERROD Photo)</a><br> </p>
<p style="text-align: center;"><span class="font_large">Among the various reasons why I was so exited for this night, one of the coolest parts was being able to finally meet friends of mine that I had previously only known virtually online that made it out from places like Minessota, Michigan, Texas, and Utah to take part in this massive celebration. The love and support that is found at Sub.mission shows is extraordinary and it’s powerful to see the amount of dedication and drive that our nationwide supporters fuel us with. </span></p>
<p style="text-align: center;"><span class="font_large">As I weaved through the crowd and said my ‘Hellos’ my focus was redirected to the front of the room as it was now time for Youngsta & Hatcha to blow us away with a massive back-to-back set to amplify the energy in the room. Youngsta b2b Hatcha is a truly deadly combination of talents and this main event feature was almost too good to handle. The duo kicked off their set with Om Unit’s ‘Ruff House’ remix that offered an upbeat change of pace. Throughout the entire set, you could see the lighter crew in full effect as the flames from everyone’s torches illuminated the dance floor and paid homage to monumental tunes such as DMZ’s ‘Anti War Dub’, Coki & Benga’s ‘Night’, ‘Cay’s Cray’ DMZ remix, Mala’s ‘Eyez VIP’ and much more. <br><br><br>Check out this video of the duo dropping Anti War Dub into Eyez VIP<br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="eRBYCCMALM0" data-video-thumb-url="http://img.youtube.com/vi/eRBYCCMALM0/0.jpg" type="text/html" src="https://www.youtube.com/embed/eRBYCCMALM0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br>The crowd erupted in excitement and rewinds were being called out like numbers at a bingo conference. They closed out their set on a high note and threw down Coki’s skreetchy, dance floor banger ‘Lucifer’ and the roar from the crowd was at an all-time high. Witnessing two legends like Youngsta & Hatcha going back-to-back in the intimacy of Cervantes’ Other Side seems like a once in a lifetime type of experience and it was surely a sighting that I will never forget. <br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ee6a0550d79ce9fd3a1fd9cccccf87d96924df2b/original/other-crowd-shot.png?0" class="size_l justify_center border_" /></span><a contents="(TJ JERROD Photo)" data-link-label="" data-link-type="url" href="https://www.facebook.com/therance.jerrod.9?__mref=message_bubble">(TJ JERROD Photo)</a><br> </p>
<p style="text-align: center;"><span class="font_large">Next up it was time for fellow UK-based artist Commodo* to close out the night with an extended set to send us off proper. Over the years Commodo has definitely become one of my favorite producers as his mind-bending tunes have always grabbed my attention and never let go. His sound is unmistakable and truly defies his versatility as both a DJ and a Producer. The tunes that he masterfully crafts do not fit neatly under an umbrella that is meant to be exclusive to a single genre and that is one of the things that I admire most about him as an artists- he does his own thing. Known as one of the most versatile and diverse talents on the Deep Medi roster, Commodo has been making some serious waves with his solo projects and well as his collaborations alongside Kahn & Gantz. Seeing how busy Commodo has been with his music and developing his unique sound made me even more excited to see him perform at the 5 year anniversary and showcase his multi faceted style on this special occasion. I was fortunate enough to see Commodo perform at the Sub.mission 7 year anniversary party as well as his headlining set at Electronic Tuesdays a few days after and those performances left an impression that demonstrate how skillful Commodo really is as an artist. By the time that Commodo took the decks, the entire room had been transformed into a pitch-black abyss for the audience to dwell and get lost in with the music up and eyes low. When the stage set of a performance is blacked out, the setting reverts the listener’s attention strictly to the music that is being projected and the sound is the only thing compelling you to move without a single distraction. Dark atmospheres, small rooms, and big sound systems are critical elements to the sound system culture that Commodo’s sound is synonymous with and the translation between DJ and crowd was pure and wholesome. <br> <br>The beginning segment of Commodo’s set emphasized heavy Grime & Hip-Hop influences that once again demonstrate how versatile of a talent he really is. On Tuesday night he performed all of his underground anthems that I had hoped for including his ‘Miracles Remix’ , ‘Space Cash’ , ‘FCK Mountain VIP’ , ‘Free Focus Remix’ , ‘All Of The Lights Remix' and many more. The true heads stuck around to witness this intimate set that tested the boundaries of bass music and exceeded the normal Electronic Tuesdays end time of 2:00AM. <br><br><br>Miracles (Commodo Remix)<br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="fOl6bqhsbs0" data-video-thumb-url="http://img.youtube.com/vi/fOl6bqhsbs0/0.jpg" type="text/html" src="https://www.youtube.com/embed/fOl6bqhsbs0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/df6952163153dd9567c3912e08674d2eedef5495/original/commono-pic.png?0" class="size_l justify_center border_" /></span></p>
<p style="text-align: center;"><br><br><span class="font_large">Going into the night of the anniversary, Electronic Tuesdays was voted the best electronic music weekly in Denver and Sub.mission was voted best promoter in<a contents=" Electronic Colorado" data-link-label="" data-link-type="url" href="https://www.facebook.com/electroniccolorado/?fref=ts"> Electronic Colorado</a>'s 'Best of 2015' awards so big ups to everyone that voted and help make Electronic Tuesdays so special! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0d6d70ea27a0c86588a947bb27c997a15228b20c/medium/screen-shot-2016-02-04-at-8-41-55-pm.png?0" class="size_m justify_center border_" /><br><br>All-in-all, this past Tuesday night will forever be remembered as one of the best Electronic Tuesdays to ever take place and I am truly grateful to have been a part of this special occasion that won’t soon be forgotten. Lineups that feature 3 Grade-A headliners from the UK all on a single night in Denver are a true rarity and hard to come by and we all have Sub.mission to thank for it! Big ups to everyone that came out and took part in such a monumental night in sound and contributed to the vibe of the night. Make sure your calendars are marked for April 9th as Sub.mission’s 9 year anniversary party is going to be on a similar frequency and magnitude and we’ll see you all next week at Electronic Tuesdays for the jazzy, smooth sound of Swindle! <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0af0bdee4355ce0e8030d1006beccd7e64235062/original/stage-setup-5.png?0" class="size_l justify_center border_" /></span><a contents="(TJ JERROD Photo)" data-link-label="" data-link-type="url" href="https://www.facebook.com/therance.jerrod.9?__mref=message_bubble">(TJ JERROD Photo)</a><br><br><br><br>Author: <a contents="CARLOS GALVAN" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">CARLOS GALVAN</a><br><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/40253502016-02-04T14:59:28-07:002023-12-10T10:03:18-07:00Agency Spotlight: CommodoIf there is one word that music writers universally despise, it is “banger”. What qualifies a track as a banger? Is there some general criteria, or is it just a lazy way to say “this tune is good”? In the electronic music blogosphere, to declare a “banger” is the equivalent to saying, “I like this song”. The description is subjective and impossibly ambiguous. It is meaningless. <p>Except, you know, when it’s not. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/739b3d8cb3993fe7a99232c72d3b5cb8f4fe7fda/original/commodo.jpg?0" class="size_l justify_center border_" /><br> <br>As I set out to spotlight <a contents="Commodo" data-link-label="" data-link-type="url" href="https://soundcloud.com/commodo" target="_blank">Commodo</a>, the pesky pseudo-term finds its way onto the page again and again. Sometimes it isn’t just the best word – it’s the only word. So, what is a banger? <br> <br>Well... you know it when you hear it. And when a banger from Commodo is dropped in the dance, you usually hear it twice. The UK-based producer has a knack for capturing those monumental moments of collective crowd euphoria in his tracks. His artistic trademark is the contagious energy that begs for a rewind. Sure – Commodo has his own distinct stylistic flairs. His sound fluctuates from deep and eerie to downright dirty. As an artist, he is multi-faceted (as humans tend to be). But his musical persona emanates with the explosive electricity of sound system bangers. It’s unmistakable.<br> </p><iframe class="justify_center" data-video-type="youtube" data-video-id="-D-0av2q1GY" data-video-thumb-url="http://img.youtube.com/vi/-D-0av2q1GY/0.jpg" type="text/html" src="https://www.youtube.com/embed/-D-0av2q1GY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe>
<p>Such is the essence of Commodo’s staple status on the iconic Deep Medi Music’s roster. Many labels are known for representing a specific sound. Deep Medi’s signature is an intense emotional sincerity. The collective showcases honest art; often it is a painful honesty. Releases range from the tenderly instrumental, to sweetly subdued, to primal aggression, to darkly existential anger. Commodo’s contributions rumble of the communal ecstatic release that sparked our respective romances with dubstep sounds and culture. <br> <br>Commodo’s <a contents="recent collaborations with Kahn and Gantz" data-link-label="" data-link-type="url" href="https://store.deepmedi.com/vinyl/medilp011" target="_blank">recent collaborations with Kahn and Gantz</a> ran away with 2015 tucked under the arm. <a contents="“Uprising”" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=IGURBCkLkPk" target="_blank">“Uprising”</a> is one of the rare underground uploads accompanied by a thumbnail of a woman’s bare ass on YouTube. The primal <a contents="“Space Cash”" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=rnGYTPMdntk" target="_blank">“Space Cash”</a> embodies the vaguely sinister tribal vibe that cements the underground dubstep community.<a contents=" “Fuck Mountain”" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=A6aNFZHc7uo" target="_blank"> “Fuck Mountain”</a> (Hotline) is a gritty anthem which, although instrumental and decidedly dubstep in aesthetic, showcases the pervasive impact of Commodo’s grime inspired roots. And then, of course, there’s “Shift” ft. Jme: a worthy metric standard for the “banger” designation. There is nothing ambiguous about the hysteria this one wreaks upon the dance floor.<br><br><iframe class="justify_center" data-video-type="youtube" data-video-id="0yC6kCZ1Eug" data-video-thumb-url="http://img.youtube.com/vi/0yC6kCZ1Eug/0.jpg" type="text/html" src="https://www.youtube.com/embed/0yC6kCZ1Eug?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br>Commodo’s reputation as a second-wave dubstep genre trailblazer is hardly controversial. Yet <a contents="in an interview with Hedmuk for Fabric London" data-link-label="" data-link-type="url" href="https://www.fabriclondon.com/blog/view/in-depth-commodo-discusses-the-devolution-of-dubstep" target="_blank">in an interview with Hedmuk for Fabric London</a>, the artist is initially hesitant to describe his sound as “dubstep”. He isn’t alone, and his aversion is understandable. Nowadays, the “dubstep” label is just as vague as “banger”. The two syllables carry a cultural weight unrelated to the bassweight they first fused to describe. As the demon spawn of drum and bass, garage, grime, reggae, hip-hop, and unprecedented technological advancements, dubstep is a fundamentally hybrid genre that is evolutionary by nature. Today, some say the style is stagnated. Commodo reflects the sentiment in the enlightening interview: he jumped into the scene <em>“just as dubstep was about to fucking re-mortgage it’s house”</em>. First influenced by UK grime, Commodo’s attraction to the sound was undoubtedly rooted in the creative innovation it encompassed. But when something good emerges, imitation is inevitable. Even from the inside – below the quabble of commercialized crap – the classic dubstep template is often reduced to a formula.<br> </p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/237875599&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe><br> <p>For Commodo, dubstep represents sonic progression. This is exemplified by his recent work with Kahn and Gantz. Volume 1 of their collaborations includes undeniable tracks like <a contents="“Crystal Collect”" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=8WJy87e-1fg" target="_blank">“Crystal Collect”</a> and<a contents=" “Bitchcraft”" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=HVJJ4jrYeQY" target="_blank"> “Bitchcraft”</a>, which have been pervasive on dance floors worldwide since the release. The influences mix crafted by the artists is quite revealing: while dubstep is known for implementing elements from various foundational electronic genres, the mix pushes boundaries by weaving together tracks inspired by traditional eastern music and obscure melodies generally left untouched by the electronic music sphere. It speaks to dubstep’s postmodern composition: perhaps originality in this realm is achieved by expanding the pallet of influences it contains. <br> <br>So, as Commodo qualifies a banger as a state of being, he also restores the magic that once defined dubstep as a movement rather than a set of static parameters. The energy embodied by his musical imagination is nostalgic for the future. It contains the excitement of artistic evolution. The originality of his work begs the question, what does it mean to create something new? <br> <br>Well... you know it when you hear it.<br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="oczl3ENP0TE" data-video-thumb-url="http://img.youtube.com/vi/oczl3ENP0TE/0.jpg" type="text/html" src="https://www.youtube.com/embed/oczl3ENP0TE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><a contents="Click here for bookings, tour dates, and more information." data-link-label="" data-link-type="url" href="https://www.gig-well.com/agency/sub.mission/artist/commodo" target="_blank">Click here for bookings, tour dates, and more information.</a><br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><span class="font_small"><em>Amye Koziel</em></span></a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40193862016-02-01T16:25:26-07:002020-11-24T02:51:37-07:00This Month In Bass: February<p style="text-align: center;"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/08b6a5ec7a79a4ee4bb8d039125868664cf2c46c/large/submission-logo-web.png?0" class="size_l justify_center border_" /><br>2016 is in full swing and <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> continues to move forward into the year with a massive amount of momentum following a very amazing January. It would seem that this month came upon us very fast but as they say, time flies when you’re having fun and no doubt February will be the same, if not better. How could it not be with a line up as such? There’s the five year celebration of Denver’s best weekly event, a completely stacked line up for this month’s edition of Electronic Tuesdays, a one off event at The Bluebird Theater and a very special BASSment Underground event you don’t want to miss. Even though February is a short month it is full of some serious bangers that you don’t want to sleep on. So get ready to mark your calendars because here comes February’s edition of This Month in Bass.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/9581390dbd5c2d657e9dbb54bb244cc5bcf8f702/medium/tues5year-ig-1202.png?1451491256" class="size_m justify_center border_" /><br> <br>This month’s installment of Electronic Tuesdays is a very special one. We start off with the Five Year Anniversary of Electronic Tuesdays @ The Other Side with legendary dubstep players and originators <a contents="Youngsta" data-link-label="" data-link-type="url" href="https://www.facebook.com/youngstatempa/?fref=ts">Youngsta</a>,<a contents=" Hatcha" data-link-label="" data-link-type="url" href="https://www.facebook.com/hatchadj/?fref=ts"> Hatcha</a> & <a contents="Commodo" data-link-label="" data-link-type="url" href="https://www.facebook.com/CommodoMusic/?fref=ts">Commodo</a>. These three men are no strangers to Denver and are considered Sub.mission family. They have been here throughout Electronic Tuesday’s five year existence and there isn't a doubt in anyone’s mind that they are going to bring some serious heat to Five Points. Furthermore, kicking off the night we have the showcase of Sub.mission’s newest additions to the residency roster. <a contents="Aowl" data-link-label="" data-link-type="url" href="https://www.facebook.com/TheOfficialAOWL/?fref=ts">Aowl</a>, <a contents="Trisicloplox" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trisicloplox/?fref=ts">Trisicloplox</a>, <a contents="Bean " data-link-label="" data-link-type="url" href="https://www.facebook.com/beandubstep/?fref=ts">Bean </a>and <a contents="Ind33p" data-link-label="" data-link-type="url" href="https://www.facebook.com/IND33PvsGBP/?fref=ts">Ind33p</a> will take control and get and us all started with a massive back to back set. Each one of these men has put in some serious work over the years as street teamers, stage managers, agency artists and all around soldiers in our .mission to “Hustle Knowledge” to the masses. It is truly an honor to have them on board as residents and we can’t wait to see what they have in store for us come Tuesday. This is going to be one hell of an E-Tuesday Birthday party and we can’t wait to spend it with all of you! <br>Following the massive birthday bash Electronic Tuesday's continue with three seriously stacked line ups. On February 8th we have the return of the bass heavy jazz man <a contents="Swindle " data-link-label="" data-link-type="url" href="https://www.facebook.com/swindleuk/?fref=ts">Swindle </a>alongside Sub.mission resident <a contents="Dubwol" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dubwol/?fref=ts">Dubwol</a>. February 16th the one and only <a contents="Headhunter " data-link-label="" data-link-type="url" href="https://www.facebook.com/dubheadhunter/?fref=ts&ref=br_tf">Headhunter </a>takes over The Other Side with <a contents="Dillard " data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">Dillard </a>and <a contents="Cetadon " data-link-label="" data-link-type="url" href="https://www.facebook.com/thedonofwhales/?fref=ts">Cetadon (aka DJ Chris) </a>on support and closing out February E-Tuesdays is the long awaited return of legendary dubstep boss <a contents="Jakes " data-link-label="" data-link-type="url" href="https://www.facebook.com/jakeshench/?fref=ts">Jakes </a>with support from bad boys <a contents="Thanom " data-link-label="" data-link-type="url" href="https://www.facebook.com/thanomdubs/?fref=ts">Thanom </a>and <a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a>. Starting off the battle portion of Electronic Tuesdays we have GBP, SANDOS & Sin7 going head to head in the January Winners round and battling it out for a slot in next month’s winners showcase are Killa Nilla, Synchronicity, Ether, Iant., Bonkerz, DJ_Stumpy, Gorillaphant & Dalek One. Even though the month is short there’s definitely no shortage of talent hitting the Electronic Tuesday’s stage.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d5326001737d52d8c9082974bdd4940236f483e5/medium/feb-monthly-0104.png?1452644758" class="size_m justify_center border_" /><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/214647967&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/198828093&color=ff5500" width="100%"></iframe><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/243677723&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/RVRNn7x3e3E" width="420"></iframe><br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/mHe4T0TtDAo" width="420"></iframe><br><br>Next up is a special one off that is sure to make your head spin. Sub.mission and <a contents="The Untz.com" data-link-label="" data-link-type="url" href="https://www.facebook.com/theuntz/?fref=ts">The Untz.com</a> team up to bring you the Rise of Wakaan Tour with <a contents="Liquid Stranger" data-link-label="" data-link-type="url" href="https://www.facebook.com/liquidstranger/?fref=ts">Liquid Stranger</a>, <a contents="Space Jesus" data-link-label="" data-link-type="url" href="https://www.facebook.com/spacejesusmusic/?fref=ts">Space Jesus</a> and <a contents="Au5 " data-link-label="" data-link-type="url" href="https://www.facebook.com/TheAu5/?ref=br_rs">Au5 </a>to The Bluebird Theater on Friday February 19th. Liquid Stranger is no stranger (no pun intended lol) to Denver. Those of you that remember how rowdy it got when we brought him out to The Ogden alongside Excision in 2012 already know that when dubstep comes to Colfax it is not to be missed. He is a serious bad man and he will show us no mercy when he makes his arrival to the Mile High City. Playing alongside the Swedish bad man is new Colorado transplant Space Jesus and the New Jersey bad man representing Monstercat Records, Au5. This line up is diverse in every way special and you can bet that this night is going to shake Colfax to its core. Get ready Denver, this is going to be a rowdy one. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1c9012a8d8d6e5fc9ed3c9e283924f84c0f63885/original/12345623-10153168855465925-1228551100332621765-n.jpg?1454364359" class="size_l justify_center border_" /><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/112839358&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/214701205&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/228039788&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>Closing the month of February is a seriously stacked edition of BASSment Underground. Hailing from New York we have the one and only <a contents="Doctor Jeep" data-link-label="" data-link-type="url" href="https://www.facebook.com/doctorjeep/?fref=ts">Doctor Jeep</a> alongside New Mexico homie<a contents=" Crix Siaz" data-link-label="" data-link-type="url" href="https://www.facebook.com/crix.saiz?fref=ts"> Crix Siaz</a> and Sub.mission residents Subliminal and Ind33p. Known for his immensely diverse sets, Doctor Jeep is going to bring an array of sounds representing the full spectrum of bass music to the Vinyl basement. If you're unfamiliar with him make sure you check the link below to get yourself acquainted because he is about to have us turning up come February 27th. On support we have Crix Siaz and if you caught his set last month when he opened up for Djunya @ Electronic Tuesdays you know that he brings some serious southwest heat. All this plus massive sets from residents Subliminal and Ind33p! These guys are definiely going to make this edition of BASSment Underground the best one yet. Don't forget that this one is an 18+ event so tell all your friends and your friend’s friends to make their way down to the SoCo district and into the Vinyl basement because we’re about to have Broadway bouncing off the walls.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c591e8949131cbadd933e1d0bd70d33bb9421562/medium/jeepflyer-0119.png?1453832258" class="size_m justify_center border_" /><iframe frameborder="no" height="450" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/213654209&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%"></iframe><br><br>This month is absolutely jam packed with talent. We have dubstep OG’s playing alongside some seriously talented new blood to bring you the past, present and future of the bass music sound. There’s no doubt in our minds that you’re going to leave each and every show with a massively huge grin and the need to have more in echoing in your heart. The good thing about Denver is you know Sub.mission is constantly working hard to give you more and each line up that is on its way is going to be bigger and better than the last. Sub.mission doesn’t play and if you couldn’t tell by the 9 year announcement this morning, things are getting serious in 2016. As our esteemed host <a contents="X-TS" data-link-label="" data-link-type="url" href="https://www.facebook.com/KeepITlive987/?fref=ts">X-TS</a> says, pay attention, because we’re moving forward with serious force!<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0d51fa5b0f32fce785b9773a969857295d0035fd/medium/invader.jpg?1453779060" class="size_m justify_center border_none" alt="" /><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/40139892016-01-28T22:28:10-07:002019-02-25T00:44:58-07:00Hustle Knowledge: Electronic Tuesday 5 Year <p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/e615e7fce8e4663b968df473674ff30863b70c0d/large/feb2fb-0114.png?0" class="size_xl justify_center border_" /><br><br>It’s hard to imagine a thriving bass music scene in Denver without the weekly escapades of Electronic Tuesdays. Over the past five years, Sub.Mission has nurtured a following of bass hungry enthusiasts to build a scene that loves as much as it parties. Welcoming many flavors of electronic music with open arms, the weekly Cervantes’ gatherings break down musical barriers as younger fans out for the party stumble across new music from both local and afar. Consistent showings prove the dedication of the thriving bass music scene here. The low frequency therapy of Tuesday nights has truly become a ritual. </p>
<p>This Tuesday February 2nd, Sub.Mission celebrates the 5 year anniversary of Electronic Tuesdays with an international lineup that has turned heads around the States. As a nod to the old school, dubstep pioneers Hatcha and Youngsta will be headlining alongside one of dubstep’s most exciting producers, Commodo. </p>
<p>Hatcha was actually one of the original owners of the infamous Big Apple record store in Croydon. With a residency at the legendary club night FWD in London, Hatcha helped push the earliest species of dubstep alongside a grip of influential producers and DJ’s. Hatcha hasn’t touched down in Denver in quite some time, so there is some real anticipation to see what he has in store for us.<br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="JNdsr06cqCc" data-video-thumb-url="http://img.youtube.com/vi/JNdsr06cqCc/0.jpg" type="text/html" src="https://www.youtube.com/embed/JNdsr06cqCc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br>As if Hatcha weren’t enough, fellow pioneer Youngsta joins the bill with his flawless mixing and exclusive collection of treats. Perhaps best known for his monthly Rinse FM show, Youngsta has been involved with Rinse FM since its inception in 1994 when it illegally broadcasted music. Aside from his radio show, you can catch him performing across the globe and running the mighty Tempa label which has put out many of dubstep’s timeless anthems over the years. <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="vG50Z0rj8Rg" data-video-thumb-url="http://img.youtube.com/vi/vG50Z0rj8Rg/0.jpg" type="text/html" src="https://www.youtube.com/embed/vG50Z0rj8Rg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p>Rounding out the headliners, we have dubstep’s chief beatsmith known as Commodo. Globally remarked as one of dubstep’s most interesting producers, Commodo has become a posterchild for Deep Medi alongside fellow artists Gantz & Kahn. Responsible for some of the most rinsed out anthems of the past few years, each Commodo tune brings forth a fresh-tasting and musically sound style that doesn’t wither with age. Drawing influences from a wide range of music that dwells far from the low frequency focus of dubstep, he crafts unique, sample based tracks that can be as raw as they are eerie. Another beast behind the decks, a Commodo set is a journey; spanning from soothing soul-influenced music to rowdy grime to dark, hypnotic dubstep. With his debut album forthcoming on Black Acre in April, prepare your ears for unreleased sweetness from the legend. <br><br>Get excited!<br> </p>
<p style="text-align: center;"><iframe class="justify_inline" data-video-type="youtube" data-video-id="3E8ZyklAwYc" data-video-thumb-url="http://img.youtube.com/vi/3E8ZyklAwYc/0.jpg" type="text/html" src="https://www.youtube.com/embed/3E8ZyklAwYc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>
<p> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/40137562016-01-28T19:34:30-07:002021-09-04T15:14:19-06:00The Rewind: Bommer, AOWL, Dillard & More! <p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ede1585d5cf94f9293682a1ef612523e743ac0d7/medium/11082388-981884175186049-9105830136050345124-o.jpg?1453913927" class="size_m justify_center border_" /><br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6aa20675fefa4ef51fbab8ff93e8879022aef159/original/bommer-crowd-shot.jpg?1454033736" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br>As the month of January’s <a contents="Electronic Tuesdays" data-link-label="" data-link-type="url" href="https://www.facebook.com/Electronic-Tuesdays-195279997282431/?fref=ts">Electronic Tuesdays</a> came to a close, <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a> sent us off with a bang as we welcomed back St. Louis’ very own Bommer for a headlining performance at Cervantes’ Masterpiece Ballroom. A pleasant switch-up from the weekly throwdowns at The Other Side, this week’s show was hosted on the main side of Cervantes’ to properly accommodate the bass heavy madness that would ensue. The dance floor was packed, the energy was high, and the entire night’s lineup was stacked from top to bottom. Here’s the rewind! </span></p>
<p style="text-align: center;"><span class="font_large">The night began at 8:00pm sharp as local acts B34N5, GBP, Super Duper, & Viscaria took the stage to duke it out in this week’s DJ Battles. A sea of both new and familiar faces made their way to the dance floor as soon as doors opened and prepared to embrace a massive night in sound on this fine Tuesday night. Each DJ made the most out of their 30 minute time slots to get the crowd moving while showcasing their unique styles and abilities in hopes to lock down the win and advance to the next round of the competition. Once again, this week’s battles demonstrated how truly talented the local scene throughout Colorado is and each DJ held their own behind the decks. There isn’t a single doubt that this week’s battle was one of the best that we’ve seen so far and ultimately ‘<a contents="GBP" data-link-label="" data-link-type="url" href="https://www.facebook.com/DJ.GBP.719/?fref=ts">GBP</a>’ emerged as this week’s winner. Congratulations to GBP for snatching the victory and winning over the crowd with his low-end, minimal style that rumbled the dance floor. Catch GBP making his Electronic Tuesdays return to square-up against the fellow battle winners of this month in the January Winners Showcase on February 9! Stay tuned! <br><br><a contents="GBP" data-link-label="" data-link-type="url" href="https://www.facebook.com/DJ.GBP.719/?fref=ts">GBP</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6122410b9154ee97132a4bfa44b1f3e790f8e7e4/original/gbp.jpg?1454033775" class="size_l justify_center border_" /></span><span class="font_large"><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br>Following the DJ Battles, it was now time for newly added Sub.mission resident ‘<a contents="AOWL" data-link-label="" data-link-type="url" href="https://www.facebook.com/TheOfficialAOWL/?fref=ts">AOWL</a>’ to take the stage and amplify the energy in the room in his residency debut performance. Over the years, the young talent has become a truly integral part of the dubstep community throughout Colorado and when he was announced as one of the new additions to the Sub.mission roster of resident DJ’s, I couldn’t have been more excited. Not only is he a true force to be reckoned with behind the decks as a DJ, but his innovative abilities as producer have also been turning heads and gaining massive momentum as well. On Tuesday night AOWL made a statement in his residency debut and made his presence felt as he held it down on the primary support slot for Bommer. The set he performed was packed with both new and original material and he got the entire audience bouncing from beginning to end. Tunes like 16 Bit’s ‘FRZR9000’, Emalkay’s ‘When I Look At You’ , Trolley Snatcha’s ‘Sound Champion’ and AOWL’s collab ‘Impregnate’ featuring fellow Sub.mission resident Swayd ignited the crowd and set the tone for the remainder of the night. In case you missed it, yesterday AOWL dropped his fresh new Sub.mission podcast and it’s packed with heat! Check out the <a contents="PODCAST&nbsp;HERE" data-link-label="" data-link-type="url" href="http://subdotmission.com/track/958648/podcast-176-aowl?feature_id=220448">PODCAST HERE</a> and be sure to keep close eyes on AOWL this entire year, as he’s one of the sickest talents pushing the limits of underground dubstep with no sign of slowing down. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/49da5fe436ef873932afc70f1cc1c726a6e1e222/medium/aowl-podcast-175.jpg?1453831754" class="size_m justify_center border_" /><br><a contents="AOWL" data-link-label="" data-link-type="url" href="https://www.facebook.com/TheOfficialAOWL/?fref=ts">AOWL</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/23ba74c21f91cb624e4bbf8600d536ca1f19f80f/original/aowl-shot.jpg?1454033796" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br>Next up it was the moment we had all been waiting for, the Mile High return of Saint Louis’ very own <a contents="BOMMER" data-link-label="" data-link-type="url" href="https://www.facebook.com/bommerdubstep/?fref=ts">BOMMER</a>! Having seen Bommer perform at the ‘Bust A Gat Tour’ at Electronic Tuesdays alongside Cubs & Crowell this past June, I knew to buckle up tight and to fasten my dancing shoes because the dance floor was about to get annihilated. Similar to the explosives that his name suggests, Bommer’s energy ignited the crowd and took Cervantes’ Masterpiece Ballroom by storm. Kicking off the set with his tune ‘Scattered’ featuring Jphelpz & Shiverz, the one like Bommer made it clear that his .mission was to make you move and take you on a journey of skull-crushing sound. Cohesive, multi-layered mixing styles combined with next level track selection combined to make Bommer’s headlining performance one of the sickest, and most well rounded sets I’ve seen in recently. His transitions were flawless and his double-drops were packed with surprises. The tunes spanned from original classics like Rusko’s ‘Go-Go-Gadget’ , all the way to several versions of Bommer’s modern day dance floor bangers like ‘Nah Nah VIP’ , ‘Bust A Gat’ , and of course, ‘Yasuo!’ If you’ve been keeping up with the current U.S. underground dubstep circuit over the last few years, you already know that Bommer has been making quite an impact and his tunes have been rinsed on some of the largest platforms stateside and internationally too. With massive releases on labels such as SMOG, Prime Audio, Subquake, & more, under his belt, Bommer’s sound has been making serious waves and on Tuesday night he reminded Denver what he’s all about! There wasn’t a single body in the venue that wasn’t raging and if you didn’t make it out to see Bommer crush the dance, you definitely missed out! The roar from the crowd was undeniable and the inevitable mosh pits that he instigated were a common theme from the moment he took the stage. A mild ringing in my ears combined with a sore neck from head-banging the entire night are a clear indicator at how the night went and I am still in recovery mode. Big ups to Bommer for making us break a sweat and overwhelmingly satisfying my bass music needs on this fine Tuesday night! <br><br><a contents="BOMMER" data-link-label="" data-link-type="url" href="https://www.facebook.com/bommerdubstep/?fref=ts">BOMMER</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/2a4c6ebda9475c30123e83c609a27199b9b60e5b/original/bommer-shot.jpg?1454033837" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="zzbRKH5_Ofw" data-video-thumb-url="http://img.youtube.com/vi/zzbRKH5_Ofw/0.jpg" type="text/html" src="https://www.youtube.com/embed/zzbRKH5_Ofw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br>Closing out the night it was now time for Sub.mission resident DJ <a contents="Dillard" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">Dillard</a> to step up to the plate and institute a lesson in true sound system culture. Offering a refreshing decompression session to follow up Bommer’s upbeat energy, Dillard took the decks and slowed down the pace with his meditative bass weight that shook the crowd. No stranger to Electronic Tuesdays, Dillard has become a personal favorite over the years and every time that I’ve seen him perform he’s constantly bringing something new to the table while pushing the limit of his signature, deep style. Dillard’s sound is characterized by heavy bass lines that rumble the ground beneath you while penetrating your body. Giving us a little glimpse into the Electronic Tuesdays 5 year anniversary coming up in a couple days, Dillard began his set with Commodo’s ‘Free Focus’ remix he brought the classic, reminiscent UK vibes to finish out the night strong. Another one of my favorite moments of his set was when he threw down Skream’s ‘Oskillatah’ and had the crowd bouncing back and forth. To hold the title of a Sub.mission resident DJ means that you must demonstrate consistency and persistence with your sets and Dillard does exactly that with each and every performance. His track selection is extensive and his mixing style is silky smooth. Regardless of the time slot or setting, Dillard has what it takes to move the crowd and make a lasting impression on his audience. If you were feelin’ the vibes that Dillard brought forth a few nights ago, be sure to catch Dillard live in the mix on February 16 when he closes out then night for Headhunter at Electronic Tuesdays!<br><br><a contents="DILLARD" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">DILLARD</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ee155f7dc3ac8a975b13f47d7f10fe025a773bf2/original/dilllll.jpg?1454033917" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br><br>Author: <a contents="Carlos Galvan" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">Carlos Galvan</a></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40103182016-01-28T17:55:04-07:002020-11-25T03:05:08-07:00Agency Spotlight: Thelem<img src="//d10j3mvrs1suex.cloudfront.net/u/172838/091ea4943d369cdc6ee73ddf926132212e965c05/large/thelem.jpg?1453913960" class="size_l justify_center border_" /><p>In a music landscape defined by digital technology, the dubstep community’s reverence of genre traditions strike some as outdated. Many popular producers are quick to denounce strict adherence to conventional templates; the infinite nature of digital production does challenge the role of genre in modern music. However, the notion of “genrelessness” is a premature ideal. Rejecting the principle does not equal stylistic creativity, and tracks that do not easily fit into pre-existing categories are not innovative by default. From the outside, it may seem counter-intuitive that much of today’s most original, unique production rises from a community so firmly rooted in genre convention. But if you’re looking for artists who actively pushing the boundaries of structure, underground dubstep is a sure place to start.<br><br>If there’s any artist successfully straddling genre lines, it’s <a contents="Thelem" data-link-label="" data-link-type="url" href="https://www.facebook.com/thelem.music/?fref=ts" target="_blank">Thelem</a>. The London-based DJ and producer rose to notoriety in the international dubstep scene, but to label him as a “dubstep producer” does a disservice to the artist’s stylistic versatility. Thelem’s dubstep tunes are sound system staples around the world, however, many of his releases are impossible to categorize as anything but bass music. His catalogue jumps around obscure BPM’s, settling often at the prescribed 140, or the 160+ range that characterizes drum and bass. Thelem’s newest release – the <em>We Ain’t The Same</em> EP – features a fusion of classic dubstep styles, the contagiously danceable sound that epitomizes UK grime, even elements of the bass-heavy party style known in America as “trap”. Younger fans of electronic music devised an appropriately ambiguous label suited for Thelem’s postmodern productions: “Future Bass”.</p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/232303475&color=000000&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe>
<p style="text-align: center;"> </p>
<p>It is notable, then, that Thelem’s production is inspired largely by the past. His earliest releases date to 2011: as far as the 140 tradition is concerned, this is relatively recent. But Thelem’s style has more in common with pre-2011 dubstep than the genre’s more popular commercial offshoots. His tracks focus on movement through the gradual build and release of tension rather than relying on the impact of clearly defined “drops”. Compared to the commercialized renditions of electronic music, Thelem’s style could be considered minimalistic. However, his music is more suited for celebration than meditation. His tracks create epic moments on the dance floor. The 2014 release <a contents="“Haunted Harmonics”" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=1szwMJfBpqU" target="_blank">“Haunted Harmonics”</a> is a sound system staple destined for classic status. Likewise, <a contents="“Foul Play”" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=zCE0Yi--jZ8" target="_blank">“Foul Play”</a> (released as part of the Artikal Music UK 2014 compilation) is familiar to anyone who passes their nights at dubstep parties.<br><br>Thelem’s work with vocalist <a contents="T-Man" data-link-label="" data-link-type="url" href="https://www.facebook.com/T-Man-248195448583041/?fref=ts" target="_blank">T-Man</a> is perhaps his most impressive. 2013’s <a contents="“Bring Me Down”" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=_8yVui3z7EU" target="_blank">“Bring Me Down”</a> (Innamind) is an irresistible underdog anthem that captures the headstrong dedication that characterizes the underground ethos (“I ain’t got time for no waste kids tryna tell me that I’m not gonna make it”). The title track for his most recent EP, <a contents="“We Ain’t The Same”" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=7PzNPebDdxo" target="_blank">“We Ain’t The Same”</a>, re-iterates the theme with an equally compelling energy. The release also includes a second track with T-Man. “Mind Games” is a drum n’ bass banger for those unwilling to slow down.<br><br><iframe class="justify_center" data-video-type="youtube" data-video-id="7UdlnyZjhXU" data-video-thumb-url="http://img.youtube.com/vi/7UdlnyZjhXU/0.jpg" type="text/html" src="https://www.youtube.com/embed/7UdlnyZjhXU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br>Ever since his emergence in the scene, Thelem’s presence has pervaded the UK community. Appearances at nights like GetDarker and Fabric mark him as a mainstay in the heart of the culture. But following his <a contents="Artikal Music UK" data-link-label="" data-link-type="url" href="http://www.artikalmusicuk.com/" target="_blank">Artikal Music UK</a> releases, Thelem’s name is known well outside the 140 circle. Headed by genre figurehead and cultural curator J:Kenzo, the Artikal Music UK label is a leader in audible innovation. With releases from artists like Sleeper, Truth, Piezo, and J:Kenzo himself, the label features heavy bass music that stretches the dubstep tradition into uncharted territory. Thelem’s <em>Haunted Harmonics</em> EP is among the most structurally diverse collections to rise from dubstep’s sphere of influence.<br><br>Dubstep post-brostep is defined by aesthetic uncertainty: if five people reference “dubstep”, it is likely that they’re talking about five different things. Thelem’s production suggests that such uncertainty is no more harmful than stubborn attachment to concrete genre conventions. His deliberate experimentation speaks to the collective progression of electronic music. Genre isn’t dead, but it shouldn’t divide dance floors. If “future bass” is an aspiration to stylistic unity, Thelem’s music is a declaration: the future is now.</p><em><a contents="Follow Thelem on SoundCloud" data-link-label="" data-link-type="url" href="https://soundcloud.com/thelem" target="_blank">Follow Thelem on SoundCloud</a><br><a contents="Click here for bookings, tour dates, and more information." data-link-label="" data-link-type="url" href="https://www.gig-well.com/index.html#agency/sub.mission/artist/thelem" target="_blank">Click here for bookings, tour dates, and more information.</a><br><br><a contents="Amye Koziel" data-link-label="" data-link-type="url" href="http://amyekoziel.contently.com" target="_blank"><span class="font_small">Amye Koziel</span></a></em>subdotmission.comtag:www.subdotmission.com,2005:Post/40073532016-01-25T20:33:24-07:002020-11-24T03:42:38-07:00The Rewind: L-Wiz<div style="text-align: center;">
<p><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a1f309b661bd3d877a050b6b6e3b726469b37868/large/lwizfb-1224.png?0" class="size_xl justify_center border_" /><br><br>Saturday night was a big one for the Denver bass music scene. Dubstep fans both old and new were able to witness a very rare and special event at <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/">Sub.mission</a>’s first installment of BASSment Underground Saturdays @ <a contents="Club Vinyl" data-link-label="" data-link-type="url" href="https://www.facebook.com/VinylClub/?fref=ts">Club Vinyl</a>. Local bad boys Buttah, Subliminal and Dillard played some seriously top notch sets and legendary Swedish dubstep duo L-Wiz made their Denver debut performing a live set filled with both new and old material that had the crowd going absolutely mental. The chemistry between every artist and the crowd was simply was absolutely amazing and the vibes in the basement were so think you could’ve sliced them up and served them on a platter. So whether you missed it or you want to relive it, we’re going to pull up a “5” and go back to Saturday night in this edition of “The Rewind”. <br> </p>
<p>From even before the doors opened the night seemed as if it was going be very intimate. Upon walking down stairs you could feel the vibrations of the sub echoing through the stair well, it was as if the frequency had taken form and grabbed you by the hand to lead you into the basement. <a contents="Buttah" data-link-label="" data-link-type="url" href="https://www.facebook.com/Buttah-308104559309992/?fref=ts">Buttah</a> had started playing and he came out swinging playing some of the best deep and dark tunes to set the tone for the night. Now Buttah has been around for a minute and he’s no stranger to the Sub.mission stage but there were some that had only see him play drum and bass sets, so when he came out laying down the proper bass weight it’s safe to say that he turned a few heads and gained a few more fans. His set was absolutely top notch and he had everyone on the floor, including those just walking in, moving to the tune. Though the selections he pulled covered a good amount of the dubstep spectrum, the vibe and tone of his set was a perfect way to start the night. The crowd loved the energy he showed as a performing artist and it’s safe to say that we’re all looking forward to the next time he plays. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a0088e4c9967b6a34eef78adf602a2e727e981c4/medium/buttah.jpg?1453779060" class="size_m justify_center border_" /></p>
<p>Next up was Sub.mission resident and all around bad man <a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a>. Now it’s no secret that this man is a straight up boss. He got on the decks, took the momentum that Buttah had built up and absolutely smashed it out of the park. With a perfect mix of both dubstep and grime that ranged from old fan favorites to new bits that only a few have heard, Subliminal used his veteran selector skill to blend and double drop tunes so perfectly together that there were moments where we couldn’t tell where one tune ended and another began. There was a point during his set where he was pulling out and laying down some classic tracks and we could see the nostalgia in the eyes of the OG’s who were there when those tunes were new and the curiosity of “What tune is this?” in the eyes of the new schoolers. It was a pretty amazing moment to witness and we knew that it wasn’t going to be the only time that happened during the night. Subliminal did a top notch job of bridging the gap between the past, present and future of not only the tunes he was playing but also the crowd he was playing to. He’s a master of his craft and when he finished his set he us all revved up and ready for Dillard to take control. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/21d35f628e4db772aea68be7b670ba830033dae8/large/sub-liminal.jpg?1453779058" class="size_l justify_center border_" /><br><br>As fellow Sub.mission resident <a contents="Dillard" data-link-label="" data-link-type="url" href="https://www.facebook.com/Dillard/?fref=ts">Dillard</a> took control of the dance the vibe of the night was in full swing. He came on and continued to carry the momentum that had been building up all night with his proper selection that comprised of his own material and some Sub.mission favorites. As he powered through his set, pumping out dubbed out bass weight madness, we took a moment to step back and observe the space and the sound. The room had begun to fill up the vibes being felt from the front to the back so well that even the vendors and live painters in the back were dancing. Excitement was in the air as well all let Dillard do his work and play the part of soul controller. After a quick trip upstairs for a smoke break and a few conversations about future Bassment Underground Saturday shows we came back down just in time to catch the last few tunes Dillard had laid down. He finished his set with perfection as he left everyone on the dance floor begging for more. As the L-Wiz’s setup was being put together we all stood and patiently waited for the main event. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/82677cb49a7b7b0601db7c8c6936e83c95db2979/original/dillard.jpg?1453779034" class="size_l justify_center border_" /></p>
<p>As we waited for them to start their set there were a few conversations that could be heard regarding what was about to happen. There was no doubt that everyone in the room had been listening to their new album <a contents="“Orange Tree”" data-link-label="" data-link-type="url" href="http://www.claesrosen.com/lwiz/?p=308">“Orange Tree”</a>, as well as the GetDarker mix that was going around that week and when <a contents="L-Wiz" data-link-label="" data-link-type="url" href="https://www.facebook.com/lwizdubstep/?fref=ts">L-Wiz</a> came in with the first tune everyone seemed to shut up and rush to the front. The moment had come and we we’re all more than ready for it and within the first few minutes it was apparent that this was going to be a live set was unlike anything we had ever seen. Ola went in on the decks with such energy and emotion that he immediately enthralled the crowd. His energy radiated throughout the room as he flexed his selector skills by flawlessly mixing in and blended material that was a mix of old, new and unheard of. He flawlessly captivated us while Claes played live keys & synth on top of his selections. This was well beyond any back to back set that you typically see from a DJ/Producer duo. Their chemistry on stage was palpable and they made it seem that we we’re right on stage with them. The highlight of the set was when we finally heard “girl From Codeine City” coming in. The room went absolutely haywire as everyone that wasn’t on the dance floor stopped what they were doing and rushed to the front. As the tune dropped the lighter crew showed up in full force and when the energy was at its peak Ola pulled the tune for a rewind and it felt like the room was about to cave in on itself. They played three versions of “GFCC” and continued to carry that energy with tunes from “Orange Tree” as the night began to wind down. Their set was, for lack of a better word, flawless, the legendary dubstep duo came in full force and when their set ended they had fans both old and new standing in awe. As quickly as it had come, it was over and the night we seemed to wait so long for would finally join others in our memories as one of the most memorable nights in Denver Dubstep history. <br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/dc208fe9b76d874e5b4802290d118e9a8584e721/original/lighter.jpg?1453779056" class="size_l justify_center border_" /><br><br>Sub.mission’s first installment of BASSment Underground was indeed a special one. It was a return to our roots in many ways as one of the legendary groups responsible for the innovation of the dubstep sound played in the basement where Sub.mission had called home in its beginnings. It would seem that things indeed are coming full circle for the bass music scene in Denver’s SoCo district. With February events from all the bass tribes on the horizon and the amount of love between the crews, it definitely is beginning to feel like the “Sutra” days in the SoCo district again. The past, present and future of bass music are once again all under one roof, or in one basement we should say. As our esteemed host XTS would say “Keep it locked and pay attention” because things are about to get a lot more fun for all of us in 2016.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0d51fa5b0f32fce785b9773a969857295d0035fd/medium/invader.jpg?1453779060" class="size_m justify_center border_" /></p>
</div>subdotmission.comtag:www.subdotmission.com,2005:Post/40052862016-01-24T18:49:37-07:002022-07-26T01:23:02-06:00The Rewind: Cut Chemist<p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c35d7d749a0390f9688533032238463b0d59458a/original/ckut-ckhemist.jpg?1453686568" class="size_l justify_center border_" /><br><br>Cut Chemist, well known for his work with Jurassic 5, Ozomantli, and DJ Shadow, played a live DJ set at Denver Colorado’s legendary Club Vinyl on Wednesday night. Being 1 of the 4 cities of the Cut Chemist Live! tour, Denver was the 1st leg of the tour and Sub.mssion & TheHundred Presents teamed up to present us with this legendary DJ. I’ve seen Cut Chemist several times with Jurassic 5 but I have never seen him do a full solo set. <br>If you have seen Cut Chemist perform in the past, it was probably backing up a hip hop group, a live band, or teaming up with another DJ. If you have seen Cut Chemist do a solo live set before, you are part of a very rare breed and should feel honored! The rest of us have never seen Cut Chemist in his solo form and this past Wednesday night was a very special treat! <br><br>Before we get into the performance, let’s think about the word ‘chemist.’ When you think of a chemist, you are probably envisioning a mad scientist with wild hair and a time machine on standby. Maybe you think of Doc from “Back to the Future?” This Chemist is not much different. His scientific approach to beats, sounds, and scratching is what makes his live performance so compelling and unique. His vast knowledge of music, timing, and his creative planning truly makes him a chemist on the turntables and unlike any other DJ. This past Wednesday night was no exception. <br><br>The Chemist began his set with a Biz Markie dubplate to get the night started and Biz Markie giving shouts to the Cut Chemist was a brilliant way to kick things off. Next he mixed into something so funky, it was puzzling. Before anyone could comprehend what was going on, Ohio Players, “Funky Worm” completely took over the room and after a few rounds of dancing we heard a sample from NWA’s Eazy E. Cut got on the mic and proclaimed “Straight Outta Compton,” the movie of the year. You could hear the excitement from the crowd as the sound of Eazy’s voice lit up the Funktion 1 sound system. Chemist dropped Gang Starr’s hip hop classic, “Full Clip.” You might recognize the sample “Big L, rest in peace.” We rocked out to the beat until he stopped the record. “This was a crazy year,” Chemist announced, “We lost David Bowie,” He scratched in the sample “rest in peace.” He continued to name several well-known artists who passed away in 2015 by naming the artist then cutting in the sample, “rest in peace.” The tribute was amazing and it really solidified an intimate connection between the DJ and the crowd. Cut Chemist continued to rock a mini hip hop mix which included Madvillain’s “Americas Most Blunted” featuring Lord Quasimoto, KRS-One, Dilla, Eric B. and Rakim and of course his own group, Jurassic 5. Cut Chemist really brought out the energy from the hip hop heads. <br><br>One of the most memorable moments of the night was when Cut Chemist got on mic and declared Denver a “home away from home” and proceeded to grace us with a special scratch session on the turntables. One moment that really stood out was when he started finger drumming on the CDJ. As the party goers got excited, he picked up the CDJ with one hand and obliterated the beat pads with the other hand. His 2 hour set was a journey packed with funky, futuristic and experimental sounds. He covered many different varieties of music ranging from Reggaeton, to African beats. <br><br>Cut Chemist turned Club Vinyl into an education station as he broke down the science of African beats. He encouraged the crowd to follow along. The beat he started out with sounded very tribal until he slowly manipulated the rhythm into a familiar hip hop beat. It was a perfect demonstration of how original African beats have influenced hip hop music. All the music sounded great on the huge sound system. As I looked into the crowd, I observed a wide variety of fans ranging from original hip hop heads, all the way to modern day ravers and there was just enough bodies to fill the space and have plenty of room to dance at the same time. <br><br>Cut Chemist left the stage after his set to greet a few lucky fans. After his exit, the fans were left with a memory of a special night as they made their way out onto the streets of Denver. On the way out of the club you could see smiles from ear to ear. Only a few lucky fans were able to purchase the limited edition version of “Cut Chemist: FUNK OFF MEGAMIX” on Vinyl. The rest of the people that passed it up for $20 cash can pick it up online for $30 on his Bandcamp website. Special shout out to DJ Awhat for a spectacular opening set. <br><br>We want to hear from you. Were you at the show? What did you think? Leave comments below.</span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/40014782016-01-21T19:21:31-07:002017-01-12T07:25:00-07:00The Rewind: Trashbat w/ Ill Chill, Blind Prophet, Cord & More! <p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/dbe4598f02d4a421253b770a7de2bef6602f0b8e/medium/12339564-10153764229892370-1188965771378409831-o.jpg?1453324654" class="size_m justify_center border_" /><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ae139a5fa97112fe026acfa4c4b090fb57022ed7/medium/trash.jpg?1453428894" class="size_m justify_center border_" /><br>This past Tuesday night bass music lovers in Denver were in for a very special treat as Sub.mission presented us with yet another fully-loaded lineup of some of the sickest local, nationwide, and international talent all under the same roof. From the moment that I had found out that <a contents="Trashbat" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trashbat/?fref=ts">Trashbat</a> was going to be making his long awaited Denver debut at Cervantes’ Other Side for a headlining performance at Electronic Tuesdays, my calendar had been marked with great anticipation and I couldn’t wait to finally see Trashbat perform here. Unforeseen circumstances prevented Trashbat from performing at his previously scheduled date in May at a Sub.mission warehouse party and a headlining set at Electronic Tuesdays was the perfect way to make up for it and he surely didn't disappoint! Here is the rewind! <br> <br>The night began at 8:00pm with the weekly DJ battles featuring performances from Fractured Silence, SANDOS, Domino Trixter, & Bean. Each of the 4 DJ’s made the most out of their 30 minute time slots to showcase their unique styles and set the tone early in the night. This week’s battlers threw down a variety of sounds with genres ranging from deeper dubstep, trap, hip-hop, and aggressive tear-out styles as well. The battle was entertaining and demonstrated how diverse and well-rounded the local scene in Colorado is, and once again proved why it’s important to show up early in the night so you don’t miss a beat! After a heated battle among the 4 selectors, SANDOS beat out the competition and emerged as this week’s winner as his trapper 808 sound blended with Hip-Hop resonated very well with the audience. Catch SANDOS making his Electronic Tuesdays return to spin at the January Winners Showcase taking place on February 9! <br><br><a contents="SANDOS" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sandos-14754869560https://www.facebook.com/Sandos-1475486956064004/?fref=ts64004/?fref=ts">SANDOS</a><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/8f6e55f3754c34055f3bc1b4616c7854240a46f8/original/sandos.jpg?1453428530" class="size_l justify_center border_" /><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a></span><br> </p>
<p style="text-align: center;"><span class="font_large">Following the opening DJ Battles, the crowd grew thick and it was now time for the one like Blind Prophet to take the stage and offer a refreshing switch in tempo the night’s previous flow. Upon taking the decks, Blind Prophet began his set with some rootsy, Reggae Dub sounds that had the crowd nodding their heads and moving their feet. Hailing from New York, Blind Prophet played out to the Denver crowd and transitioned his set into minimal, sub-heavy dubstep that the audience was well accustomed to. Tunes like Amit’s ‘Fatty Batty’, Kaiju’s ‘Justice’, and EshOne’s ‘Ups and Downs’ flexed the sound system at Cervantes’ Other Side and Blind Prophet captured the crowd from beginning to end as he flawlessly set the tone for Trashbat’s headlining performance. From the moment Blind Prophet took the stage, I found myself permanently glued to the front of the dance floor closest to the subwoofers and that spot became my home for the remainder of the night. <br><br><br><a contents="BLIND PROPHET" data-link-label="" data-link-type="url" href="https://www.facebook.com/Blind-Prophet-352124383755/?fref=ts">BLIND PROPHET</a><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0335fcc0911ebaa580e6f2bb572d169d5ebd3dd8/original/blind-prophet.jpg?1453428620" class="size_l justify_center border_" /><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a></span><br><br> </p>
<p style="text-align: center;"><span class="font_large">Next up it was now the moment we had all been patiently waiting for, the highly awaited Denver debut of <a contents="Trashbat" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trashbat/?fref=ts">Trashbat</a>! Being an avid fan of Trashbat’s tunes over the years, I was curious and eager to see what type of set he would perform, being that he is a producer of many styles and his influences stem from a variety of genres that are not limited to <em>just</em> dubstep. Not surprisingly, Trashbat composed a well-rounded performance packed with a variety of styles that catered to bass music lovers of every spectrum. Accompanying Trashbat on stage as a very special surprise guest was the one and only <a contents="Ill Chill" data-link-label="" data-link-type="url" href="https://www.facebook.com/illchillmusic/?fref=ts">Ill Chill</a> on the microphone. Some of you may remember Ill Chill from the Mindstep label showcase Sub.mission’s warehouse party back in May when he accompanied label head ‘Crises’ in the mix and on Tuesday night he made his Denver return to drop some vocals to the sound of Trashbat. This was a very pleasant surprise and it was a treat to see one of the most prolific emcee’s in today’s Hip-Hop/Bass scene holding it down with Trashbat on this massive Tuesday night. The jazzy, smooth melodies of tunes like ‘Honey’ and the soothing snares of ‘Takaramachi’ had the crowd vibing nonstop and the Denver crowd loved every moment. Trashbat’s energetic, upbeat stage presence ignited the entire audience and it was impossible to stand still during his performance. Throughout the narrow-hall venue of Cervantes’ Other Side there was a liveliness among all of the attendees and they showed their appreciation for the sound that was being performed with loud cheers and lighters held high in the air during monumental tunes such as Skream’s ‘Midnight Request Line.’ When it was all said and done, Trashbat & Ill Chill sped up my heart rate and over-delivered on every expectation that I had of the night and it was a true accomplishment to finally be able to cross off ‘Trashbat w/ Ill Chill’ from my list of must-sees!<br><br><br>Check out this video of Trashbat grooving out to his classic tune 'Honey' <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="QMDPB_8ozR0" data-video-thumb-url="http://img.youtube.com/vi/QMDPB_8ozR0/0.jpg" type="text/html" src="https://www.youtube.com/embed/QMDPB_8ozR0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br><a contents="&nbsp;TRASHBAT" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trashbat/?fref=ts"> <br>TRASHBAT</a></span><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/0044d813f129fbf1c0e40d86b044f35fbaf7f012/original/trashbat.jpg?1453428697" class="size_l justify_center border_" /><br><br><br><span class="font_large"><a contents="ILL CHILL" data-link-label="" data-link-type="url" href="https://www.facebook.com/illchillmusic/?fref=ts">ILL CHILL</a></span><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ad79cb59c60505ce17386370bc6c16d6c05799e0/original/ill-chill.jpg?1453428782" class="size_l justify_center border_" /><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts"><span class="font_large">(EYEDIOLA PHOTOGRAPHY)</span></a><br><br> </p>
<p style="text-align: center;"><span class="font_large">The vibe was thick, the dance floor was packed, and it was now time for <a contents="Cord" data-link-label="" data-link-type="url" href="https://www.facebook.com/cordmusic/?fref=ts">Cord</a> to step up to the decks and close the night out in style. Over the years Cord has become a staple in the Denver dubstep scene and his original production and DJ’ing abilities have stood out to make him a personal favorite and I couldn’t imagine a better talent to finish off the night. While maintaining a focused stage presence that was calm, cool, and collected, Cord proceeded to get Deep, Dark, & Dangerous at Cervantes’ Other Side and kept the late night crowd moving until the end of the night. Sub heavy bass lines combined with dungeon-like percussions induced the crowd into a deep state of mediation and often times I found myself closing my eyes and surrendering my soul to the beat. For those of you that missed Cord’s set on Tuesday night or weren’t able to stay until the very end, you’re in luck! Cord recorded his set from the night and will be posting it within the next few days so keep a close eye on his Facebook & SoundCloud page! <br><br><a contents="CORD" data-link-label="" data-link-type="url" href="https://www.facebook.com/cordmusic/?fref=ts">CORD</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/73e504a2090c8d1dd7e9be96c1b6c21ba587fd75/original/cordd.jpg?1453428847" class="size_l justify_center border_" /><a contents="(EYEDIOLA PHOTOGRAPHY)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(EYEDIOLA PHOTOGRAPHY)</a></span><br> </p>
<p style="text-align: center;"><span class="font_large">Big ups to everyone that made it out and took part in such a massive night in sound presented by Sub.mission. It really is something special that we get to witness such top notch talent all under the same roof on a Tuesday night and every week is unique in its own way. See you all next week for performances from Bommer, AOWL, Dillard & more! <br><br>Author: <a contents="Carlos Galvan" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">Carlos Galvan</a></span><br><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/39933672016-01-17T13:57:20-07:002023-12-10T10:40:12-07:00Hustle Knowledge: Cut Chemist <p> <img src="//d10j3mvrs1suex.cloudfront.net/u/172838/9c414a1b9f0224e4136341264cb71663c9e99b59/original/cc.jpg?0" class="size_l justify_center border_" /><br> This week one of the best to ever touch a pair of turntables returns to the Mile High city and we are so excited, the one an only Cut Chemist touches down at club Vinyl. This legendary DJ is coming to town this Wednesday to demolish the decks and leave you wanting more. <br> <br> Cut Chemist is seriously one in a million when it comes too the art of DJing, he is what you call a “Turntablist”. He is the only sample based DJ to be signed to a major US label, he helped create one of the best hip-hop groups of all time, Jurassic 5, and he was even recently our tour with DJ Shadow playing sets out of the record collection of Afrika Bambaataa. Cut Chemist is featured in the award-winning documentary “This is the Life”, chronicling the music movement which was birthed at The Good Life Cafe in South Central Los Angeles. The Good Life is the open-mic workshop where he first performed with Unity Committee in the early 1990s and launched Jurassic 5. In 2004, Cut Chemist's song 'Drums of Fire' was part of the soundtrack to Tony Hawk's Underground 2, he made an appearance in the 2007 comedy Juno, playing a high school chemistry teacher, playing on his "chemist" stage-name, and the list goes on. <br> <br> Join us this Wednesday down at Club Vinyl and see for yourself why this man can do no wrong when it comes to music, vibe with us as we take a journey down a special street with the direction that only Cut Chemist can give, and with a soundtrack that no one in the world can create like the Cut Chemist! <br><br><iframe class="justify_inline" data-video-type="youtube" data-video-id="HsI9V_HgUnw" data-video-thumb-url="http://img.youtube.com/vi/HsI9V_HgUnw/0.jpg" type="text/html" src="https://www.youtube.com/embed/HsI9V_HgUnw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></p>subdotmission.comtag:www.subdotmission.com,2005:Post/39913392016-01-15T16:41:33-07:002020-11-24T03:09:45-07:00Hustle Knowledge: Trashbat<p style="text-align: center;"><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6c9eb0da781b53980804b8bd9f3eff13ee13e49b/original/screen-shot-2016-01-15-at-4-38-33-pm.png?1452901145" class="size_l justify_center border_" /><br><br>Now that 2016 is finally here, a new year means new artists and fresh sounds being brought your way from <a contents="Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts">Sub.mission</a>. As all the new show announcements keep coming in, one of the nights that I have been the stoked about is the long awaited Denver debut of the one and only <a contents="Trashbat" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trashbat/?fref=ts">Trashbat</a> hailing from the UK! Staying true to Sub.mission’s motto of Moving People Thru Sound, Not Hype, this is a phenomenal booking that demonstrates Trashbat’s true underground heritage and on February 19 Denver is going to experience the smooth, soulful vibe of one of <a contents="MindStep" data-link-label="" data-link-type="url" href="https://www.facebook.com/mindstepmusic/?fref=ts">MindStep</a>’s finest! <br> </span></p>
<p style="text-align: center;"><span class="font_large">Callum Grant, better known as ‘<a contents="Trashbat" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trashbat/?fref=ts">Trashbat</a>’ has become an iconic staple throughout the bass music circuit and his sound has gained support and recognition from some of the biggest names in the industry. His tunes have continuously rumbled dance floors and shook the airwaves on premier platforms such as Hatcha’s Kiss100, Distance & J:Kenzo’s Rinse FM shows, Beezy on Rood FM, DJ Crises on Sub FM, to only name a few. Internationally, Trashbat is known as a DJ/Producer that is truly well rounded and multi-faceted. His intricate sound design is truly groundbreaking and is not limited to a single genre or style. With influences stemming from Garage, Drum & Bass, Dubstep, and most recently Hip-Hop, Trashbat’s music evokes pure passion that penetrates the soul with soothing melodies and a euphoric, upbeat energy. <br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/b84d37c5d558fd984dc8824029229bee166e3601/original/trashyyy.jpg?1452901239" class="size_l justify_center border_" /></span></p>
<p style="text-align: center;"><br><span class="font_large"> <br>With massive releases on labels such as <a contents="MindStep" data-link-label="" data-link-type="url" href="https://www.facebook.com/mindstepmusic/?fref=ts">MindStep</a>, <a contents="Chord Marauders" data-link-label="" data-link-type="url" href="https://www.facebook.com/ChordMarauders/?fref=ts">Chord Marauders</a>, & <a contents="Deep Heads" data-link-label="" data-link-type="url" href="https://www.facebook.com/Deep-Heads-282814701798319/?fref=ts">Deep Heads</a> under his belt, Trashbat demonstrates his wide ranging soundscape with unprecedented abilities to curate a variety of sounds with top-notch production that never disappoints. Tunes like ‘<a contents="Mariachi" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=8LdC3ZOS5Bg">Mariachi</a>’ , ‘<a contents="Electric Ape" data-link-label="" data-link-type="url" href="https://soundcloud.com/courteousfamily/trashbat-electric-ape">Electric Ape</a>’ , “<a contents="Pastiche" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=iXMJFlVN_NM">Pastiche</a>’, ‘<a contents="Hanako" data-link-label="" data-link-type="url" href="https://www.youtube.com/watch?v=eHL1nA5JvoQ">Hanako</a>’ & ‘<a contents="Sellout" data-link-label="" data-link-type="url" href="https://soundcloud.com/getdarker/trashbat-sell-out-self-released">Sellout</a>’ have become some over my personal favorites and further showcase his diverse musical background. Regardless of the style being performed, Trashbat is sure to make a colossal impact in his Denver debut and bring some proper UK vibes to the dance floor in the Mile High City with an intention to make you dance and put on a set that you can not only hear, but one you can FEEL. <br><br>TRASHBAT- PASTICHE</span></p>
<p style="text-align: center;"><span class="font_large"><iframe class="justify_inline" data-video-type="youtube" data-video-id="iXMJFlVN_NM" data-video-thumb-url="http://img.youtube.com/vi/iXMJFlVN_NM/0.jpg" type="text/html" src="https://www.youtube.com/embed/iXMJFlVN_NM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe></span><br><br> </p>
<p style="text-align: center;"><span class="font_large">His countless live streams and features on <a contents="GetDarker" data-link-label="" data-link-type="url" href="https://www.facebook.com/dubstepgetdarker/?fref=ts">GetDarker</a> have further solidified Trashbat’s versatility behind the decks as he is no stranger to the home of underground bass music and he consistently brings something new and refreshing to the table. </span></p>
<p style="text-align: center;"><span class="font_large">Check out the most recent <a contents="Trashbat" data-link-label="" data-link-type="url" href="https://www.facebook.com/Trashbat/?fref=ts">Trashbat</a> appearance at GetDarker TV 284 this past September as he graces the decks with his soulful vibes accompanied by vocals from the one and only <a contents="Ill Chill" data-link-label="" data-link-type="url" href="https://www.facebook.com/illchillmusic/?fref=ts">Ill Chill</a>! <br> <br><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/LjUTVSLUjAw" width="560"></iframe> <br> <br><br>The Barenehurst hometown hero has been capturing crowds internationally and turning heads with his unmistakably jazzy, chilled, atmospheric moods that get bodies moving and heads nodding regardless of setting and to see him perform live and direct in the intimacy of Cervantes’ Other Side is going to be a very special treat! </span></p>
<p style="text-align: center;"><span class="font_large">Join us as we get Trashy on the dance floor this upcoming Tuesday night and vibe out to the sound of one of the UK’s most prolific artists as his sound is sure to cater to bass music lovers of every spectrum. Trashbat has been making some waves on the first stops of his USA Debut and in a few short nights we will be giving him a warm, Mile High welcoming brought to you by Sub.mission! <br><br><br>Don't forget to head over to the <a contents="FACEBOOK EVENT PAGE" data-link-label="" data-link-type="url" href="https://www.facebook.com/events/1085233758153887/">FACEBOOK EVENT PAGE</a> for this show and enter the contest to win an intimate Meet & Greet with Trashbat & <a contents="Blind Prophet" data-link-label="" data-link-type="url" href="https://www.facebook.com/Blind-Prophet-352124383755/?fref=ts">Blind Prophet</a> before their sets at Electronic Tuesdays!<br><br>Winners will be selected on Monday at 4:20pm! Head over to the event page for further details! <br><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a248d2df99e81f8b3eda62a8d8123e84b4b8b6c4/medium/trashbat-blind-prophet-meet-and-greet.jpg?1452900466" class="size_m justify_center border_" /><br><br><br>AUTHOR: <a contents="CARLOS GALVAN" data-link-label="" data-link-type="url" href="https://www.facebook.com/carlos.galvan.503?fref=ts">CARLOS GALVAN</a></span></p>subdotmission.comtag:www.subdotmission.com,2005:Post/39909932016-01-15T13:54:53-07:002017-01-12T07:25:00-07:00The Rewind: DJUNYA, Crix Saiz, Subliminal & More<p style="text-align: center;"><br><br><br><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/ada0cc366e38b4f8c432bf2e9fc00e6cd5a7827c/medium/djunya-subliminal-crix-saiz.jpg?1452889925" class="size_m justify_center border_" /><br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a55add1f9bded3481da175a3affa9d7e94e6a6b9/original/crix-djunya.jpg?1452890709" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br><br>As 2016 seems to be rolling along swiftly,<a contents=" Sub.mission" data-link-label="" data-link-type="url" href="https://www.facebook.com/Subdotmission/?fref=ts"> Sub.mission</a> has provided us with no shortage of top-notch bass music to bring in the new year and meet the needs of bass music lovers of every spectrum. This past Tuesday night was no exception as a massive roster of both local and nationwide talent graced the decks at Electronic Tuesdays to bring forth yet another massive night in sound that won’t soon be forgotten. The vibe and energy that pulsated throughout the dance floor this past Tuesday night was truly remarkable and proved once again how spoiled Denver is when it comes to the weekly gatherings at Electronic Tuesdays. For nearly 5 years strong, Sub.mission has curated this night to showcase the hottest upcoming local talent as well as OG’s in the game. Regardless of your personal preferences when it comes to bass music, Electronic Tuesdays has something for everyone and you’ll never be disappointed. Here’s the rewind! <br> <br>The night began with the weekly DJ battles featuring local talents BVNE, Gonzo, & <a contents="Sin7" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sin7Dubstep/?fref=ts">Sin7</a>. The 3 selectors took the stage and made the most out of their 30 minute time slots to get the crowd moving and show that they have what it takes to beat out the competition and advance to the next round of the battles. This week’s throwdown featured a variety of styles ranging from deeper Dubstep, Trap, and all the way to aggressive tear-out dubstep styles. Each artists set the tone early in the night and proved why it is important to make your way to the dance floor as soon as doors open so you don’t miss a beat. When it was all said and done, Sin7 emerged as this week’s winner and his minimal, 140 sound impressed the judges and audience alike. Catch Sin7 live in the mix once again at the January winners showcase battles taking place next month at Electronic Tuesdays where Sin7 will battle it out agains the fellow winners of the month of January! <br><br><a contents="SIN7" data-link-label="" data-link-type="url" href="https://www.facebook.com/Sin7Dubstep/?fref=ts">SIN7</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/d4645520da564d2c898dfddedd896dfcd2204b32/original/sin7.jpg?1452890064" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a></span><br> </p>
<p style="text-align: center;"><span class="font_large">Following the opening DJ Battles, it was now time for New Mexico’s very own <a contents="Crix Saiz" data-link-label="" data-link-type="url" href="https://www.facebook.com/crix.saiz?fref=ts">Crix Saiz</a> to take the stage and kick things up a notch. Some of you might remember Crix Saiz from his semi-recent set in Denver when he performed at Sub.mission’s Halloween party and held it down on the primary support slot for Goth Trad & Nomine. Having seen Crix Saiz live in the mix at that massive Halloween party a few months ago, I knew to buckle up tight and braced myself for yet another huge performance from the man himself. Prior to his set on Tuesday night, Mr. Saiz put out a mix featuring a bunch of original material as well as tunes from some of the game’s top talents like EshOne, Kahn, Neek, Trashbat, Vivek, & more! The mix served as a mini-teaser for his set a few nights ago and got us prepared for the sound that he unleashed on Tuesday night. Check it out <a contents="HERE" data-link-label="" data-link-type="url" href="https://soundcloud.com/crixsaiz/bass-tew-durk">HERE</a>. His supreme mixing abilities combined with next level track selection made for an unforgettable performance and Cervantes’ Other Side and he flawlessly set the tone for a headlining set from DJUNYA. The set was comprised of a combination of Dubstep classics, new aged dance floor bangers, and of course, a fair amount of UK Grime! Crix Saiz did an amazing job of warming up the crowd and setting the vibe for the rest of the night and I sure hope to see him perform in Denver again more often! <br><br><a contents="CRIX SAIZ" data-link-label="" data-link-type="url" href="https://www.facebook.com/crix.saiz?fref=ts">CRIX SAIZ</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/c469671207dc9ca7a72b59d5bae2668329700552/original/crixxxx.jpg?1452890323" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br> <br> </span></p>
<p style="text-align: center;"><span class="font_large">As the dance floor continued to take shape and became flooded with both new and familiar faces, it was now time for the one like <a contents="DJUNYA" data-link-label="" data-link-type="url" href="https://www.facebook.com/djunya/?fref=ts">DJUNYA</a> to take the stage and make an impact in his highly anticipated Mile High return. Djunya has been performing for Sub.mission since the early years and his return to Denver was very well received at The Other Side. Internationally credited for helping put the United States on the map throughout the underground dubstep circuit, Djunya is well known for his top notch production and supreme mixing abilities that captivate the crowd to move from beginning to end. From the moment he took the stage, he performed a set that was reminiscent of the classic, early dubstep styles and his set served as a breath of fresh air. Refreshing melodies and sub-heavy percussions had everyone in the room on their toes and vibing out to his signature sound. His production is multi-faced and his influences stem from Dubstep, Hip-Hop, Downtempo beats, Experimental sound, and most recently the producer has been dabbling with 160-170bpm tunes as well. On Tuesday night Djunya played out to the crowd and his set was packed with that classic bass-heavy sound that he is widely known for. The vibe and energy that consumed the room was thick as ever and Djunya made a statement in his Denver return. My favorite part of his set was when he threw down his legendary tune ‘Contact’. To experience the groove and vibe of that monumental track on the sound system at Cervantes’ Other Side was something special and there wasn’t a still body in the room. The roar from the crowd accompanied by clapping hands throughout the set proved how much the audience was enjoying Djunya’s set and he brought it back to the old school for all the true steppers. To see such an experienced and well-rounded talent perform in the intimacy of Cervantes’ Other Side was a very special treat and made for a night that I won’t soon forget. Big ups to Djunya for kicking a proper lesson in true sound system culture! <br> <br><a contents="DJUNYA" data-link-label="" data-link-type="url" href="https://www.facebook.com/djunya/?fref=ts">DJUNYA</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/1dbc670a602bcff9565e6189b8d6fb886ad9d243/original/djunyaaaa.jpg?1452890461" class="size_l justify_center border_" /><a contents="(Eyediola Photography)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photography)</a><br><br><br>Check out this video of DJUNYA's intro!<br><iframe class="justify_inline" data-video-type="youtube" data-video-id="le2BhPdO-Uo" data-video-thumb-url="http://img.youtube.com/vi/le2BhPdO-Uo/0.jpg" type="text/html" src="https://www.youtube.com/embed/le2BhPdO-Uo?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="200" width="320" allowfullscreen="true"></iframe><br><br> <br>Next up it was now time for Sub.mission resident Subliminal to take the decks and keep the late night crew going hard ‘til the night came to an end. Subliminal is one of my personal favorite DJ’s on the Sub.mission roster of residents and I couldn’t picture a better artist to close out the night. Every time Subliminal is live in the mix he brings something new and fresh to the table and this Tuesday night was no exception. Tunes like Commodo’s ‘Space Cash’, Thelem’s ‘Haunted Harmonics’ and Loefah’s classic remix of ‘Jah War’ featuring Flowdan erupted the crowd and had the audience breaking a sweat on this fine Tuesday night. Often times I find it hard to believe that Denver can get down so hard on Tuesday nights but the support and community here is unlike anything I have ever seen before. Jaw-dropping beats accompanied by vocals from The X-Tra Stamina Emcee combined to deliver another timeless performance from Subliminal and but the time his set was over, he only left us wanting more. <br><br><a contents="Subliminal" data-link-label="" data-link-type="url" href="https://www.facebook.com/subliminal64/?fref=ts">Subliminal</a><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/7d90c58c551c3bc864a4a671aa8bc6b9fca6c2ab/original/subliminallll.jpg?1452890518" class="size_l justify_center border_" /></span><a contents="(Eyediola Photogrpahy)" data-link-label="" data-link-type="url" href="https://www.facebook.com/eyediolaphotog/?fref=ts">(Eyediola Photogrpahy)</a></p>subdotmission.comtag:www.subdotmission.com,2005:Post/39895752016-01-14T21:24:17-07:002017-01-12T07:25:00-07:00The Rewind: Cookie Monsta <p style="text-align: center;"><span class="font_large"><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/f163e65fd3ffb170a827baed4fb2793acffc6aba/original/cookiemonsta-9029.jpg?1452831573" class="size_l justify_center border_" /><br>Colorado dubstep lovers were in luck this past weekend when the legendary Cookie Monsta played a two night run in two different Colorado towns. After having played shows at CO spots such as The Convention Center (Decadence), The 1st Bank Center (Boom Fest), and Red Rocks (Global Dance Festival), everyone was excited to see him play at venues with much smaller capacities and much more intimate vibes. <br><br>With the Aggie Theatre having just recently been purchased by the Cervantes family, it is now new and improved and has a fresh sound system that can handle the low ends that make up such a large part of bass music. The night started off with Fort Collins resident Wadada who warmed up the dance floor and got the early arrivers moving. After Wadada was Sub.mission resident Sektah, who always comes to his sets prepared with fresh dubs that you probably wont hear from many other DJs. Sektahs set was followed by fellow Sub.mission resident Sublimnal, who changed it up a bit from the heavier beats and played a nice mix of deeper tunes and (of course) some grime. With the current state of the music scene, it is important for some DJs to hustle knowledge with music that others might not play and that listeners might not hear, and he did just that. As Subliminals set was coming to an end, Cookie Monsta was lurking on stage and the crowd was excited that it was time for the man himself to hop on the decks. With a greeting from Cookie Monsta over the microphone, it was finally time for him to start playing his stockpile of tunes, many of which haven’t even been released yet. He started with a new one by himself and the crowd reaction said a lot about it - it was definitely a good one. Over the course of his set he was playing some massive tunes from himself as well as artists such as Herobust, Bukez Finezt, and the up and coming act Phiso.</span><br><br><br><span class="font_large"><iframe class="justify_inline" data-video-type="youtube" data-video-id="7kvTYYO7_9c" data-video-thumb-url="http://img.youtube.com/vi/7kvTYYO7_9c/0.jpg" type="text/html" src="https://www.youtube.com/embed/7kvTYYO7_9c?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" height="400" width="520" allowfullscreen="true"></iframe></span></p>
<p style="text-align: center;"><br><span class="font_large">After everyone got some good rest from the first night of Cookie Monsta, it was time for the second night. This round was happening at one of Denvers favorite venues, Cervantes, that has an underground and family feel that we all love so much. With a stacked lineup to look forward to, the crowd started showing up to the venue early and lines started forming at the door as they were eager to get in and start dancing. First on the decks was Sub.mission resident CurlyOne, who warmed up the dance and gave everyone a good start for the crazy night ahead of them. After CurlyOne was Swayd, who came out swinging with heavy hitting tunes. A notable moment of Swayds set was when he played “Woo Boost” by Rusko, which is a favorite amongst any and all dubstep crowds. As Swayd hit the final few minutes of his set, it was time for what might be one of the most unique sets that you'll ever see... Grimblee vs Hecka. These two names stem from the same person, but have very different styles of music being produced from them. Grimblee, the one that started first, takes control of the heavier side of things. Hecka, on the other hand, brings a totally different feel with the more smooth/trappier sounds, yet he does a great job of switching between the two and keeping the crowd on their toes. Now it was time for Cookie Monsta to come on. With the show being sold out, the crowd that made it inside was excited for the man himself to put the CDJs to work. Cookie Monsta knows what he is doing when it’s his time to play, and he proves that each and every time. He has a USB full of some of the best dubstep songs in the game right now, he has the skill a DJ needs to vibe off of the crowd, and he has the energy it takes to play a set that leaves people smiling and wanting more. And he did just that.<br><br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/a3945db48af8a4915e754c7d284d767826e30d6f/original/cookiemonsta-9083.jpg?1452830305" class="size_l justify_center border_" /><span style="font-size: 1.4em;"> </span><br>The people in the crowds were energetic, the vibes were strong, the dance floor was packed, and the music was alive. It’s guaranteed to be a good weekend when you get to see Cookie Monsta two nights in a row, but it’s even better when you get to share it with people who are all there for the same reason as you… to support the artists that have fame to their name but that have stayed true to their passion and humble to their fans. To have an artist as big as Cookie Monsta headline The Aggie and a favorite Denver venue made it feel like it was 2010 all over again.</span><br> </p>subdotmission.comtag:www.subdotmission.com,2005:Post/39832502016-01-10T23:47:00-07:002017-01-12T07:25:00-07:00Sub.mingling with Algo<div style="text-align: center;"> </div>
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<br><img src="//d10j3mvrs1suex.cloudfront.net/u/172838/6c05dd86d58eea3639d39980c94028ff12f0a42f/medium/algo.jpg?1452545098" class="size_m justify_center border_" /><br><br>This past Tuesday night Algo made his highly anticipated Denver debut at Cervantes' Other Side to kick off the 1st Electronic Tuesdays of 2016 with a bang! <br>Boasting massive releases on some of the industry's top labels such as Firepower Records, Rottun, SMOG, Uplink Audio, and more, Algo is one of the most explosive talents to emerge in recent years and he made quite an impact in his first ever Denver appearance. We got the opportunity to sit down with Algo prior to his performance and pick his brain for a bit and dig deeper into the Algo's musical inspiration, background, and more! Check out our latest edition of Sub.mingling and get to know ALGO! <br><br><br> </div>
<p style="text-align: center;">J: Happy New Year! <br>A<span style="font-size: 12px;">: Happy New Year! </span></p>
<p style="text-align: center;"><br>J: First time to Colorado...<br>A: Ya, getting off the plane, [the mountains are] beautiful.<br><br><br>J:Where were you before this?<br><span style="font-size: 12px;">A: I just got back from New Years Eve in Montreal, it was with P0gman, LAXX, Biome, it was definitly crazy! </span></p>
<p style="text-align: center;"><br><span style="font-size: 12px;">J: Who are your main sources of inspiration? </span><br><span style="font-size: 12px;">A: I got into it when I was 15 or 16; I was into Caspa & Rusko, all the classics; Skream, Benga, the Deep Medi guys, Datsik, Excision, 12th Planet, Skrillex, all the real guys who came up with electronic music started to become now... </span></p>
<p style="text-align: center;">I draw inspiration, not from EDM but from other genres, jazz, reggae, stuff like that. Whatever puts me in the mood to create, more than something that sounds like "him." I need an external inspiration. Not something in dance music.<br><br><br>J: When inspiration hits you do you just go home an... <br>A: Yea! Like literally just have to get in front of a computer or in my notes, I have to be able to get my idea [down on paper] because it comes and goes. Everyday I am writing stuff, I am writing to prepare. When the inspiration hits, I combine all these ideas to one. People don't realize the amount of time it takes to build a song. The time it takes to actually sit down and work on it. (He summarized that he is most productive working on a single track in one session, then returning to make tweeks on his recognizable disheveled and gritty sound.)</p>
<p style="text-align: center;">J: Have you ever felt like you've had a perfect set? <br>A: Yea, actually recently in Montreal for New Years and the Fourth of July, at a small venue. I just get a release from it. <br> </p>
<p style="text-align: center;">J: What is your favorite venue that you have played at so far? <br>A: I have to say, venue wise, Bassement. It is definitely up there with Webster Hall because it is just that underground, literally in a basement; it has that punk, old school vibe to it, bangin sound system, really good lights...just packs out. There is a dedicated group who go there. They love dubstep, they love bass music, and they are down for whatever. Whatever you are going to play they are going to dance to</p>
<p style="text-align: center;"><br>J: Do you ever get to go to any shows?<br>A: Actually, yea. I was in London, I met up with X-Core, we went to Fabric. I<span style="font-size: 12px;">t`s where Caspa and Rusko taped Fabriclive 37, which was one of the first dubstep albums I had ever heard. It just came full circle. I look up to X-core, to be able to hang out and go to a concert... It was the Digital Sound Boys last show. It was totally different from an American show. I had the time of my f***ing life, X-core's at the bar like, "Hey, here dude! Two jager bombs!" It was the coolest, craziest time I've ever had.</span><br><span style="font-size: 12px;"> It's crazy, six years ago I would be doing this. It's one of those things, when you set your mind, I'm going to do this. Then it happens, it's the best feeling ever.</span><br> </p>
<p style="text-align: center;">J: What did you think you would be doing right now, six years ago?<br>A: I never had a clear goal of what I wanted to do for a living. I wasn't the greatest kid in school.. I skipped class, I'd listen to music a lot. All the homies were at my house listening to UKF mixes, and one day I was like, "I wanna learn how to make this." Then Chris Ulmer (s/o Chris Ulmer!) shared production equipment and we started making stuff. Eventually I bought a copy of Maschine by Native Instruments. I made beats everyday, just progressed from there. Rekoil lives 20 minutes from me, so I would go to his house, he would teach me, eventually I was showing him some stuff. It happened like that.. and now, here I am... Right time, right place.</p>subdotmission.com